Frigg's philosophy draws extensively from his physics background. He often takes examples from the field to demonstrate how order is emergent, holistic, and contextual by universal and exceptionless laws.[5] For instance, together with Robert Bishop, he explained that there is self-organization and patterns of emergent order in the universe rather than a system being built up just from independently calculated movement of its part.[5] This theory is applied to explain phenomena such as heavenly bodies, global politics, and even family life, among others with the view that a domain is regarded as ordered once its objects are seen as behaving according to a general law.[5]
Along with some philosophers like Gabrielle Contessa andPeter Godfrey-Smith, Frigg also theorizes that there are parallels between theoretical modelling and works of fiction that involve fictional characters.[6] For the philosopher, the best way to understandmathematical models is to approach it as if they were more closely related to literary fictions than to bits of mathematics.[7] This can be demonstrated in the way Frigg draws fromKendall Walton's theory, which offers a framework of understanding games of make-believe and uses it to understand the nature and varieties of representation in the arts of art and fiction.[8] Frigg proposed that scientists' prepared descriptions are analogous to props in games of make believe and that the descriptions do not require imaginings about actual objects but ask us to imagine a model-system.[6] It is believed that this approach addresses the concept of model individuation - that "if models are simply mathematical objects, then when two distinct models use the same mathematics, we will not be able to individuate them as separate objects."[7]
^abcCartwright, Nancy; Ward, Keith (2016).Rethinking Order: After the Laws of Nature. London: Bloomsbury Publishing. p. 55.ISBN978-1-4742-4406-0.
^abToon, Adam (2012).Models as Make-Believe: Imagination, Fiction and Scientific Representation. New York: Palgrave Macmillan. p. 17.ISBN978-0-230-30121-4.
^abWeisberg, Michael (2013).Simulation and Similarity: Using Models to Understand the World. New York: Oxford University Press. p. 46.ISBN978-0-19-993366-2.
^Walton, Kendall L. "Mimesis as Make-Believe: On the Foundations of the Representational Arts". Harvard University Press, 1990
