| 279 – "Rosa" | |||
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| Doctor Who episode | |||
| Cast | |||
Others
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| Production | |||
| Directed by | Mark Tonderai | ||
| Written by | Malorie Blackman andChris Chibnall | ||
| Produced by | Nikki Wilson | ||
| Executive producers |
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| Music by | Segun Akinola | ||
| Series | Series 11 | ||
| Running time | 50 minutes | ||
| First broadcast | 21 October 2018 (2018-10-21) | ||
| Chronology | |||
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| List of episodes (2005–present) | |||
"Rosa" is the third episode of theeleventh series of the Britishscience fiction television programmeDoctor Who. It was written byMalorie Blackman and executive producerChris Chibnall, and directed byMark Tonderai, and was first broadcast onBBC One on 21 October 2018.
In the episode, alientime traveller theDoctor (Jodie Whittaker) and hercompanionsGraham O'Brien (Bradley Walsh),Ryan Sinclair (Tosin Cole), andYasmin Khan (Mandip Gill) arrive inAlabama in 1955, and find themselves seeking to stop time-travelling criminal Krasko (Joshua Bowman) from preventingRosa Parks (Vinette Robinson) influencing theAmerican civil rights movement during theMontgomery bus boycott. The episode's plot concernsracial segregation in the United States at the time, including the law upheld in Alabama regarding municipal transit during this period.
The closing credits of "Rosa" were played out with the single "Rise Up" byAndra Day, making it one of few episodes in the programme's history not to end withthe traditional closing theme. The episode was watched by 8.41 million viewers and received positive reviews from critics.
When theThirteenth Doctor attempts to return to present-daySheffield, theTARDIS instead brings her and her friends toMontgomery, Alabama in 1955. Before attempting to leave, the Doctor finds that there are traces of artron energy in the area from another time travel device. Deciding to investigate, the group learn that they have arrived the day beforeRosa Parks refused to give up her seat as bus driverJames F. Blake demanded on 1 December, effectively influencing thecivil rights movement. Tracing the energy, the group locate a suitcase of equipment from the future but are unable to learn more when they are forced to flee when its owner attempts to hit them with a time displacement device. The Doctor suspects he is trying to alter Parks' history.
Leaving her friends to research everything behind the critical moment on 1 December, the Doctor returns to examine the suitcase's contents before using it to shield herself from its owner — a rehabilitated mass murderer named Krasko. The Doctor learns that Krasko seeks to prevent theMontgomery bus boycott from occurring, but cannot simply kill Parks, since his neural implants prevent him from killing any living being. The Doctor is unable to convince him to abandon his plan, despite taking his time displacement device and destroying his vortex manipulator. When the Doctor learns that Krasko had arranged for Blake to take the day off, she and her friends focus on keeping history on track despite Krasko working to counter their efforts.
Ryan encounters Krasko blocking the bus route with a car after removing false notices at bus stops, learning that Krasko succeeded in keeping the bus from reaching its passenger quota. Ryan learns that Krasko's actions are motivated by his deeply racist views, and uses the criminal's own displacement device to send him into the past to stop him completely. Removing the blockade, he and the others rejoin the Doctor on the bus as passengers before reaching Empire Theater. As the moment arrives, the Doctor realises they have become integral to events, and is forced to keep them aboard the bus. After witnessing Parks being arrested by the police for violating segregation laws, the group return to the TARDIS where the Doctor shows them the impact Rosa has had on history, leading toan asteroid being named in her honour in the future.
The prison of Stormcage, mentioned in "Rosa" when the Thirteenth Doctor recognises a tattoo on the arm of Krasko, was featured in episodes of theEleventh Doctor, primarily as the place whereRiver Song serves time for the "murder" of her husband.[1]
Co-written by Blackman, she became the firstwriter of colour to work on the programme in its entire history (something almost accomplished byRobin Mukherjee 29 years earlier, during the run of the original series with the unmadeAlixion).[2]
After the premiere episode, "The Woman Who Fell to Earth", was broadcast, it was confirmed thatVinette Robinson andJoshua Bowman would be among a number of guest actors that would appear in the series.[3][4] Vinette Robinson previously appeared onDoctor Who as Abi Lerner inSeries 3 episode "42", also written byChris Chibnall.[5]
ActorMorgan Deare, playing Arthur in this episode, also previously appeared onDoctor Who, as Hawk in the November 1987 three-episode serialDelta and the Bannermen.[6]
The closing credits for "Rosa" were played out with the single "Rise Up" byAndra Day.[7] It is one of few episodes in the programme's history not to end withthe traditional closing theme.
The episode was filmed inCape Town, South Africa.[8]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Rotten Tomatoes (Average Score) | 7.99[9] |
| Rotten Tomatoes (Tomatometer) | 97%[9] |
| Review scores | |
| Source | Rating |
| Entertainment Weekly | B[10] |
| Daily Mirror |   [11] |
| New York Magazine | [12] |
| Radio Times | [13] |
| The A.V. Club | B+[14] |
| The Telegraph | [15] |
| The Independent | [16] |
| TV Fanatic |  [17] |
"Rosa" was watched by 6.39 million viewers overnight, accounting for an audience share of 29.6%, making it the second-highest overnight viewership for the night, and fifth for the week on overnights across all channels.[18][19] The episode had anAudience Appreciation Index score of 83.[19] The episode received an official total of 8.41 million viewers across all UK channels, making it the 4th most watched programme of the week.[20]
In the United States, the broadcast onBBC America had 808,000 viewers for the night.[21]
"Rosa" was met with positive reviews from critics. It holds an approval rating of 97% based on 30 reviews onRotten Tomatoes, with an average rating of 7.99/10. The critical consensus reads "First timeDoctor Who writerMalorie Blackman pens an insightful installment that returns the show to its educational roots and serves as a reminder of how powerful purposeful science fiction can be."[9]
In February 2019, the episode won the Visionary Arts Organisation Award for Television Show of the Year at the BAFTA in London.[22][23] In April 2019, the episode was announced as a finalist (nominee) in the category ofBest Dramatic Presentation, Short Form for the 2019 Hugo Awards.[24]
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| Series 11 |
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