| Rent: Live | |
|---|---|
 | |
| Based on | Rent byJonathan Larson |
| Written by | Kristoffer Diaz |
| Directed by |
|
| Starring | |
| Composer | Jonathan Larson |
| Country of origin | United States |
| Original language | English |
| Production | |
| Executive producers |
|
| Producers | Marc Platt Productions Revolution Studios Sony Pictures Television 20th Century Fox Television |
| Production location | Fox Studios |
| Original release | |
| Network | Fox |
| Release | January 27, 2019 (2019-01-27) |
Rent: Live is an Americantelevision special that was broadcast byFox on January 27, 2019. It is a partially live[a] production of the 1996Tony Award-winningmusicalRent, which tells the story of a group of impoverished young artists struggling to survive and create a life inLower Manhattan'sEast Village in the thriving days ofBohemianAlphabet City, under the shadow ofHIV/AIDS.
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The original Broadway cast, includingDaphne Rubin-Vega,Anthony Rapp,Fredi Walker,Adam Pascal,Jesse L. Martin,Taye Diggs,Wilson Jermaine Heredia,Idina Menzel, andGilles Chiasson made cameos in the special.[2]
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Several of the songs, notably the various "Voice Mails," "Christmas Bells" and "Finale A", were shortened to fit the run time. "Seasons of Love B" was cut entirely.
Marc Platt,Adam Siegel, Julie and Al Larson (Jonathan's sister and father, respectively), Vince Totino, Scott Hemming, and Marla Levine are credited as executive producers.[3]
On January 26, 2019, during the Saturdaydress rehearsal, Brennin Hunt, who plays Roger, broke his foot. Fox announced in an official statement that despite his injury, the show would air as planned using both pre-recorded footage from a previous dress rehearsal and live footage.[2] On January 27, the show was performed in its entirety with limited physical activity before a studio audience as scheduled, with Hunt performing in a wheelchair.
The simultaneous telecast consisted almost entirely of the prerecorded dress rehearsal from the prior night; only the final 15 minutes of the program, which consisted of the songs "Finale", "Your Eyes", and "Finale B", as well as an encore performance of "Seasons of Love" featuring the original 1996 Broadway cast, was broadcast live. The choreography of the final act was modified to accommodate Hunt being in a wheelchair.[4][5]
A technical fault at the start of the show occurred withNew York City's Fox flagship stationWNYW and its direct fiber connection to cable providersOptimum andSpectrum, resulting in those viewers missing the first five minutes of the special, including all or part of the musical numbers "Tune Up #1," "Voice Mail #1," "Tune Up #2" and "Rent".[6][7]
The special received mixed to negative reviews from critics. OnRotten Tomatoes, it holds a 27% approval rating from 22 reviews, with an average score of 5.8/10. The critical consensus reads, "Despite the show's earnest intentions,Rent Live's clumsy production and pre-recorded broadcast render it an underwhelming 'live' musical event."[8] OnMetacritic, which calculates a weighted average of review scores, the special holds a score of 49 out of 100 based on 12 reviews, indicating a "mixed or average" reception.[9]
Much of the criticism focused on the production's failure to hire understudies for the main cast in reference to Hunt's injury, as well as the decision to broadcast a prerecorded performance for a program marketed as live television. Daniel Fienberg, writing forThe Hollywood Reporter, wrote that the network "could have quickly strategized a live concert setting with a limited staging around Hunt and then aired the dress rehearsal at some point during the week."[10] Aisha Harris, reviewing forThe New York Times, echoed these sentiments, writing "How do you measure three hours of chaotic visuals and middling audio most of us were never meant to see and hear?", and calling the camerawork "overwrought."[11]
Extensive edits to profanity and sexual references in the musical's lyrical content, made in order to meetnetwork broadcasting standards, was also the subject of criticism, withVariety critic Caroline Framke questioning if a broadcast network was an appropriate outlet for a production of the show in the first place.[12]
However, the cast's performances (particularly Fisher, Dixon, Tinashe and Hudgens) were generally praised, and the production design of the program was also well received.[10][13] In a mostly positive review forThe A.V. Club, Caroline Siede wrote that the special "did what these live musicals are supposed to do—reimagine a beloved musical with a new aesthetic, new performers, and new staging choices," and praised the show's finale featuring the 1996 Broadway cast.[14]
The telecast received a 1.4 rating among adults 18 to 49 and 3.42 million total viewers, making it the lowest-rated live musical broadcast as of its airdate.[15] In markets where ratings were available segment-by-segment, viewership fell dramatically after the opening segment.[16]
| Award | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|
| Art Directors Guild Awards | Variety, Reality or Competition Series | Jason Sherwood | Nominated | [17] |
| Casting Society of America | Live Television Performance – Variety or Sketch Comedy | Bernie Telsey, Tiffany Little Canfield and Ryan Bernard Tymensky | Nominated | [18] |
| GLAAD Media Awards | Outstanding TV Movie | Rent: Live | Nominated | [19] |
| Primetime Emmy Awards | Outstanding Variety Special (Live) | Rent: Live | Nominated | [20] |
| Outstanding Lighting Design / Lighting Direction for a Variety Special | Patrick Brazil, Ben Green, Al Gurdon, Madigan Stehly and Ryan Tanker | Won | ||
| Outstanding Make-up for a Multi-Camera Series or Special (Non-Prosthetic) | Zena Shteysel, Angela Moos, Donna Bard, Rocky Faulkner, Bruce Grayson and Julie Socash | Nominated | ||
| Outstanding Production Design for a Variety Special | Jason Sherwood, Adam Rowe andJohn Sparano | Won | ||
| Outstanding Technical Direction, Camerawork, Video Control for a Special | Eric Becker, Charles Ciup, Chris Hill, Emilie Scaminaci, Bert Atkinson, Nat Havholm, Ron Lehman, David Levisohn, Tore Livia, Adam Morgolis, Rob Palmer, Brian Reason, Dylan Sanford, Damien Turrerau and Andrew Waruszewski | Nominated |
