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Pulse wave

From Wikipedia, the free encyclopedia
(Redirected fromPulse train)
Periodic rectangular waveform
This article is about a pulsewaveform. For a heart beat, seePulse. For a Dirac pulse train, seeSampling function. For the aperiodic version, seePulse function.
For other uses, seePulse (disambiguation).
A pulse wave's duty cycle D is the ratio between pulse duration 𝜏 and period T.

Apulse wave orpulse train orrectangular wave is anon-sinusoidalwaveform that is theperiodic version of therectangular function. It is held high a percent each cycle (period) called theduty cycle and for the remainder of each cycle is low. A duty cycle of 50% produces asquare wave, a specific case of a rectangular wave. The average level of a rectangular wave is also given by the duty cycle.

The pulse wave is used as a basis for other waveforms thatmodulate an aspect of the pulse wave, for instance:

Frequency-domain representation

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Fourier series of a 33.3% pulse wave, first fifty harmonics (summation in red)

TheFourier series expansion for a rectangular pulse wave with periodT{\displaystyle T}, amplitudeA{\displaystyle A} and pulse lengthτ{\displaystyle \tau } is[1]

x(t)=AτT+2Aπn=1(1nsin(πnτT)cos(2πnft)){\displaystyle x(t)=A{\frac {\tau }{T}}+{\frac {2A}{\pi }}\sum _{n=1}^{\infty }\left({\frac {1}{n}}\sin \left(\pi n{\frac {\tau }{T}}\right)\cos \left(2\pi nft\right)\right)}wheref=1T{\displaystyle f={\frac {1}{T}}}.

Equivalently, if duty cycled=τT{\displaystyle d={\frac {\tau }{T}}} is used, andω=2πf{\displaystyle \omega =2\pi f}:x(t)=Ad+2Aπn=1(1nsin(πnd)cos(nωt)){\displaystyle x(t)=Ad+{\frac {2A}{\pi }}\sum _{n=1}^{\infty }\left({\frac {1}{n}}\sin \left(\pi nd\right)\cos \left(n\omega t\right)\right)}

Note that, for symmetry, the starting time (t=0{\displaystyle t=0}) in this expansion is halfway through the first pulse.

Alternatively,x(t){\displaystyle x(t)} can be written using theSinc function, using the definitionsincx=sinπxπx{\displaystyle \operatorname {sinc} x={\frac {\sin \pi x}{\pi x}}}, asx(t)=AτT(1+2n=1(sinc(nτT)cos(2πnft))){\displaystyle x(t)=A{\frac {\tau }{T}}\left(1+2\sum _{n=1}^{\infty }\left(\operatorname {sinc} \left(n{\frac {\tau }{T}}\right)\cos \left(2\pi nft\right)\right)\right)} or withd=τT{\displaystyle d={\frac {\tau }{T}}} asx(t)=Ad(1+2n=1(sinc(nd)cos(2πnft))){\displaystyle x(t)=Ad\left(1+2\sum _{n=1}^{\infty }\left(\operatorname {sinc} \left(nd\right)\cos \left(2\pi nft\right)\right)\right)}

Generation

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A pulse wave can be created by subtracting asawtooth wave from a phase-shifted version of itself. If the sawtooth waves arebandlimited, the resulting pulse wave is bandlimited, too.

Applications

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Theharmonic spectrum of a pulse wave is determined by the duty cycle.[2][3][4][5][6][7][8][9] Acoustically, the rectangular wave has been described variously as having a narrow[10]/thin,[11][3][4][12][13] nasal[11][3][4][10]/buzzy[13]/biting,[12] clear,[2] resonant,[2] rich,[3][13] round[3][13] and bright[13]sound. Pulse waves are used in manySteve Winwood songs, such as "While You See a Chance".[10]

See also

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References

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  1. ^Smith, Steven W.The Scientist & Engineer's Guide to Digital Signal ProcessingISBN 978-0966017632
  2. ^abcHolmes, Thom (2015).Electronic and Experimental Music, p.230. Routledge.ISBN 9781317410232.
  3. ^abcdeSouvignier, Todd (2003).Loops and Grooves, p.12. Hal Leonard.ISBN 9780634048135.
  4. ^abcCann, Simon (2011).How to Make a Noise,[unpaginated]. BookBaby.ISBN 9780955495540.
  5. ^Pejrolo, Andrea and Metcalfe, Scott B. (2017).Creating Sounds from Scratch, p.56. Oxford University Press.ISBN 9780199921881.
  6. ^Snoman, Rick (2013).Dance Music Manual, p.11. Taylor & Francis.ISBN 9781136115745.
  7. ^Skiadas, Christos H. and Skiadas, Charilaos; eds. (2017).Handbook of Applications of Chaos Theory,[unpaginated]. CRC Press.ISBN 9781315356549.
  8. ^"Electronic Music Interactive: 14. Square and Rectangle Waves",UOregon.edu.
  9. ^Hartmann, William M. (2004).Signals, Sound, and Sensation, p.109. Springer Science & Business Media.ISBN 9781563962837.
  10. ^abcKovarsky, Jerry (Jan 15, 2015)."Synth Soloing in the Style of Steve Winwood".KeyboardMag.com. RetrievedMay 4, 2018.
  11. ^abReid, Gordon (February 2000). "Synth Secrets: Modulation",SoundOnSound.com. Retrieved May 4, 2018.
  12. ^abAikin, Jim (2004).Power Tools for Synthesizer Programming, p.55-56. Hal Leonard.ISBN 9781617745089.
  13. ^abcdeHurtig, Brent (1988).Synthesizer Basics, p.23. Hal Leonard.ISBN 9780881887143.
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