 | This articleneeds additional citations forverification. Please helpimprove this article byadding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Renaud de Montauban" – news ·newspapers ·books ·scholar ·JSTOR(February 2008) (Learn how and when to remove this message) |
Renaud (orRenaut orRenault)de Montauban (ModernFrench:[ʁənod(ə)mɔ̃tobɑ̃];German:Reinhold von Montalban;Italian:Rinaldo di Montalbano;Dutch:Reinout van Montalban orMontalbaen) was a legendaryhero andknight which appeared in a 12th-centuryOld Frenchchanson de geste known asThe Four Sons of Aymon. The four sons ofDuke Aymon are Renaud, Richard, Alard and Guiscard, and their cousin is the magicianMaugris (French:Maugis; Italian:Malagi orMalagigi). Renaud possesses the magical horseBayard and the swordFroberge (French:Flamberge; Italian:Fusberta orFrusberta).
The story of Renaud was popular across Europe. The tale was adapted into Dutch, German, Italian and English versions throughout the Middle Ages, inspired the Old IcelandicMágus saga jarls, and also incited subsequent sequels and related texts that form part of theDoon de Mayence cycle ofchansons. Renaud, as Rinaldo, is an important character in Italian Renaissance epics, includingMorgante byLuigi Pulci,Orlando Innamorato byMatteo Maria Boiardo andOrlando Furioso byLudovico Ariosto.
The oldest extant version of the anonymousOld Frenchchanson de gesteQuatre Fils Aymon dates from the late 12th century and comprises 18,489Alexandrin (12 syllable) verses grouped inassonanced andrhymedlaisses (the first 12,120 verses use assonance; critics suggest that the rhymed laisses derive from a different poet).[1] It is one of the longest of all thechansons de geste.[1] Other versions range from 14,300 to 28,000 verses.[2] It was transformed into proseromances in the 14th and 15th centuries, and, judging from the number of editions, the proseQuatre Fils Aymon was the most popular romance of chivalry in the late 15th and first half of the 16th century in France.[3] The tale was the basis of other medieval versions in Italian, German, Dutch and English.
The plot of the Frenchchanson is as follows:Renaud and his three brothers were sons of Aymon de Dordone. They flee from the court ofCharlemagne after Renaud kills one of Charlemagne's nephews (Bertolai) in a brawl. A long war follows, during which Renaud and his brothers remain faithful to thechivalrous code ofhonor despite their sufferings, until Charlemagne is prevailed on by hispaladins to make terms.
The four brothers are pardoned on condition that Renaud go to theHoly Land onCrusade, and that their magical horseBayard, who could expand his size to carry all four brothers on its back, be surrendered to Charlemagne. Charlemagne orders that the magic horse be drowned by chaining it to a stone and throwing it in a river, but the horse escapes and lives forever more in the woods. Renaud, after further adventures on the Crusades, returns home.
He eventually abandons his home and goes toCologne, where he becomes a builder on a shrine toSaint Peter. In the end, he is murdered by resentful workers, but his body is miraculously saved from the river and makes its way magically in a cart back to his brothers.
Bulfinch relates that the cart magically moved to Dortmund, where Renaud is made patron saint of a new church, identifying him withSaint Reinold.[4]
Charlemagne is portrayed as vengeful and treacherous in these stories, and he is fooled by thesorcererMaugris; the sympathy of the storyteller is clearly with the four brothers, but ultimatelyfeudal authority is upheld.
From the 13th century on, other texts concerning separate elements of the extended Renaud de Montauban story were created; together with the originalQuatre Fils Aymon, these are termed the "Renaud de Montauban cycle". These poems are:Maugis d'Aigremont (story of the youth of Maugis),Mort de Maugis (story of the death of Maugis),Vivien de Monbranc (story of the brother of Maugis),Bueve d'Aigremont (story of the father of Maugis, Bueve d'Aigremont, brother toGirart de Roussillon and Doon de Nanteuil).[5]
Maugis d'Aigremont was achanson de geste most likely composed in the early 13th century.[6] It exists in a few extant versions; the latest version comprises 9,078 rhymed alexandrines.[6] It tells of the youth of Maugris.
The story is, briefly, as follows:[6] the twin sons of Beuve d'Aigremont are Maugis and Vivien. Taken away at birth, Maugis is raised by the fairy Oriande while Vivien is raised by Esclarmonde (wife of theSaracen Sorgalant, ruler of Monbranc). Maugis conquers the horse Bayard and gains the sword Froberge, participates in various battles, and kills Sorgolant. Discovering his identity, he battles to save his maternal grandfather (who is being attacked by Charlemagne) and his father (who is being assaulted by Vivien, who becomes the new ruler, or "amachour", of Monbranc). Vivien then discovers his identity and converts to Christianity. At the end, Maugis gives Bayard and Froberge to his cousin Renaud.
Mort de Maugis is a short work of 1,250 verses.[6] It tells a different version of the death of Maugis than the one given inQuatre fils Aymon (in which he ends his days in a hermitage): Maugis becomes a senator at Rome.[6]
Vivien de Monbranc (orVivien l'amachour de Monbranc) has come down to us in only one version, a short work of 1,100 alexandrine verses composed in the 13th century.[6] It constitutes a continuation ofMaugis d'Aigremont, and is most likely a shortened version of what was originally a longer work. It tells of how Vivien, after his conversion, was attacked by unbelievers and was aided by Maugis and his valet Fousifie.
This work from the third quarter of the 12th century,[6] appears as a form of "preface" in a great number of manuscripts ofQuatre fils Aymon.[6] It tells of the story of the father of Maugris, Bueve d'Aigremont who becomes a rebellious vassal of Charlemagne. Bueve is aided by his brothersGirart de Roussillon and Doon de Nanteuil, but he dies.[6]
InAriosto'sOrlando Furioso, Rinaldo is the brother ofBradamante. Rinaldo and his cousinOrlando (Roland) both fall in love with the beautifulAngelica and a rivalry arises between them. Rinaldo drinks from a fountain which causes him to fall in love with Angelica while she drinks from another fountain which causes her to hate him (Orlando Furioso I: 78); this exactly reverses the situation inBoiardo'sOrlando Innamorato. He is sent by Charlemagne toBritain where he recruits knights fromScotland andEngland to aid in the defense of France. He is finally cured of his love for Angelica when he drinks from another magic fountain (Orlando Furioso XLII: 63). He promises his sister Bradamante to the African knightRuggiero.
Renaud de Montauban should not be confused with Rinaldo, the son of Bertoldo and reputed founder of theHouse of Este inTorquato Tasso's epic poemJerusalem Delivered (1580), though this second character is made out to be a descendant of the original paladin's sister Bradamante. The second Rinaldo is the son of Bertoldo and Sophia and he lived during the time of theFirst Crusade. According to legend, Bertoldo is the son ofAzzo II, a real person who was Count ofEste (Orlando Furioso III: 29-30). One of Azzo II's sons wasWelf IV, (Welf I, Duke of Bavaria).Jerusalem Delivered states that Bertoldo is related toWelf IV. (Jerusalem Delivered XVII: 81).
InJerusalem Delivered Rinaldo is the greatest of the Christian knights. Apart from various battles in the story, the witchArmida comes across him sleeping, and abducts him in her chariot (Canto 14). She intends to kill him but she falls in love with him instead and takes him away to a magical island where he becomes infatuated with her and forgets the crusade. Carlo and Ubaldo, two Christian knights and close companions of Rinaldo, seek out the hidden fortress, brave the dangers that guard it and find Rinaldo and Armida in each other's arms. By giving Rinaldo a mirror of diamond, they force him to see himself in his effeminate and amorous state and to return to the war, leaving Armida heartbroken (Cantos 14-16).
Rinaldo is deposited on a shore where he finds a shield and sword, and the "Mago d'Ascalona" ("Wizard ofAscalon") shows him a vision of the future in the shield, including the glories of the House of Este (Tasso drops in several prophecies of the time between 1099 and his own at various points). Rinaldo resolves to pursue the crusade with all his might (Canto 17). Armida is grief-stricken and raises an army to kill Rinaldo and fight the Christians, but her champions are all defeated. She attempts to commit suicide, but Rinaldo finds her in time and prevents her. Rinaldo then begs her to convert to Christianity, and Armida, her heart softened, consents (Canto 20).
The manner of Renauld's death appears to be identical in both method and location to the martyrdom ofSaint Reinold at Cologne in 960. Continental sources, including guides to Dortmund where Reinold is patron saint of both town and cathedral, routinely equate Renaud with the martyred monk.[7]
During theGerman occupation ofBelgium duringWorld War II, the story ofLes Quatre Fils Aymon was made into aplay that was banned by the German authorities, because of the sympathy it displayed for resisting authority; the play was performed underground and became quite popular.[8]
Rinaldo (played byLeigh McCloskey) features in the 1983 Italian filmI paladini - Storia d'armi e d'amori (akaHearts and Armour).
Four successive ships of the BritishRoyal Navy were namedHMS Rinaldo for this character.
