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Portal:New York City

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"New York City portal" redirects here. For the interactive art installation in New York City and Dublin, Ireland, seeNew York–Dublin Portal.
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Wikipedia portal for content related to New York City

The New York City Portal


New York, often calledNew York City (NYC), is themost populous city in the United States. It is located at the southern tip ofNew York State onNew York Harbor, one of the world's largest natural harbors. The city comprisesfive boroughs, each coextensive withits respective county. It is the geographical and demographic center of both theNortheast megalopolis and theNew York metropolitan area, the largest metropolitan area in the United States by both population and urban area. New York is aglobal center offinance andcommerce,culture,technology,entertainment andmedia,academics andscientific output, the arts and fashion, and, as home to theheadquarters of the United Nations, international diplomacy.


With an estimated population in July 2024 of 8,478,072, distributed over 300.46 square miles (778.2 km2), the city is themost densely populated major city in the United States. New York City has more than double the population ofLos Angeles, the country's second-most populous city. Over 20.1 million people live in New York City'smetropolitan statistical area and 23.5 million in itscombined statistical area as of 2020, both the largest in the U.S. New York City is one of the world's most populousmegacities. The city and its metropolitan area serve as the premier gateway for legalimmigration to the United States. An estimated 800 languages are spoken in New York City, making it the most linguistically diverse city in the world. The New York City metropolitan region is home to thelargest foreign-born population of any metropolitan region in the world, approximately 5.9 million as of 2023. (Full article...)

Selected article

  • Image 1 Viewed from west along 57th Street 590 Madison Avenue, also known as the IBM Building, is a skyscraper at 57th Street and Madison Avenue in the Midtown Manhattan neighborhood of New York City. Designed by Edward Larrabee Barnes and Associates the 41-story, 603-foot (184 m)-tall tower was developed for the technology company IBM and built from 1978 to 1983. The building is shaped like an irregular pentagon, with a chamfer cutting diagonally across what would typically be the southwest corner of a rectangular slab. The facade is made of gray-green glass and polished granite, which Barnes intended would give the building the appearance of a prism. The northeast corner of the tower is cantilevered over the main entrance, and there are no setbacks throughout the building's height. Adjacent to 590 Madison Avenue's southwest corner is a privately owned public space covered by a glass structure, which contains chairs, tables, and bamboo trees. From 1938 to 1964, IBM was headquartered at one of the previous structures on the site. Despite relocating its headquarters to a suburb of New York City, IBM retained office space at multiple locations in the city and proposed the current skyscraper to consolidate some of its operations. IBM owned the tower until May 1994, when it sold the building to Edward J. Minskoff and Odyssey Partners. Until the sale, IBM occupied most of the building's space; the firm continues to maintain offices in the building, though most space has been leased to other tenants. The State Teachers Retirement System of Ohio, which became a co-owner in 1995 and eventually took over ownership of the whole building, sold it in 2025 to RXR Realty. (Full article...)
    Image 1

    Viewed from west along 57th Street

    590 Madison Avenue, also known as theIBM Building, is a skyscraper at57th Street andMadison Avenue in theMidtown Manhattan neighborhood ofNew York City. Designed byEdward Larrabee Barnes and Associates the 41-story, 603-foot (184 m)-tall tower was developed for the technology companyIBM and built from 1978 to 1983.

    The building is shaped like an irregular pentagon, with achamfer cutting diagonally across what would typically be the southwest corner of a rectangular slab. Thefacade is made of gray-green glass and polished granite, which Barnes intended would give the building the appearance of a prism. The northeast corner of the tower is cantilevered over the main entrance, and there are nosetbacks throughout the building's height. Adjacent to 590 Madison Avenue's southwest corner is aprivately owned public space covered by a glass structure, which contains chairs, tables, and bamboo trees.

    From 1938 to 1964, IBM was headquartered at one of the previous structures on the site. Despite relocating its headquarters to a suburb of New York City, IBM retained office space at multiple locations in the city and proposed the current skyscraper to consolidate some of its operations. IBM owned the tower until May 1994, when it sold the building to Edward J. Minskoff and Odyssey Partners. Until the sale, IBM occupied most of the building's space; the firm continues to maintain offices in the building, though most space has been leased to other tenants. The State Teachers Retirement System of Ohio, which became a co-owner in 1995 and eventually took over ownership of the whole building, sold it in 2025 toRXR Realty. (Full article...)
  • Image 2 "Hearts and Souls" is the fifth episode of the sixth season and 115th overall of the American crime drama NYPD Blue. "Hearts and Souls" originally aired in the United States on ABC on Tuesday, November 24, 1998, at 9:30 pm Eastern time as a 90-minute special. The episode was directed by Paris Barclay and written by Steven Bochco, David Milch, Bill Clark and Nicholas Wootton. It was the culmination of months of public speculation on the method of closure that would be employed to write Jimmy Smits's critically acclaimed Bobby Simone character out of the regular cast and clear the way for Smits' replacement, Rick Schroder. "Hearts and Souls" was a critical and commercial success, achieving both high ratings and positive critical feedback and is now regarded as one of the greatest episodes in television history. It marked the second high-profile replacement of the partner for lead character Detective Andy Sipowicz, played by Dennis Franz. At the 51st Primetime Emmy Awards, this episode won awards for Direction for Paris Barclay and Guest Actress for Debra Monk as well as a nominations in Writing for Steven Bochco, David Milch, Bill Clark and Nicholas Wootton. Barclay also won a Directors Guild of America Award. The episode also won an Eddie Award and a Banff Rockie Award as well as a Cinema Audio Society Award nomination. While the episode was given a 90-minute timeslot on ABC when first aired, it has been shown in syndication as a regular episode covering around half of that time (the rest of the hour block is where commercials were in the pre-streaming era), with the subplot involving Greg Medavoy's angry interactions with an annoying complainant being entirely removed and the material with Andy and Katie being reduced somewhat. This was Smits' last regular appearance as Simone, although he returned for one scene in an episode during the twelfth season. The episode highlights his rapid and mysterious physical demise, which has culminated in his need for a heart transplant. Many emotional portrayals are included to represent the feelings of loved ones, friends and colleagues when someone that they care about is suddenly in dire medical need. In another storyline, the episode simultaneously highlights the stress that can be caused when alcoholism afflicts a family through a critically acclaimed guest appearance by Debra Monk as the ex-wife of Sipowicz. (Full article...)
    Image 2
    "Hearts and Souls" is the fifth episode of thesixth season and 115th overall of theAmericancrime dramaNYPD Blue. "Hearts and Souls" originally aired in the United States onABC on Tuesday, November 24, 1998, at 9:30 pm Eastern time as a 90-minute special. The episode was directed byParis Barclay and written bySteven Bochco,David Milch,Bill Clark andNicholas Wootton. It was the culmination of months of public speculation on the method of closure that would be employed to writeJimmy Smits's critically acclaimedBobby Simone character out of the regular cast and clear the way for Smits' replacement,Rick Schroder. "Hearts and Souls" was a critical and commercial success, achieving both high ratings and positive critical feedback and is now regarded as one of the greatest episodes in television history. It marked the second high-profile replacement of the partner for lead character DetectiveAndy Sipowicz, played byDennis Franz.

    At the51st Primetime Emmy Awards, this episode won awards for Direction forParis Barclay and Guest Actress forDebra Monk as well as a nominations in Writing forSteven Bochco,David Milch,Bill Clark andNicholas Wootton. Barclay also won aDirectors Guild of America Award. The episode also won anEddie Award and aBanff Rockie Award as well as aCinema Audio Society Award nomination. While the episode was given a 90-minute timeslot on ABC when first aired, it has been shown in syndication as a regular episode covering around half of that time (the rest of the hour block is where commercials were in the pre-streaming era), with the subplot involving Greg Medavoy's angry interactions with an annoying complainant being entirely removed and the material with Andy and Katie being reduced somewhat.

    This was Smits' last regular appearance as Simone, although he returned for one scene in an episode during thetwelfth season. The episode highlights his rapid and mysterious physical demise, which has culminated in his need for aheart transplant. Many emotional portrayals are included to represent the feelings of loved ones, friends and colleagues when someone that they care about is suddenly in dire medical need. In another storyline, the episode simultaneously highlights the stress that can be caused when alcoholism afflicts a family through a critically acclaimed guest appearance byDebra Monk as the ex-wife of Sipowicz. (Full article...)
  • Image 3 The Appellate Division Courthouse of New York State is a courthouse in the Flatiron District of Manhattan in New York City, New York, U.S. The courthouse is used by the First Department of the New York Supreme Court's Appellate Division. The original three-story building, at the northeast corner of Madison Avenue and 25th Street, was designed by James Brown Lord in the Renaissance Revival style and was finished in 1899. A six-story annex to the north, on Madison Avenue, was designed by Rogers & Butler and completed in 1955. The facade of both the original building and its annex is made almost entirely out of marble. The courthouse's exterior was originally decorated with 21 sculptures from 16 separate artists; one of the sculptures was removed in 1955. The main entrance is through a double-height colonnade on 25th Street with a decorative pediment; there is also a smaller colonnade on Madison Avenue. The far northern end of the annex's facade contains a Holocaust Memorial by Harriet Feigenbaum, and the sculpture NOW by Shahzia Sikander is mounted atop the building. Inside the courthouse, ten artists created murals for the main hall and the courtroom. The interiors are decorated with elements such as marble walls, woodwork, and paneled and coffered ceilings; the courtroom also has stained-glass windows and a stained-glass ceiling dome. The remainder of the building contains various offices, judges' chambers, and other rooms. The Appellate Division Courthouse was proposed in the late 1890s to accommodate the Appellate Division's First Department, which had been housed in rented quarters since its founding. Construction took place between 1896 and 1899, with a formal opening on January 2, 1900. Following unsuccessful attempts to relocate the court in the 1930s and 1940s, the northern annex was built between 1952 and 1955, and the original courthouse was also renovated. The structure was again renovated in the 1980s and in the 2000s. Throughout the courthouse's existence, its architecture has received largely positive commentary. The Appellate Division Courthouse is listed on the National Register of Historic Places, and its facade and interior are both New York City designated landmarks. (Full article...)
    Image 3

    TheAppellate Division Courthouse of New York State is a courthouse in theFlatiron District ofManhattan inNew York City, New York, U.S. The courthouse is used by theFirst Department of theNew York Supreme Court'sAppellate Division. The original three-story building, at the northeast corner ofMadison Avenue and25th Street, was designed byJames Brown Lord in theRenaissance Revival style and was finished in 1899. A six-story annex to the north, on Madison Avenue, was designed byRogers & Butler and completed in 1955.

    Thefacade of both the original building and its annex is made almost entirely out ofmarble. The courthouse's exterior was originally decorated with 21 sculptures from 16 separate artists; one of the sculptures was removed in 1955. The main entrance is through a double-heightcolonnade on 25th Street with a decorativepediment; there is also a smaller colonnade on Madison Avenue. The far northern end of the annex's facade containsa Holocaust Memorial byHarriet Feigenbaum, and the sculptureNOW byShahzia Sikander is mounted atop the building. Inside the courthouse, ten artists created murals for the main hall and the courtroom. The interiors are decorated with elements such as marble walls, woodwork, and paneled andcoffered ceilings; the courtroom also hasstained-glass windows and a stained-glass ceiling dome. The remainder of the building contains various offices, judges' chambers, and other rooms.

    The Appellate Division Courthouse was proposed in the late 1890s to accommodate the Appellate Division's First Department, which had been housed in rented quarters since its founding. Construction took place between 1896 and 1899, with a formal opening on January 2, 1900. Following unsuccessful attempts to relocate the court in the 1930s and 1940s, the northern annex was built between 1952 and 1955, and the original courthouse was also renovated. The structure was again renovated in the 1980s and in the 2000s. Throughout the courthouse's existence, its architecture has received largely positive commentary. The Appellate Division Courthouse is listed on theNational Register of Historic Places, and its facade and interior are bothNew York City designated landmarks. (Full article...)
  • Image 4 Marilyn E. Saviola (July 13, 1945 – November 23, 2019) was an American disability rights activist, executive director of the Center for the Independence of the Disabled in New York from 1983 to 1999, and vice president of Independence Care System after 2000. Saviola, a polio survivor from Manhattan, New York, is known nationally within the disability rights movement for her advocacy for people with disabilities and had accepted many awards and honors for her work. (Full article...)
    Image 4
    Marilyn E. Saviola (July 13, 1945 – November 23, 2019) was an Americandisability rights activist, executive director of the Center for the Independence of the Disabled in New York from 1983 to 1999, and vice president of Independence Care System after 2000. Saviola, apolio survivor fromManhattan, New York, is known nationally within thedisability rights movement for her advocacy for people with disabilities and had accepted many awards and honors for her work. (Full article...)
  • Image 5 The "Harris" marquee can be seen on the far right of this 1985 photo, comprising the rightmost part of the Candler Building. The Sam H. Harris Theatre, originally the Candler Theatre, was a theater within the Candler Building, at 226 West 42nd Street, in the Theater District of Midtown Manhattan in New York City. Opened in 1914, the 1,200-seat theater was designed by Thomas W. Lamb and built for Asa Griggs Candler, who leased it to George M. Cohan, Sam H. Harris, and George Kleine. Although the theater was intended to host both movies and legitimate Broadway productions, it functioned exclusively as a movie theater after 1933. The theater's auditorium was demolished by 1998. The only remnant of the former theater is its 42nd Street facade, which has been used by the Madame Tussauds New York museum since 2000. The theater was located in the rear of the Candler Building and was accessed through the building's western wings. The auditorium was decorated in the Italian Renaissance style, with seats across two levels. There were originally four boxes, a proscenium arch with ornate plasterwork, and an elaborate saucer dome on the ceiling. Albert Herter painted six murals for the theater's lobby, as well as another mural at the rear of the auditorium. A syndicate headed by music publisher Sol Bloom acquired the theater's site in 1913. The Candler opened on May 8, 1914, with the film Antony and Cleopatra and started hosting legitimate shows during the 1914–1915 season. Cohan and Harris bought out Bloom's and Kleine's interests in the Candler in 1916 and renamed it the Cohan and Harris Theatre, hosting several successful shows in the 1910s. After Cohan and Harris's partnership dissolved in 1920, Harris continued to produce shows at the theater, renaming it after himself. Harris sold the theater in 1926 to the Shubert brothers, who struggled to produce successful shows and forfeited the theater after seven years. Max A. Cohen, head of the Cinema Circuit, acquired the Harris Theatre in 1933; the venue was used as a movie theater until 1994. The city and state governments of New York acquired the theater as part of the 42nd Street Redevelopment Project in 1990. Forest City Ratner developed an entertainment and retail complex on the site in the 1990s, demolishing the theater to make way for Madame Tussauds. (Full article...)
    Image 5

    The "Harris" marquee can be seen on the far right of this 1985 photo, comprising the rightmost part of theCandler Building.

    TheSam H. Harris Theatre, originally theCandler Theatre, was atheater within theCandler Building, at 226 West42nd Street, in theTheater District ofMidtown Manhattan inNew York City. Opened in 1914, the 1,200-seat theater was designed byThomas W. Lamb and built forAsa Griggs Candler, who leased it toGeorge M. Cohan,Sam H. Harris, andGeorge Kleine. Although the theater was intended to host both movies and legitimateBroadway productions, it functioned exclusively as a movie theater after 1933. The theater'sauditorium was demolished by 1998. The only remnant of the former theater is its 42nd Street facade, which has been used by theMadame Tussauds New York museum since 2000.

    The theater was located in the rear of the Candler Building and was accessed through the building's western wings. The auditorium was decorated in theItalian Renaissance style, with seats across two levels. There were originally fourboxes, aproscenium arch with ornate plasterwork, and an elaboratesaucer dome on the ceiling.Albert Herter painted six murals for the theater's lobby, as well as another mural at the rear of the auditorium.

    A syndicate headed by music publisherSol Bloom acquired the theater's site in 1913. The Candler opened on May 8, 1914, with the filmAntony and Cleopatra and started hosting legitimate shows during the 1914–1915 season. Cohan and Harris bought out Bloom's and Kleine's interests in the Candler in 1916 and renamed it the Cohan and Harris Theatre, hosting several successful shows in the 1910s. After Cohan and Harris's partnership dissolved in 1920, Harris continued to produce shows at the theater, renaming it after himself. Harris sold the theater in 1926 to theShubert brothers, who struggled to produce successful shows and forfeited the theater after seven years. Max A. Cohen, head of the Cinema Circuit, acquired the Harris Theatre in 1933; the venue was used as a movie theater until 1994. The city and state governments of New York acquired the theater as part of the 42nd Street Redevelopment Project in 1990.Forest City Ratner developed an entertainment and retail complex on the site in the 1990s, demolishing the theater to make way for Madame Tussauds. (Full article...)
  • Image 6 View from the northeast of 30 Rockefeller Plaza at the heart of the complex Rockefeller Center is a complex of 19 commercial buildings covering 22 acres (8.9 ha) between 48th Street and 51st Street in the Midtown Manhattan neighborhood of New York City. The 14 original Art Deco buildings, commissioned by the Rockefeller family, span the area between Fifth Avenue and Sixth Avenue, split by a large sunken square and a private street called Rockefeller Plaza. Later additions include 75 Rockefeller Plaza across 51st Street at the north end of Rockefeller Plaza, and four International Style buildings on the west side of Sixth Avenue. In 1928, Columbia University, the owner of the site, leased the land to John D. Rockefeller Jr., the complex's developer. Originally envisioned as the site for a new Metropolitan Opera building, the current Rockefeller Center came about after the Met could not afford to move to the proposed new building. Various plans were discussed before the current one was approved in 1932. Construction of Rockefeller Center started in 1931, and the first buildings opened in 1933. The core of the complex was completed by 1939. Described as one of the greatest projects of the Great Depression era, Rockefeller Center became a New York City designated landmark in 1985 and a National Historic Landmark in 1987. The complex and associated land has been controlled since 2000 by Tishman Speyer, which bought the property for $1.85 billion. The original center has several sections. Radio City, along Sixth Avenue and centered on 30 Rockefeller Plaza, includes Radio City Music Hall and was built for RCA's radio-related enterprises such as NBC. The International Complex along Fifth Avenue was built to house foreign-based tenants. The remainder of the original complex originally hosted printed media as well as Eastern Air Lines. While 600 Fifth Avenue is at the southeast corner of the complex, it was built by private interests in the 1950s and was only acquired by the center in 1963. The complex is noted for the large quantities of art present in almost all of its buildings, its expansive underground concourse, its ice-skating rink, and its annual lighting of the Rockefeller Center Christmas Tree. (Full article...)
    Image 6

    View from the northeast of30 Rockefeller Plaza at the heart of the complex

    Rockefeller Center is a complex of 19commercial buildings covering 22 acres (8.9 ha) between48th Street and51st Street in theMidtown Manhattan neighborhood ofNew York City. The 14 originalArt Deco buildings, commissioned by theRockefeller family, span the area betweenFifth Avenue andSixth Avenue, split by a large sunken square and a private street called Rockefeller Plaza. Later additions include75 Rockefeller Plaza across 51st Street at the north end of Rockefeller Plaza, and fourInternational Style buildings on the west side of Sixth Avenue.

    In 1928,Columbia University, the owner of the site, leased the land toJohn D. Rockefeller Jr., the complex's developer. Originally envisioned as the site for a newMetropolitan Opera building, the current Rockefeller Center came about after the Met could not afford to move to the proposed new building. Various plans were discussed before the current one was approved in 1932.Construction of Rockefeller Center started in 1931, and the first buildings opened in 1933. The core of the complex was completed by 1939. Described as one of the greatest projects of theGreat Depression era, Rockefeller Center became aNew York City designated landmark in 1985 and aNational Historic Landmark in 1987. The complex and associated land has been controlled since 2000 byTishman Speyer, which bought the property for $1.85 billion.

    The original center has several sections. Radio City, along Sixth Avenue and centered on30 Rockefeller Plaza, includesRadio City Music Hall and was built forRCA's radio-related enterprises such asNBC. The International Complex along Fifth Avenue was built to house foreign-based tenants. The remainder of the original complex originally hosted printed media as well asEastern Air Lines. While 600 Fifth Avenue is at the southeast corner of the complex, it was built by private interests in the 1950s and was only acquired by the center in 1963. The complex is noted for the large quantities of art present in almost all of its buildings, its expansive underground concourse, itsice-skating rink, and its annual lighting of theRockefeller Center Christmas Tree. (Full article...)
  • Image 7 Astoria Park is a 59.96-acre (24.26 ha) public park in the Astoria neighborhood of Queens in New York City. The park is situated on the eastern shore of the Hell Gate, a strait of the East River, between Ditmars Boulevard to the north and Hoyt Avenue to the south. The Robert F. Kennedy (Triborough) and Hell Gate Bridges respectively pass over the park's southern and northern sections. Astoria Park contains a playground, a soccer field, a running track, a skate park, and courts for tennis, basketball, and bocce. Astoria Park also includes the Astoria Play Center, which consists of a recreation center and a pool. The park and play center are maintained by the New York City Department of Parks and Recreation (NYC Parks). Astoria Park was planned in 1905, but the land was not acquired until October 1913. Astoria Park was formally named after the surrounding neighborhood in December 1913, and recreational facilities gradually opened within the park during the next two decades. The pool and bathhouse were designed by John Hatton during a Works Progress Administration project in 1935–1936 and was used for the United States Olympic Trials for swimming during 1936, 1952, and 1964. The park was extensively renovated in the 1980s and the late 2010s. The Astoria Play Center was designated a city landmark by the New York City Landmarks Preservation Commission in 2007. (Full article...)
    Image 7

    Astoria Park is a 59.96-acre (24.26 ha) public park in theAstoria neighborhood ofQueens inNew York City. The park is situated on the eastern shore of theHell Gate, a strait of theEast River, betweenDitmars Boulevard to the north and Hoyt Avenue to the south. TheRobert F. Kennedy (Triborough) andHell Gate Bridges respectively pass over the park's southern and northern sections. Astoria Park contains a playground, a soccer field, a running track, a skate park, and courts for tennis, basketball, andbocce. Astoria Park also includes theAstoria Play Center, which consists of a recreation center and a pool. The park and play center are maintained by theNew York City Department of Parks and Recreation (NYC Parks).

    Astoria Park was planned in 1905, but the land was not acquired until October 1913. Astoria Park was formally named after the surrounding neighborhood in December 1913, and recreational facilities gradually opened within the park during the next two decades. The pool and bathhouse were designed by John Hatton during aWorks Progress Administration project in 1935–1936 and was used for theUnited States Olympic Trials for swimming during 1936, 1952, and 1964. The park was extensively renovated in the 1980s and the late 2010s. The Astoria Play Center was designated a city landmark by theNew York City Landmarks Preservation Commission in 2007. (Full article...)
  • Image 8 A passenger in a wheelchair boards a train at Crown Heights-Utica Avenue station in Brooklyn The physical accessibility of the Metropolitan Transportation Authority (MTA)'s public transit network, serving the New York metropolitan area, is incomplete. Although all buses are wheelchair-accessible in compliance with the Americans with Disabilities Act of 1990 (ADA), much of the MTA's rail system was built before wheelchair access was a requirement under the ADA. This includes the MTA's rapid transit systems, the New York City Subway and Staten Island Railway, and its commuter rail services, the Long Island Rail Road (LIRR) and Metro-North Railroad. Consequently, most stations were not designed to be accessible to people with disabilities, and many MTA facilities lack accessible announcements, signs, tactile components, and other features. A city law, the New York City Human Rights Law, prohibits discrimination on the basis of disability. Since 1990, elevators have been built in newly constructed stations to comply with the ADA, with most grade-level stations requiring little modification to meet ADA standards. The MTA identified 100 "key stations", high-traffic and/or geographically important stations on the subway system, which have been or are being renovated to comply with the ADA. One of the key tenets of the 2018 Fast Forward Plan to rescue the subway system is to drastically increase the number of ADA-accessible subway stations, adding accessible facilities to 70 stations by 2024. In 2022, the MTA agreed in a settlement to make 95 percent of subway and Staten Island Railway stations accessible by 2055. (Full article...)
    Image 8
    A passenger in a wheelchair boards a train atCrown Heights-Utica Avenue station in Brooklyn


    The physicalaccessibility of theMetropolitan Transportation Authority (MTA)'s public transit network, serving theNew York metropolitan area, is incomplete. Although allbuses arewheelchair-accessible in compliance with theAmericans with Disabilities Act of 1990 (ADA), much of the MTA's rail system was built before wheelchair access was a requirement under the ADA. This includes the MTA'srapid transit systems, theNew York City Subway andStaten Island Railway, andits commuter rail services, theLong Island Rail Road (LIRR) andMetro-North Railroad. Consequently, most stations were not designed to be accessible to people with disabilities, and many MTA facilities lack accessible announcements, signs, tactile components, and other features.

    A city law, theNew York City Human Rights Law, prohibitsdiscrimination on the basis of disability. Since 1990,elevators have been built in newly constructed stations to comply with the ADA, with most grade-level stations requiring little modification to meet ADA standards. The MTA identified 100 "key stations", high-traffic and/or geographically important stations on the subway system, which have been or are being renovated to comply with the ADA. One of the key tenets of the 2018Fast Forward Plan to rescue the subway system is to drastically increase the number of ADA-accessible subway stations, adding accessible facilities to 70 stations by 2024. In 2022, the MTA agreed in a settlement to make 95 percent of subway and Staten Island Railway stations accessible by 2055. (Full article...)
  • Image 9 Aerial view of Hart Island, in 2012 Hart Island, sometimes referred to as Hart's Island, is located at the western end of Long Island Sound, in the northeastern Bronx in New York City. Measuring approximately 1 mile (1.6 km) long by 0.33 miles (0.53 km) wide, Hart Island is part of the Pelham Islands archipelago and is east of City Island. The island's first public use was as a training ground for the United States Colored Troops in 1864. Since then, Hart Island has been the location of a Union Civil War prison camp, a psychiatric institution, a tuberculosis sanatorium, a potter's field used for both individual and mass burials, a homeless shelter, a boys' reformatory and workhouse, a jail, and a drug rehabilitation center. Several other structures, such as an amusement park, were planned for Hart Island but not built. During the Cold War, Nike defense missiles were stationed on Hart Island. The island was intermittently used as a prison and a homeless shelter until 1967; the last inhabited structures were abandoned in 1977. The potter's field on Hart Island was run by the New York City Department of Correction until 2019, when the New York City Council voted to transfer jurisdiction to the New York City Department of Parks and Recreation. The remains of more than one million people are buried on Hart Island. Since the first decade of the 21st century, however, there have been fewer than 1,500 burials a year. Burials on Hart Island include individuals who were not claimed by their families or did not have private funerals; the homeless and the indigent; and mass burials of disease victims. Access to the island was restricted by the Department of Correction, which operated an infrequent ferryboat service and imposed strict visitation quotas. Burials were conducted by inmates from the nearby Rikers Island jail until 2020 and the COVID-19 pandemic. The Hart Island Project, a public charity founded by visual artist Melinda Hunt, worked to improve access to the island and make burial records more easily available. Transfer to the Parks Department in 2019 had been sought for over twenty years and was hoped to ease public access to the Island. Burials in the island's potter's field continued after the transfer. (Full article...)
    Image 9

    Aerial view of Hart Island, in 2012

    Hart Island, sometimes referred to asHart's Island, is located at the western end ofLong Island Sound, in the northeasternBronx inNew York City. Measuring approximately 1 mile (1.6 km) long by 0.33 miles (0.53 km) wide, Hart Island is part of thePelham Islands archipelago and is east ofCity Island.

    The island's first public use was as a training ground for theUnited States Colored Troops in 1864. Since then, Hart Island has been the location of aUnion Civil War prison camp, apsychiatric institution, atuberculosis sanatorium, apotter's field used for both individual and mass burials, a homeless shelter, a boys'reformatory andworkhouse, a jail, and a drug rehabilitation center. Several other structures, such as an amusement park, were planned for Hart Island but not built. During theCold War,Nike defense missiles were stationed on Hart Island. The island was intermittently used as a prison and a homeless shelter until 1967; the last inhabited structures were abandoned in 1977. The potter's field on Hart Island was run by theNew York City Department of Correction until 2019, when theNew York City Council voted to transfer jurisdiction to theNew York City Department of Parks and Recreation.

    The remains of more than one million people are buried on Hart Island. Since the first decade of the 21st century, however, there have been fewer than 1,500 burials a year. Burials on Hart Island include individuals who were not claimed by their families or did not have private funerals; the homeless and the indigent; and mass burials of disease victims. Access to the island was restricted by the Department of Correction, which operated an infrequent ferryboat service and imposed strict visitation quotas. Burials were conducted by inmates from the nearbyRikers Island jail until 2020 and theCOVID-19 pandemic. The Hart Island Project, a public charity founded by visual artist Melinda Hunt, worked to improve access to the island and make burial records more easily available. Transfer to theParks Department in 2019 had been sought for over twenty years and was hoped to ease public access to the Island. Burials in the island's potter's field continued after the transfer. (Full article...)
  • Image 10 The Chatwal New York, originally the Lambs Club Building, is a hotel and a former clubhouse at 130 West 44th Street, near Times Square, in the Midtown Manhattan neighborhood of New York City, New York, U.S. The building was originally six stories high and was developed in two phases as the headquarters of the Lambs, a theatrical social club. The original wing at 128–130 West 44th Street was designed by Stanford White of McKim, Mead & White between 1904 and 1905; the annex at 132 West 44th Street was designed in 1915 by George Freeman. The current design dates to a renovation between 2007 and 2010, designed by Thierry Despont. The building is a New York City designated landmark and is listed on the National Register of Historic Places. The Lambs Club Building is variously cited as being designed in the Colonial, Neo-Georgian, or neoclassical styles. The ground floor of the facade is clad with smooth marble, while the upper stories are clad with red Flemish-bond brick, terracotta trim, and stone quoins at each end. The clubhouse's interior was originally designed in the Federal style, with club rooms on the lower stories and bedrooms for club members on the upper stories. The club rooms included auditoriums on the first and third floors; a dining room on the second floor; and a library and banquet room on the third floor. When the building was converted into a hotel, the first and second floors were converted into a bar and restaurant called the Lambs Club, while the upper floors were converted into 83 guestrooms. The Lambs were founded in 1874 and relocated to multiple buildings over the years. By 1902, overcrowding at the club's previous headquarters prompted the Lambs to consider developing a new clubhouse, which opened on September 1, 1905. The clubhouse was expanded in 1915, but the Lambs faced financial troubles during the 1920s and 1930s because of competition from talking pictures. After the club experienced further financial difficulties in the 1970s, the clubhouse was sold at auction in 1975, and the Church of the Nazarene bought the clubhouse. The church used the building as a mission, while the theaters were leased to an off-Broadway venue called the Lamb's Theatre. The church announced plans to convert the building into a hotel in 1999 and sold the building in 2006 to Hampshire Hotels, operated by the family of Vikram Chatwal. The hotel and the Lambs Club restaurant opened in 2010, and the hotel became part of Starwood's Luxury Collection. Since 2025, it has been owned by Ben-Josef Group. (Full article...)
    Image 10

    The Chatwal New York, originally theLambs Club Building, is a hotel and a former clubhouse at 130 West 44th Street, nearTimes Square, in theMidtown Manhattan neighborhood ofNew York City, New York, U.S. The building was originally six stories high and was developed in two phases as the headquarters ofthe Lambs, a theatrical social club. The original wing at 128–130 West 44th Street was designed byStanford White ofMcKim, Mead & White between 1904 and 1905; the annex at 132 West 44th Street was designed in 1915 by George Freeman. The current design dates to a renovation between 2007 and 2010, designed byThierry Despont. The building is aNew York City designated landmark and is listed on theNational Register of Historic Places.

    The Lambs Club Building is variously cited as being designed in theColonial,Neo-Georgian, orneoclassical styles. The ground floor of the facade is clad with smooth marble, while the upper stories are clad with redFlemish-bond brick,terracotta trim, and stonequoins at each end. The clubhouse's interior was originally designed in theFederal style, with club rooms on the lower stories and bedrooms for club members on the upper stories. The club rooms included auditoriums on the first and third floors; a dining room on the second floor; and a library and banquet room on the third floor. When the building was converted into a hotel, the first and second floors were converted into a bar and restaurant called the Lambs Club, while the upper floors were converted into 83 guestrooms.

    The Lambs were founded in 1874 and relocated to multiple buildings over the years. By 1902, overcrowding at the club's previous headquarters prompted the Lambs to consider developing a new clubhouse, which opened on September 1, 1905. The clubhouse was expanded in 1915, but the Lambs faced financial troubles during the 1920s and 1930s because of competition fromtalking pictures. After the club experienced further financial difficulties in the 1970s, the clubhouse was sold at auction in 1975, and theChurch of the Nazarene bought the clubhouse. The church used the building as a mission, while the theaters were leased to anoff-Broadway venue called theLamb's Theatre. The church announced plans to convert the building into a hotel in 1999 and sold the building in 2006 to Hampshire Hotels, operated by the family ofVikram Chatwal. The hotel and the Lambs Club restaurant opened in 2010, and the hotel became part ofStarwood's Luxury Collection. Since 2025, it has been owned by Ben-Josef Group. (Full article...)
  • Image 11 111 West 57th Street, also known as Steinway Tower, is a supertall residential skyscraper in the Midtown Manhattan neighborhood of New York City, New York, U.S. Developed by JDS Development Group and Property Markets Group, it sits on Billionaires' Row on the north side of 57th Street near Sixth Avenue. The main portion of the building is an 84-story, 1,428-foot (435-meter) tower designed by SHoP Architects and completed in 2021. Preserved at the base is the 16-story Steinway Building (also Steinway Hall), a former Steinway & Sons store designed by Warren and Wetmore and completed in 1925, which originally carried the address 111 West 57th Street. 111 West 57th Street contains 59 luxury condominiums: 14 in Steinway Hall and 45 in the tower. The residential tower has a glass facade with piers made of terracotta; its pinnacle contains setbacks on the southern side. The tower is the fourth-tallest building in the United States as of November 2022, as well as the thinnest skyscraper in the world with a width-to-height ratio of about 1:24. Steinway Hall is a New York City designated landmark and has a facade made mostly of brick, limestone, and terracotta. 111 West 57th Street contains numerous resident amenities, housed mostly in the building's base, as well as a large rotunda within Steinway Hall that is also a designated city landmark. The Steinway & Sons store at 111 West 57th Street was proposed in 1916 but was not completed for another nine years due to lawsuits and other delays. Steinway Hall served as a store, recital hall, and office building for almost nine decades, though it was unsuccessful as a speculative development. Plans for a residential skyscraper on the site date to 2005, and JDS acquired the lots for the skyscraper between 2012 and 2013. Despite the tower's size, it was technically constructed as an addition to Steinway Hall. Construction on the tower began in 2014, and Steinway Hall was restored as part of the residential project. The development faced several challenges, including financing difficulties, lawsuits, and controversies over employment. The tower topped out during April 2019 and was finished in 2022. (Full article...)
    Image 11

    111 West 57th Street, also known asSteinway Tower, is asupertall residential skyscraper in theMidtown Manhattan neighborhood ofNew York City, New York, U.S. Developed byJDS Development Group and Property Markets Group, it sits onBillionaires' Row on the north side of57th Street nearSixth Avenue. The main portion of the building is an 84-story, 1,428-foot (435-meter) tower designed bySHoP Architects and completed in 2021. Preserved at the base is the 16-storySteinway Building (alsoSteinway Hall), a formerSteinway & Sons store designed byWarren and Wetmore and completed in 1925, which originally carried the address 111 West 57th Street.

    111 West 57th Street contains 59luxury condominiums: 14 in Steinway Hall and 45 in the tower. The residential tower has a glassfacade withpiers made ofterracotta; itspinnacle containssetbacks on the southern side. The tower is thefourth-tallest building in the United States as of November 2022, as well as the thinnest skyscraper in the world with awidth-to-height ratio of about 1:24. Steinway Hall is aNew York City designated landmark and has a facade made mostly of brick, limestone, and terracotta. 111 West 57th Street contains numerous resident amenities, housed mostly in the building's base, as well as a largerotunda within Steinway Hall that is also a designated city landmark.

    The Steinway & Sons store at 111 West 57th Street was proposed in 1916 but was not completed for another nine years due to lawsuits and other delays. Steinway Hall served as a store, recital hall, and office building for almost nine decades, though it was unsuccessful as aspeculative development. Plans for a residential skyscraper on the site date to 2005, and JDS acquired the lots for the skyscraper between 2012 and 2013. Despite the tower's size, it was technically constructed as an addition to Steinway Hall. Construction on the tower began in 2014, and Steinway Hall was restored as part of the residential project. The development faced several challenges, including financing difficulties, lawsuits, and controversies over employment. The towertopped out during April 2019 and was finished in 2022. (Full article...)
  • Image 12 500 Fifth Avenue is a 60-story, 697-foot-tall (212 m) office building on the northwest corner of Fifth Avenue and 42nd Street in the Midtown Manhattan neighborhood of New York City, New York, United States. The building was designed by Shreve, Lamb & Harmon in the Art Deco style and constructed from 1929 to 1931. 500 Fifth Avenue was designed with a facade of bronze, limestone, and terracotta at the base; it is clad with brick above the fourth floor. While the lowest four floors contain a decorative exterior, little ornamentation is used above the base. The primary entrance is on Fifth Avenue, and storefronts are located at ground level. Upon its opening, the building contained design features including fast elevators, well-lit office units, and a floor plan that maximized the well-lit office space. The 1916 Zoning Resolution resulted in a structure that incorporated setbacks, resulting in the lower floors being larger than the upper floors. 500 Fifth Avenue was built for businessman Walter J. Salmon Sr. In the 1920s, prior to the building's development, the underlying land had become extremely valuable. Similarly to the much larger Empire State Building nine blocks south, which was constructed simultaneously, 500 Fifth Avenue's construction was highly coordinated. 500 Fifth Avenue opened in March 1931, but the structure garnered relatively little attention after the Empire State Building opened shortly afterward. The building was designated an official city landmark by the New York City Landmarks Preservation Commission in 2010. (Full article...)
    Image 12

    500 Fifth Avenue is a 60-story, 697-foot-tall (212 m) office building on the northwest corner ofFifth Avenue and42nd Street in theMidtown Manhattan neighborhood ofNew York City, New York, United States. The building was designed byShreve, Lamb & Harmon in theArt Deco style and constructed from 1929 to 1931.

    500 Fifth Avenue was designed with afacade of bronze, limestone, andterracotta at the base; it is clad with brick above the fourth floor. While the lowest four floors contain a decorative exterior, little ornamentation is used above the base. The primary entrance is on Fifth Avenue, and storefronts are located at ground level. Upon its opening, the building contained design features including fastelevators, well-lit office units, and a floor plan that maximized the well-lit office space. The1916 Zoning Resolution resulted in a structure that incorporatedsetbacks, resulting in the lower floors being larger than the upper floors.

    500 Fifth Avenue was built for businessmanWalter J. Salmon Sr. In the 1920s, prior to the building's development, the underlying land had become extremely valuable. Similarly to the much largerEmpire State Building nine blocks south, which was constructed simultaneously, 500 Fifth Avenue's construction was highly coordinated. 500 Fifth Avenue opened in March 1931, but the structure garnered relatively little attention after the Empire State Building opened shortly afterward. The building was designated anofficial city landmark by theNew York City Landmarks Preservation Commission in 2010. (Full article...)
  • Image 13 The Hotel Wolcott is a hotel at 4 West 31st Street, between Fifth and Sixth Avenues, in the Midtown South neighborhood of Manhattan in New York City. Constructed between 1902 and 1904 by developer William C. Dewey, it was designed by John H. Duncan in the French Beaux-Arts and neoclassical styles. The hotel's namesake was Henry Roger Wolcott, a businessman, politician, and philanthropist. The hotel is a New York City designated landmark. The hotel building is 12 stories tall. Its facade is largely made of red brick and limestone, with elaborate decorations. The facade is divided vertically into six bays and horizontally into a two-story base, a six-story midsection, a transitional story, and a three-story mansard roof. The hotel originally contained several ground-floor amenity areas for guests, including a neo-Grec lobby, reception room, and ballroom. The upper floors are arranged in an "H" shape and originally contained various suites and rooms, which have been rearranged over the years into 160 guestrooms. Dewey acquired the site in 1902. The hotel opened on March 1, 1904, several months behind schedule, and Dewey had lost the Wolcott to foreclosure by that September. The Wolcott was operated by numerous individuals during the early 20th century, including William and Julius Manger of Manger Hotels during the 1920s. Over the years, it was popular with travelers, though the Wolcott also had permanent residents such as Isadora Duncan, James Buchanan Duke, Doris Duke, Edith Wharton, Mark Twain, and Henry Miller. The Wolcott had declined into a single room occupancy hotel by 1975, when the Erlich family bought it and made numerous renovations. The Wolcott was known as a budget hotel in the late 20th and early 21st centuries, then served as a temporary shelter in the 2020s. (Full article...)
    Image 13

    TheHotel Wolcott is a hotel at 4West 31st Street, betweenFifth andSixth Avenues, in theMidtown South neighborhood ofManhattan inNew York City. Constructed between 1902 and 1904 by developer William C. Dewey, it was designed byJohn H. Duncan in the FrenchBeaux-Arts andneoclassical styles. The hotel's namesake was Henry Roger Wolcott, a businessman, politician, and philanthropist. The hotel is aNew York City designated landmark.

    The hotel building is 12 stories tall. Itsfacade is largely made of red brick and limestone, with elaborate decorations. The facade is divided vertically into sixbays and horizontally into a two-story base, a six-story midsection, a transitional story, and a three-storymansard roof. The hotel originally contained several ground-floor amenity areas for guests, including aneo-Grec lobby, reception room, and ballroom. The upper floors are arranged in an "H" shape and originally contained various suites and rooms, which have been rearranged over the years into 160 guestrooms.

    Dewey acquired the site in 1902. The hotel opened on March 1, 1904, several months behind schedule, and Dewey had lost the Wolcott toforeclosure by that September. The Wolcott was operated by numerous individuals during the early 20th century, including William and Julius Manger ofManger Hotels during the 1920s. Over the years, it was popular with travelers, though the Wolcott also had permanent residents such asIsadora Duncan,James Buchanan Duke,Doris Duke,Edith Wharton,Mark Twain, andHenry Miller. The Wolcott had declined into asingle room occupancy hotel by 1975, when the Erlich family bought it and made numerous renovations. The Wolcott was known as abudget hotel in the late 20th and early 21st centuries, then served as a temporary shelter in the 2020s. (Full article...)
  • Image 14 Upper platform The Lexington Avenue–63rd Street station (formerly Lexington Avenue) is a New York City Subway local station in Lenox Hill, Manhattan, shared by the IND and BMT 63rd Street Lines. Located at the intersection of Lexington Avenue and 63rd Street, it is served by the Q trains at all times; M trains on weekdays during the day; F trains during weekends and nights; limited rush hour N trains; and one A.M. rush hour R train in the northbound direction only. The station has two platform levels; trains headed southbound to downtown and Brooklyn use the upper level, while trains headed northbound to uptown and Queens use the lower level. This is one of the deepest stations in the subway system, requiring several banks of long escalators or elevators. Construction started at this station in 1969, but as a result of the New York City fiscal crisis in 1975, the station did not open until 1989. Originally, the station was intended to be a transfer point for Sixth Avenue/Queens Boulevard and Broadway/Second Avenue services. As such, the station was designed to allow for cross-platform interchanges on both levels. However, construction of the Second Avenue Subway was halted in 1975 during the station's construction. As a result, the north side of the station, intended for service to Second Avenue, was hidden with a temporary orange brick wall, and space intended for an exit at Third Avenue was left unused. While the south side of the station opened for service in 1989, the north side was used only for storing trains. (Full article...)
    Image 14

    Upper platform

    TheLexington Avenue–63rd Street station (formerlyLexington Avenue) is aNew York City Subway local station inLenox Hill,Manhattan, shared by the IND and BMT63rd Street Lines. Located at the intersection ofLexington Avenue and 63rd Street, it is served by theQ trains at all times;M trains on weekdays during the day;F trains during weekends and nights; limited rush hourN trains; and one A.M. rush hourR train in the northbound direction only.

    The station has two platform levels; trains headed southbound to downtown andBrooklyn use the upper level, while trains headed northbound to uptown andQueens use the lower level. This is one of the deepest stations in the subway system, requiring several banks of long escalators or elevators.

    Construction started at this station in 1969, but as a result of theNew York City fiscal crisis in 1975, the station did not open until 1989. Originally, the station was intended to be a transfer point forSixth Avenue/Queens Boulevard andBroadway/Second Avenue services. As such, the station was designed to allow forcross-platform interchanges on both levels. However,construction of the Second Avenue Subway was halted in 1975 during the station's construction. As a result, the north side of the station, intended for service to Second Avenue, was hidden with a temporary orange brick wall, and space intended for an exit at Third Avenue was left unused. While the south side of the station opened for service in 1989, the north side was used only for storing trains. (Full article...)
  • Image 15 The Concert in Central Park is the first live album by American folk rock duo Simon & Garfunkel, released on February 16, 1982, by Warner Bros. Records. It was recorded on September 19, 1981, at a free benefit concert on the Great Lawn in Central Park, New York City, where the pair performed in front of 500,000 people. A TV special of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion of Paul Simon and Art Garfunkel. The concept of a benefit concert in Central Park had been proposed by Parks Commissioner Gordon Davis and promoter Ron Delsener. Television channel HBO agreed to carry the concert, and they worked with Delsener to decide on Simon and Garfunkel as the appropriate act for this event. Besides hits from their years as a duo, their 21-song set list included material from their solo careers, and covers. Among them were "The Sound of Silence", "Mrs. Robinson", "The Boxer" and Simon's "Late in the Evening", with the show concluding with a reprise of the latter. Ongoing personal tensions between the duo led them to decide against a permanent reunion, despite the success of the concert and a subsequent world tour. The album and film were released the year after the concert. Simon and Garfunkel's performance was praised by music critics and the album was commercially successful, peaking No. 6 on the Billboard 200 album charts and being certified double platinum by the Recording Industry Association of America (RIAA). The video recordings were initially broadcast on HBO and were subsequently made available on Laserdisc, CED, VHS and DVD. A single was released of Simon and Garfunkel's live performance of the Everly Brothers song "Wake Up Little Susie". It reached No. 27 on the Billboard Hot 100 in 1982 and is the duo's last Top 40 hit. In Canada the single was No. 4 for 2 weeks on the AC charts. (Full article...)
    Image 15
    The Concert in Central Park is the firstlive album by Americanfolk rock duoSimon & Garfunkel, released on February 16, 1982, byWarner Bros. Records. It was recorded on September 19, 1981, at a freebenefit concert on theGreat Lawn inCentral Park,New York City, where the pair performed in front of 500,000 people. A TV special of the event was shown on TV and released on video. Proceeds went toward the redevelopment and maintenance of the park, which had deteriorated due to lack of municipal funding. The concert and album marked the start of a three-year reunion ofPaul Simon andArt Garfunkel.

    The concept of a benefit concert in Central Park had been proposed byParks CommissionerGordon Davis and promoter Ron Delsener. Television channelHBO agreed to carry the concert, and they worked with Delsener to decide on Simon and Garfunkel as the appropriate act for this event. Besides hits from their years as a duo, their 21-song set list included material from their solo careers, and covers. Among them were "The Sound of Silence", "Mrs. Robinson", "The Boxer" and Simon's "Late in the Evening", with the show concluding with a reprise of the latter. Ongoing personal tensions between the duo led them to decide against a permanent reunion, despite the success of the concert and a subsequent world tour.

    The album and film were released the year after the concert. Simon and Garfunkel's performance was praised by music critics and the album was commercially successful, peaking No. 6 on theBillboard 200 album charts and being certified doubleplatinum by theRecording Industry Association of America (RIAA). The video recordings were initially broadcast on HBO and were subsequently made available on Laserdisc, CED, VHS and DVD. A single was released ofSimon and Garfunkel's live performance ofthe Everly Brothers song "Wake Up Little Susie". It reached No. 27 on the Billboard Hot 100 in 1982 and is the duo's last Top 40 hit. InCanada the single was No. 4 for 2 weeks on the AC charts. (Full article...)
  • Image 16 Begin Again is a 2013 American musical comedy-drama film written and directed by John Carney, and starring Keira Knightley and Mark Ruffalo. Knightley plays a singer-songwriter who is discovered by a struggling record label executive (Ruffalo) and collaborates with him to produce an album recorded in public locations all over New York City. After the success of his 2007 musical film Once, Carney wrote the script in 2010 and employed Gregg Alexander to compose most of the film's music. With a US$8 million budget, production began in July 2012 with filming taking place in various locations around New York City. The film premiered under its original title Can a Song Save Your Life? at the 2013 Toronto International Film Festival, and was released theatrically on June 27, 2014, in conjunction with the release of the film's soundtrack. It has grossed $63.4 million worldwide and received mostly positive reviews from critics. It was nominated for an Academy Award for Best Original Song for "Lost Stars". (Full article...)
    Image 16
    Begin Again is a 2013 Americanmusicalcomedy-drama film written and directed byJohn Carney, and starringKeira Knightley andMark Ruffalo. Knightley plays a singer-songwriter who is discovered by a struggling record label executive (Ruffalo) and collaborates with him to produce an album recorded in public locations all over New York City.

    After the success of his 2007 musical filmOnce, Carney wrote the script in 2010 and employedGregg Alexander to compose most of the film's music. With a US$8 million budget, production began in July 2012 with filming taking place in various locations around New York City. The film premiered under its original titleCan a Song Save Your Life? at the2013 Toronto International Film Festival, and was released theatrically on June 27, 2014, in conjunction with the release of the film's soundtrack. It has grossed $63.4 million worldwide and received mostly positive reviews from critics. It was nominated for anAcademy Award for Best Original Song for "Lost Stars". (Full article...)
  • Image 17 Warriors is a concept album by Lin-Manuel Miranda and Eisa Davis, inspired by the 1979 action film The Warriors, which adapted the 1965 novel of the same name by Sol Yurick. It was released on October 18, 2024, produced by Mike Elizondo and executive-produced by Nas. Blending hip-hop, musical theater, and various styles that reflect New York City's diversity, Warriors reimagines the story with a gender-flipped perspective. It follows an all-female gang navigating a treacherous journey through the city after the murder of a gang leader, drawing inspiration from real-life events like the 1971 Hoe Avenue peace meeting and addressing themes of misogyny. Though initially rumored to be part of a planned stage musical, Miranda and Davis clarified that Warriors was conceived as a standalone musical work. Miranda stated that treating the project as an album rather than a stage production allowed him to work with some of his "dream collaborators" who could not commit to a Broadway schedule. Warriors features a diverse group of artists, including hip-hop figures Lauryn Hill, Busta Rhymes, Ghostface Killah, and RZA, as well as Latin musician Marc Anthony and dancehall singer Shenseea. The album also includes performances from Broadway and film stars Colman Domingo, Billy Porter, Sasha Hutchings, Phillipa Soo, and Jasmine Cephas Jones. Following its release, Miranda and Davis confirmed plans to develop a stage adaptation. The album peaked at number 21 on Billboard's Top Current Albums chart, and at 29 on the UK Album Downloads chart. (Full article...)
    Image 17
    Warriors is aconcept album byLin-Manuel Miranda andEisa Davis, inspired by the 1979 action filmThe Warriors, which adapted the 1965 novelof the same name bySol Yurick. It was released on October 18, 2024, produced byMike Elizondo andexecutive-produced byNas. Blending hip-hop, musical theater, and various styles that reflect New York City's diversity,Warriors reimagines the story with agender-flipped perspective. It follows an all-female gang navigating a treacherous journey through the city after the murder of a gang leader, drawing inspiration from real-life events like the1971 Hoe Avenue peace meeting and addressing themes of misogyny.

    Though initially rumored to be part of a planned stage musical, Miranda and Davis clarified thatWarriors was conceived as a standalone musical work. Miranda stated that treating the project as an album rather than a stage production allowed him to work with some of his "dream collaborators" who could not commit to a Broadway schedule.Warriors features a diverse group of artists, including hip-hop figuresLauryn Hill,Busta Rhymes,Ghostface Killah, andRZA, as well as Latin musicianMarc Anthony and dancehall singerShenseea. The album also includes performances from Broadway and film starsColman Domingo,Billy Porter,Sasha Hutchings,Phillipa Soo, andJasmine Cephas Jones. Following its release, Miranda and Davis confirmed plans to develop a stage adaptation.

    The album peaked at number 21 onBillboard'sTop Current Albums chart, and at 29 on theUK Album Downloads chart. (Full article...)
  • Image 18 Wall Street is a 1987 American crime drama film directed and co-written by Oliver Stone, which stars Michael Douglas, Charlie Sheen, Daryl Hannah, and Martin Sheen. The film tells the story of Bud Fox (C. Sheen), a young stockbroker who becomes involved with Gordon Gekko (Douglas), a wealthy, unscrupulous corporate raider. Stone made the film as a tribute to his father, Lou Stone, a stockbroker during the Great Depression. The character of Gekko is said to be a composite of several people, including Dennis Levine, Ivan Boesky, Carl Icahn, Asher Edelman, Michael Milken and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on British financier and corporate raider Sir James Goldsmith. Originally, the studio wanted Warren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wanted Richard Gere, but Gere passed on the role. The film was well received among major film critics. Douglas won the Academy Award for Best Actor, and the film has come to be seen as the archetypal portrayal of 1980s excess, with Douglas' character declaring that "greed, for lack of a better word, is good." It has also proven influential in inspiring people to work on Wall Street, with Sheen, Douglas, and Stone commenting over the years how people still approach them and say that they became stockbrokers because of their respective characters in the film. (Full article...)
    Image 18
    Wall Street is a 1987 Americancrime drama film directed and co-written byOliver Stone, which starsMichael Douglas,Charlie Sheen,Daryl Hannah, andMartin Sheen. The film tells the story of Bud Fox (C. Sheen), a youngstockbroker who becomes involved withGordon Gekko (Douglas), a wealthy, unscrupulouscorporate raider.

    Stone made the film as a tribute to his father, Lou Stone, a stockbroker during theGreat Depression. The character of Gekko is said to be a composite of several people, includingDennis Levine,Ivan Boesky,Carl Icahn,Asher Edelman,Michael Milken and Stone himself. The character of Sir Lawrence Wildman, meanwhile, was modelled on Britishfinancier and corporate raiderSir James Goldsmith. Originally, the studio wantedWarren Beatty to play Gekko, but he was not interested; Stone, meanwhile, wantedRichard Gere, but Gere passed on the role.

    The film was well received among major film critics. Douglas won theAcademy Award for Best Actor, and the film has come to be seen as the archetypal portrayal of 1980s excess, with Douglas' character declaring that "greed, for lack of a better word, is good." It has also proven influential in inspiring people to work onWall Street, with Sheen, Douglas, and Stone commenting over the years how people still approach them and say that they became stockbrokers because of their respective characters in the film. (Full article...)
  • Image 19 Beth Hamedrash Hagodol façade in 2008, before the 2017 fire and subsequent demolition Beth Hamedrash Hagodol (Hebrew: בֵּית הַמִּדְרָש הַגָּדוֹל, lit. 'Great Study House') was an Orthodox Jewish congregation that for over 120 years was located in a historic building at 60–64 Norfolk Street between Grand and Broome Streets on the Lower East Side of Manhattan, New York City. It was the first Eastern European congregation founded in New York City and the oldest Russian Jewish Orthodox congregation in the United States. Founded in 1852 by Rabbi Abraham Joseph Ash as Beth Hamedrash, the congregation split in 1859, with the rabbi and most of the members renaming their congregation Beth Hamedrash Hagodol. The congregation's president and a small number of the members eventually formed the nucleus of Kahal Adath Jeshurun, also known as the Eldridge Street Synagogue. Rabbi Jacob Joseph, the first and only Chief Rabbi of New York City, led the congregation from 1888 to 1902. Rabbi Ephraim Oshry, one of the few European Jewish legal decisors to survive the Holocaust, led the congregation from 1952 to 2003. The congregation's building, a Gothic Revival structure built in 1850 as the Norfolk Street Baptist Church and purchased in 1885, was one of the largest synagogues on the Lower East Side. It was listed on the National Register of Historic Places in 1999. In the late 20th century the congregation dwindled and was unable to maintain the building, which had been damaged by storms. Despite their obtaining funding and grants, the structure was critically endangered. (Full article...)
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    Beth Hamedrash Hagodolfaçade in 2008,
    before the 2017 fire and subsequent demolition

    Beth Hamedrash Hagodol (Hebrew:בֵּית הַמִּדְרָש הַגָּדוֹל,lit.'Great Study House') was anOrthodox Jewish congregation that for over 120 years was located in a historic building at 60–64 Norfolk Street betweenGrand andBroome Streets on theLower East Side ofManhattan,New York City. It was thefirstEastern European congregation founded in New York City and the oldestRussian Jewish Orthodox congregation in the United States.

    Founded in 1852 by RabbiAbraham Joseph Ash asBeth Hamedrash, the congregation split in 1859, with the rabbi and most of the members renaming their congregationBeth Hamedrash Hagodol. The congregation's president and a small number of the members eventually formed the nucleus ofKahal Adath Jeshurun, also known as theEldridge Street Synagogue. RabbiJacob Joseph, the first and onlyChief Rabbi of New York City, led the congregation from 1888 to 1902. RabbiEphraim Oshry, one of the few EuropeanJewish legal decisors to survivethe Holocaust, led the congregation from 1952 to 2003.

    The congregation's building, aGothic Revival structure built in 1850 as theNorfolk Street Baptist Church and purchased in 1885, was one of the largest synagogues on the Lower East Side. It was listed on theNational Register of Historic Places in 1999. In the late 20th century the congregation dwindled and was unable to maintain the building, which had been damaged by storms. Despite their obtaining funding and grants, the structure was critically endangered. (Full article...)
  • Image 20 (2012) The Film Center Building, also known as 630 Ninth Avenue, is a 13-story office building on the east side of Ninth Avenue between 44th and 45th Streets in the Hell's Kitchen neighborhood of Manhattan in New York City, New York, U.S. Built in 1928–1929, the structure has historically catered to businesses involved in film, theater, television and music and audio production. The building was designed in the Art Deco style, with Ely Jacques Kahn as the architect of record. The lobby's interior is a New York City landmark, and the building is on the National Register of Historic Places. The Film Center Building occupies a rectangular site. Its facade is largely made of brown brick, with windows on all sides, although the ground story has a marble facade and the second story has a white-stone facade. The main entrance on Ninth Avenue leads to a rectangular vestibule, which in turn leads to the main lobby, an elevator lobby, and a passageway leading to a secondary entrance. The lobby's walls and ceilings resemble tapestries, while details such as stair risers, ventilation grilles, directory signs, and elevator doors were designed in a multicolored scheme. The upper stories contain offices, which were initially used largely by major film companies such as Metro-Goldwyn-Mayer. There were also nearly 100 film vaults, some of which have been converted to office space over the years. In the 1910s and 1920s, New York City's film industry was centered around Times Square, prompting developer Abe N. Adelson to acquire a site for a film-distribution building in April 1928. Tenants began moving to the building in January 1929, coinciding with the construction of other film-exchange buildings in the immediate vicinity. The Film Center Building was sold at a foreclosure auction in 1936 and was subsequently sold again in 1950. By the mid-20th century, television and independent film producers began taking space there. The First Republic Bank bought the Film Center Building in 1968, and Newmark & Company acquired it in 1971. GFP Real Estate, which split from Newmark & Company, further renovated the Film Center Building in the 2010s. (Full article...)
    Image 20

    (2012)

    TheFilm Center Building, also known as630 Ninth Avenue, is a 13-story office building on the east side ofNinth Avenue between44th and45th Streets in theHell's Kitchen neighborhood ofManhattan inNew York City, New York, U.S. Built in 1928–1929, the structure has historically catered to businesses involved in film, theater, television and music and audio production. The building was designed in theArt Deco style, withEly Jacques Kahn as thearchitect of record. The lobby's interior is aNew York City landmark, and the building is on theNational Register of Historic Places.

    The Film Center Building occupies a rectangular site. Its facade is largely made of brown brick, with windows on all sides, although the ground story has a marble facade and the second story has a white-stone facade. The main entrance on Ninth Avenue leads to a rectangular vestibule, which in turn leads to the main lobby, an elevator lobby, and a passageway leading to a secondary entrance. The lobby's walls and ceilings resemble tapestries, while details such as stair risers, ventilation grilles, directory signs, and elevator doors were designed in a multicolored scheme. The upper stories contain offices, which were initially used largely by major film companies such asMetro-Goldwyn-Mayer. There were also nearly 100 film vaults, some of which have been converted to office space over the years.

    In the 1910s and 1920s, New York City's film industry was centered aroundTimes Square, prompting developer Abe N. Adelson to acquire a site for a film-distribution building in April 1928. Tenants began moving to the building in January 1929, coinciding with the construction of other film-exchange buildings in the immediate vicinity. The Film Center Building was sold at a foreclosure auction in 1936 and was subsequently sold again in 1950. By the mid-20th century, television andindependent film producers began taking space there. TheFirst Republic Bank bought the Film Center Building in 1968, andNewmark & Company acquired it in 1971. GFP Real Estate, which split from Newmark & Company, further renovated the Film Center Building in the 2010s. (Full article...)

Selected biography -show another

Donald John Trump (born June 14, 1946) is an American politician, media personality, and businessman who is the 47thpresident of the United States. A member of theRepublican Party, he served as the 45th president from 2017 to 2021.

Born into a wealthy New York City family, Trump graduated from theUniversity of Pennsylvania in 1968 with abachelor's degree in economics. He became the president of his family's real estate business in 1971, renamed itthe Trump Organization, and began acquiring and building skyscrapers, hotels, casinos, and golf courses. He launched side ventures, many licensing the Trump name, and filed for six business bankruptcies in the 1990s and 2000s. From 2004 to 2015, he hosted the reality television showThe Apprentice, bolstering his fame as a billionaire. Presenting himself as a political outsider, Trump won the2016 presidential election againstDemocratic Party nomineeHillary Clinton. (Full article...)

The five boroughs

In the news

24 January 2026 –
At least one person is killed and 14 others are injured in agas explosion andmultiple-alarm fire at a 17-story apartment building inthe Bronx,New York City,United States.(WCBS-TV)

Updated: 0:05, 13 February 2026

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Updated: 1:05, 13 February 2026

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