Robert Lawson Craft (October 20, 1923 – November 10, 2015) was an Americanconductor[1] and writer. He is best known for his intimate professional relationship withIgor Stravinsky, on which Craft drew in producing numerous recordings and books.
Craft was born inKingston, New York, to Raymond and Arpha Craft, and studied music at theJuilliard School. He became particularly interested inearly music, such as that ofClaudio Monteverdi,Carlo Gesualdo, andHeinrich Schütz, and in contemporary music by the composers of theSecond Viennese School and others.
Craft met Stravinsky in 1948, and from then until the composer's death in 1971, Craft worked with Stravinsky in a variety of roles, eventually evolving into a full artistic partnership. Craft compiled thelibretti for Stravinsky'sThe Flood andA Sermon, a Narrative and a Prayer, and lived with Igor and Vera Stravinsky in Hollywood and later in New York City. He remained close to the composer's widow until her death in 1982.
After Stravinsky's death, Craft continued to concertize and to write. His 2002 autobiographyAn Improbable Life details his life before, during, and after his friendship with Stravinsky. The memoir elaborates on the impact Stravinsky had on his life.
Shortly after Stravinsky's death, Craft married the composer's longtime nurse, Rita Christiansen, but the marriage did not endure. His survivors include a son from that marriage, Alexander; a sister, Phyllis Crawford; his second wife, the former Alva Celauro Minoff, a singer and actress; two stepchildren, Edward Minoff and Melissa Minoff; and four grandchildren.
Craft died on November 10, 2015, at age 92, at his home inGulf Stream, Florida.[2][3]
Craft collaborated with Stravinsky on a series of books that covered various musical and non-musical subjects:Conversations with Igor Stravinsky (1959);Memories and Commentaries (1960);Expositions and Developments (1962);Dialogues and a Diary (1963);Themes and Episodes(1967); andRetrospectives and Conclusions (1969). They include transcribed conversations between the two men and interviews culled from various published sources, essays, diary entries, and the like, all with the professed aim of presenting Stravinsky's views on music and culture.
Craft conducted most of the major U.S. orchestras (New York Philharmonic,Philadelphia Orchestra,Chicago Symphony Orchestra,Cleveland Orchestra,San Francisco Symphony,Los Angeles Philharmonic,St. Louis Symphony, andMinneapolis Symphony Orchestra), as well as in Canada, Europe, Russia, Japan, Korea, Mexico, South America, Australia, and New Zealand.[4] He was the first American to conductAlban Berg'sWozzeck andLulu andHindemith'sCardillac. Craft also led the world premieres of Stravinsky's later,dodecaphonic works:Agon,The Flood,Abraham and Isaac,Variations,Introitus,Requiem Canticles, and his Bach orchestrationVom Himmel Hoch.
Craft was a two-time recipient of the Grand Prix du Disque, as well as the Edison Prize for his recordings of music byVarèse and Stravinsky. His recordings of the music of Stravinsky with theOrchestra of St. Luke's were originally available on 11 now out-of-print releases fromMusicMasters and seven volumes from Koch. In the mid 1950s he recorded the complete works of Anton Webern. Since 2005,Naxos Records has gradually rereleased these recordings[1].
Craft remained in a vanguard position in relation to 20th-century art music throughout his life. Besides working closely with Stravinsky, he produced volumes of academic and personal writings on Stravinsky and other musicians and composers.
In 2002, Craft was awarded the International Prix du Disque at the Cannes Music Festival.
Craft also translated and editedStravinsky, Selected Correspondence (3 vols., New York, 1982, 1984, 1985).
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