ThePozo-Seco Singers was an Americanfolk music group which had success during the 1960s. They recorded the hit "Time" and launched the music career ofDon Williams.

In the early 1960s,Don Williams and Lofton Kline performed together in theCorpus Christi area as a duo called The Strangers Two. At the same time,Susan Taylor was a student atW.B. Ray High School in Corpus Christi who had performed with a group of musicians, the Corpus Christi Folk Music Society. She began a musical association with a student, Michael Merchant. In the fall of 1964, Merchant went to college, leaving Taylor behind to start her senior year of high school. Taylor met Williams and Kline when the two performed at ahootenanny atDel Mar College in the city. Learning that they had compatible musical tastes and harmonized well, they decided to form a trio. Inspired by an oil field term denoting a dead well (Taylor's then-boyfriend was ageologist), they called themselves the "Pozo-Seco Singers." DuringChristmas break in 1964, Merchant returned home and introduced the newly formed trio to a song he had recently written, called "Time." The group cut the track on a local record label, Edmark Records. Featuring wistful vocals by Taylor, the record became a regional hit in theSan Antonio market and then acrossTexas.

Columbia Records signed the three and released the song nationally, peaking at #47 on theHot 100 charts in April 1966. More impressively, "Time" peaked at #3 onBillboard's Easy Listening chart. InCanada, "Time" reached #9 on the pop charts,^[1] and was #1 for 3 weeks on the AC charts.^[2] A second single, "I'll Be Gone", (also penned by Merchant with lead vocals by Taylor) stalled at #92 on the Hot 100 and #34 on the Easy Listening chart two months later. Both tracks were included on the group's debut album,Time, which was released in the summer of 1966 and peaked at #127 on theBillboard 200.

The well-receivedTime album and singles paved the way for even more commercial success for the group. In August 1966, the Pozo-Seco Singers debuted their new single, "I Can Make it with You, a ballad written byChip Taylor. AlthoughJackie DeShannon released a competing version of this song at the same time, the Pozo-Seco Singers' version, with Williams on lead vocals, quickly became the more popular offering, peaking at #32 in October 1966, becoming the group's first Top 40 hit. (DeShannon's version went to #68.) InCanada, "I Can Make It With You" reached #21.^[3] In December, Columbia launched their new single, "Look What You've Done," along with their second album,I Can Make It With You. "Look What You've Done," with Williams and Taylor sharing lead vocals, reached #32-just as its predecessor single had done-on the Hot 100 in February 1967, and #33 in Canada.^[4] On the strength of two Top 40 hits,I Can Make It With You reached as high as #81 on theBillboard 200 in the spring of 1967.

Kline left the group afterI Can Make It With You was recorded, due to friction with the group's producerBob Johnston and being tired of constant touring. Kline was replaced by veteran folk singer Ron Shaw, who toured with the group and recorded several singles with them followingI Can Make It With You. One of the songs Shaw introduced to the group was "I Believed It All," which instantly became popular in concert. The trio wanted to record it as a single, but Johnston vetoed the idea and released it as the B-side of another song Johnston had written and had them cut, called "Excuse Me, Dear Martha." "Excuse Me, Dear Martha" did not go higher than #102 on the singles charts in March 1967. Some disc jockeys began flipping the single to play the group's preferred track, "I Believed It All." Lacking any promotion, "I Believed It All" peaked at #96 in May 1967. Despite the hurdles it faced, it became a surprise hit on the Billboard Easy Listening chart, reaching as high as #8 in the spring of 1967. The group recorded several additional singles in 1967, including "Morning Dew" (b/w "It's Alright") and "Louisiana Man" (b/w "Tomorrow Proper"). "Louisiana Man" somehow managed to briefly nuzzle its way into the Hot 100 charts at #97 in September 1967.

In 1968, the group released its third album,Shades Of Time, under the name "Pozo Seco." Having tired of their creative differences with Johnston, the group recorded the album under producer Elliot Mazer. By tats time, Pozo Secowasd reduced to a duo consisting of Taylor and Williams, backed by a Canadian ban,dThe Paupers. Columbia made few efforts to promote either the album or its lead-off single, "The Renegade," and neither charted. The duo made additional recordings with producerBilly Sherrill, and although several singles resulted from those sessions in 1969, none made a commercial impact.

Taylor and Williams left Columbia in the fall of 1969, having grown impatient with the label's failure to properly promote their material. They signed with a smaller label, Certron Records and released their fourth album,Spend Some Time With Me, in early 1970. It was a characteristically strong offering, but the album failed to chart. Taylor later remembered that the album was also the victim of poor timing, as theKent State shootings in May 1970 took the air out of the folk movement. With the duo reduced to playing in increasingly small venues, they decided to part ways. Even though the group was defunct, Pozo Seco managed a final hit in November 1970, when its medley ofThe Beatles' "Strawberry Fields" and "Something" briefly appeared on theBubbling Under chart.

Taylor recorded a solo album in 1972 and focused on songwriting forJMI Music.^[5] A successful songwriter, later going by the name "Taylor Pie," her songs were recorded by artists includingTanya Tucker,The Lewis Family,John Conlee,The Forester Sisters,Mickey Gilley, andBette Midler.^[6] Shaw, with his brother Rick, helped form the popular folk groupThe Hillside Singers, famous for their song, "I'd Like To Teach the World To Sing." Don Williams went on to have a successful solo career incountry music. Some of his early country singles onJMI Records were produced with Taylor's help.

In 2021, director Elizabeth Ahlstrom released the documentaryNobody Famous, featuring the story of the Pozo-Seco Singers.^[7]

• Time (Columbia Records, 1966) US #127^[8]
• I Can Make it With You (Columbia, 1967) US #81^[9]
• Shades of Time (Columbia, 1968)
• Spend Some Time With Me (Certron, 1970)

• "Time" (1966) U.S. Pop #47, U.S. Easy Listening #3, Can. #9
• "I'll Be Gone" (1966) U.S. Pop #92, U.S. Easy Listening #34.
• "I Can Make It With You" (1966) U.S. Pop #32, Can. #21
• "Almost Persuaded" (1967)
• "Look What You've Done" (1967) U.S. Pop #32, Can. #33
• "Morning Dew" (1967) U.S.
• "I Believed It All" (1967) U.S. Pop #96, U.S. Easy Listening #8.
• "Excuse Me Dear Martha" (1967) U.S. #102
• "Louisiana Man" (1967) U.S. Pop #97
• "Creole Woman" (1968)
• "Comin' Apart" (1970)
• "Strawberry Fields/Something" (1970) U.S. Pop #115

• Pozo-Seco Singers atAllmusic
• Joel Whitburn,The Billboard Book of Top 40 Hits. 7th edn, 2000

• Taylor Pie
• Ron Shaw
• Pozo-Seco Singers discography atDiscogs
• Pozo-Seco Singers atIMDb

• American folk musical groups
• Musical groups from Texas
• Musicians from Corpus Christi, Texas

• Articles with short description
• Short description is different from Wikidata
• Articles with hCards