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Rosette (design)

From Wikipedia, the free encyclopedia
Round, stylized flower design
For other uses, seeRosette (disambiguation).
Rosette designs fromMeyer'sHandbook of Ornament
Marble rosettes ofRucellai Sepulchre

Arosette is a round,stylized flower design.

Origin

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The rosette derives from the natural shape of thebotanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered.

History

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The rosette design is used extensively in sculptural objects fromantiquity, appearing inMesopotamia, and in funeralsteles' decoration inAncient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with theStar of Ishtar.[1]

It was adopted later inRomaneseque andRenaissance architecture, and also common in the art ofCentral Asia, spreading as far as India where it is used as a decorative motif inGreco-Buddhist art.

Ancient origins

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One of the earliest appearances of the rosette in ancient art is in early fourth millenniumBCEgypt.[2] Another earlyMediterranean occurrence of the rosette design derives fromMinoanCrete; Among other places, the design appears on thePhaistos Disc, recovered from theeponymous archaeological site in southern Crete.[3]

Modern use

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The formalised flowermotif is often carved in stone or wood to createdecorative ornaments for architecture and furniture, and inmetalworking,jewelry design and theapplied arts to form a decorative border or at the intersection of two materials.

Rosette decorations have been used for formalmilitary awards. They also appear in modern, civilian clothes,[4] and are often worn prominently in political[5] or sporting[6] events. Rosettes sometimes decorate musical instruments, such as around the perimeter of sound holes ofguitars.

Gallery

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See also

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Footnotes

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Wikimedia Commons has media related toRosettes (ornament).
  1. ^Black, Jeremy; Green, Anthony (1992), Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary, The British Museum Press,ISBN 0-7141-1705-6, p. 156
  2. ^Haddon, Alfred Cort.Evolution in Art: As Illustrated by the Life-histories of Designs, 1914, Scribner's, 364 pages
  3. ^"Phaistos Fieldnotes" by C.Michael Hogan,The Modern Antiquarian, 2007
  4. ^"Blame the Rosettes" by Eric Wilson,The New York Times, 3 August 2006
  5. ^Seerosette in politics
  6. ^Woodward, Kath.Social Sciences: The Big Issues, Routledge; 2nd edition: September 2009;ISBN 978-0415466608
  7. ^Smith, David Michael (2017).Pocket Museum - Ancient Greece. Thames & Hudson. p. 64.ISBN 978-0-500-51958-5.
  8. ^Robertson, Hutton (2022).The History of Art - From Prehistory to Presentday - A Global View. Thames & Hudson. p. 125.ISBN 978-0-500-02236-8.
  9. ^10,000 YEARS OF ART. Phaidon. 2009. p. 82.ISBN 978-0-7148-4969-0.
  10. ^Watkin, David (2022).A History of Western Architecture. Laurence King. p. 38.ISBN 978-1-52942-030-2.
  11. ^Papaioannou, Kostas (1975).L’art grec (in French). Mazenod. p. 451.
  12. ^Papaioannou, Kostas (1975).L’art grec (in French). Mazenod. p. 455.
  13. ^Robertson, Hutton (2022).The History of Art - From Prehistory to Presentday - A Global View. Thames & Hudson. p. 261.ISBN 978-0-500-02236-8.
  14. ^"PAIRE DE VASES « FUSEAU »".amisdulouvre.fr. Retrieved10 May 2023.
  15. ^Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat (2017).Bucharest Architecture - an annotated guide. Ordinul Arhitecților din România. p. 37.ISBN 978-973-0-23884-6.
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