ThePonte Vecchio (Italian pronunciation:[ˈponteˈvɛkkjo];[1] "Old Bridge")[2] is amedieval stone closed-spandrelsegmentalarch bridge over theArno, inFlorence, Italy. The only bridge in Florence spared from destruction duringWorld War II, it is noted for the shops built along it; building shops on such bridges was once a common practice. Butchers, tanners, and farmers initially occupied the shops; the present tenants are jewellers, art dealers, and souvenir sellers.[3] The Ponte Vecchio's two neighbouring bridges are thePonte Santa Trinita and thePonte alle Grazie.
The bridge connects Via Por Santa Maria (Lungarno degli Acciaiuoli and Lungarno degli Archibusieri) to Via de' Guicciardini (Borgo San Jacopo and Via de' Bardi).
The name was given to what was the oldest Florentine bridge when thePonte alla Carraia was built, then calledPonte Nuovo in contrast to the old one. Beyond the historical value, the bridge over time has played a central role in the city road system, starting from when it connected the RomanFlorentia with theVia Cassia Nova commissioned by theemperor Hadrian in 123 AD.
In contemporary times, despite being closed to vehicular traffic, the bridge is crossed by a considerable pedestrian flow generated both by its fame and by the fact that it connects places of high tourist interest on the two banks of the river:Piazza del Duomo,Piazza della Signoria on one side with the area ofPalazzo Pitti andSanto Spirito in theOltrarno.
The bridge appears in the list drawn up in 1901 by the General Directorate of Antiquities and Fine Arts, as a monumental building to be considered having national artistic heritage.
The bridge spans the Arno at its narrowest point[4] where it is believed that a bridge was first built inRoman times,[5] when thevia Cassia crossed the river at this point.[4] The Roman piers were of stone, the superstructure of wood.[citation needed] The bridge first appears in a document of 996[4] and was destroyed by aflood in 1117[3] and reconstructed in stone. In 1218 the Ponte alla Carraia, a wooden structure, was established nearby which led to it being referred to as "Ponte Nuovo" relative to the older (Vecchio) structure.[3] It was swept away again in 1333[5] except for two of its central piers, as noted byGiovanni Villani in hisNuova Cronica.[6] It was rebuilt in 1345.[7]
This location marks one of the earliest crossings of the Arno in Florence, possibly originating from Roman times or even before. Although floods have repeatedly damaged it, the current bridge has stood since approximately 1339-1345. For many years, the only older bridge in the city was theRubaconte bridge, built nearly a century earlier. But after significant 19th-century modifications to that structure and its destruction in 1944, the Ponte Vecchio claimed its title as the oldest bridge in Florence.
Giorgio Vasari recorded the traditional view of his day that attributed its design toTaddeo Gaddi[2]— besides Giotto one of the few artistic names of thetrecento still recalled two hundred years later. Modern historians present Neri di Fioravanti as a possible candidate as the builder.[4]
Sheltered in a little loggia at the central opening of the bridge is a weathered dedication stone, which once readNel trentatrè dopo il mille-trecento, il ponte cadde, per diluvio dell' acque: poi dieci anni, come al Comun piacque, rifatto fu con questo adornamento.[8] TheTorre dei Mannelli was built at the southeast corner of the bridge to defend it.
The bridge consists of three segmental arches: the main arch has a span of 30 meters (98 feet), and the two side arches each span 27 meters (89 feet). The rise of the arches is between 3.5 and 4.4 metres (11½ to 14½ feet), and the span-to-rise ratio is 5:1.[9] The shallow segmental arches, which require fewer piers than thesemicircular arch traditionally used by Romans, enabled ease of access and navigation for animal-drawn carts.[3] Another notable design element is the largepiazza at the center of the bridge thatLeon Battista Alberti described as a prominent ornament in the city.[3]
The bridge has always hosted shops and merchants who displayed their goods on tables before their premises, after authorization by theBargello (a sort of a lord mayor, a magistrate and a police authority).
To enhance the prestige and clean up the bridge, a decree was made in 1565 that excluded butchers from this bridge (only goldsmiths and jewellers are allowed) that is in effect to this day.[10] The association of butchers had monopolized the shops on the bridge since 1442.
The back shops (retrobotteghe) that may be seen from upriver were added in the seventeenth century.[4]
In 1900, to honour and mark the fourth century of the birth of the great Florentine sculptor and master goldsmithBenvenuto Cellini, the leading goldsmiths of the bridge commissioned the Florentine sculptor,Raffaello Romanelli, to create a bronze bust of Cellini to stand atop a fountain in the middle of the Eastern side of the bridge, where it stands to this day.[11]
Damage shown shortly after liberation in August 1944 during World War II
DuringWorld War II, the Ponte Vecchio was not destroyed by the German army during their retreat at the advance of the British8th Army on 4 August 1944, unlike all the other bridges in Florence.[12][13] This was, according to many locals and tour guides, because of an express order byHitler.[14][15][16] Access to the Ponte Vecchio was, however, obstructed by the destruction of the buildings at both ends of the bridge, which have since been rebuilt using a combination of original and modern designs.
Between 2005 and 2006, 5,500 padlocks, known aslove locks, which were attached to the railings around the bust of Cellini, were removed by the city council. According to the council, the padlocks were aesthetically displeasing and damaged the bust and its railings. There is now a fine for attaching love locks to the bridge.[18]
An announcement in April 2024 stated that work would be completed on the bridge, including a cleaning, an upgrade of the replacement joints previously installed, strengthening of the stone and restoration of the footpath's stone.[19]
A comparison of the side elevation of the Ponte Vecchio to the side elevations of some of the most notable bridges around the world on the same scale(see alsointeractive version)
^abcdeTouring Club Italiano,Firenze e dintorni 1964:321
^abcZucconi, Guido (1995).Florence: An Architectural Guide. San Giovanni Lupatoto, Vr, Italy: Arsenale Editrice srl.ISBN88-7743-147-4.
^Bartlett, Kenneth R. (1992).The Civilization of the Italian Renaissance. Toronto: D.C. Heath and Company.ISBN0-669-20900-7 (Paperback). Page 40.
^Melaragno, Michele G (1998).Preliminary Design of Bridges for Architects and Engineers. Marcel Dekker. p. 3.ISBN0-8247-0184-4.
^Translated it would read, "In the thirty-third year following thirteen hundred, the bridge fell, from a watery flood: ten years later, at the pleasure of the Commune, it was rebuilt, with this adornment". (Touring Club Italiano,Firenze e dintorni 1964:321)
^Haegen, Anne Mueller von der; Strasser, Ruth F. (2013). "Ponte Vecchio".Art & Architecture: Tuscany. Potsdam: H.F.Ullmann Publishing. p. 216.ISBN978-3-8480-0321-1.
Chiarugi, Andrea, Foraboschi, Paolo, "Maintenance of the Ponte Vecchio historical bridge in Florence," in:Extending the Lifespan of Structures, Vol. 2,IABSE Symposium Report, San Francisco 1995, pp. 1479–1484
Dupré, Judith (2017).Bridges: A History of the World's Most Spectacular Spans. New York: Hachette/Black Dog & Leventhal Press.ISBN978-0-316-47380-4.