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Robert Warshow

From Wikipedia, the free encyclopedia
American author and critic (1917–1955)

Robert Samuel Warshow[1] (1917–1955) was an American author associated with theNew York Intellectuals.[2] He is best known for his criticism offilm andpopular culture forCommentary andThe Partisan Review.

Life

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Born inNew York City and raised in itsBronx borough, he graduated from theUniversity of Michigan in 1938.[3][4] He briefly wrote forThe New Leader before being stationed inWashington, D.C. as a member of theArmy Signal Corps duringWorld War II.[5] He was managing editor ofCommentary from 1946 until his death.[6]

Robert Warshow died of a heart attack at the age of 37.

Works

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Among the articles published in Warshow's lifetime were "The Westerner" and "The Gangster as Tragic Hero", analyses of theWestern movie and thegangster moviegenre from a cultural standpoint. The opening sentence of "The Westerner" reads "The two most successful creations of American movies are the gangster and the Westerner: men with guns."[7]

Warshow also penned essays praising playwrightClifford Odets as well asGeorge Herriman's newspaper comic stripKrazy Kat. "The 'Idealism' of Julius and Ethel Rosenberg" showed the executed AmericanStalinists in a brutally honest light. In a critique ofThe Crucible Warshow argued thatArthur Miller was not as competent a dramatist as was perceived. AfterFredric Wertham andGershon Legman, Warshow was the first serious critic to write aboutEC Comics and itsMad magazine, albeit from a measured and equivocal perspective.[8]

Most of his published work was collected in the bookThe Immediate Experience in 1962. An expanded edition was released byHarvard University Press in 2001.

Compare

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Book

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  • Robert Warshow:Immediate Experience. Movies, Comics, Theatre and Other Aspects of Popular Culture, Doubleday, Garden City, NY, 1962. 282 pp. With a contribution byLionel Trilling.
  • Robert Warshow:The Immediate Experience. Movies, Comics, Theatre and Other Aspects of Popular Culture, Harvard University Press, Cambridge, Mass., 2001. 302 pp. Expanded reprint, including Lionel Trilling, new contributions fromDavid Denby andStanley Cavell.

References

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  1. ^University of Michigan Board of Regents (1936).Proceedings of the Board of Regents. The University. p. 288.
  2. ^Shulevitz, Judith (December 30, 2001)."THE CLOSE READER; The Moviegoer".The New York Times. RetrievedOctober 27, 2020.
  3. ^Belasco, Daniel (February 15, 2002)."The Man In The Audience".The Times of Israel. RetrievedOctober 27, 2020.
  4. ^University of Michigan (1938).General Register. UM Libraries. p. 466.
  5. ^Bloom, Alexander (1986).Prodigal Sons: The New York Intellectuals and Their World.Oxford University Press p. 135.ISBN 978-0-1953-4540-7.
  6. ^Grinberg, Ronnie (26 March 2024).Write like a Man: Jewish Masculinity and the New York Intellectuals. Princeton University Press. p. 37.ISBN 978-0-691-25562-0.
  7. ^Talbot, Daniel (1975).Film: an Anthology. University of California Press. p. 148.
  8. ^Murray, Noel (April 29, 2002)."Robert Warshow:The Immediate Experience: Movies, Comics, Theatre And Other Aspects Of Popular Culture".The A.V. Club. RetrievedOctober 27, 2020.

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