Randy Travis | |
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 Travis performing inBolingbrook, Illinois, in 2007 | |
| Born | Randy Bruce Traywick (1959-05-04)May 4, 1959 (age 65) |
| Other names | Randy Ray |
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| Years active | 1979–present |
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| Discography | |
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| Website | randytravis.com |
Musical artist | |
Randy Bruce Traywick (born May 4, 1959), known professionally asRandy Travis, is an Americancountry andgospel music singer and songwriter, as well as a film and television actor. Active since 1979, he has recorded over 20 studio albums and charted over 50 singles on theBillboardHot Country Songs charts, including sixteen that reached the number-one position.
Travis's commercial success began in the mid-1980s with the release of his albumStorms of Life, which was certified triple-platinum by theRecording Industry Association of America. He followed up his major-label debut with a string of platinum and multi-platinum albums, but his commercial success declined throughout the 1990s. In 1997, he leftWarner Bros. Records forDreamWorks Records; he signed toWord Records for a series of gospel albums beginning in 2000 before transferring back to Warner at the end of the 21st century's first decade. His musical accolades include sevenGrammy Awards, elevenACM Awards, eightDove Awards, a star on theHollywood Walk of Fame, and a 2016 induction into theCountry Music Hall of Fame. Major songs of his include "On the Other Hand", "Forever and Ever, Amen", "I Told You So", "Hard Rock Bottom of Your Heart", and "Three Wooden Crosses".
He is noted as a key figure in theneotraditional country movement, a return to more traditional sounds within the genre following thecountry pop crossovers of the early 1980s. Nearly all of his albums were produced or co-produced byKyle Lehning, and feature frequent co-writing credits fromPaul Overstreet,Don Schlitz, andSkip Ewing. Critics have compared hisbaritone singing voice to other artists such asLefty Frizzell,Merle Haggard, andGeorge Jones. Since surviving a near-fatalstroke in 2013, which severely limited his singing and speaking ability, he has released archival recordings and made limited public appearances. James Dupré has toured singing Travis's songs with his road band. Between mid-2024 and January 2025, Travis released two new songs where his voice was re-created viaartificial intelligence.
Travis's acting career includes roles in the television moviesWind in the Wire (1993) andA Holiday to Remember (1995), as well as thePatrick Swayze movieBlack Dog (1998).
Randy Bruce Traywick was born May 4, 1959, inMarshville, North Carolina.[1] He is the second of six children to Bobbie and Harold Traywick.[2][3] Harold Traywick worked as a meat packer and also built houses.[4] He also enjoyed listening tocountry music such asErnest Tubb andPatsy Cline, in addition to singing, playing guitar, and writing his own songs. By the time Randy was eight years old, his father would send him and his brothers to the house of a friend named Kate Magnum, who would teach him and his brothers Ricky and David how to play guitar.[5] Harold also constructed a stage behind the family house, where he would invite friends over to hear his sons sing.[6] Randy and Ricky performed publicly for the first time in 1968 at a talent show held at the localelementary school; while the brothers did not win, they continued to perform at local talent shows, with David later joining to accompany them onbass guitar.[7]
Randy dropped out of school in the ninth grade.[8] As a teenager, he committed a number of criminal offenses. These includedreckless driving after he crashed Ricky's car in a cornfield, breaking into a church to hold a party,driving under the influence,resisting arrest, and stealing knives and watches from a local store.[8] On his seventeenth birthday, Randy was arrested forpublic intoxication and faced imprisonment.[9] Despite his charges,Don Cusic noted in the 1990 bookRandy Travis: The King of the New Country Traditionalists that his parents still supported him, as they would pay hisbail and support him in court whenever he was arrested.[9]
In 1977, the Traywicks entered a talent competition held inCharlotte, North Carolina, after hearing an advertisement for it on the radio. The grand prize for the contest was $100 cash and a recording session.[10] The contest consisted of eight semi-final audition rounds held every Tuesday at Country City USA, anightclub co-owned by Randy's future wife, Mary Elizabeth "Lib" Hatcher.[10][11] At the performance, Randy playedrhythm guitar and sang, while Ricky playedlead guitar. However, Ricky had to drop out of the competition partway through because he had to serve time at ayouth detention center, leaving Randy to continue as a solo act. Randy ended up winning the competition.[12] Afterward, he held a conversation with Hatcher about his then-impending arrest charges forhot-wiring a neighbor's truck.[13] Hatcher and disc jockey John Harper, who also worked at the club, chose to represent Randy in court, which led to him servingprobation and coming under the custody of Hatcher in lieu of a jail sentence.[13][14] Additionally, Hatcher employed Randy as a singer at Country City USA.[13] During this time, Hatcher advised him on his singing and performance. Harold would attend Randy's performances in this timespan, but was later banned from the club after altercations with patrons.[15]
Hatcher booked a number of country music singers to perform at her club as a means of making connections with country music personnel inNashville, Tennessee.[16] One such singer,Joe Stampley, agreed to produce a session for Traywick in Nashville. Hatcher paid $10,000 for the recording session and promotion, which was done through an independent label based out of Shreveport, Louisiana, calledPaula Records. The session accounted for the singles "She's My Woman" and "I'll Take Any Willing Woman". Traywick and Hatcher promoted copies of the single to radio stations throughout theSouthern United States in 1979. The former reached number 91 on theBillboardHot Country Songs charts.[17] After the failure of these singles, Hatcher and Traywick continued submittingdemo recordings to executives but were unable to garner interest at first.[18] In 1981, Traywick and Hatcher chose to move to Nashville to put themselves closer to the center of the country music industry. Despite this, they would still travel back to Charlotte on weekends to tend to business at Country City USA, which by that point had relocated to a larger building.[19] They supported themselves by renting out part of their Nashville house to songwriterKeith Stegall, who used it as an office.[20] Stegall then introduced the two to song publisher and disc jockeyCharlie Monk at a golf game, which led to Traywick performing songs for Monk. Stegall also submitted Traywick's demos to various Nashville producers to garner interest in a recording contract. Traywick recorded one session with producer John Ragsdale for the intent of signing him toCurb Records, but the label ultimately chose not to sign him.[21]
In 1982 Hatcher began managing a nightclub called the Nashville Palace through the recommendation of singerRay Pillow. She initially hired Traywick to wash dishes, but soon began to have him perform there as well. By this point, he began crediting himself as Randy Ray, as he and Hatcher thought the name was easier to pronounce than "Traywick".[22] Hatcher also rented her in-house office space out to other industry executives, including staff ofRadio & Records magazine; meanwhile, Randy Ray continued to work on his songwriting under Stegall's mentorship.[23] By the end of the year, Hatcher and Nashville Palace owner John Hobbs financed an independent album titledRandy Ray Live at the Nashville Palace, which consisted of ten songs recorded by him at the Palace. Stegall served as producer on this project.[24] He also auditioned onYou Can Be a Star, a talent show on the formerNashville Network (TNN), in early 1983. He placed second behind Lang Scott, who would later marry country singerLinda Davis.[25]Ralph Emery also invited him to perform several times on the TNN talk showNashville Now, which he hosted.[26]
Despite the exposure fromNashville Now, he still failed to secure a recording contract throughout 1984.[26] Martha Sharp, then working inartists and repertoire (A&R) atWarner Bros. Records's Nashville division, attended a seminar in late 1984 where executives suggested signing attractive young artists with a "traditional" sound. Through mutual contacts with Monk and Stegall, she became aware of Randy Ray, who at the time was working on more songs with the latter.[27] Sharp arranged for him to be signed to a contract initially consisting of four songs. Executives disliked the name "Randy Ray" as they thought it sounded "podunk", and Sharp suggested "Randy Travis".[28]
Travis signed with Warner Nashville in early 1985. His first contract with them resulted in the recording of four songs: "Prairie Rose", "On the Other Hand", "Carrying Fire", and "Reasons I Cheat". "Prairie Rose" appeared on the soundtrack of the 1985 filmRustlers' Rhapsody.[29]Keith Whitley also recorded "On the Other Hand" for his 1985 debut albumL.A. to Miami.[30] These four songs were all recorded in the same session, with Stegall andKyle Lehning co-producing. At the time, Lehning was best known for producingDan Seals and had also worked with Stegall on his own singles forEpic Records. Although Lehning did not want to work with Travis at first, he chose to do so after Monk and Sharp encouraged him.[31] After recording these songs, Travis appeared onNashville Now again on May 17, 1985, where he performed withJohnny Russell andLorrie Morgan.[32] Warner also included him among the performers at their talent showcase at the Fan Fair (nowCMA Music Festival) in downtown Nashville in mid-1985.[33] Warner released "On the Other Hand" in August 1985, and it peaked at number 67 on theBillboard country charts.[34] The follow-up "1982" peaked at number six on the country charts in early 1986,[1] thus becoming Travis's first hit single.[35] Following the success of "1982", Travis was booked as an opening act forBarbara Mandrell andT. G. Sheppard, leading to both Travis and Hatcher quitting the Palace.[36] The song's success also led to him performing on theGrand Ole Opry for the first time in March 1986.[37] He also received an award for Top New Male Vocalist from theAcademy of Country Music (ACM).[38] This was followed by further opening act gigs throughout early 1986, which resulted in gigs fromCalifornia toGeorgia. Hatcher and Travis bought a formerbread truck which they converted to atour bus, in addition to hiring a five-piece band to perform with him.[39]
After "1982" became Travis's first top-ten hit, Warner executives chose to re-release "On the Other Hand". Nick Hunter, who promoted singles to country radio for Warner, noted that the song was popular in sales and listener demand despite its initially low chart peak.[40] Upon re-release, "On the Other Hand" became his first number-one single on theBillboard country charts in July 1986.[41] "On the Other Hand" and "1982" were both included on Travis's debut album for Warner,Storms of Life.[14] The album was released on June 2, 1986, and sold over 100,000 copies in its first sales week in addition to reaching number one onTop Country Albums.[42] Six years after its release, the album wascertified triple platinum by theRecording Industry Association of America (RIAA), honoring U.S. sales of three million copies.[43] One of the tracks, Travis's own composition "Send My Body", had previously appeared on the Randy Ray album in 1982.[44] Lehning and Stegall co-produced the album; they also contributed on keyboard and guitar, respectively. Other musicians on the project included drummersEddie Bayers,Larrie Londin, andJames Stroud; guitaristLarry Byrom;Dobro playerJerry Douglas; bassistDavid Hungate; and backing vocals from Lehning,Baillie & the Boys,Paul Davis, andPaul Overstreet.[45] The album produced another number-one in "Diggin' Up Bones" in late 1986, and a number two single in "No Place Like Home" in early 1987. Overstreet wrote "On the Other Hand" withDon Schlitz, "Diggin' Up Bones" withNat Stuckey, and "No Place Like Home" by himself.[1] The latter was also Travis's first single to be promoted through amusic video.[46]
In late 1986, Travis was asked to host theCountry Music Association (CMA) Awards telecast to replace original hostRicky Skaggs, who had to back out after his son was hospitalized with a neck injury.[47] Travis won the Horizon Award (now called Best New Artist) at that ceremony, while also receiving a nomination for Male Vocalist of the Year. Additionally, "On the Other Hand" was nominated for Single of the Year andStorms of Life for Album of the Year.[48] On November 15, 1986, Travis performed a concert withGeorge Jones andPatty Loveless in Charlotte, North Carolina, where Charlotte's then-mayorHarvey Gantt declared November 15 to be "Randy Travis Day". A similar acknowledgement was passed as a city ordinanace in Travis's hometown of Marshville soon afterward.[49] Warner also issued a Christmas single in December 1986 titled "White Christmas Makes Me Blue", which sold over 79,000 copies.[50] By year's end, Skaggs had inducted Travis into the Grand Ole Opry.[51] "Diggin' Up Bones" also accounted for Travis's firstGrammy Award nomination, in the category ofBest Male Country Vocal Performance, in early 1987.[52][53]
Storms of Life received critical favor. Mark A. Humphrey ofAllMusic wrote that Travis had "astonishingLefty Frizzell-style pipes, excellent material, and sympathetic production".[54] An uncredited review inBillboard also described Travis's voice with favor, additionally stating that " He has the material—introspective lyrics and gorgeous melodies—and the understated, classic country production here to make the most of his gifts."[55] Writing for theChicago Tribune, Jack Hurst also compared Travis's voice favorably to both Frizzell andMerle Haggard, while also praising the lyrics of the singles in particular.[56]
In early 1987, Travis released the single "Forever and Ever, Amen". It held the number-one position on theBillboard country charts for three weeks,[57] becoming the first song to hold that position for that long sinceJohnny Lee's "Lookin' for Love" in 1980.[58] The song served as the lead single to his second Warner albumAlways & Forever.[14] As with "On the Other Hand", Schlitz and Overstreet co-wrote the song.[1] Corresponding with this song's success, Travis won Male Vocalist of the Year from the ACM awards, whereStorms of Life won Album of the Year and "On the Other Hand" won both Song and Single of the Year.[38] During the awards ceremony, Travis performed "Forever and Ever, Amen" live for the first time. Cusic described the song in 1990 as a "career record".[57] In addition to topping the country charts, "Forever and Ever, Amen" was a minor hit single in theUnited Kingdom, reaching number 55 on theUK Singles Chart.[59] In 2019, editors ofThe Tennessean listed it as one of the 100 greatest country songs of all time, while also referring to it as Travis'ssignature song.[60] "Forever and Ever, Amen" is also Travis's highest-certified single, having earned double-platinum RIAA certification in 2021.[43]
Always & Forever included Lehning as producer, with many of the same vocal and instrumental contributors as its predecessor such as Baillie & the Boys, Douglas, and Overstreet.[61] Lehning worked with Travis, Hatcher, and Sharp to pick from several hundred songs before determining which ones would appear on the album.[62] One track on the album wasDennis Linde's composition "What'll You Do About Me",[63] which was previously released bySteve Earle in 1984;[64] the song would later be released bythe Forester Sisters in 1992,[65] andDoug Supernaw in 1995.[66] During the promotion of the album, Travis began to notice strain on his vocal cords, which was treated through consultations atVanderbilt University Medical Center.[67]Always & Forever spent 43 weeks at the top of theBillboardTop Country Albums charts, breaking the previous longevity record of 28 weeks set byAlabama'sMountain Music earlier in the decade.[58]
"I Won't Need You Anymore (Always and Forever)", "Too Gone Too Long", and "I Told You So" were all released as singles fromAlways & Forever, with all three reaching number one on theBillboard country charts between 1987 and 1988.[1] Travis wrote "I Told You So" by himself in 1982 around the time he attempted to sign with Curb Records. Monk submitted the song toLee Greenwood at that time, although he declined it. BothDarrell Clanton and Barbara Mandrell had recorded the song,[68] the former as theB-side of his 1985 single "I Forgot That I Don't Live Here Anymore".[69] In 1996,Always & Forever received Travis's highest certification of quintuple platinum for sales of five million copies.[43]
Always & Forever and its singles accounted for several award wins and nominations for Travis. "Forever and Ever, Amen" won both Song and Single of the Year at the following year's ACM awards (honoring the year 1987), where Travis also won Top Male Vocalist. He was also nominated for Entertainer of the Year, while "Forever and Ever, Amen" received a Music Video of the Year nomination andAlways & Forever was nominated for Album of the Year.[38] At the 1987 CMA Awards, Travis won Male Vocalist of the Year and was nominated for Entertainer of the Year while "Forever and Ever, Amen" won Single of the Year and was nominated for Music Video of the Year andAlways & Forever won Album of the Year.[48] Additionally,Always & Forever accounted for Travis's first Grammy Award win, for Best Male Country Vocal Performance at the30th Annual Grammy Awards in March 1988.[53]Stephen Thomas Erlewine, writing for AllMusic, thought the album "rivaled its predecessor in its quality" while also stating that it had "lean" production and "nuanced" vocals.[70]
Travis continued to tour throughout the United States in 1988, including a spot on theMarlboro Country Music Tour inMadison Square Garden, which also featured Alabama,the Judds, andGeorge Strait.[71] That same year he released his third Warner album,Old 8×10.[14] The album was originally slated to be released on July 12, but was moved up to June 30 to make it eligible for CMA Awards.[72] The first three singles off the album all went to number one on the country charts between 1988 and early 1989. These were "Honky Tonk Moon", "Deeper Than the Holler" (another Overstreet-Schlitz collaboration), and "Is It Still Over?"[1] The fourth and final single, "Promises" (which Travis wrote with John Lindley), was much less successful with a number 17 peak on Hot Country Songs.[1] Music journalists Tom Roland andColin Larkin both attributed the song's failure to it featuring just vocals and acoustic guitar.[73][11]Old 8×10 became his third consecutive album to reach the number one position on Top Country Albums.[74] It also won Travis a Grammy Award for Best Male Country Vocal Performance.[53] "I Told You So" received a Single of the Year nomination from the Academy of Country Music, while Travis himself was nominated as both Entertainer of the Year and Top Male Vocalist in 1988 and 1989.[38] Also in 1988, the Country Music Association awarded him as Male Vocalist of the Year a second time, along with an Entertainer of the Year nomination, as well as Single and Song of the Year nominations for "I Told You So".[48] The foundation also nominatedOld 8×10 for Album of the Year alongside additional Male Vocalist and Entertainer of the Year nominations.[48] Reviewing the album for AllMusic,Brian Mansfield stated that it "lacks the monster hits of his debut but wears just as well."[75] In 1997,Old 8×10 received its highest certification of double-platinum.[43]
Travis ended 1989 with two studio albums. First was a Christmas album titledAn Old Time Christmas, which included the previously-released Christmas single "White Christmas Makes Me Blue". The other tracks included a mix of Christmas standards and original songs, one of which ("How Do I Wrap My Heart Up for Christmas") Travis co-wrote with Overstreet.[76] A month later was the studio releaseNo Holdin' Back. Prior to the album's release, Travis had recorded a cover ofBrook Benton's "It's Just a Matter of Time" with producerRichard Perry for a covers album titledRock, Rhythm & Blues. Because he liked the sound of the recording, he chose to include it onNo Holdin' Back as the album's first single. The rendition reached number one on the country charts in December 1989.[77] At the32nd Annual Grammy Awards, this rendition was nominated for Best Male Country Vocal Performance.[53] After the "It's Just a Matter of Time" cover came "Hard Rock Bottom of Your Heart". Written byHugh Prestwood, the song held the number one position onBillboard Hot Country Songs for four weeks, accounting for Travis's longest stay at that position.[1][14] The third and final single fromNo Holdin' Back was "He Walked on Water", which peaked at number two.[1] The song was the first successful cut for songwriterAllen Shamblin.[78] Also included onNo Holdin' Back were a cover ofMarty Robbins' "Singing the Blues" and the track "Somewhere in My Broken Heart", later a single for its co-writerBilly Dean.[79][80] Thom Jurek's review for AllMusic praised Travis's vocal deliveries on "It's Just a Matter of Time" and "Hard Rock Bottom of Your Heart" while also calling Lehning's production "flawless".[80] In a review forCash Box magazine, Kimmy Wix described "He Walked on Water" as having "detailed lyrics to which we can all relate" and thought the song was well suited for Travis's voice.[81]
Travis's first album to be released in the 1990s wasHeroes & Friends, a duets album. Among the duet artists featured wereTammy Wynette,Merle Haggard,George Jones,B. B. King, andClint Eastwood.[11] According to journalist Gary Graff, Travis had wanted to record a duet album for several years, and he and Hatcher spent over a year and a half arranging for the recording sessions.[82] The album accounted for two singles in "A Few Ole Country Boys" (a duet with Jones) and title track "Heroes and Friends" (the only track on the album not to be a duet). Both songs peaked within the top 10 of the country charts between late 1990 and early 1991.[1] Travis performed "Heroes and Friends" at the 1991 CMA Awards telecast, joined by Jones, Wynette,Vern Gosdin, andRoy Rogers.[83] Unlike his previous albums,Heroes & Friends was met with mixed reception from critics.Austin American-Statesman writer Lee Nichols thought that the album's songs were "not particularly notable, but nonetheless enjoyable".[84]Knight Ridder writer Dan DeLuca (in a review re-published inThe Anniston Star) praised the duets with Haggard and Jones, and considered the duet version ofDolly Parton's "Do I Ever Cross Your Mind" to be the strongest track, although he also panned the contributions of King and Eastwood.[85] In a review forEntertainment Weekly,Alanna Nash thought that "[t]he guests show up more to bolster Travis's profile than to actually perform full-out", although she praisedLoretta Lynn's duet vocals on "Shopping for Dresses".[86] Despite the mixed reception,Heroes & Friends certified platinum in 1991.[43] Travis also noted that 1990 was the first year in which he did not receive any ACM or CMA awards, but that he was still receiving significant radio airplay and sales, and positive feedback from fans in concert.[82] Relatedly, Mansfield andColin Larkin both observed that in the early 1990s, Travis's success began to diminish as newer artists such asClint Black andGarth Brooks grew in popularity.[14][11]
Travis's next studio album was 1991'sHigh Lonesome, led off by the single "Point of Light".[1]George H. W. Bush, thenPresident of the United States, commissioned Schlitz andThom Schuyler to write the song as a tie-in to his "thousand points of light" campaign forvolunteerism.[87] Because of its inspiration, Travis noted that journalists often asked him about political matters, and he refused to answer them as he did not think the song itself was political.[88] He also performed the song for a number of events intended to honor American soldiers returning fromOperation Desert Storm.[89] Next fromHigh Lonesome was Travis's twelfth number-one, "Forever Together",[1] one of several songs he wrote withAlan Jackson while the two were on tour together in 1991.[90] These collaborations also produced the album's next two singles "Better Class of Losers" and "I'd Surrender All" between late 1991 and early 1992, as well as Jackson's number one single "She's Got the Rhythm (And I Got the Blues)" later in 1992.[91] Jackson also co-wrote the track "Allergic to the Blues", while Travis wrote "I'm Gonna Have a Little Talk" (featuring backing vocals from gospel groupTake 6[92]) and "Oh, What a Time to Be Me". Travis noted that the project contained more songs written by him than his previous ones did.[90] Jurek praised the Jackson co-writes in particular, highlighting their lyrics and vocal deliveries in his review for AllMusic.[92] Nash also praised the lyrics on the songs co-written by Jackson, while also stating that Travis "never sounded so relaxed or so confident".[93]
Later the same year, Warner released a pair ofgreatest hits albums:Greatest Hits, Volume One andGreatest Hits, Volume Two. In addition to featuring most of his hit singles to this point, the projects also included four new tracks and the album cut "Reasons I Cheat" fromStorms of Life.[94] Among the new tracks, "If I Didn't Have You" and "Look Heart, No Hands" both went to number one upon release as singles that year.Skip Ewing andMax D. Barnes wrote the former, whileTrey Bruce andRussell Smith wrote the latter.[1] Despite these songs' successes on radio, their follow-up "An Old Pair of Shoes" reached number 21 upon release in early 1993.[1] Both greatest-hits albums certified platinum in 1995.[43]
Travis took a hiatus from touring in 1992 and 1993, citing exhaustion as the reason for doing so.[95] He and Hatcher chose to spend time at a property inMaui they had acquired. According to Travis, the touring hiatus caused some fans and news reporters to believe he had retired,[96] so his publicists issued press releases indicating he was "merely taking a break".[97] During the hiatus, he released an album ofWestern music titledWind in the Wire, a tie-in to a television movieof the same name in which he starred.[14] The album was produced by session guitarist Steve Gibson, making it his first since the Randy Ray album not to be produced by Kyle Lehning.[98] It was commercially unsuccessful, with none of its singles reaching top 40 on theBillboard charts.[14] However, lead single "Cowboy Boogie" reached number 10 on the Canadian country music charts then published byRPM.[99] Travis and one of his managers later attributed the album's commercial failure to itsWestern swing sound proving unpopular with radio.[96]
In late 1993, Travis began working on a follow-up album with Lehning when he was contacted by a representative for the then-under constructionMGM Grand Las Vegas inLas Vegas, Nevada. The representative wanted Travis to be the first country artist to perform at the new venue once it opened, which inspired Travis to begin touring again. He and Hatcher joined with Jeff Davis, another former manager of Travis's who was then working withBrother Phelps, to assemble a backing band for the Las Vegas shows, which included Lehning as keyboardist.[100] The Las Vegas shows, held in early 1994, were his first concerts in over 14 months.[96] Due to the success of these shows, Travis resumed his touring schedule soon afterward. He re-established his existing touring band and performed at a showcase of Warner Bros. artists held in Nashville during the Country Radio Seminar, an annual promotional concert series held byCountry Radio Broadcasters.[100][96] At the same time, Travis continued writing and compiling songs for his next studio album. "Before You Kill Us All" was released on February 28, 1994,[96] as the lead single to his next Warner albumThis Is Me.[14] The song peaked at number two on theBillboard country charts.[1] Travis and Lehning chose the song because the two wanted "story songs and some with a wink of humor".[101] Similarly, he toldBillboard in 1994 that the song was an example of a more modern and "rowdy" sound he wanted to achieve relative to his prior albums.[96] It was followed later in the year by "Whisper My Name", his fifteenth number-one onBillboard.[1] The album'stitle track and "The Box" were both top-ten hits between late 1994 and early 1995 as well.[1] Travis wrote "The Box" with Buck Moore and later said he became emotional writing and performing the song, as its theme of a father struggling to express love to his children reminded him of his own "fractured" relationship with his father.[101]
Bob Saporiti, then an executive at Warner Bros. Nashville, noted that the failure ofWind in the Wire and length of time sinceHigh Lonesome had created "angst" among label executives, but added that they consideredThis Is Me "back to the basics".[96] To promote the album, Travis hosted an episode of the TNN talk showMusic City Tonight; the network also re-aired the Country Radio Seminar concert.[96] Jurek praised the lyrical contributions of Trey Bruce,Larry Gatlin, andKieran Kane, and considered "Whisper My Name" to be "among the greatest songs Travis has ever recorded".[102] Nash thought that the lyrics of the singles were among Travis's strongest, also stating that the album had "zippier instrumental touches" than his 1980s albums.[103] Additionally, Larkin stated that the album was "as strong as ever".[11] By mid-1994,This Is Me was certified gold by the RIAA.[43] Despite spending most of 1995 without a charted single,[1] Travis continued to tour throughout the year alongsideSammy Kershaw and George Jones.[104]
Travis's final album for Warner wasFull Circle in 1996.[14] Travis toldBillboard prior to its release that he and Lehning spent over a year selecting songs for the album because they wanted to be sure they were fully satisfied with its content.[105] Its lead single was "Are We in Trouble Now", a song written byMark Knopfler. Both this song and follow-up "Would I" failed to reach the top 20 on the country charts, while neither "Price to Pay" nor a cover ofRoger Miller's "King of the Road" (which also appeared on the soundtrack of the 1997 movieTraveller[106]) made top 40.[1]Richmond Times-Dispatch writer Gordon Ely noted the failure of the album's lead single and questioned whether the album and Travis in general could still be successful in the long term, due to an influx of younger artists in the intervening years.[107] Ely considered the album "strong as ever", with a focus on Lehning's production and Travis's voice, as well as the lyrics of "Price to Pay".[107]Country Standard Time writer Don Yates found the influence ofhonky-tonk in certain songs and praised the lyrics and vocal delivery of "Are We in Trouble Now", but criticized "Would I" as "gimmicky" and closing track "Ants on a Log" as "trite".[108] AllMusic writer Thom Owens said ofFull Circle, "his mid-'90s albums suffered from a tendency to sound a bit too similar to each other.Full Circle solves that problem by simultaneously reaching back into his hardcore honky-tonk roots and moving toward more contemporary material".[109]
In mid-1997, Travis announced that he had departed from Warner Bros. due to disagreements over the promotion ofFull Circle, as well as concerns that the country music industry was beginning to move toward backcountry pop influences.[110] Additionally, Hatcher thought that Warner executives were not allowing her, Travis, and Lehning to have as much liberty on selecting singles as they had on previous albums.[111] At the time of his departure from Warner, Travis was offered contracts by the Nashville divisions of bothAsylum Records and the then-newDreamWorks Records.[110] Lehning had just become president of Asylum Records's Nashville division at the time, but Travis chose not to follow him to that label as he did not think Lehning's position was long-term.[112]
By August 1997, Travis had become the first artist signed to DreamWorks Records's Nashville division.[113] The new label's president was musician and producer James Stroud, who had played on some of Travis' singles, including "Forever and Ever, Amen".[114] As Lehning's duties at Asylum left him temporarily unavailable, Stroud andByron Gallimore produced Travis for DreamWorks.[112] "Out of My Bones" was the first single release for DreamWorks Nashville, in 1997.[115] Co-written byGary Burr andSharon Vaughn, it peaked at number two on the country charts early in 1998.[1] It appeared on his first DreamWorks albumYou and You Alone, issued in April.[14] The project also accounted for the top-ten hits "The Hole" and "Spirit of a Boy, Wisdom of a Man" and the top-20 "Stranger in My Mirror". Both "The Hole" and "Stranger in My Mirror" were co-written by Skip Ewing.[1] "Spirit of a Boy, Wisdom of a Man" was previously recorded byMark Collie on his 1995 albumTennessee Plates.[116] Jeffrey B. Remz of Country Standard Time criticized the heavy drums on "I Did My Part", but otherwise praised the use of acoustic instruments and the strength of Travis's voice.[117]Lincoln Journal Star writer L. Kent Wolgamott noted the presence offiddle andsteel guitar in the production while also calling Travis's voice "expressive".[118]
In 1999, Travis was one of several artists on the collaborative song "Same Old Train", featured on the multi-artist albumTribute to Tradition. Other acts appearing on the song includedClint Black,Dwight Yoakam, andPam Tillis, along withMarty Stuart, who wrote and produced it.[119] The track won aGrammy Award for Best Country Collaboration with Vocals.[53] Travis's second and final DreamWorks albumA Man Ain't Made of Stone released in 1999.[14]title track (co-written by Burr) was a top-20 country hit by year's end, but the other singles, "Where Can I Surrender", "A Little Left of Center", and "I'll Be Right Here Loving You", all missed the top 40.[1] Gallimore and Stroud recorded the album largely inSanta Fe, New Mexico, where Travis and Hatcher had a house at the time.[120] Following the failure of the later singles, Travis exited DreamWorks in 2000.[121] Shortly after his departure, Travis told Country Standard Time that he chose to leave DreamWorks because he felt the label had not properly distributed the album. He added that Stroud's production style put too much emphasis on instrumentation instead of his singing voice.[122]
While he was still on Warner, Travis had begun working with Lehning on agospel music album.[123][124] Other than a cover of "Amazing Grace", the two intentionally sought to include original content. Travis finished the tracks at a time when he was not on a record label. Through a connection Lehning had withWord Records executive Barry Landis, Travis was signed to that label in late 2000 and released the gospel album, by then titledInspirational Journey.[125]Waylon Jennings andJessi Colter provided guest vocals on "The Carpenter".[123]Kenny Chesney sang duet vocals on "Baptism" (also titled "Down with the Old Man (Up with the New)"),[1][126] which served as the first single. The two had previously recorded the song for Chesney's 1999 albumEverywhere We Go.[122]Inspirational Journey won twoDove Awards in 2001: Bluegrass Album of the Year for the album itself, and Country Recorded Song of the Year for "Baptism".[127] AllMusic reviewer Todd Everett found influences of bluegrass,Don Williams, and Lefty Frizzell, and found it consistent with Travis's 1980s and 1990s albums in tone.[123] Alanna Nash ofEntertainment Weekly was less favorable, as she thought that the album had strong opening tracks but added that "midway, it deteriorates into Nashville formula, with simplistic homilies [and] overblown production".[128]
Following theSeptember 11 attacks in 2001, Travis co-wrote and released a promotional patriotic single titled "America Will Always Stand".[129] Proceeds from sales of the single were donated to theAmerican Red Cross.[130] He continued with Word as a gospel artist and put out his next album for the label,Rise and Shine, in 2002. The lead single was "Three Wooden Crosses". According to Travis, songwritersKim Williams andDoug Johnson had pitched the song toMichael Peterson, who at the time was recording with Lehning. Peterson suggested Lehning take the song to Travis, for whom he thought it was better suited.[131] By early 2003, "Three Wooden Crosses" became Travis's sixteenth and final number-one onBillboard Hot Country Songs. It also accounted for his highest solo peak on theBillboard Hot 100 at number 31. The project charted one other single in "Pray for the Fish", which fell below top 40 on the country charts.[1] Robert L. Doerschuk of AllMusic called the album "a strong performance, presented with flawless studio clarity and persuasive, understated feeling."[132] Remz noted the consistency of Lehning's production and Travis's voice, as well as the presence of original songs co-written by Travis.[133] In October 2003,Rise and Shine was certified gold.[43] At the 2004 Grammy Awards,Rise and Shine won aGrammy Award for Best Southern, Country or Bluegrass Gospel Album, while "Three Wooden Crosses" was nominated for Best Male Country Vocal Performance.[53] That same year, "Pray for the Fish" won a Dove Award for Country Recorded Song of the Year.[127]
His next gospel album was 2003'sWorship & Faith. Unlike the previous projects, it included 20 acoustic covers of existing praise songs and hymns.[134] Among the tracks included were "In the Garden", "How Great Thou Art", "Peace in the Valley", and "I'll Fly Away". Jurek called the album "direct, unfiltered, hard-line gospel at its best, by a master" in a review for AllMusic.[135]Worship & Faith also became a gold album,[43] and accounted for his second consecutive Grammy Award for Best Southern, Country or Bluegrass Gospel Album.[53] A year later he releasedPassing Through.[14] This album accounted for his last solo chart singles until 2024, "Four Walls" and "Angels".[131] The latter was Travis's 50th entry on the chart.[1] Co-writers on the album includedJamie O'Hara, Dennis Linde, Sharon Vaughn, and Travis.[136] "Four Walls" was previously cut byKeith Harling,[137] while the album track "That Was Us" was previously recorded by bothTracy Lawrence andChad Brock, whose version was a single in 2003.[138][136][139] Erlewine wrote ofPassing Through, "It's inspirational music in the purest sense—it doesn't preach, it instructs and inspires through its carefully observed tales."[136] Travis received a star on theHollywood Walk of Fame in September 2004.[140]
In 2005, Travis released another gospel album,Glory Train: Songs of Faith, Worship, and Praise.[14] It, too, won a Grammy Award for Best Southern, Country or Bluegrass Gospel Album.[53] Some tracks on the project included backing vocals fromthe Blind Boys of Alabama. Unlike the previous albums, it contained a mix of Black spirituals andcontemporary Christian music such asDarlene Zschech's "Shout to the Lord". Erlewine thought the inclusion of such material made it "Travis's best gospel album to date".[141] Writing forThe Atlanta Journal-Constitution, Nick Marino praised Travis's "bluesy" vocals and the variety of songs.[142] Altogether, Travis's first four gospel albums each won the Dove Award for Country Album of the Year, accounting for a streak of four consecutive wins in that category from 2003 to 2006.[127] Also in 2006, Travis began recording footage for a Christmas DVD titledChristmas on the Pecos. This footage consisted of him singing Christmas songs and readingHelen Steiner Rice's poem "The Christmas Guest" inside the Big Room, a cavern atCarlsbad Caverns National Park.[143][144] Some of the performances also included vocal accompaniment from the choir of the Carlsbad First Baptist Church. The DVD was released in late 2006.[143] Another Christmas project, the albumSongs of the Season, followed in 2007.[145]
In 2008, he released his next studio albumAround the Bend.[14] The project was his first country music release sinceA Man Ain't Made of Stone.[146][147] The album also placed him back on Warner, which had been a distributor of his Word Records releases.[148] Travis promoted the album in an interview withWSM-FM radio host Bill Cody.[146] He also released its lead single "Faith in You" as a free download from his website.[149] "Dig Two Graves" was the project's second single.[147] In addition to these songs, the album included a cover ofBob Dylan's "Don't Think Twice, It's All Right".[146] Jeff DeDekker ofThe Leader-Post noted that while it was not marketed as a Christian album, individual songs still held themes of "redemption and the afterlife".[147] He praised the lyrics of "Dig Two Graves" and Travis's singing voice in particular.[147] Erlewine criticized the use of astring section on "Faith in You", but otherwise reviewed the album's song selection and Travis's voice with favor.[150] Despite not being explicitly marketed as a Christian album, it won Travis his eighth and final Dove Award, in the category of Country Album of the Year.[127]
Carrie Underwood recorded a cover of "I Told You So" on her late-2007 albumCarnival Ride.[151] Her version was released in January 2009 as the album's fifth single. Two months after her rendition was released to radio, disc jockey Jesse Tack atWUBE-FM inCincinnati, Ohio combined Underwood's recording with the vocal track from Travis's original and distributed the results to 75 other radio stations. Due to the popularity of the combined recording with radio listeners, Underwood and Travis performed the song together onAmerican Idol soon after.[152] The two also recorded an official duet version, which was sent to radio as well.[153] With both Travis and Underwood receiving chart credit, the duet version of "I Told You So" peaked at number two on the country charts in 2009, and accounted for Travis's highest overallBillboard Hot 100 peak of number nine.[154] The duet won both artists the 2010 Grammy Award for Best Country Collaboration with Vocals.[53]
Travis continued to record for Warner at the time. To honor the 25th anniversary ofStorms of Life, he releasedAnniversary Celebration in 2011.[14] The album consisted entirely of collaborations, on both re-recordings of Travis's previous singles and new songs.[155] Among the artists involved wereZac Brown Band ("Forever and Ever, Amen"), Kenny Chesney ("He Walked on Water"), andJamey Johnson ("A Few Ole Country Boys"). Alan Jackson contributed to a medley of Travis's "Better Class of Losers" and Jackson's "She's Got the Rhythm (And I Got the Blues)", both of which the two co-wrote. George Jones,Lorrie Morgan,Ray Price,Connie Smith,Joe Stampley, andGene Watson all provided vocals to the track "Didn't We Shine". Karlie Justus of Country Standard Time highlighted these tracks in particular among the strongest.[156]
In July 2013, Travis experienced difficulty breathing while working out at his home gym.[157] He was hospitalized inDallas, Texas, forviral cardiomyopathy. While undergoing treatment, Travis sufferedcongestive heart failure and astroke.[158][159][160] The stroke affected the left side of Travis's brain, impacting movement on the right side of his body. Travis was placed onlife support after the infection caused his lungs to collapse, and was declared to have a one percent chance of survival.[160] The infection, subsequent stroke, and three separate bouts ofpneumonia led to Travis undergoing threetracheostomies and two brain surgeries.[160] He also sufferedaphasia, lost the ability to speak and sing, and had vision problems. These issues were mitigated through years of therapy.[160] While the stroke largely left him unable to sing or speak, he soon began recovering. According toTaste of Country, within a year of the stroke, he was able to walk short distances without assistance, and was re-learning to write and to play guitar.[161]
Despite his stroke, Travis released a pair of previously-recordedcover song projects between late 2013 and early 2014. The first wasInfluence Vol. 1: The Man I Am.[14] Among the covers were Lefty Frizzell's "Saginaw, Michigan",Ernest Tubb's "Thanks a Lot", and George Jones's "Why Baby Why". The only track on the album not to be a cover was "Tonight I'm Playin' Possum", a duet withJoe Nichols. Remz noted that many of the cover songs chosen were written or performed byMerle Haggard, and spoke favorably of Lehning's "low-key" production.[162] The second volume of this project,Influence Vol. 2: The Man I Am, followed in 2014.[14][163] Like the first volume, it included covers from Haggard, Tubb, and Frizzell, as well asKris Kristofferson andWaylon Jennings. Erlewine said of this project, "he makes it sound easy when you know damn well it isn't."[164] In 2015, he made a guest appearance at the Academy of Country Music awards ceremony, whereLee Brice paid tribute to him by singing "Forever and Ever, Amen".[165]
In 2016, Travis was inducted into theCountry Music Hall of Fame, and sang "Amazing Grace" at the induction ceremony.[157][166][167] The same year, he appeared in the music video for "Forever Country", a multi-artist medley of "Take Me Home, Country Roads", "On the Road Again", and "I Will Always Love You" done to honor the 50th anniversary of the Country Music Association.[168] Although he had begun appearing in public again at this point, his speech remained limited and he was confined to a wheelchair.[157] Despite the limitations, Travis appeared onstage with singerMichael Ray during a cover performance of "Forever and Ever, Amen" in June 2017.[169] He did the same during his 60th birthday party, hosted by the Grand Ole Opry on May 4, 2019.[170]
In September 2019, Travis announced his return to touring. The tour features James Dupré as lead vocalist singing with Travis's backing band.[171] Travis selected Dupré after seeing him perform onThe Voice. During these shows, Travis makes selected appearances throughout, which include singing the final "Amen" at the end of "Forever and Ever, Amen".[172] Announced as a twelve-city tour, the first performances with Dupré cut back to three concerts shortly before the tour began in October "due to unexpected production and technical issues related to the elaborate content of the show," with the intent to reschedule the canceled shows after the technical problems were resolved.[173][174] Dupré has continued to tour with Travis as of 2025, in a tour known as the More Life Tour.[175]
Travis releasedPrecious Memories (Worship & Faith) through Gaither Music, a label owned by gospel singerBill Gaither, in February 2020. The project contains 12 songs that were recorded in 2003 at the Calvary Assembly of God Church inOrlando, Florida.[176] This was followed four months later by a new single titled "Fool's Love Affair", consisting of a demo recording he had done in the early 1980s.[177] In April 2024, Travis posted toTikTok a clip of a new song titled "Where That Came From", his first new studio recording since the stroke. The song was released to country radio soon afterward.[178]CBS News correspondence revealed that Lehning created the song withvoice cloning technology, wherein he used anartificial intelligence program to re-create Travis's voice.[179] The program was trained on 42 recordings of Travis's voice and composited over an existing recording of the song Dupré had cut in 2011.[180] "Where That Came From" made theBillboard country charts a month after its release, peaking at number 45.[181] A second song, "Horses in Heaven", followed in January 2025. This song's vocal track was created through the same voice cloning technology as "Where That Came From," but with a newly recorded vocal bed featuring four singers.[182][183] According toRolling Stone, Travis dedicated the song to victims of the2025 Potomac River mid-air collision.[184]
On March 19, 2025, the 100th birthday of theGrand Ole Opry was celebrated onNBC’sOpry 100: A Live Celebration that included tributes to country music icons including Travis. During the program,Carrie Underwood made a tribute to Travis, recalled what Travis meant to her life, and sung favorite Travis songs including “Forever and Ever, Amen". Leaving the stage, she moved to Travis, singing the ending lyrics to him, leaving him to sing the ending "amen", greatly touching the standing ovation audience and leaving fans in tears.[185][186]
Travis is noted as a key figure in theneotraditional country movement, a shift in mainstream country music sound toward a more traditional style after thecountry pop crossovers of the early 1980s. Brian Mansfield wrote in AllMusic that "At a time when most were still pursuing the pop-oriented sound of theUrban Cowboy craze, Travis's strong, honest vocal style and relatable songs of everyday life helped launch the New Traditionalist movement".[14] In theVirgin Encyclopedia of Country Music, Colin Larkin wrote that Travis "was the first modern performer to demonstrate that country music could appeal to a wider public, and perhapsGarth Brooks owes him a debt."[11] Alanna Nash similarly stated that Travis was a "standard bearer" for the genre's shift toward neotraditional country through later acts such as Brooks andClint Black, whom she stated "immediately began to surpass Travis at the awards shows and in record stores."[93] Regarding his physical appearance, Gary Graff stated that "his hunkish, weight-pumping good looks have established a physical sexuality that had been missing from many of country's male stars."[82]
Writing for AllMusic, Mansfield found influences ofMerle Haggard andGeorge Jones in Travis's singing voice,[14] and Mark A. Humphrey compared his voice to Lefty Frizzell on the same site.[54] Nash called his voice a "glass-rattlingbaritone".[93] Cusic found influences ofWaylon Jennings andErnest Tubb in tracks fromStorms of Life, highlighting conventionally country lyrical themes of "lost love" in "1982" and infidelity in "Reasons I Cheat".[44] Critics have also noted Lehning's long-time role as Travis's producer, with Jurek stating in a review ofHigh Lonesome that the "production is unobtrusive and clean, setting Travis in perfect balance with a band that feels live."[92] In a review for Country Standard Time, Karlie Justus referred to Travis as having a "trademark baritone" and "steel [guitar]-laced, storytelling catalog."[156] Robert L. Doerschuk said that Travis has a "familiar unforced, relaxed style".[132] ReviewingYou and You Alone, Jeffrey B. Remz wrote that "He generally remains tried and true to his roots dishing out ballads with his usual great vocal phrasing...Travis doesn't rush through the songs, delivering them in a passionate, understated singing style".[117] Of his shift to gospel music at the beginning of the 21st century, Erlewine wrote that such albums were "fruitful, producing a series of good, heartfelt records, yet they also had a nice side effect of putting commercialism way on the back burner, as the gospel albums were made without the charts in mind".[150]
Travis has been cited as an influence on later generations of singers. Travis and Hatcher bookedDaryle Singletary as an opening act and member of their touring band after hearing his vocals on the demo of "An Old Pair of Shoes", and he would often join Travis in this capacity to sing "It's Just a Matter of Time". After Singletary signed a recording contract withGiant Records in 1995, Travis co-produced Singletary'sself-titled debut album.[187] Nash referred to Singletary as a "protégé" of Travis's with a "sonorous baritone".[188]Josh Turner cites Travis as an influence, and said that "Diggin' Up Bones" was the first song he performed in public. The two collaborated in 2006 on the showCMT Cross Country.[189] Travis contributed a guest vocal to Turner's cover of "Forever and Ever, Amen" on his 2020 covers albumCountry State of Mind.[190] Turner andChris Janson both cited "Diggin' Up Bones" as an influence when interviewed for a 2017 tribute concert.[191] Justus also noted Turner as a successor to Travis in a review ofAnniversary Celebration, where she also thought the themes of musical aspiration in "A Few Ole Country Boys", originally a duet with George Jones, were a "full circle moment" when Travis sang the same song withJamey Johnson.[156]
Travis made his acting debut in 1988 with an uncredited cameo in theEmilio Estevez movieYoung Guns. Although most of his part was cut from the final movie, he sang the title track to the movie's soundtrack.[67] He began acting on television in the early 1990s when he was cast as a house painter in an episode ofMatlock.[83] A year later he starred in the television movieWind in the Wire which aired onABC.[192] His album of the same name is a soundtrack to the movie.[14] Travis's acting roles would continue into the mid-1990s with such films asFrank and Jesse andMaverick.[193] In late 1995, he andRue McClanahan starred in theCBS television movieA Holiday to Remember. Before the movie's release, Travis stated that the appearance onMatlock earlier in the decade was what inspired him to take on more acting roles, and thatA Holiday to Remember was one of his first roles not related to theWestern genre.[194] Coinciding with the release ofYou and You Alone, Travis starred alongsidePatrick Swayze in the filmBlack Dog, playing the role of a country music singer.[195] In turn, Swayze sang backing vocals on "I Did My Part", an album track onYou and You Alone.[118] In February 2024, Travis appeared as a special guest on an episode of the game showThe Price Is Right.[196]
In a March 2025 performance at theGrand Ole Opry, Travis joinedClay Walker onstage to announce the release of an upcoming biographical movie calledForever and Ever, Amen. The film, to be written and directed by Andrew Hyatt, will feature Walker as one of three actors portraying the singer at various stages in his life.[197]
Travis and Hatcher lived together for several years at early points in their career.[198] The couple secretly married on May 31, 1991, and bought a house onMaui soon afterward.[199] Because of the secrecy of their marriage and the relocation to Maui, Travis later noted that many fans theorized he was gay and had contractedHIV/AIDS.[199] In early 1991, the tabloidNational Enquirer ran an article alleging that Travis was gay. In response, Travis considered suing the publication until a lawyer convinced him otherwise.[199][200] Journalist Michael Corcoran noted that their marriage was seen as controversial at first, due both to its initial secrecy and the fact that Hatcher was 18 years older than Travis.[199] Travis and Hatcher divorced in October 2010, citing incompatibility. Despite this, Hatcher continued to serve as his manager at the time.[201] After a period of engagement, he married Mary Davis on March 21, 2015.[166][165] The couple reside at Chrysalis Ranch, a property they own nearTioga, Texas.[166] Davis tended to Travis's medical needs during his stroke in 2013, and has made public appearances on his behalf to compensate for his limited speech.[166]
Several incidents in which the singer became publicly intoxicated were reported in the early 2010s. Travis was arrested in February 2012, when he was found in a parked car outside a church inSanger, Texas, with an open bottle of wine and smelling of alcohol.[202] On August 7, 2012, state troopers inGrayson County, Texas, responded to a call that an unclothed man was lying in the road. Troopers reported that they arrived to find Travis unclothed and smelling of alcohol.[203] The Texas Highway Patrol said that Travis crashed his car in a construction zone, and that when they attempted to apprehend him, the singer threatened their lives. Travis was subsequently arrested for driving under the influence and making terroristic threats against a public servant. He posted bail in the amount of $21,500.[204] Travis filed a lawsuit to block the release of policedashcam video of the incident. After a five-year legal battle, a judge ruled that the video did not violate his right to privacy; it was released to the public in December 2017.[205]
Travis has won seven Grammy Awards, six CMA Awards, and eleven ACM awards.[53][38][48]
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