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Revivalism (architecture)

From Wikipedia, the free encyclopedia
Architectural styles that echo the style of a previous architectural era
Main category:Revival architectural styles
One of the most famousGothic Revival structures,Elizabeth Tower (Big Ben) sits at thePalace of Westminster in London.

Architecturalrevivalism is the use of elements that echo the style of aprevious architectural era that have or had fallen into disuse or abeyance between their heyday and period of revival. Revivalism, in a narrower sense, refers to the period of and movement within Western architectural history during which a succession of antecedent and reminiscent styles were taken to by architects, roughly from the mid-18th century, and which was itself succeeded byModernism around the late 19th and early 20th centuries.[1] Notable revival styles includeNeoclassical architecture (a revival ofClassical architecture), andGothic Revival (a revival ofGothic architecture). Revivalism is related tohistoricism.

Western architecture of the 19th century, includingVictorian architecture, is an example of Revivalism.

History

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Mid-18th–early 20th centuries

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TheRussian Revival-representingUspenski Cathedral from 1868 inKatajanokka,Helsinki, Finland

The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the historical and philosophical writing of the 18th century and was given political currency in the wake of theFrench Revolution. As the map of Europe was repeatedly changing, architecture was used to grant the aura of a glorious past to even the most recent of nations. In addition to the credo of universal Classicism, two new, and often contradictory, attitudes on historical styles existed in the early 19th century. Pluralism promoted the simultaneous use of the expanded range of style, while Revivalism held that a single historical model was appropriate for modern architecture. Associations between styles and building types appeared, for example:Egyptian for prisons,Gothic for churches, orRenaissance Revival for banks and exchanges.[citation needed] These choices were the result of other associations: thepharaohs with death andeternity, theMiddle Ages with Christianity, or theMedici family with the rise of banking and modern commerce.

Whether their choice wasClassical, medieval, or Renaissance, all Revivalists shared the strategy of advocating a particular style based on national history, one of the great enterprises of historians from the mid-18th to early 19th centuries. Only one historic period was claimed to be the only one capable of providing models grounded in national traditions, institutions, or values. Issues of style became matters of state.[2]

The most well-known Revivalist style is theGothic Revival one, that appeared in the mid-18th century in the houses of a number of wealthy antiquarians in England, a notable example being theStrawberry Hill House. GermanRomantic writers and architects were the first to promote Gothic as a powerful expression of national character, and in turn use it as a symbol of national identity in territories still divided.Johann Gottfried Herder posed the question 'Why should we always imitate foreigners, as if we were Greeks or Romans?'.[3]

Mid-20th century–present

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Modern-day revival styles are frequently placed under the heading ofNew Classical architecture.

Styles

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Mixed

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Typical historicist house:Gründerzeit building byArwed Roßbach in Leipzig, Germany (built in 1892)

Ancient Revival

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1862 lithograph of the Aegyptischer Hof (English: Egyptian court), from theNeues Museum (Berlin), built in theNeo-Egyptian style

Medieval Revival

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St. Michael the Archangel Church in Kaunas was built inNeo-Byzantine style
Schwerin Palace, historicalducal seat ofMecklenburg, Germany – an example of pompousRenaissance Revival for representation purposes (built in 1857)

Renaissance Revival

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Opera, Paris (Palais Garnier) byCharles Garnier, 1861–1875

Baroque Revival

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Other revival

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References

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  1. ^"European and American Architecture (1750–1900) | Art History Teaching Resources".
  2. ^Bergdoll, Barry (2000).European Architecture 1750–1890.Oxford University Press. p. 139, 140, 141.ISBN 978-0-19-284222-0.
  3. ^Bergdoll, Barry (2000).European Architecture 1750–1890.Oxford University Press. p. 139, 140, 141, 142, 145.ISBN 978-0-19-284222-0.

Further reading

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  • Scott Trafton (2004),Egypt Land: Race and Nineteenth-Century American Egyptomania, Duke University Press,ISBN 0-8223-3362-7. p. 142.

External links

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