Rudolph Michael Schindler | |
|---|---|
 | |
| Born | (1887-09-10)September 10, 1887 |
| Died | August 22, 1953(1953-08-22) (aged 65) |
| Occupation | Architect |
| Spouse | |
| Children | 1 |
| Buildings | Kings Road House,Lovell Beach House |
Rudolph Michael Schindler (bornRudolf Michael Schlesinger; September 10, 1887 – August 22, 1953) was anAustrian-born Americanarchitect whose most important works were built in or nearLos Angeles during the early to mid-twentieth century.[1]
Although he worked and trained with some of its foremost practitioners, he often is associated with the fringes of themodernist movement in architecture. His use of complex three-dimensional forms, "warm" materials, and striking colors, as well as his ability to work within tight budgets, however, have placed him as one of themavericks of early twentieth centuryarchitecture.Reyner Banham said he designed "as if there had never been houses before."[2]
Rudolf Michael Schindler was born on September 10, 1887, to a middle-class Jewish family inVienna,Austria. His father was a wood and metal craftsman and an importer; his mother was a dressmaker. He attended theImperial and Royal High School, from 1899 to 1906, and enrolled at theVienna University of Technology before attending theVienna Academy of Fine Arts, orWagnerschule, being graduated in 1911 with a degree in architecture. For unknown reasons, his family changed their surname from 'Schlesinger' to 'Schindler' in 1901.[1]
Schindler was most influenced by professorCarl König, despite the presence of many other famous professors such asOtto Wagner and particularly,Adolf Loos. Most notably, in 1911, he was introduced to the work ofFrank Lloyd Wright through the influentialWasmuth Portfolio.
Schindler also met his lifelong friend and rivalRichard Neutra at the university in 1912, before completing his thesis project in 1913. Their careers would parallel each other: both would go to Los Angeles through Chicago, be recognized as important early modernists creating new styles suited to the California climate, and sometimes, both would work for the same clients. At one point, they and their wives shared a communal office and living structure that Schindler designed as his home and studio.
In Vienna, Schindler acquired experience in the firm ofHans Mayr and Theodore Mayer, working there from September 1911 to February 1914. Schindler then moved toChicago to work in the firm ofOttenheimer, Stern, and Reichert (OSR), accepting a cut in pay to be in that progressive American city, which was the home ofFrank Lloyd Wright. He foundNew York City, which he visited along the way, to be crowded, unattractive, and commercial.Chicago was more appealing to him, however, with less congestion and providing access to the architectural work ofHenry Hobson Richardson,Louis Sullivan, andFrank Lloyd Wright.
Schindler continued to seek contact with Wright, writing letters despite his limited English. He finally met him for the first time on December 30, 1914. Wright had little work at this stage, was still plagued by the destruction ofTaliesin and the murder of his mistress earlier that year, and did not offer Schindler a job. Schindler continued work at OSR, keeping himself occupied with trips and study, notably familiarizing himself with the earlytilt up slab work ofIrving Gill.
Wright was able to hire Schindler after obtaining the commission for theImperial Hotel inTokyo, a major project that would keep the architect inJapan for several years. Schindler's role was to continue Wright's American operations in his absence, working out of Wright'sOak Park studio. In 1919, Schindler met and marriedPauline Gibling (1893–1977). In 1920, Wright summoned him to Los Angeles to work on theBarnsdall House.
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Schindler was engaged to design several private commissions while in Los Angeles, notably, he completed what many think is his finest building, theKings Road House, also known as the Schindler house or the Schindler-Chace house, as an office and home for two professional couples by late spring 1922. He and his wife were one of the couples living in the communal structure. He also started to take on several projects of his own.
During this time, fractures started to appear in the Schindler-Wright relationship. Schindler complained, with some validity, of being underpaid and exploited. As well as his architectural affairs, he was running Frank Lloyd Wright's businesses, such as the rental of the Oak Park houses.
Of the houses Wright built in this period, theHollyhock House was undoubtedly the most significant, for which Schindler did most of the drawings and oversaw the construction of, while Frank Lloyd Wright still was in Japan. The client,Aline Barnsdall, subsequently chose Schindler as her architect to design a number of other small projects for her on Olive Hill and a spectacular beach-side 'translucent house' in 1927, which remains one of the great uncompleted projects of the twentieth century.
As Schindler was applying for a Los Angeles license to practice architecture in 1929, he mentioned his extensive work on the architectural and structural plans of the Imperial Hotel. Wright, however, refused to validate these claims. Eventually, disputes over whose work was whose, escalated until Schindler released a flier for a series of talks with Richard Neutra, describing himself as having been, "in charge of the architectural office of Frank Lloyd Wright for two years during his absence". Wright refuted this claim. The two split in 1931 and didn't reconcile until 1953, less than a year before Schindler's death.
Schindler's early buildings usually are characterized byconcrete construction. The Kings Road House, Pueblo Ribera Court, Lovell Beach House, Wolfe House, and How House are the projects most frequently identified among these.
The Kings Road house was designed as a studio and home for Schindler, his wife, and their friends Clyde and Marian DaCamara Chace. The floor plan worked itself around several L-shapes. Construction features included tilt up concrete panels cast on site, which contrasted with the more 'open' walls ofredwood and glass. It has largely become the symbol of Schindler's architecture.
In a search to create a more inexpensive architecture, Schindler abandoned concrete and turned to the plaster-skin design. This type of construction is characteristic of his work throughout the 1930s and 1940s, but his interest in form and space never changed. The Rodriguez House appears in the filmPineapple Express.
He developed his own platform frame system, theSchindler Frame in 1945. His later work uses this system extensively as a basis for experimentation.
Schindler's early work, such as theKings Road House and Lovell Beach House, largely went unnoticed in the wider architectural world. As early and radical as they were for modernism, they may have been too different for recognition and Los Angeles was not a significant location on the architectural map. Schindler was not included in the highly influentialInternational Style exhibit of 1932, while Richard Neutra was and, to add insult to injury, Neutra, incorrectly, was credited as the Austrian who worked on the Imperial Hotel with Wright.
His first major exposure came inEsther McCoy's 'Five California Architects' of 1960. His work is undergoing somewhat of a contemporary revaluation for its inventiveness, character, and formal qualities, which are making his designs familiar to a new generation of architects.
The Mackey Apartments and the Schindler Residence are maintained by theFriends of the Schindler House and theMAK Center for Art and Architecture.[3] The MAK Center offers a variety of exhibitions and events. The center also sponsors six-month residencies for emerging architects and artists who are housed in the Mackey Apartments.
"My dear Rodolph Schindler: ...I am in receipt of a letter from the Board asking if you had made designs for me. The answer to that is,-- No you didn't. Nobody makes designs for me. Sometimes if they are in luck, or rather if I am in luck, they make them with me. ...Nevertheless, I believe that you now are competent to design exceedingly good buildings. I believe that anything you would design would take rank in the new work being done in the country as worthy of respect."
"Can't you give me two lines, just two lines of recommendations without any hints atwhat a great man the boss is and what poor fishes they are in comparison."
"You further called it an exhibition of 'California Architects'. Now it has become one of 'Neutra and others'. I am quite willing to give Neutra the crown for his ability as a publicity man, but I am not willing to sail under his flag as an architect."
"I consider myself the first and still one of the few architects who consciously abandoned stylistic sculptural architecture in order to develop space as a medium of art. ... I believe that outside of Frank Lloyd Wright I am the only architect in U.S. who has attained a distinct local and personal form language."
"He has built quite a number of buildings in and around Los Angeles that seem to be admirable from the standpoint of design, and I have not heard of any of them falling down."
"He has a good mind, is affectionate in disposition, and is fairly honorable I believe. Personally, though strongly individual, he is not unduly eccentric and I, in common with many others, like him very much."
"Personally, I appreciate Rudolph. He is an incorrigible Bohemian and refuses to allow the Los Angeles barber to apply the razor to the scruff of his neck. He also has peculiarly simple and effective ideas regarding his own personal conduct. I believe, however, that he is capable as an artist. I have found him a too complacent and therefore a rotten superintendent. The buildings that he has recently built in Los Angeles are well designed, but badly executed. I suspect him of trying to give his clients too much for their money. I should say that was his extreme fault in these circumstances of endeavoring to build buildings."
"Rudolph was a patient assistant who seemed well aware of the significance of what I was then doing. His sympathetic appreciation never failed. His talents were adequate to any demands made upon them by me."
In 2024Schindler Space Architect, a feature-length documentary film byValentina Ganeva on the life and works of Schindler, was released.
Genres ofmodern architecture | |
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