| Qayamat Se Qayamat Tak | |
|---|---|
 Movie poster | |
| Directed by | Mansoor Khan |
| Written by | Nasir Hussain Aamir Khan (assistant writer) |
| Produced by | Nasir Hussain |
| Starring | |
| Cinematography | Kiran Deohans |
| Edited by | Zafar Sultan |
| Music by | Anand–Milind |
Production company | Nasir Hussain Films |
Release date |
|
Running time | 163 mins |
| Country | India |
| Language | Hindi |
| Box office | ₹50 million (net)[2] |
Qayamat Se Qayamat Tak (transl. From doomsday to doomsday),[a] is a 1988 IndianHindi-languageromantic musical film, directed byMansoor Khan in his directorial debut, and written and produced byNasir Hussain. The film starsAamir Khan andJuhi Chawla in lead roles. The film features music byAnand–Milind, with lyrics written byMajrooh Sultanpuri.Qayamat Se Qayamat Tak tells the story of two individuals and recounts their journey of falling in love, eloping, and the aftermath.
The film was released on 29 April 1988. Made on a budget of₹25 million, the film emerged as a commercial success, with a worldwide gross of₹50 million, became thethird highest-grossing film of the year.[4] The film received positive remarks from critics. The soundtrack of the film was equally successful, becoming one of the best-sellingHindi soundtrack albums of the 1980s with more than 8 millionsoundtrack albums sold, thus being a breakthrough for the careers of Anand–Milind,[5] as well asT-Series, one of India's leading record labels.[6] The film's music also established the careers of theUdit Narayan andAlka Yagnik.
At the36th National Film Awards,Qayamat Se Qayamat Tak won theBest Popular Film Providing Wholesome Entertainment. At the34th Filmfare Awards, the film received eleven nominations, and won a leading eight awards, includingBest Film,Best Director. Khan and Chawla performance in the film earned themBest Male Debut andBest Female Debut respectively. The film is widely considered to be a milestone for its genre, earning praise from critics for its direction, the story and music. The plot of the film was a modern-day take on classic tragic romance which "reinvented the romantic musical genre", setting the template for Hindi musical romance films that defined Hindi cinema in the 1990s. Considered as acult classic,Indiatimes Movies ranks the film amongst the "Top 25 Must See Bollywood Films".[7]
BrothersThakur Jaswant and Dhanraj Singh are farmers in the village of Dhanakpur. Their younger sister Madhumati (Madhu) was impregnated and then abandoned by Ratan, the younger son of Thakur Raghuvir Singh, the head of a wealthyRajput family. The family refuses to allow Madhu to marry Ratan, who is engaged to another girl, after he denies the claims made by Jaswant. However, his mother later tells Raghuvir that she secretly heard Madhu tell Ratan about his paternity some time earlier outside their house and begs him to agree to their marriage. He immediately refuses, stating that an unmarried pregnant girl would ruin their family's reputation by becoming their daughter-in-law.
Jaswant leaves the village to sell the family farm and see if they can move toDelhi, where their other sister Parvati lives with her husband Bhagwandas and son Shyam. He realizes the humiliation and shame their family will face because Madhu's lover is marrying someone else, especially after he impregnated her. Saddened by the loss of her lover and the dishonor it will bring to her family, Madhu commits suicide. Frustrated, Dhanraj brings her body to Ratan's wedding and kills him. He is jailed, and the two families become enemies. Jaswant moves to Parvati's Delhi home with Dhanraj's wife Saroj and son Raj. He runs a clothing business with Bhagwandas and also helps raise Raj.
Fourteen years later, Dhanraj is released from prison and receives a letter from his son Raj, an ardent music lover who has completed his education at Rajput College. He sneaks into Raj's college farewell party and is glad to see him fulfilling his dreams. After the party, Raj and his cousin Shyam, who also graduated from there, reunite with him and bring him home, where he has an emotional reunion with the rest of the family. Raj, Shyam, and Dhanraj then join Bhagwandas and Jaswant in their business, furthering their success.
In a twist of fate, Raj goes to Dhanakpur with Shyam to file a business case against Raghuvir's elder son Thakur Randhir Singh. While returning home, he is attracted to Randhir's beautiful daughter Rashmi. He sneaks with a reluctant Shyam into her birthday party that night to see her. He poses as Roop Singh, Randhir's friend Thakur Pratap Singh's son whom he wants her to marry. Raj reluctantly meets with Randhir after he becomes happy to "see" him after long. When the real Roop Singh arrives, Randhir refuses to believe it and that's when Raj and Shyam flee much to Randhir's anger. He then finds out from his manager, he was Dhanraj's son who came to file a business case against him and tells his mother and Rashmi which shocks them.
Raj and Rashmi meet again at a holiday spot and fall in love. Raj learns about her family but is unable to tell her the truth. After they share a meal with Shyam, Dhanraj, and Saroj, Rashmi reveals to Dhanraj that she is the daughter of Thakur Randhir Singh and is from Dhanakpur. Frustrated, he confesses that he is the one who killed her uncle Ratan. Saddened, she and Raj exchange an emotional goodbye after he admits that he tried to forget her after learning her identity long ago but couldn't because he is madly in love with her, which shocks her. Back in Delhi, they continue to meet in secret, even after Raj reluctantly promises his family he will forget her when they confront him about loving an enemy. Randhir discovers their relationship after seeing them together at her college and overhearing a phone call at their house one day. He then arranges her wedding to Roop Singh and warns Jaswant, Saroj, and Parvati at their house that he will kill Raj if he tries to see her again. Jaswant confronts Raj about the situation and agrees not to tell Dhanraj anything after Raj lies, claiming he met Rashmi only to end their love. After Randhir beats him up and throws him out of their house when he warns him, Raj and his father realize they cannot separate the two lovers no matter what. At Rashmi's engagement to Roop Singh, Raj is heartbroken and cries in his father's arms out of shame for loving their enemy. However, with the help of her friend Kavita, Rashmi leaves home, and with Shyam's assistance, Raj prepares toelope with her.
Raj and Rashmi take on their families and elope, dreaming of an idyllic life together. They stay in a deserted fort, happy in their own paradise. Furious, Randhir posts Raj's picture in the newspapers offering a huge reward if he is found but doesn't share Rashmi's name thinking of the bad name their family will get. Dhanraj warns him that he'll reluctantly be the killer he was before if he harms Raj after seeing his picture. When Randhir learns their whereabouts, he, his brother-in-law and his nephew Balwant hire killers to kill Raj. Overhearing this, his mother then goes to Raj's house and begs his family to save the lovebirds. Raj leaves to bring firewood for their house. Randhir arrives with his brother-in-law, Balwant and the killers. They send them to kill Raj. While Raj is away, Randhir meets Rashmi, assuring her he has "accepted their love" and came to take them home.
Rashmi is overjoyed at Randhir's words, unaware of the truth. Raj is chased by the henchmen. Dhanraj reaches the fort with Jaswant, Shyam and Randhir's mother and asks about Raj's whereabouts. Rashmi leaves to make sure Raj is okay. He is about to be shot but the henchman shoots Rashmi twice instead. She dies in Raj's arms, making him devastated and grief-stricken.
Raj commits suicide by stabbing himself, and dies beside Rashmi. The final scene is both families running toward them; the lovers are together, never to be separated, as the sun sets behind them.
The film marked the directorial debut of Mansoor Khan, son of Nasir Hussain as well as the acting debut of Mansoor's cousin Aamir Khan. The film is a tale of unrequited love and familial opposition, with Khan portraying Raj, a "clean-cut, wholesome boy-next-door".[8] The plot is a modern-day take on classic tragic romance stories such asLayla-Majnun,Heer-Ranjha,[9] andRomeo-Juliet.[8]
Mansoor recalled that his father Nasir wanted to launch Aamir as a leading actor and got convinced that Mansoor would direct the film after watching his telefilm.[10][11] The film was initially titledNafrat Ke Waaris (transl. Descendants of Hate), according to film expert Rajesh Subramanian.[12]
Nasir initially wanted to castShammi Kapoor andSanjeev Kumar as the family patriarchs, but Mansoor refused to work with them as they were 'too senior.'[13]
For the film's marketing, Aamir was involved in promoting the film. He set up an outdoor ad campaign, which was a faceless poster that said, "Who is Aamir Khan? Ask the girl next door!". With his brother-in-lawRaj Zutshi, Khan also went around putting up posters onauto-rickshaws acrossMumbai.[14]
| Qayamat Se Qayamat Tak | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1988 | |||
| Genre | Feature film soundtrack | |||
| Language | Hindi | |||
| Label | T-Series | |||
| Producer | Anand–Milind | |||
| Anand–Milind chronology | ||||
| ||||
| Majrooh Sultanpuri chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Planet Bollywood |   [15] |
The soundtrack contains five songs composed by duoAnand–Milind, and songs written by veteranMajrooh Sultanpuri. All the tracks were sung byUdit Narayan, who sang for Aamir Khan, andAlka Yagnik, who sang for Juhi Chawla.
Pancham (R. D. Burman) was to compose the soundtrack, but director Mansoor Khan wanted a young music director. That's how Anand–Milind, who had worked with him earlier on this tele-film, secured this project.[10] Mansoor selected Narayan to sing all songs because he felt that his voice would suit Aamir.[10]
The biggest hit song from the album was "Papa Kehte Hain".[16] Majroosh saab (as he is fondly known) wrote the song at the age of 70. Sung by Narayan and picturised onAamir Khan, the full title of the song is "Papa Kehte Hain Bada Naam Karega",[17] which translates to "My dad says that I'll make him proud!".[18]
Qayamat Se Qayamat Tak was the best-sellingBollywood musicsoundtrack album of 1988, outsellingTezaab, the second best-seller,[19] which itself had sold over 8 million units.[20]Qayamat Se Qayamat Tak became one of the best-selling Indian soundtrack albums of the 1980s.[19] It was the first major hit album released by the record labelT-Series.[6] Prior to release,Nasir Hussain reportedly sold the film's music rights to T-Series founderGulshan Kumar for only₹400,000[21] ($30,000).[22]
At the34th Filmfare Awards, Anand–Milind won theFilmfare Award for Best Music Director, Majrooh Sultanpuri was nominated forBest Lyricist for "Papa Kehte Hain", and Udit Narayan wonBest Male Playback Singer for "Papa Kehte Hain".
All lyrics are written byMajrooh Sultanpuri; all music is composed byAnand–Milind.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Papa Kehte Hain" | Udit Narayan | 05:55 |
| 2. | "Ae Mere Humsafar" | Udit Narayan andAlka Yagnik | 05:53 |
| 3. | "Akele Hain To Kya Gum Hai" | Udit Narayan andAlka Yagnik | 05:59 |
| 4. | "Gazab Ka Hai Din" | Udit Narayan andAlka Yagnik | 04:26 |
| 5. | "Kahe Sataye" | Alka Yagnik | 02:19 |
| 6. | "Papa Kehte Hain (Sad)" | Udit Narayan | 04:01 |
The song "Papa Kehte Hain":
The song was also a success in theBinaca Geetmala.[23]
The song "Aye Mere Humsafar":
The song "Gazab Ka Hai Din":
Qayamat Se Qayamat Tak became a golden jubilee hit after running for 50 weeks.[25] It earned a domesticnet collection of₹50 million[2] ($4 million),[22] and was declared a blockbuster, becoming the third highest-grossing film of 1988, behindTezaab andShahenshah.[26] Adjusted for inflation, the domestic net collection ofQayamat Se Qayamat Tak is equivalent to more than₹1.4 billion (US$21.5 million) in 2017.[b]
The film was also released in China, in 1990.[28] It was Aamir Khan's first film released in China, two decades before he became a household name there in the 2010s after3 Idiots (2009).[29]
| Award | Date of ceremony | Category | Recipient(s) and nominee(s) | Result | Ref(s) |
|---|---|---|---|---|---|
| Filmfare Awards | 34th Filmfare Awards | Best Film | Qayamat Se Qayamat Tak | Won | [30] |
| Best Director | Mansoor Khan | Won | |||
| Best Actor | Aamir Khan | Nominated | |||
| Best Male Debut | Won | ||||
| Best Actress | Juhi Chawla | Nominated | |||
| Best Female Debut | Won | ||||
| Best Music Director | Anand–Milind | Won | |||
| Best Lyricist | Majrooh Sultanpuri for "Papa Kehte Hain" | Nominated | |||
| Best Male Playback Singer | Udit Narayan for "Papa Kehte Hain" | Won | |||
| Best Screenplay | Nasir Hussain | Won | |||
| Best Cinematography | Kiran Deohans | Won | |||
| National Film Awards | 36th National Film Awards | Best Popular Film Providing Wholesome Entertainment | Qayamat Se Qayamat Tak | Won | [31] |
| Special Mention | Aamir Khan (also forRaakh) | Won |
The film was remade inTelugu asAkkada Ammayi Ikkada Abbayi, which marked the debut forPawan Kalyan. It was also remade inBangladesh asKeyamat Theke Keyamat in 1993, marked as the debut of renowned Bangladeshi duoSalman Shah andMoushumi. It was also remade in Sinhala asDalu lana gini starringDamith Fonseka andDilhani Ekanayake. It was also remade inNepali asYug Dekhi Yug Samma, which marked the debut of Nepalese actorRajesh Hamal.
Qayamat Se Qayamat Tak proved to be a major commercial success, catapulting both Khan and Chawla to stardom.[32] It received 8Filmfare Awards including aBest Male Debut for Khan andBest Female Debut award for Chawla.[33] The film has since attained cult status.[34]Bollywood Hungama credits it as a "path-breaking and trend-setting film" forIndian cinema.[35]
Gautam Chintamani's bookQayamat Se Qayamat Tak: The Film That Revived Hindi Cinema (2016) credits the film with revitalizingHindi cinema.[36] In the late 1980s, Hindi cinema was experiencing a decline in box office turnout, due to increasing violence, decline in musical melodic quality, and rise in video piracy, leading to middle-class family audiences abandoning theaters.Qayamat Se Qayamat Tak's blend of youthfulness, wholesome entertainment, emotional quotients and strong melodies is credited with luring family audiences back to the big screen.[35][36] The film is credited with having "reinvented the romantic musical genre" in Bollywood.[37] Chintamani credits it as one of the most important films of the last three decades. It was a milestone in the history of Hindi cinema, setting the template forBollywood musical romance films that defined Hindi cinema in the 1990s.[38] In a 2000 survey byIndolink.com,Qayamat Se Qayamat Tak was ranked the best film of the 80's.[39]
Anand–Milind did six films before hitting the jackpot with Qayamat se Qayamat Tak in 1988.
Husain's Qayamat Se Qayamat Tak was a runaway success though he sold the film's music to Gulshan Kumar's Super Cassette Industries for a measly Rs 4 lakh.
A spokesman of China Film Export and Import Corporation said in Bombay that films such as Sholay, Bobby, Qayamat-se-Qayamai Tak, Hero Hiralal, Shahenshah, Jalwa, Nacha Mayuri, Naseeb, Dance Dance, Disco Dancer and Naam, are being exhibited all over China.
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