Rubaru Roshni is a 2019 Indian anthologydocumentary film directed by Svati Chakravarty Bhatkal.[1] Narrated byAamir Khan and produced by Khan andKiran Rao, it tells three real life stories in a first-person account of both the victims and the perpetrators of violence; the murders ofLalit Maken and his wife, the murder ofMariam Vattalil and the2008 Mumbai attacks are covered.[2][3] The documentary premiered on 26 January 2019 in seven languages on allStar Network channels,[4] and later released through the streaming platformsHotstar andNetflix.[5][6]
Bhatkal had worked with Khan on the latter's television showSatyamev Jayate. After it was finished, she read an article about Lalit Maken's daughter and the killer of Mariam Vattalil. She said that it "struck a chord" and she decided to investigate.[7] Khan quickly showed interest into producing it after hearing the idea for Bhatkal, which was made completely unscripted.[8] The documentary was originally titledWhere the Light Comes In, which Bhatkal had derived from one of the poems written byRumi. Later, Khan suggested her a Hindi title, and was named asRubaru Roshini, after a song derivedfrom the same name, composed byA. R. Rahman forRang De Basanti.[7]
The theme song for the documentary "Sehmi Si Aankiyon" is composed by the duo Aditya-Nayantara. It was released in six languages –Hindi,Tamil,Telugu,Malayalam,Bengali andMarathi by the record labelT-Series. The song had lyrics written byAmitabh Bhattacharya, Ravichander Venkatesan, Srinivas Jorigala, Jayakumar Nair, Sumitro Mukherjee andVinod Kulkarni for the respective languages, with vocals by Nayantara Bhatkal in all languages.[9]
Rubaru Roshini was initially intended for a theatrical release, butAamir Khan decided to premiere the film on television channels, so that it may have a wide reach towards the audience and partnered withStar India to broadcast the film. A special screening was held inMumbai on 23 January 2019, and was attended by prominent film and television personalities.[10] The film premiered on 26 January 2019 (Republic Day)[11][12] inStar World andStar Plus (English),Star Bharat (Hindi),Star Vijay (Tamil),Star Maa (Telugu),Asianet (Malayalam),Star Jalsha (Bengali) andStar Pravah (Marathi) with English subtitles,[10] as to coincide the anniversary ofRang De Basanti.[13][14] In addition to the television premiere, the film was also streamed onHotstar on the same date.[15]
In the premiere screening show, Khan revealed thatNetflix was keen to acquire the streaming rights, but failed to do saw after he joined partnership with Star India to stream the film in television and digital services.[16] Later, Netflix premiered the film occasionally on 15 August 2019 (India's Independence Day).[5]
Peter Griffin ofThe Hindu wrote: "More than [Svati's] filmmaking skills — which are evident — what shines through is her feel for story, her empathy, her ability to probe beyond the surface, to step back from the easy slope of bathos."[17] Sreehari Nair ofRediff.com said, "Svati Chakravarty Bhatkal knows how to ask sharp questions without being hostile, and Rubaru Roshni offers a steady accumulation of perspectives when it is purely a dialogue between Bhatkal and the participants."[18] Subhash K. Jha called the film "profoudly moving" and "therapeutic".[19] Sana Farzeen fromThe Indian Express wrote: "In a time when violence and hatred have become a normal affair,Rubaru Roshni makes you sit up and introspect about things around you."[6]
Johnson Thomas ofThe Free Press Journal called it a "rare documentation of humaneness – one that elevates the experience of it to uncharted heights!"[20] Udita Jhunjhunwala ofFirstpost observed that the film makes us "sympathise with the victims and survivors of course, but the gut-punch comes as you get an insight into the psyche and motivations of the criminals."[21]The Quint's Urmi Bhattacheryya wrote: "What stands out aboutRubaru Roshni is its depiction of raw emotional vulnerabilities – a theme that’s bound to touch a nerve, almost universally."[22] Manik Sharma ofArre said that it "stands on its own, as an atypically arresting Indian film that demands much more than the platitudes of violence and revenge we are familiar as a nation with."[23]
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