
TheRoman salute, also known as thefascist salute, is agesture in which the right hand is swung from the left shoulder to fully extend the right arm forward perpendicular to thetorso, with palm down, and fingers touching. In some versions, the arm is raised upward at an angle; in others, it is held out parallel to the ground. In contemporary times, the gesture is typically associated withfascism andfar-right politics. Although it originated during the 18th centuryFrench Revolution, it ispseudohistorically associated withancient Rome.[1]
According to anapocryphal legend, the fascist gesture was based on a customary greeting which was claimed to have been used inancient Rome.[2] However, noRoman text describes such a gesture, and theRoman works of art that display salutational gestures bear little resemblance to the modern "Roman" salute.[2] The salute had in fact originated more than a millennium later, inJacques-Louis David's paintingThe Oath of the Horatii (1784), and it quickly developed a historically inaccurate association with Romanrepublican andimperial culture. The gesture and its identification withRoman culture were further developed in otherneoclassic artworks. In theUnited States, a similar salute for thePledge of Allegiance known as theBellamy salute was created by James B. Upham to accompany the Pledge, written byFrancis Bellamy in 1892. The gesture was further elaborated upon in popular culture during the late 19th and early 20th centuries in plays and films that portrayed the salute as an ancient Roman custom. These included the 1914 ItalianfilmCabiria whoseintertitles were written by the nationalist poetGabriele d'Annunzio. In 1919, d'Annunzio adopted the cinematographically depicted salute as a neo-imperial ritual when he ledan occupation of Fiume.
Through d'Annunzio's influence, the gesture soon became part of the risingItalian Fascist movement's symbolic repertoire and began to be gradually adopted by the Fascistregime in 1923. It was additionally adopted by theNazi Party in Germany in 1926, where it was used with the Sieg Heil! chant as part of theNazi salute, gaining national prominence with theNazi regime that began in 1933. During theinterwar period, the Roman salute was also adopted by other fascist, far right, andultranationalist movements, includingFrancoist Spain andMetaxist Greece. The gesture fell out after the end ofWorld War II, which included the defeat of theAxis powers that made compulsory use of it. Since then, displaying the salute with a Nazi intent has been acriminal offence in Germany, Austria, Czechia, Slovakia, and Poland. Legal restrictions on its use in Italy are more nuanced and use there has generated controversy.[3][4]
The Roman salute gesture and its variations continue to be used today inneo-fascist,neo-Nazi, andFalangist contexts. Outside of these, it is used officially (and without fascist intents) in Mexico as a civilian, military and political pledge of allegiance, in countries including Portugal, Brazil and Chile only as amilitary oath, and in Taiwan strictly as anoath of office.[5][6][7]

The modern gesture consists of stiffly extending the right arm frontally and raising it roughly 135 degrees from the body's vertical axis, with the palm of the hand facing down and the fingers stretched out and touching each other. According to a pseudo-historical legend, this salute was based on an ancient Roman custom. However, this description is not found in Roman literature and is never mentioned by ancient Roman historians. Not a single Roman work of art displays a salute of this kind. The gesture of the raised right arm or hand in Roman and other ancient cultures that does exist in surviving literature and art generally had a significantly different function and is never identical with the modern straight-arm salute.[2]
The right hand (Lat.dextera,dextra; Gr. δεξιά –dexia) was commonly used in antiquity in gestures symbolic of a pledge of trust, friendship, or loyalty.[8] For example,Cicero reported thatOctavian pledged an oath toJulius Caesar while outstretching his right hand: "Although that youth [the young Caesar Octavian] is powerful and has toldAntony off nicely: yet, after all, we must wait to see the end. But what a speech! He swore his oath with the words: 'so may I achieve the honours of my father!', and at the same time he stretched out his right hand in the direction of his statue."[9]

Sculptures commemorating military victories such as those on theArch of Titus, theArch of Constantine, or on theColumn of Trajan are the best-known examples of raised arms in the art of that period.[10] However, these monuments do not display a single representation of the Roman salute.[10]
The images closest in appearance to a raised arm salute are scenes in Roman sculpture and coins which show anadlocutio,acclamatio,adventus, orprofectio.[11] These are occasions when a high-ranking official, such as a general or the emperor, addresses individuals or a group, often soldiers. Unlike modern custom, in which both the leader and the people he addresses raise their arms, most of these scenes show only the senior official raising his hand. Occasionally it is a sign ofgreeting or benevolence, but usually it is used as an indication of power.[12] An opposite depiction is thesalutatio of adiogmites, a military police officer, who raises his right arm to greet his commander during hisadventus on a relief from 2nd-centuryEphesus.[13]
An example of a salutational gesture of imperial power can be seen in the statue ofAugustus of Prima Porta which follows certain guidelines set out by oratory scholars of his day.[14] InRhetorica ad Herennium the anonymous author states that the orator "will control himself in the entire frame of his body and in the manly angle of his flanks, with the extension of the arm in the impassioned moments of speech, and by drawing in the arm in relaxed moods".[14]Quintilian states in hisInstitutio Oratoria: "Experts do not permit the hand to be raised above the level of the eyes or lowered beneath the breast; to such a degree is this true that it is considered a fault to direct the hand above the head or lower it to the lower part of the belly. It may be extended to the left within the limits of the shoulder, but beyond that it is not fitting."[14]


Beginning withJacques-Louis David's paintingThe Oath of the Horatii (1784), an association of the gesture with Roman republican and imperial culture emerged.[15][16] The painting showsthe three sons of Horatius swear on their swords, held by their father, that they will defend Rome to the death.[17] It is based on a historical event described byLivy (Book I, sections 24-6) and elaborated byDionysius inRoman Antiquities (Book III).[18] However, the moment depicted in David's painting is his own creation.[19] Neither Livy nor Dionysius mention any oath taking episode.[17] Dionysius, the more detailed source, reports that the father had left to his sons the decision to fight then raised his hands to the heavens to thank the gods.[19]
Dominating the center ofThe Oath of the Horatii is the brothers' father, facing left. He has both hands raised. His left hand is holding three swords, while his right hand is empty, with fingers stretched but not touching.[19] The brother closest to the viewer is holding his arm almost horizontally. The brother on the left is holding his arm slightly higher, while the third brother holds his hand higher still. While the first brother extends his right arm, the other two are extending theirleft arms. The succession of arms raised progressively higher leads to a gesture closely approximating the style used by fascists in the 20th century in Italy, albeit with the "wrong" arms.[19]
Art historianAlbert Boime provides the following analysis:
The brothers stretch out their arms in a salute that has since become associated with tyranny. The "Hail Caesar" of antiquity (although at the time of the Horatii a Caesar had yet to be born) was transformed into the "Heil Hitler" of the modern period. The fraternal intimacy brought about by the Horatii's dedication to absolute principles of victory or death ... is closely related to the establishment of the fraternal order ... In the total commitment or blind obedience of a single, exclusive group lies the potentiality of the authoritarian state.[16]
After theFrench Revolution of 1789, David was commissioned to depict the formation of the revolutionary government in a similar style. In theTennis Court Oath (1792) theNational Assembly are all depicted with their arms outstretched, united in an upward gesture comparable to that of the Horatii, as they swear to create a new constitution.[20] The painting was never finished, but an immense drawing was exhibited in 1791 alongside theOath of the Horatii.[16] As in theOath of the Horatii, David conveys the unity of minds and bodies in the service of the patriotic ideal. But in this drawing, he takes the subject further, uniting the people beyond just family ties and across different classes, religions, and philosophical opinions.[16]

After therepublican government was replaced byNapoleon'simperial régime, David further deployed the gesture inThe Distribution of the Eagle Standards (1810). But unlike his previous paintings representing republican ideals, inEagle Standards the oath of allegiance is pledged to a central authority figure, and in imperial fashion.[21] Boime sees the series of oath pictures as "the coding of key developments in the history of the Revolution and its culmination in Napoleonic authoritarianism".[22]
The imperial oath is seen in other paintings, such asJean-Léon Gérôme'sAve Caesar! Morituri te salutant (Hail, Caesar, those who are about to die salute you) of 1859. In this painting, thegladiators are all raising their right or left arms, holdingtridents and other weapons.[23] Their salutation is a well-knownLatin phrase quoted inSuetonius,De Vita Caesarum ("The Life of the Caesars", or "The Twelve Caesars").[24] Despite becoming widely popularised in later times, the phrase is unknown in Roman history aside from this isolated use, and it is questionable whether it was ever a customary salute, as is often believed.[25] It was more likely to be an isolated appeal by desperate captives and criminals condemned to die.[26]

On October 12, 1892, theBellamy salute was demonstrated as thehand gesture to accompany thePledge of Allegiance in the United States. The inventor of the saluting gesture was James B. Upham, junior partner and editor ofThe Youth's Companion.[27] Bellamy recalled Upham, upon reading the pledge, came into the posture of the salute, snapped his heels together, and said "Now up there is the flag; I come to salute; as I say 'I pledge allegiance to my flag,' I stretch out my right hand and keep it raised while I say the stirring words that follow."[27]
As fascism took hold in Europe, controversy grew over the use of the Bellamy salute given its similarity to the Roman Salute. When war broke out in 1939, the controversy intensified. School boards around the country revised the salute to avoid the similarity. There was a counter-backlash from theUnited States Flag Association and theDaughters of the American Revolution, who felt it inappropriate for Americans to have to change the traditional salute because others had later adopted a similar gesture.[28]
On June 22, 1942, at the urging of theAmerican Legion and theVeterans of Foreign Wars, Congress passedPublic Law 77-623, which codified the etiquette used to display and pledge allegiance to the flag. This included use of the Bellamy salute, specifically that the pledge "be rendered by standing with the right hand over the heart; extending the right hand, palm upward, toward the flag at the words 'to the flag' and holding this position until the end, when the hand drops to the side." Congress did not discuss or take into account the controversy over use of the salute. Congress later amended the code on December 22, 1942, when it passedPublic Law 77-829. Among other changes, it eliminated the Bellamy salute and replaced it with the stipulation that the pledge "be rendered by standing with the right hand over the heart".[29]

The gesture, already established in the United States through the Bellamy salute, has been traced to theBroadway production of the playBen-Hur.[30] The play, based onLew Wallace's bookBen-Hur: A Tale of the Christ, opened on Broadway in November 1899 and proved to be a great success.[31] Photographs show several scenes using the gesture, including one of Ben-Hur greeting a seated sheik and another of a small crowd so greeting Ben-Hur in his chariot. Neither Wallace's novel nor text for the theatrical production mentions a raised arm salute.[32] The salute was evidently added in keeping with the exaggerated style of acting in 19th century theater, which in turn influenced acting in the silent cinema.[33]
The salute frequently occurs in early 20th century films set in antiquity, such as the AmericanBen-Hur (1907) and the ItalianNerone (1908), although such films do not yet standardize it or make it exclusively Roman.[34] InSpartaco (1914), even the slaveSpartacus uses it.[34] Later examples appear inBen-Hur (1925) and in Cecil B. DeMille'sSign of the Cross (1932) andCleopatra (1934), although the execution of the gesture is still variable.[34]
Of special note is the use inGiovanni Pastrone's colossal epicCabiria (1914).[35] Its intertitles, character names, and movie title were attributed to Italian nationalistGabriele d'Annunzio, who was known as the "poet-warrior".[36] Inspired by theItalo-Turkish War, in which Italy conquered the North AfricanOttoman province ofTripolitania, Pastrone pursued a politically volatile issue.[37] The film highlights Italy's Roman past and the "monstrous" nature ofCarthaginian society, which is contrasted with the "nobility" of Roman society.[38]Cabiria was one of several films of the period that "helped resuscitate a distant history that legitimized Italy's past and inspired its dreams" and which "delivered the spirit for conquest that seemed to arrive from the distant past", thereby presaging the "political rituals of fascism", "thanks ... to its prime supporter and apostle, Gabriele d'Annunzio."[39]
Variations on the salute occur throughoutCabiria on the part of Romans and Africans. Scipio uses the gesture once. Fulvius Axilla, the story's fictitious hero, twice employs it as a farewell greeting to his hosts.[40] TheNumidian kingMassinissa, guest of the Carthaginian Hasdrubal, raises his right hand and is so greeted in return, once by the strongmanMaciste. PrincessSophonisba and KingSyphax mutually greet each other by raising their hands and declining their bodies. The diversity of the gesture and the variety of nationalities who use it inCabria is seen as further evidence that the salute is a modern invention, used in the film to highlight the exotic nature of antiquity.[40]
Gabriele D'Annunzio, who had written the intertitles forCabiria, appropriated the salute when he occupiedFiume in 1919 and led the "Italian Regency of Carnaro".[41] D'Annunzio has been described as theJohn the Baptist ofItalian Fascism,[42] having invented many of the theatrical rituals, including the salute and the balcony address, that became part of the movement's symbolic repertoire .[43][42][41] On January 31, 1923, the Ministry of Education instituted a ritual honoring the flag in schools using the Roman salute.[41]
In 1925, as Mussolini began his fascitization of the state, the salute was gradually adopted by the regime, and by December 1, 1925, all state civil administrators were required to use it.[41]
Achille Starace, the ItalianFascist Party secretary, pushed for measures to make the use of the Roman salute generally compulsory, denouncinghand shaking asbourgeois. He further extolled the salute as "more hygienic, more aesthetic, and shorter". He also suggested that the Roman salute did not imply the necessity of taking off the hat unless one was indoors. By 1932, the salute was adopted as the substitute for the handshake.[41] On August 19, 1933, the military was ordered to use the salute whenever an unarmed detachment of soldiers was called on to render military honors for the King or Mussolini.[44]
The symbolic value of the gesture grew, and it was felt that the proper salute "had the effect of showing the fascist man's decisive spirit, which was close to that of ancient Rome".[45] The salute was seen to demonstrate the fascist's "decisive spirit, firmness, seriousness, and acknowledgment and acceptance of the regime's hierarchical structure".[46] It was further felt that the correct physical gesture brought forth a change in character.[47] A joke claimed, however, that the Fascist salute used one hand because Italians were tired of raising both hands to surrender duringWorld War I.[48]
The handshake was supposed to disappear from the view of Italians and not contaminate their daily life. In 1938, the party abolished handshaking in films and theater, and on November 21, 1938, theMinistry of Popular Culture issued orders banning the publishing of photographs showing people shaking hands. Even official photographs of visiting dignitaries wereretouched to remove the image of their handshaking.[47]
In Germany, the salute, sporadically used by theNazi Party (NSDAP) since 1923, was made compulsory within the movement in 1926.[49] Called theHitler salute (Hitlergruß), it functioned both as an expression of commitment within the party and as a demonstrative statement to the outside world.[50] Yet in spite of this demand for the outward display of obedience, the drive to gain acceptance did not go unchallenged, even within the movement. Early objections focused on its resemblance to the Roman salute employed by Fascist Italy, and hence on it not beingGerman. In response, efforts were made to establish its pedigree and invent a proper tradition after the fact.[50]
The compulsory use of the Hitler salute for all public employees followed a directive issued by Reich Minister of the InteriorWilhelm Frick on July 13, 1933, one day before the ban on all non-Nazi parties.[51] TheWehrmacht refused to adopt the Hitler salute and was able for a time to maintain its own customs.[52] The military were required to use the Hitler salute only while singing theHorst Wessel Lied andGerman national anthem, and in non-military encounters such as greeting members of the civilian government.[52] Only after theJuly 20 Plot in 1944 were the military forces of the Third Reich ordered to replace the standard military salute with the Hitler salute.[53]






Similar forms of salutes were adopted by various groups. Its use in France dates back to the revolution. It was also used by theJeunesses Patriotes (Patriotic Youth), a movement led byPierre Taittinger, which gave the fascist salute at meetings while shouting "Dictatorship!".[54]Marcel Bucard'sMouvement Franciste, founded in September 1933, adopted the salute as well as donning blue shirts and blue berets.[55]Solidarité Française used the salute as well, though its leaders denied the movement was fascist.[56] By 1937, rivalry amongst French right wing parties sometimes caused confusion over salutes.[57] TheParti Populaire Français, generally regarded as the most pro-Nazi of France'scollaborationist parties, adopted a variant of the salute that distinguished itself from others by slightly bending the hand and holding it at face level.[58]
The Republic of China adopted the Roman Salute in 1930 as a gesture used when officials and teachers take theoath of office facing theirnational flag and portrait ofSun Yat-sen. The salute remained unchanged even after 1949 when the nationalist government retreated to Taiwan, as well as when Taiwan came under democratic rule in 1991, and continues to be used for the same purpose to this day. (see external links below)
In the early 1930s, the salute was used by members of the Estonian nationalist right wingVaps Movement,[59] as well as theBrazilian Integralist Action, who used to salute by raising one arm. The Brazilian form of the Salute was called "Anauê" – a word used as a salutation and as a cry by the Brazilian indigenousTupi people, meaning "you are my brother".[60]
In Greece in 1936, whenIoannis Metaxas and his4th of August Regime took power, an almost identical salute was adopted – first by theNational Youth Organization and later by the government as well as common people – and used even while fighting against Italy and Germany in WW2.
In Spain, in the early 1930s,CEDA, theConfederación Española de Derechas Autónomas ("Spanish Confederation of Autonomous Right-wing Groups") adopted a form of the Roman salute.[61] Then, on April 26, 1937, after GeneralFrancisco Franco took over the fascistFalange Española de las JONS party and merged it with theCarlist, monarchist, and ultracatholicTraditionalist Communion, creating theFET y de las JONS (Falange Española Tradicionalista y de las Juntas de Ofensiva Nacional Sindicalista, lit. 'Traditionalist Spanish Phalanx of the Councils of the National Syndicalist Offensive"), he formally approved the salute in a decree which made it the official salutation to be used by all except the military, who would continue to use the traditional military salutes.[62] This was repealed in September 1945.[63] When the Franco regime restored "Marcha Real" as the Spanish national anthem in 1942 and established unofficialnew lyrics for it, the first stanza referred to the fascist salute: "Alzad los brazos, hijos del pueblo español" ("Raise your arms, sons of the Spanish people"). These lyrics remained part of the Spanish national anthem until 1978.[64]
After a meeting with Mussolini, in December 1937,Yugoslav Prime MinisterMilan Stojadinović and chairman ofYugoslav Radical Union adopted a version of the salute as he took to styling himself asVođa (leader).[65][66]
On January 4, 1939, the salute by raising one arm was adopted in Romania under a statute promulgating theNational Renaissance Front.[67] In Slovakia, theHlinka Guard'sNa stráž! (On guard!) consisted of a half-hearted compromise between a friendly wave and a salute with a straight raised arm.[68]
During theVichy regime in France, the Roman salute was regularly used by members of theLegion of French Volunteers Against Bolshevism and the33rd Waffen Grenadier Division of the SS Charlemagne.[69] It was also used by certain collaborationist groups (such as theNational Popular Rally) during public events organised by the regime.[70] Pupils of theChantiers de la jeunesse française, a pro-Vichy youth movement, also used the Roman salute.[71]

White supremacist andNeo-Nazi groups, such as theProud Boys, have used the salute in the US.Alt-right figureRichard Spencer used it during a 2016 speech in support ofDonald Trump, while shouting "Hail Trump! Hail our people!Hail victory!"[72]
The salute has been used many times by prominent individuals as well as groups of people since the war. Famed poetEzra Pound used the salute in praise of his adopted country of Italy when he returned in 1958 after being released from an insane asylum in the United States.[73] The salute was on display in the 1968 funeral for Mussolini's youngest daughter,Anna Maria Mussolini Negri.[74] When theItalian Social Movement had its greatest electoral gains since the Second World War in June 1971, crowds at the party headquarters cheered and gave the outstretched arm salute.[75] On July 29, 1983, on the 100th anniversary of Mussolini's birth, thousands of black-shirted supporters chanted "Duce! Duce!" with their arms raised in the fascist salute on a march from his native village ofPredappio inRomagna to the cemetery where he was buried.[76] On the eve ofSilvio Berlusconi's election victory in 1994, young supporters ofGianfranco Fini made the fascist salute while chanting "Duce! Duce!"[77]
In 2005, ItalianfootballerPaolo Di Canio created controversy by twice using the gesture to saluteS.S. Lazio fans, first in a match against archrivalsA.S. Roma and then againstA.S. Livorno Calcio (a club inclined to leftist politics).[78] Di Canio received a one match game ban after the second event and was fined 7,000 euros, after which he was quoted as saying "I will always salute as I did because it gives me a sense of belonging to my people [...] I saluted my people with what for me is a sign of belonging to a group that holds true values, values of civility against the standardisation that this society imposes upon us."[79] His salute featured on unofficial merchandise sold outsideStadio Olimpico after the ban.[78] Di Canio has also expressed admiration forMussolini.[80][81]
In June 2009,Michela Vittoria Brambilla, an Italian politician and businesswoman commonly described as a possible successor toSilvio Berlusconi for leadership of the Italian right, was caught in a controversy over her alleged use of the Roman salute, with calls for her to step down.[82] She denied the accusation, stating "I've never either done or thought of doing any gesture that is an apology of fascism, something toward which I've never showed any indulgence, let alone sympathy. And why should I have made a public display of such a despicable gesture shortly after I've been made a minister?"[82] A video of the event was posted on the Web site of the newspaperLa Repubblica that showed Brambilla extending her right arm upward in what appears to be a fascist salute.[82] Brambilla said she was just greeting the crowd.[82]
In January 2024, hundreds of neo-fascists gathered at theMSI's former headquarters to commemorate the Acca Larentia killings.[83][84][85] They performedfascist salutes and shouted: "Camerati, present!"[86] They also did a typical rallying cry at neo-fascist events: "For all fallen comrades!"[87] This prompted criticism from the opposition and outrage.[88][89] Marco Vizzardelli, a theatre-goer who was quickly identified byDIGOS for shouting "Long live anti-fascist Italy!" atLa Scala,[90] said that he was "outraged", adding: "Nobody stopped them, double standards."[91]Fabio Rampelli ofBrothers of Italy (FdI), an MSI-heir party that also commemorates the victims, said that these were loose cannons and that FdI had nothing to do with it.[92] Opposition leaders, such asElly Schlein, askedGiorgia Meloni, the prime minister of Italy and FdI member, to apply the ban of neo-fascist groups that is part of theItalian Constitution, which far-right groups are able to circumvent by using a different name and proclaiming themselves to be new political forces.[93] Others also urged Meloni and Lazio presidentFrancesco Rocca to distance themselves.[94]
In June 2024,Fanpage.it released an undercover report on the activities ofGioventù Nazionale, youth wing of the right-wing political partyBrothers of Italy. The investigation captured members of National Youth engaging in chanting slogans, singing songs, and making the salute associated withfascism. These behaviors were said to be encouraged privately within the group but discouraged publicly to avoid media scrutiny.[95]Eric Mamer, spokesperson forEuropean CommissionerUrsula von der Leyen, criticized the use of fascist symbols by the organization.[96] Opposition figures likeElly Schlein andNicola Fratoianni condemned National Youth's actions and called on Prime Minister Giorgia Meloni for clarification while right-wing politicianItalo Bocchino defended them and dismissed Fanpage's investigation as "garbage".[97]
Use of the salute and accompanying phrases has been forbidden by law in Germany since the end of World War II.Section 86a of the German Penal Code provides for punishment of up to three years in prison for anyone using the salute, unless it is used for artistic, scientific, or educational purposes.[98]
The Greek nationalist partyGolden Dawn used the Roman salute unofficially. Golden Dawn was accused by its opponents of being neo-Nazi, but the party denies this and claims that the salute was ancient Greek or Roman, and that it was used as a tribute toIoannis Metaxas and his4th of August Regime which led Greece against the foreign occupation forces in WWII.[99][100][101][102][103][104][105]
The salute employed by groups associated withBa'athism,Pan-Arabism andPhalangism supporters, includingHezbollah, the pro-AssadNDF[106] and Assad supporters,[107] theSyrian Social Nationalist Party,[108][109][110][111] and theKataeb Party.[112][113]
In Mexico, the Roman salute is used today during thePledge of Allegiance to the Mexican Flag in official, military, and civilian ceremonies. It is a deeply rooted tradition symbolizing respect and loyalty to the nation.[114]
ThePresident of Mexico performs this salute during the oath of office, a practice that emphasizes the symbolic connection between the leader and the state. Similarly, politicians often use this salute during the inauguration of official events, further cementing its ceremonial significance.In military contexts, the salute is a standard gesture during events honoring the flag and the country, reflecting discipline and unity.The civilian use of the salute is most prominent in educational institutions, where it is mandatory in public schools up to High school during weekly Monday ceremonies and on significant national holidays, such asIndependence Day andRevolution Day. While private schools are not legally required to perform these ceremonies, many follow the tradition, reinforcing the cultural significance of these practices.
In Portugal the salute is still used today by the military to take their oath to the national flag, when they successfully complete the first phase of military instruction. Formed in front of the highest symbol of national sovereignty, the military raise their right arm pointed towards the flag and take their oath.[115][116][117]
The salute is performed today by Spanish fascists and sympathisers ofFrancisco Franco, the former dictator of Spain.[118][119][120][121]
TheAfrikaner Weerstandsbeweging, a neo-Nazi political party and paramilitary force known for its advocacy of an all-white AfrikanerVolkstaat,[122][123] has used Nazi-style uniforms, flags, insignia, and salutes at meetings and public rallies.[124] Hundreds of supporters in 2010 delivered straight-arm salutes outside the funeral for its founder and former leaderEugène Terre'Blanche, who was murdered by two black farm workers over an alleged wage dispute.[125][126]
The Red Hand of Ulster Salute is a modified version of the Roman Salute in which the hand is raised vertically to symbolise theRed Hand of Ulster. It is used by someRangers F.C. fans to show an affinity with theLoyalist cause. Its similarity to the Nazi salute has caused offence and thefootball club and its supporters' association have asked them not to use it.[127][128] The existence of the Red Hand salute as a separate gesture (without fascist or Nazi intent) has been questioned.[129]

A large number of films made after World War II made the Roman salute a visual stereotype of a proto-fascist ancient Roman society.[130] In the 1951 filmQuo Vadis,Nero's repeated use of the salute at mass rallies explicitly presents the Roman Empire as a fascist military state.[131] The movie provided other filmmakers of the time a model,[130] with notable examples includingBen-Hur,[132]Spartacus,[133]Cleopatra,[134] andCaligula. Not untilGladiator did the Roman epic return to the cinema. In this movie, the salute is notably absent in most scenes, for example whenCommodus enters Rome or when the Senate salutes the Emperor by head-bowing.[135]
Variations on the salute also appear inneo-fascist contexts. For example, The Christian Falangist Party, founded in 1985, uses a "pectoral salute", in which the right arm, bent at the elbow, is extended from the heart, palm down.[136] This gesture was used inFrançois Truffaut's1966 filmFahrenheit 451.[137] The film portrays a futuristic totalitarian society modeled after the fascist state, including black uniforms,book burnings, and thought control.[137] In theStar Trek episode "Mirror, Mirror", the salute begins with the right fist being placed over the heart, as in a pectoral salute, and then the arm is stretched out (usually up) before the body, open palm down, as in a traditional Roman salute. In the episode,Captain Kirk and members of his crew are transported to a parallel universe in which theUnited Federation of Planets has been replaced byan empire characterized by sadistic violence and torture, genocide, and unquestioning obedience to authority.[138] A modified Roman salute is commonly used in the British-American seriesRome. Here the salute avoids similarity to the Fascist salute, as the series seeks not to depict these Romans as stereotypical conquerors. Therefore, the salute is not the familiar straight arm salute but rather resembles a pectoral salute, with the right hand placed over the heart and then extended to the front of the body.[139]
Declaring Fiume the "Republic of Carnaro", D'Annunzio invented the public theatricality that Mussolini was later to make his own: daily harangues by the Comandante from a balcony, lots of uniforms and parades, the "Roman salute" with arm outstretched, the meaningless war cry "Eia, eia, alalà".
[The SSNP] greet their leaders with a Hitlerian salute; sing their Arabic anthem, "Greetings to You, Syria", to the strains of "Deutschland, Deutschland über alles"; and throng to the symbol of the red hurricane, a swastika in circular motion.
For the SSNP, Greater Syria is not just an abstract concept — it's a particular culture. It has its own "national holidays", its own national anthem, and party members greet one another with a salute and chant of "Long live Syria!"
As the late author Samir Kassir wrote in his celebrated history of the Lebanese capital, Beirut: "From Hitlerite Germany [Sa`adeh] borrowed the symbolism and rituals of the SSNP, based on the National Socialist model: the party's emblem, a red vortex on a white ground framed in black that recreated the spiral motion of the swastika; the martial salute, arm outstretched; the cult of the leader (Za`im), though 'Heil Hitler' gave way to the impersonal exhortation 'Tahya Surya' (Long Live Syria); and the paramilitary organization, supplemented by a glorification of violence."
Originally established in 1932 in Beirut as a nationalist secular party advocating for a strong Pan-Syrian identity, the SSNP sought to create a "Greater Syrian" state. The American magazine The Atlantic published an article highlighting the party's controversial use of symbols, including a salute reminiscent of the Nazi regime and the adoption of a symbol known as the red hurricane, which bears resemblance to a swastika in motion.
Amin's fatherPierre [Gemayel]... founded the Phalange in 1936 after being inspired by the Nazi Berlin Olympics. "I thought Lebanon needed some of this order," he admitted to me shortly before his death; the original Phalange dressed in brown shirts and gave the Hitler salute.
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