Richard Diamond, Private Detective

Dick Powell costumed as Richard Diamond, Private Detective in a publicity photo
Running time	30 minutes
Country of origin	United States
Language	English
Home station	NBC ABC CBS
Starring	Dick Powell
Written by	Blake Edwards Harvey Easton
Directed by	William P. Rousseau Blake Edwards Jaime del Valle
Original release	April 24, 1949 – September 20, 1953
Opening theme	"Leave It to Love"

Richard Diamond, Private Detective
David Janssen as Richard Diamond (1959)
Also known as	Call Mr. D
Genre	Crime drama
Written by	Blake Edwards
Directed by	Thomas Carr Don McDougall Tom Grieset al
Starring	David Janssen Regis Toomey Barbara Bain Russ Conway
Composers	Frank DeVol (seasons 1 & 2) Pete Rugolo (season 3) Richard Shores (season 4)
Country of origin	United States
Original language	English
No. of seasons	4
No. of episodes	77(list of episodes)
Production
Producers	Mark Sandrich Jr. David Heilweil Vincent M. Fennelly Richard Carr
Production locations	New York City Los Angeles
Cinematography	George E. Diskant
Editors	Arthur Hilton Chandler Houseet al
Camera setup	Single-camera
Running time	24–25 minutes per episode
Production company	Four Star Television
Original release
Network	CBS Television (1957–59) NBC (1959–60)
Release	July 1, 1957 (1957-07-01) – September 6, 1960 (1960-09-06)

Richard Diamond, Private Detective is an American detective drama, created byBlake Edwards, which aired on radio from1949 to1953, and on television from1957 to1960.

Dick Powell starred in theRichard Diamond, Private Detective radio series as a wisecracking former police officer turned private detective. Episodes typically open with a client visiting or calling cash-strapped Diamond's office and agreeing to his fee of $100 a day plus expenses, or Diamond taking on a case at the behest of his friend and former partner,Lt. Walter Levinson. Diamond often suffers a blow to the head in his sleuthing pursuits. Most episodes end with Diamond at the piano, singing a standard, popular song, or showtune from Powell's repertoire to Helen Asher (his girlfriend) in her penthouse at 975Park Avenue.

Levinson was played variously byEd Begley,Arthur Q. Bryan,Ted DeCorsia andAlan Reed. Helen was played byVirginia Gregg and others. Another regular cast member was Wilms Herbert as Walt's bumbling sergeant, Otis, who also "doubled" on the show as Helen's butler, Francis.

Many of the shows were either written or directed by Edwards. Its theme, "Leave It to Love", was whistled by Powell at the beginning of each episode.

It began airing onNBC Radio on April 24,1949, picked upRexall as a sponsor on April 5, 1950, and continued until December 6, 1950. WithCamel cigarettes as a sponsor, it moved toABC from January 5,1951, to June 29, 1951, with Rexall returning for a run from October 5, 1951, until June 27,1952. Substituting forAmos 'n' Andy, it aired Sunday evenings onCBS (again, for Rexall) from May 31, 1953 until September 20, 1953.^[1]

General Foods bought the program from Powell as a summer replacement forDecember Bride in 1957.^[2]

The television debut of Richard Diamond occurred on November 22, 1956, when Don Taylor portrayed the character in the "Double Cross" episode onChevron Hall of Stars.^[3]

Powell's company,Four Star Television, produced the television version ofRichard Diamond, Private Detective, which premiered in the summer of 1957 onCBS. It returned to CBS in January 1958 for the second season and in February 1959 for the third season, again on CBS. In the fall of 1959, the fourth and final season aired onNBC.^{[citation needed]}

David Janssen, beforeThe Fugitive, starred as Diamond, a former officer of theNew York Police Department and ahard-boiledprivate detective in thefilm noir tradition.Don Taylor played the title role in a 1956 television pilot, broadcast as an episode of the anthology seriesChevron Hall of Stars. The first two television seasons followed radio's characterization the most closely (several episodes were adapted from the radio series). Diamond, known for his charm and wisecracks as much as his virility, was still based in New York, though Janssen never sat at a piano and sang, as Powell had typically ended most of the radio episodes. In thenoirish opening sequence, clad in hat, suit, and tie, he walks down a dimly lit street toward the camera and lights up a cigarette, the light revealing his face. After the first season when the sponsor wasMaxwell House, the show was sponsored byKent cigarettes, andFrank DeVol’s playfully mysterious theme was heard underneath an announcer hawking either "Maxwell House – Good to the Last Drop" or “Kent with the Micronite filter.” In syndicated rebroadcasts of the series, the revised title,Call Mr. D., flashes on the screen, and DeVol's music is replaced byPete Rugolo’s far more recognizable theme—although that did not appear until Season 3.^{[citation needed]}

Following the second season, the setting was switched fromNew York City toLos Angeles, and the production was entirely redesigned. The 18 episodes comprising Season 3 aired from February to mid-June of 1959, and Diamond’s character now bore only slight resemblance to his California-basednoirish predecessorsSam Spade andPhilip Marlowe. By the late 1950s, the glamour of Hollywood was becoming an irresistible fantasy for millions of viewers, and the popularity of Warner Brothers’77 Sunset Strip—which involved a good deal of location shooting and began airing four months before Diamond's third season—undoubtedly influenced a newer P. I. image that often seemed more inspired byHugh Hefner than byDashiell Hammett. Diamond no longer occupied a low-rent, cloistered office, but now operated from a modern, beautifully appointedranch house—complete with aswimming pool—in theHollywood Hills. With panoramic sliding glass doors providing views of the mountains and the city, his sunken living room featured a bar and aloveseat, where he could be found many evenings entertaining young women before a fire. Following the lead of theSunset Strip private eyes, he also drove a convertible—in this case a 1959DeSoto Fireflite. The Hefner-like fantasy was enhanced by gadgets, especially Diamond'scar phone, which connected him directly to an answering service overseen by the shapely, enigmatic “Sam”. Season 3's modern, more youthful ambience was complemented by a jazz score by composer/arranger Pete Rugolo, who created a set of big-band,Stan Kenton-esque cues for each of the episodes. In the highly stylized opening sequence, Rugolo's robust theme is preceded by tense melodic fragments underscoring a series of frenetic, silhouette images of Diamond running, before walking forward—again in hat, suit, and tie—to light a cigarette, suggesting a re-boot of the originalnoirish conception. (Rugolo's score soon became so popular that in 1959 a full album of hisDiamond cues,The Music from Richard Diamond, was released on the Mercury label.)^{[citation needed]}

In the fourth season, which aired on NBC, the writers retained Los Angeles as the setting, but the Hefner-esque fantasy elements were considerably toned down. Now Diamond again operated from an office reminiscent of what he had known in New York, and his beautiful ranch house was replaced by an attractive—though more conventional—apartment. His car phone still connected him to Sam, but he now drove a 1959Ford Galaxie convertible—absent the impressive tail fins of his DeSoto. Though the opening titles remained, Rugolo's score was replaced by a more sedate theme, "Nervous" byRichard Shores, later to be used during the highlight sequence that began every episode ofThe Dick Powell Show. The CBS Season 3 re-boot had aired on Sunday nights at 10 pm, but NBC moved the time slot to 7:30 pm Monday, and Season 4 began airing on October 5, 1959, with a 17-episode run that concluded late in January. Because its numbers were no longer strong, the season's nine additional episodes were delayed, resuming only as a summer replacement on Tuesday, July 5, 1960, and concluding in early September. Though the oldnoirish elements were more prominent, the final season's look seems inspired more by cost-cutting than aesthetics, and the production values appear far less glamorous than Season 3.^{[citation needed]}

In addition to Janssen, the series had other recurring characters. Mirroring Diamond's history with the New York Police Department, the radio version featured his friend, police Lt. Walt Levinson (often played byEd Begley, Sr.), and on TV, veteran actorRegis Toomey, portraying Diamond's former superior, Lt. Dennis "Mac" McGough, came aboard in the first episode, which aired in July 1957. Toomey then appeared intermittently in seven more, including “Snow Queen,” the final episode of Season 2, which aired on June 26, 1958. Radio's version also gave Diamond a steady girl friend, wealthy socialite Helen Asher (played byVirginia Gregg), a story arc that was neglected by television until the first episode of Season 3, when Diamond meets fashion designer Karen Wells, played byBarbara Bain. But this may have created a conundrum for the producers, since radio's Diamond was also an unrestrained flirt, and Powell's character often shamelessly ogled his beautiful clients before returning to Helen each week. In one TV episode, “Soft Touch,” Karen catches Diamond about to two-time her, and after five episodes, the “steady-girl-friend” arc had disappeared, with Diamond once again playing the field. When he first reached Los Angeles, Diamond had no history with the local police, and his encounters with them are often contentious. In Season 4,Russ Conway was cast as Lieutenant Pete Kile for five episodes, and their relationship soon turns to one of mutual respect, if not always warmth. The omnipresent Sam entered the picture (at least partially—viewers never saw much of her face) in Season 3 and remained for the duration of the series. She was played for most of Season 3 byMary Tyler Moore in her first regular series role, and later replaced byRoxane Brooks.^{[citation needed]}

• David Janssen as Richard Diamond
• Regis Toomey as Lt. Dennis "Mac" McGough (seasons 1–2)
• Russ Conway as Lt. Pete Kile (season 4)
• Barbara Bain as Karen Wells (season 3)
• Mary Tyler Moore as Sam (season 3)
• Roxane Brooks as Sam (seasons 3–4)

In 1968, Four Star president David Charnay announced a feature film revival starring David Janssen, but nothing came of the plans. A pair of unauthorized Richard Diamond short stories set in 1948 were published in book form in 2016.

Wikimedia Commons has media related toRichard Diamond, Private Detective.

• Richard Diamond, Private Detective atIMDb
• Richard Diamond, Private Eye atepguides.com
• Richard Diamond, Private Eye atThe Thrilling Detective web-site
• Richard Diamond Private Eye Podcast
• Richard Diamond, Private Detective in theInternet Archive'sOld-Time Radio Collection
• Richard Diamond, Private Eye theme byPete Rugolo
• Richard Diamond on Old Time Radio Outlaws

• 1957 American television series debuts
• 1940s American radio programs
• 1960 American television series endings
• 1950s American crime drama television series
• 1960s American crime drama television series
• American detective television series
• American radio dramas
• Black-and-white American television shows
• 1949 radio programme debuts
• 1953 radio programme endings
• NBC radio programs
• CBS Radio programs
• ABC radio programs
• Detective radio shows
• Radio programs adapted into television shows
• Television series based on radio series
• Television series by Four Star Television
• Television series by 20th Century Fox Television
• Television shows set in New York City
• Television shows set in Los Angeles
• CBS television dramas
• NBC television dramas

• Articles with short description
• Short description is different from Wikidata
• Use mdy dates from March 2025
• All articles with unsourced statements
• Articles with unsourced statements from February 2024
• Commons category link from Wikidata