The rosette derives from the natural shape of thebotanical rosette, formed by leaves radiating out from the stem of a plant and visible even after the flowers have withered.
The rosette design is used extensively in sculptural objects fromantiquity, appearing inMesopotamia, and in funeralsteles' decoration inAncient Greece. The rosette was another important symbol of Ishtar which had originally belonged to Inanna along with theStar of Ishtar.[1]
One of the earliest appearances of the rosette in ancient art is in early fourth millenniumBCEgypt.[2] Another earlyMediterranean occurrence of the rosette design derives fromMinoanCrete; Among other places, the design appears on thePhaistos Disc, recovered from theeponymous archaeological site in southern Crete.[3]
Rosette decorations have been used for formalmilitary awards. They also appear in modern, civilian clothes,[4] and are often worn prominently in political[5] or sporting[6] events. Rosettes sometimes decorate musical instruments, such as around the perimeter of sound holes ofguitars.
Baroque rosettes on a carpet with fame and fortitude, by theSavonnerie manufactory, 1668–1685, knotted and cut wool pile, woven with about 90 knots per square inch, Metropolitan Museum of Art
Neoclassical rosettes on a vase, by theSèvres Porcelain Manufactory, 1814, hard-paste porcelain with platinum background and gilt bronze mounts, Louvre[14]
^Black, Jeremy; Green, Anthony (1992), Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary, The British Museum Press,ISBN0-7141-1705-6, p. 156
^Haddon, Alfred Cort.Evolution in Art: As Illustrated by the Life-histories of Designs, 1914, Scribner's, 364 pages
^Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat (2017).Bucharest Architecture - an annotated guide. Ordinul Arhitecților din România. p. 37.ISBN978-973-0-23884-6.