Rifat Chadirji | |
|---|---|
 | |
| Born | (1926-12-06)6 December 1926 |
| Died | 10 April 2020(2020-04-10) (aged 93) London, England |
| Occupation | Architect |
| Spouse | Balqees Sharara |
| Parent | Kamil Chadirji (father) |
| Relatives | Naseer al-Chaderchi (brother),Hayat Sharara (sister in law) |
| Awards | Aga Khan Award for Architecture Tamayouz Lifetime Achievement Award |
| Website | rifatchadirji |
Rifat Chadirji (Arabic:رفعة الجادرجي,romanized: Rifa'ah al-Jādarjī, alsoRomanizedRifa'at Al Chaderchi; 6 December 1926 – 10 April 2020) was anIraqi Turkmen[1] architect. He was often referred to as the father of modern Iraqi architecture, having designed more than 100 buildings across the nation.[2]
Chadirji was born inBaghdad in 1926 into an influential family.[3] His father,Kamil Chadirji, played a central role in Iraq's political life as the founder in 1946 and then president of theNational Democratic Party.[4]
Chadirji trained as an architect.[5] In 1952, after completing his graduate training, he returned to Baghdad and began working on what he called his "architectural experiments."[6] Rifat Chadirji's architecture is inspired by the characteristics of regional Iraqi architecture, and the time-tested intelligence inherent in it, but at the same time, he wanted to reconcile tradition with contemporary social needs.[7] In an interview, Chadirji explained his philosophy:
From the very outset of my practice, I thought it imperative that, sooner or later, Iraq create for itself an architecture regional in character yet simultaneously modern, part of the current international avant-garde style.[8]
In the context of architecture, Chadirji called this approachinternational regionalism.[9] Chadirji's approach was entirely consistent with the objectives of the Modern Baghdad Group, founded in 1951, of which he was an early member. This art group sought to combine ancient Iraqi heritage with modern art and architecture, to develop an Iraqi aesthetic, that was not only unique to Iraq, but also influence the development of a pan-Arab visual language.
Chadirji's early works were firmly grounded in the discourse being conducted by members of theBaghdad Modern Art Group,[10] including sculptorsJawad Saleem andMohammed Ghani Hikmat, and artist-intellectual,Shakir Hassan Al Said. His designs relied on abstracting the concepts and elements of traditional buildings, and reconstructing them in contemporary forms.[11] However, Chadirji's critics have pointed out that although Chadirji was sympathetic to the group's aims, he was essentially a modernist at heart.[12]
Chadirji's early works were primarily reconstructions of old buildings and residential homes. The first house design of Chadirji's was for Baher Faik, a former statesman and ambassador of Iraq during the 50s. In 1959, he was commissioned to construct a major public monument,The Monument to the Unknown Soldier, which was later destroyed bySaddam Hussein's Ba'athist government, and replaced with a statue of Hussein himself. Chadirji's monument, centrally located in Baghdad's Ferdous Square, referenced Iraq's tradition, the monument evoked the parabolic arch from theSassanid Palace,Ctesiphon. Described as a simple, symbolic, modernist structure,[13] sketches of the design concept found at theInstitute of Fine Arts in Baghdad, reveal the inspiration for the design which represents a mother bending over to pick up her martyred child.[14]
Chadirji would continue to use ancient Iraqi motifs in his building designs.[15] His works, such as the Hussain Jamil Residence (1953), Tobacco Warehouse (1965), the Rafiq Residence (1965) and the Central Post Office (1975), are informed by Iraqi practices of temperature control – natural ventilation, courtyards, screen walls and reflected light. He also employed the architectural language of arches and monolithic piers that remind visitors of ancient Iraqi architectural history. Although, his designs often usedvernacular elements, he often abstracted them and incorporated them in new forms. At times, he relied on traditional exteriors, but designed European interiors.[16]
In 1978, Chadirji was jailed for life for unfounded charges during theAhmed Hassan al-Bakr presidency.[17] However, after serving 20 months in theAbu Ghraib prison,[3] he was released when Saddam Hussein assumed power. Hussein wanted Iraq's best architect to oversee the preparations for an international conference to be held in Baghdad in 1983 and to assist with general plans to give Baghdad a facelift. Chadirji was offered the choice to accept the commission or stay in prison.[18] He became Hussein's architectural consultant for Baghdad City Planning, for the period, 1982–1983.[19] While imprisoned, he wrote a book on architecture,Al Ukhaidir and the Crystal Palace, using materials that his wife had smuggled into Abu Ghraib.[20] The book has been described as a "seminal work" on the subject of Iraq's architecture.[21]
In the 1980s, Chadirji became Councillor to the Mayor, a role that found him overseeing all the reconstruction projects in Baghdad.[22] He left Iraq in 1983 to take up an academic position atHarvard University. Some years later, on his return to Baghdad, he was saddened by the deterioration in the city. He and his wife decided to leave Iraq permanently and they settled in London, where he continued to live.[3]
Along with his father, Chadirji photographically documented much of Baghdad and the larger region of Iraq and Syria. They feared the regional architecture and monuments would be lost to new development associated with the oil boom.[22] In 1995, he published a book of his father's precious photographs.[23] His father's position as a politician gave him access to many people and places that may have been difficult for other photographers.
In an interview withRicardo Karam, Chadirji talked about his atheism; after studying philosophy with his wife Balqees Sharara, he came to the understanding that religions originated from magic. He also said that he respected all religions, and asked after his death that prayers not be offered for him, and that his body be cremated.[24]
Although Chadirji designed many residences, he is most noted for his public works, including buildings and monuments. HisMonument to the Unknown Soldier (1959), described as a simple, symbolic, modernist structure, was removed from al-Fardous Square to make way for a statue of Sadam Hussein in the early 1980s. The replacement statue was infamously toppled on 9 April 2003 in full view of the world, as global media filmed and photographed the destruction.[13]
| Site | Location | Country |
| Central Post Office (1975)[25] | Baghdad | Iraq |
| Hamood Villa (1972)[26] | Baghdad | Iraq |
| National Insurance Company[27] | Mosul | Iraq |
| Offices and Tobacco Warehouses (1965)[25] | Baghdad | Iraq |
| The Monument to the Unknown Soldier (erected 1959: replaced 1983)[15] | Baghdad | Iraq |
| Rafiq Residence (1965)[28] | Baghdad | Iraq |
Chadirji's publications are primarily in Arabic and include:
| Author | Title | Year |
| Chadirji, Rifat | Introduction to Urban Design and Architecture in Lebanon | 2004 |
| Chadirji, Rifat | Medina Interviews Architect | 1999 |
| Chadirji, Rifat | The Photographs of Kamil Chadirji | 1995 |
| Khan, Hasan-Uddin | Regional Modernism: Rifat Chadirji's Portfolio of Etchings | 1984 |
| Chadirji, Rifat | Concepts and Influences:Towards a Regional International Architecture, 1952–1978 | 1986[31] |
In 2017, the Rifat Chadirji Prize was created to recognise local architects who are involved in rebuilding parts of Iraq that had been destroyed. The prize is awarded under the umbrella of the Tamayouz Award for Excellence.[37][38]
In 1954, he married Balkis Shahara[39] He retired from practice in 1982 and thereafter devoted his time to research and writing.
Chadirji died fromCOVID-19 in London on 10 April 2020, at the age of 93.[40][41] The Iraqi prime minister designateMustafa Al-Kadhimi and the Iraqi presidentBarham Salih both paid their tributes.[2]
