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Royal Academy Exhibition of 1857

From Wikipedia, the free encyclopedia
1857 art exhibition in London
The Piazza Navona at Rome byDavid Roberts

TheRoyal Academy Exhibition of 1857 was the eighty ninth annualSummer Exhibition of the BritishRoyal Academy of Arts. It was held at theNational Gallery inLondon between 4 May and 25 July 1857. It coincided with the largeManchester Art Treasures exhibition, while several major artists were too busy working on the redecoration of the rebuiltHouses of Parliament to produce paintings for the Royal Academy, althoughDaniel Maclise submittedPeter the Great at Deptford Dockyard.[1]

ThePre-RaphaeliteJohn Everett Millais exhibited three works includingNews from Home, a scene from theCrimean War. His imaginedhistory paintingSir Isumbras at the Ford divided critical opinion with his former supporterJohn Ruskin describing it as a "catastrophe".[1]David Roberts submitted severalcityscapes includingThe Piazza Navona at Rome.Clarkson Stanfield'smaritime andlandscape paintings included views ofSaint-Jean-de-Luz inFrance and theGiant's Causeway inIreland as well asCalm, in theGulf of Salerno.[2]William Powell Frith was working on his epicThe Derby Day and displayed two smaller worksA London Flower Girl andKate Nickleby at Madame Mantalini's, based on the novelNicholas Nickleby by his friendCharles Dickens.[3]

Emily Mary Osborn attracted interest for hergenre paintingNameless and Friendless showing a struggling young female artist trying to sell her work.[4] The American artistJasper Francis Cropsey, part of theHudson River School, displayedAn Indian Summer Morning in the White Mountains.[5] In portraiture,Margaret Sarah Carpenter'sPortrait of John Gibson featured the well-knownsculptor.[6] The futurePresident of the Royal AcademyFrancis Grant sent inPortrait of Daisy Grant depicted his daughter against a snow-covered background.[7]

Gallery

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References

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  1. ^ab"1857 A "Catastrophe" at the Royal Academy".chronicle250.com. Retrieved2025-09-03.
  2. ^"Clarkson Stanfield: The Gulf of Salerno".BADA. Retrieved2025-09-03.
  3. ^"WILLIAM POWELL FRITH, R.A. (BRITISH, 1819-1909), Kate Nickleby at Madame Mantalini's".Christie’s. Retrieved2025-09-03.
  4. ^Meskimmon p.75
  5. ^"Currier Museum of Art - An Indian Summer Morning in the White Mountains".collections.currier.org. RetrievedSep 14, 2025.
  6. ^Ormond p.184
  7. ^Wills p.69

Bibliography

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  • Meskimmon, Marsha.Women Making Art: History, Subjectivity, Aesthetics. Routledge, 2012.
  • Murray, Peter.Daniel Maclise, 1806–1870: Romancing the Past. Crawford Art Gallery, 2009.
  • Ormond, Richard.Early Victorian Portraits. University of California Press, 1974.
  • Riding, Christine.John Everett Millais. Harry N. Abrams, 2006.
  • Van der Merwe, Pieter & Took, Roger.The Spectacular Career of Clarkson Stanfield. Tyne and Wear County Council Museums, 1979.
  • Wills, Catherine.High Society: The Life and Art of Sir Francis Grant, 1803–1878. National Galleries of Scotland, 2003.
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