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Robert Poulet

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Belgian writer (1893–1989)

Robert Poulet
Born(1893-09-04)4 September 1893
Died6 October 1989(1989-10-06) (aged 96)
Marly-le-Roi, France
Occupationsjournalist, literary critic, writer

Robert Poulet (4 September 1893 – 6 October 1989) was aBelgian writer, literary critic and journalist. Politically he was aMaurras-inspired integral nationalist who became associated with acollaborationist newspaper during the occupation of Belgium byNazi Germany.

Literature

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Educated at the Faculté des Mines in his hometown, Poulet served in theFirst World War and before taking odd jobs in Belgium andFrance.[1] He began writing for several literary reviews in the 1920s and published his first novel, thesurrealistHandji, in 1931.[2] He became a part of the 'Groupe du Lundi' that built up aroundFranz Hellens, which attacked the regional novels prevalent in France then and endorsedmagic realism instead.[3] As a literary critic, he became noted for rejecting female authors, dismissing them asmidinettes en diable.[4]

Politics

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Poulet was involved in politics during the early 1930s when he was a member of thecorporatist study groupRéaction.[5] Although not altogether enamoured ofNazism he became the 'political director' ofLe Nouveau Journal, a collaborationist paper launched byPaul Colin in October 1940.[5] A strong supporter of Belgian independence, he was heavily influenced byCharles Maurras and theAction Française and by 1941, he agreed withRaymond de Becker that a corporatist, authoritarian party of state should be created. His idea was soon abandoned however when the Nazis decide to instead backLéon Degrelle andRexism, a philosophy to which Poulet was opposed.[6]

Despite all of this Poulet never opposed the Nazis and frequently wrote in support of them during his time atLe Nouveau Journal.[7] He also praised them in their war against theSoviet Union due to his own strictanti-communism.[8] He was sentenced to death in October 1945 for collaboration, after serving six years in prison, ostensibly on 'death row,' he was released and allowed to return to France.[9]

Later years

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Following his move to France, he published several autobiographical novels in which he sought to justify his war-time collaboration as merely trying to safeguard the monarchy and Belgian independence. He would also act as a reader atÉditions Denoël andPlon and write for thefar right journalRivarol, the Catholic paperPrésent andEcrits de Paris, amongst other publications.[10] He was a close friend and supporter ofRobert Faurisson and joined him in advocatingHolocaust denial.[11] Despite Poulet's controversial opinions, famedThe Adventures of Tintin cartoonistHergé, who worked for Poulet during the war, maintained a lifelong friendship with Poulet until Hergé died in 1983.[11] Poulet's autobiography,Ce n'est pas un vie, appeared in 1976. He died in 1989.

References

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  1. ^Adèle King,Rereading Camara Laye, 2002, p. 132
  2. ^King,Rereading Camara Laye, p. 133
  3. ^King,Rereading Camara Laye, p. 134
  4. ^Toril Moi,Simone de Beauvoir: The Making of an Intellectual Woman, 1994, pp. 78–9
  5. ^abLittlejohn, David (1972).The Patriotic Traitors: A History of Collaboration in German-occupied Europe, 1940-45. Heinemann. p. 152.ISBN 978-0-434-42725-3.
  6. ^King,Rereading Camara Laye, p. 135
  7. ^King,Rereading Camara Laye, p. 137
  8. ^Lindsay Waters &Wlad Godzich,Reading de Man Reading, 1989, p. 16
  9. ^King,Rereading Camara Laye, pp. 137–8
  10. ^King,Rereading Camara Laye, p. 138
  11. ^abMark McKinney,History and Politics in French-Language Comics and Graphic Novels, p. 38

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