| Phaistos Disc | |
|---|---|
  Phaistos Disc, side A (top) and side B (bottom) | |
| Material | Clay |
| Created | 2nd millennium BC |
| Discovered | July 3, 1908 Phaistos,Crete,Greece |
| Discovered by | Luigi Pernier |
| Present location | Heraklion Archaeological Museum,Crete,Greece |
ThePhaistos Disc, orPhaistos Disk, is a disc of firedclay from the island ofCrete,Greece, possibly from the middle or lateMinoanBronze Age (second millennium BC), bearing a text in an unknown script and language. Its purpose and its original place of manufacture remain disputed. It is now on display at thearchaeological museum ofHeraklion. The name is sometimes spelledPhaestos orFestos.
The disc was discovered in 1908 by the Italian archaeologistLuigi Pernier during the excavation of theMinoan palace ofPhaistos.[1] The disc is about 16 cm (6.3 in) in diameter and is covered on each side with a spiral text, consisting of a total of 241 occurrences of 45 distinct signs, which were created by pressing individual sign stamps onto the soft clay before firing. While its unique features initially led some scholars to suspect aforgery orhoax, the disc is now generally accepted by archaeologists as authentic.
This mysterious object captured the imagination of amateur and professionalpalaeographers, and manyattempts have been made todecipher the code behind the disc's signs.[2] While it is not clear that it is a script, most attempted decipherments assume that it is; most additionally assume asyllabary, others analphabet orlogography.
The Phaistos Disc was discovered in theMinoan palace-site ofPhaistos, nearHagia Triada, on the south coast ofCrete; specifically the disc was found in the basement of room 8 in building 101 of a group of buildings to the northeast of the main palace. This grouping of four rooms also served as a formal entry into the palace complex.Italian archaeologistLuigi Pernier recovered the intact "dish" on 3 July 1908 during hisexcavation of the first Minoan palace.[4]
The disc was found in the main cell of an underground "temple depository". These basement cells, only accessible from above, were neatly covered with a layer of fineplaster. Their content was poor in precious artifacts, but rich in black earth and ashes, mixed with burntbovine bones. In the northern part of the main cell, in the same black layer, a few centimetres south-east of the disc and about 50 cm (20 in) above the floor,Linear A tablet 'PH-1' was also found.[5]
Yves Duhoux (1977) dates the disc to between 1850 BC and 1600 BC (MMIII inMinoan chronology) on the basis of Luigi Pernier's report, which says that the disc was in a Middle Minoan undisturbed context.[6] Jeppesen (1963) dates it to after 1400 (LMII–LMIII in Minoan chronology). Doubting the viability of Pernier's report,Louis Godart (1990) resigns himself to admitting that archaeologically, the disc may be dated to anywhere in Middle or Late Minoan times (MMI–LMIII, a period spanning most of thesecond millennium BC).Jan Best suggests a date in the first half of the 14th century BC (LMIIIA) based on his dating of tablet PH-1.[7]
The disc is made of fine-grained clay. Some authors have stated that the clay does not appear to be of local origin, perhaps not even from Crete.[8] It was intentionally and properly fired, unlike tablets and seals that were baked only accidentally.[8]
The disc is approximately cylindrical, about 16 cm (6.3 in) in diameter and almost 2 cm (0.8 in) thick, with rounded edges. More precisely, the outline is slightly egg-shaped, with the diameter varying from 15.8 to 16.5 cm (6.2 to 6.5 in) and the thickness from 1.6 to 2.1 cm (0.63 to 0.83 in). The disc is slightlyconcave on side A andconvex on side B.[8]
The most remarkable feature of the Phaistos disc is that the embossed signs that comprise its inscription all result from pressing separate stamps – one for each symbol – into the soft clay before firing. Thus the disc can be seen as an early example ofmovable-type printing.[9][10] Typesetter and linguistHerbert Brekle writes:[11]
If the disc is, as assumed, a textual representation, we are really dealing with a "printed" text, which fulfills all definitional criteria of the typographic principle. The spiral sequencing of thegraphematical units, the fact that they are impressed in a clay disc (blind printing!) and not imprinted are merely possible technological variants of textual representation. The decisive factor is that the material "types" are proven to be repeatedly instantiated on the clay disc.
A medieval example of a similar blind printing technique[12]is thePrüfening dedicatory inscription of 1119 AD.[11][13]
Popular-science authorJared Diamond describes the disc as an example of a technological innovation that did not become widespread because it was made at the wrong time in history. Diamond contrasts the process withGutenberg'sprinting press.[14]
Besides the stamped symbols, there are a few markings made by scoring the moist clay with a sharp stylus. On each side there is a continuous spiral line that separates successive turns of the text. The strip between successive spires of this line is divided into sections by short radial lines, so that each section contains a few whole signs. The presumed start of the text, adjacent to the edge, is also marked by such a radial stroke, with the addition of five dots punched along it with the stylus. Finally, under some of the stamped signs, there are short oblique strokes.
There are 45 distinct signs on the disc, occurring a total of 242 times—123 on side A and 119 on side B. In addition to these, a small diagonal line was incised with a stylus (not stamped) underneath some signs, a total of 18 times. The 45 symbols were numbered by SirArthur Evans from 01 to 45,[1] and this numbering has been adopted by most researchers.
The signs were added to theUnicode universal computer character (UCS) set in 2008, after a 2006 proposal byMichael Everson and John H. Jenkins.[15] In the following table, theNo. column is the Evans number of each sign; theGlyph column is a modern drawing of the symbol; and theFont column uses the UCS font available in the browser. The assigned Unicode names are PHAISTOS DISC SIGN followed by the names shown underName in the table below, taken from a 1995 book byLouis Godart.[16]
One sign occurrence on side A is too damaged to identify. According to Godart, it may be sign 03 (TATTOOED HEAD) or 20 (DOLIUM); or less probably 08 (GAUNTLET) or 44 (SMALL AXE).[16]: p.101 Theoretically, it could also be a 46th distinct sign.
The sign images below are reversed left-to-right relative to their appearance on the disc, reflecting their presentation in most Western books and articles.[17]
Also, some signs occur in the disc in two or more orientations, rotated by 90 or 180 degrees. It is generally assumed that the rotation has no semantic or linguistic value, so the rotated copies are still the same symbol. Therefore, the "normal" orientation of those signs is not known, and might have been left to the scribe's discretion.[15][17]
| Sign | Frequency | |||||
|---|---|---|---|---|---|---|
| No. | Glyph | Font | Name | A | B | A+B |
| 01 |  | 𐇐 | PEDESTRIAN | 6 | 5 | 11 |
| 02 |  | 𐇑 | PLUMED HEAD | 14 | 5 | 19 |
| 03 |  | 𐇒 | TATTOOED HEAD | 2 | 0 | 2 |
| 04 |  | 𐇓 | CAPTIVE | 1 | 0 | 1 |
| 05 |  | 𐇔 | CHILD | 0 | 1 | 1 |
| 06 |  | 𐇕 | WOMAN | 2 | 2 | 4 |
| 07 |  | 𐇖 | HELMET | 3 | 15 | 18 |
| 08 |  | 𐇗 | GAUNTLET | 1 | 4 | 5 |
| 09 |  | 𐇘 | TIARA | 0 | 2 | 2 |
| 10 |  | 𐇙 | ARROW | 4 | 0 | 4 |
| 11 |  | 𐇚 | BOW | 1 | 0 | 1 |
| 12 |  | 𐇛 | SHIELD | 15 | 2 | 17 |
| 13 |  | 𐇜 | CLUB | 3 | 3 | 6 |
| 14 |  | 𐇝 | MANACLES | 1 | 1 | 2 |
| 15 |  | 𐇞 | MATTOCK | 0 | 1 | 1 |
| 16 |  | 𐇟 | SAW | 0 | 2 | 2 |
| 17 |  | 𐇠 | LID | 1 | 0 | 1 |
| 18 |  | 𐇡 | BOOMERANG | 6 | 6 | 12 |
| 19 |  | 𐇢 | CARPENTRY PLANE | 3 | 0 | 3 |
| 20 |  | 𐇣 | DOLIUM | 0 | 2 | 2 |
| 21 |  | 𐇤 | COMB | 2 | 0 | 2 |
| 22 |  | 𐇥 | SLING | 0 | 5 | 5 |
| 23 |  | 𐇦 | COLUMN | 5 | 6 | 11 |
| 24 |  | 𐇧 | BEEHIVE | 1 | 5 | 6 |
| 25 |  | 𐇨 | SHIP | 2 | 5 | 7 |
| 26 |  | 𐇩 | HORN | 5 | 1 | 6 |
| 27 |  | 𐇪 | HIDE | 10 | 5 | 15 |
| 28 |  | 𐇫 | BULLS LEG | 2 | 0 | 2 |
| 29 |  | 𐇬 | CAT | 3 | 8 | 11 |
| 30 |  | 𐇭 | RAM | 0 | 1 | 1 |
| 31 |  | 𐇮 | EAGLE | 5 | 0 | 5 |
| 32 |  | 𐇯 | DOVE | 2 | 1 | 3 |
| 33 |  | 𐇰 | TUNNY | 2 | 4 | 6 |
| 34 |  | 𐇱 | BEE | 1 | 2 | 3 |
| 35 |  | 𐇲 | PLANE TREE | 5 | 6 | 11 |
| 36 |  | 𐇳 | VINE | 0 | 4 | 4 |
| 37 |  | 𐇴 | PAPYRUS | 2 | 2 | 4 |
| 38 |  | 𐇵 | ROSETTE | 3 | 1 | 4 |
| 39 |  | 𐇶 | LILY | 1 | 3 | 4 |
| 40 |  | 𐇷 | OX BACK | 3 | 3 | 6 |
| 41 |  | 𐇸 | FLUTE | 2 | 0 | 2 |
| 42 |  | 𐇹 | GRATER | 0 | 1 | 1 |
| 43 |  | 𐇺 | STRAINER | 0 | 1 | 1 |
| 44 |  | 𐇻 | SMALL AXE | 1 | 0 | 1 |
| 45 |  | 𐇼 | WAVY BAND | 2 | 4 | 6 |
Many of the signs are depictions of concrete objects with a recognizable general nature (such as humans, birds, plants, a boat), or parts thereof (heads, hides, flowers). However, in most cases the precise nature of objects depicted is still unknown (as of 2023). The sign names assigned by scholars, in particular by Godart[16] and the Unicode consortium,[15] were rather arbitrary, often based on the slightest shape similarity.
Symbol 21 (Godart's "COMB") was once conjectured to be a palace floorplan.[18] However, this hypothesis was cast in doubt by the discovery of a vase with a nearly identical symbol incised on the bottom, believed to be a potter's mark.[19]
Symbol 20 ("DOLIUM") was assumed to be the conch of a large sea snail, such asTonna dolium or someEudolium orCharonia species. One such conch was found at Phaistos and is believed to have been used as a musical instrument for ritual uses.
The distribution of symbols is highly non-random, and quite different between the two sides. Evans's symbol 02 (PLUMED HEAD) is the most frequent one, occurring 19 times—14 of them on side A. The next most frequent signs are 07 (HELMET), with 18 occurrences, mostly on side B; 12 (SHIELD), with 17, mostly on side A; and 27 (HIDE), with 15, of which 10 on side A.
Still, 26 of the 45 symbols occur on both sides, at least once on each. The most common signs that occur on only one side are 31 (EAGLE), on side A, and 22 (SLING), on side B; both with five occurrences each.
The following table shows how many distinct signs (Sign count) have the same number of occurrences (Frequency). The third number in each column is the product of the two numbers above, that is, the total number of occurrences (Token count) of those signs:
| Frequency | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Sign count | 1 | 1 | 1 | 1 | 1 | 4 | 1 | 6 | 3 | 6 | 3 | 8 | 9 | Total = 45 signs | ||||||
| Token count | 19 | 18 | 17 | 15 | 12 | 44 | 7 | 36 | 15 | 24 | 9 | 16 | 9 | Total = 241 tokens |
The ninehapaxes (symbols occurring just once) are 04 (A5), 05 (B3), 11 (A13), 15 (B8), 17 (A24), 30 (B27), 42 (B9), 43 (B4), 44 (A7). Of the eight twice-occurring symbols, four (03, 21, 28, 41) occur on side A only, three (09, 16, 20) on side B only, and only one (14) occurs on both sides.
The distribution of symbol pairs too is highly non-uniform. For example, of the 17 occurrences of sign 12 (SHIELD), thirteen follow immediately sign 02 (PLUMED HEAD).
The following is a single image of the text "unrolled". While the order of the characters is left-to-right reversed, the signs themselves are in the original orientation.
Evans, at one point, published an assertion that the disc had been written, and should be read, from the center out, because it would have been easiest to place the inscription first and then size the disc to fit the text. There is general agreement that he was wrong, and Evans himself later changed his mind: the inscription was made, and should be read, in the clockwise sense, from the outside in toward the centre, as with the similar spiral inscription on theLead Plaque of Magliano.[20]: 649
The signs are laid out on each side as a single spiral text, which is split by the inscribed radial strokes into groups. These groups are conventionally called "words", even though their true linguistic or other nature is not known. Both ends of the text on each side are also assumed to be "word" boundaries. There are 61 such "words" on the Disc, with two to seven sign occurrences each: 31 on side A and 30 on side B. These "words" are conventionally numbered A1 to A31 and B1 to B30, reading from right to left (clockwise, edge-to-center).[16]
There may be one additional radial stroke near the center of side A, over-stamped by the sign 03 (TATTOOED HEAD), between sign 10 (ARROW) and the central sign 38 (ROSETTE). However, most scholars ignore that possible stroke and count the last three symbols as a single "word" 10-03-38 (which happens to occur also at about the same position on the next-to-last turn).[16]
On both sides, there is a radial line also right before the start (outermost end) of the text, with five dots punched along it using a sharp round stylus.
The short oblique strokes that were drawn with a stylus (not stamped) below some signs are always attached to the last sign of a "word" (assuming outside-in reading direction). Their meaning is a matter of discussion. One hypothesis, supported by Evans,[1] is that they further subdivide the text into "paragraphs".
The following transcriptions of the text all assume a right-to-left (clockwise, edge-to-center) reading direction on the disc, starting at the vertical (radial) line of five dots. In these transcription, however, the order of the characters has been flipped, so that they should be read left-to-right and top-to-bottom. The oblique stroke is assumed to indicate the last word of a "paragraph". A horizontal line has been added after each "paragraph" for clarity.
For consistency with most published sources, these transcriptions assume that there is an oblique stroke at the end of word A24, even though high-resolution images show it to be just a crack.
The following is a rendering of the Phaistos Disc inscription inUnicode characters from the Phaistos code block (code points +101D0 to +101FC). The radial strokes are denoted by theASCII character "|" (+7C), and the oblique subscripted stroke by the comma-like PHAISTOS DISK COMBINING OBLIQUE STROKE (+101FD)after the affected symbol. The radial stroke with five dots, that indicates the presumed start of text, is denoted by theISO Latin 1 character "¦" (+A6). The boxed question mark "⍰" (+2370) denotes the illegible sign in word A8. The appearance of the signs will depend on the font used by the browser, but normally they should all be left-to-right flipped relative to their appearance on the disc.
Side A:
Side B
The following transcription uses modern drawings of the signs, which are left-to-right reversed with respect to their appearance on the disc. The labels A1-A31 and B1-B30 are the traditional word numbers.[16]
Side A:
A1
A2A3A4A5A6A7A8
A9A10A11A12A13A14A15A16A17A18A19A20A21A22A23A24A25A26A27A28A29A30A31Side B:
B1B2B3B4B5B6B7B8B9B10B11B12B13B14B15B16B17B18B19B20B21B22B23B24B25B26B27B28B29B30The following transcription uses the Evans numbers for the signs.[7] The vertical bar characters "¦" and "|" represent the start-of-text and word-separating radial lines, respectively. The slash "/" denotes the oblique stroke under the preceding sign. The caret "^" indicates the transition from the first turn of the text (along the disc's edge) to the inner turns, and "??" is the unreadable sign.
Side A:
Side B
The disc shows signs of corrections having been made, with some signs erased and over-printed by other signs.
Godart describes these corrections as occurring in the following words: A1 (signs 02-12-13-01), A4 (29-29-34) together with A5 (02-12-04), A8 (12), A10 (02-41-19?-35), A12 (12), A16 (12-31-26?), A17 (second 27?), A29 (second 27?), B1 (12-22), B3 (37?), B4 (22-25 imprinted over the same), B10 (07?-24?-40?), B13 (beside 29?). Question marks indicate uncertainty about that particular sign being the result of a correction.[16]: p.99–109
The borders of word B28 were also widened to make room for sign 02.[16]: p.107 [6]: p.34–35
The two signs 27 (HIDE) in word A29 are rotated 180 degrees compared with all other occurrences of this sign: "head down" versus "head up". This rotation might be motivated by lack of space in A29.[6]: p.24
Arie Cate observed that if signs rotations were random with uniform distribution, then the probability that they end up in only two (or three) signs is very small.[21]
There are several locations on side A where two occurrences of the same sign lie near each other in adjacent turns of the spiral, such as sign 02 (PLUMED HEAD) in word A1 and in word A14. Also the two 27 signs (HIDE) signs in word A29 are upside down, with the "heads" pointing to the HIDE sign of word A23, in the adjacent turn. Arie Cate claims that the probability of these alignments being coincidental is rather small.[22]
For the first few decades after its discovery most scholars argued strongly against the local origin of the artifact. Evans[1]: p.24 wrote that:
...when one comes to compare the figures in detail with those of theMinoan hieroglyphic signary, very great discrepancy is observable... Out of the forty-five separate signs on the Phaistos Disk, no more than ten more or less resemble Cretan hieroglyphic forms... The human figures in their outline and costume are non-Minoan... The representation of the ship also differs from all similar designs that occur either among the hieroglyphic or the linear documents of Crete.
Gustave Glotz claimed that the clay was not from Crete.[23]: p.381 Ipsen concluded that the disc was certainly from somewhere on the Aegean; however, because of its differences from Linear A or B, he, like Evans, supported a non-Cretan origin for the Disc. He observes, however, that since Linear A was a common Aegean script such an assumption will not resolve the problem of multiplicity.[24]: p.15
However, the consensus on this question changed in later decades, as a few other artifacts were found on Crete with significant resemblances to the disc. For instance, a vase found atKnossos (Vase 14 236) bears a stamped sign identical to the disc's 25 SHIELD sign (a circle with seven dots).[citation needed] Also, under the bottom of a bowl found in 1965 at Phaistos (bowl F 4718 from the House South of the Ramp) there is a sign in relief, believed to be a potter's mark, that is practically identical to sign 21 (COMB).[19] A very similar sign is found as an impression on a sealing from a deposit of administrative documents discovered in 1955, beneath Room 25 of the Second Palace of Phaistos (sealing CMS II.5, n. 246).[19][25][26] Female images with pendulous breasts have also been found at Malia and Phaistos.[16]: p.125 TheArkalochori Axe also bears a short inscription that uses several signs similar to those of the disc.[27]
These and other finds have made Cretan origin more popular.[19] This view was expressed byMichael Trauth in 1990,[28] Duhoux in 2000[29] andAndrew Robinson in 2008.[30]
The uniqueness of the script, of the spiral arrangement, and of the method of writing (individual glyph stamps) have led some scholars to raise the possibility that the Phaistos disc is a 1908forgery or hoax.[8][31] It was pointed out that the date of manufacture has never been established bythermoluminescence dating.[32] Andrew Robinson concurs that thermoluminescence dating would be highly desirable, but does not endorse the forgery arguments.[30]
A great deal of speculation developed around the disc during the 20th century, particularly capturing the imagination of amateur archeologists. Many attempts have been made todecipher the code behind the disc's signs, with a wide variety of theories having been suggested, including prayers, a narrative or an adventure story, a "psalterion", a call to arms, aboard game, and a geometrictheorem; some of these theories are considered to bepseudoarchaeology, with little realistic chance of being accurate.
Most linguistic interpretations assume asyllabary, based on the proportion of 45 symbols in a text of 241 tokens typical for that type of script; some assume a syllabary with interspersedlogographic symbols, a property of every known syllabary of theAncient Near East (Linear B as well ascuneiform andhieroglyphic writing). There are, however, also alphabetic and purely logographical interpretations.
While enthusiasts still believe the mystery can be solved, scholarly attempts at decipherment are thought to be unlikely to succeed unless more examples of the signs turn up elsewhere, as it is generally thought that there is not enough context available for meaningful analysis. Any decipherment without external confirmation, such as successful comparison to other inscriptions, is unlikely to be accepted as conclusive.
While the Phaistos disc writing system is, on the whole, very different from other known scripts, several scholars have argued against it being an entirely independent invention.Gunther Ipsen argued that the creator must have been influenced by other scripts, and points out theHieroglyphic Luwian script fromAnatolia as an example of an original script inspired by other writing systems (its symbol values inspired bycuneiform, its shapes by Egyptian hieroglyphs).[24]: p.11
Several scholars have proposed that the Phaistos signs are older or alternate forms ofLinear A glyphs, specifically. Others have pointed to similar resemblances with theAnatolian (Luwian) hieroglyphs, or withEgyptian hieroglyphs.[33] More remote possibilities are thePhoenician abjad or theByblos syllabary.
Comparison of the disc's signs with those ofLinear A inscriptions go back to Evans in 1909.[1] In 1959,Benjamin Schwartz asserted a genetic relationship between the Phaistos Disc script and the Cretan linear scripts.[9]: p.108 Similar claims were made also byWerner Nahm in 1975,[34]Torsten Timm in 2004,[35] and others.
Some of these proposals point to similarities between some glyphs, such as 12 (SHIELD), 43 (STRAINER), and 31 (EAGLE) to bothLinear A andLinear B characters, and conjecture that they may have the same phonetic values—respectively 'qe', 'ta', and 'ku'. Based on theLinear A character distribution patterns collected by Giulio Facchetti,[36] Torsten Timm goes as far as identifying 20 of the 45 characters with Linear A/B signs.[37]
Parallels between the Phaistos disc script andAnatolian hieroglyphs were proposed, among others, byS. Davis in 1961[38][39][40] andJan Best andFred Woudhuizen in 1988.[41][42] In 2004,Winfried Achterberg and others proposed an extensive mapping to Anatolian hieroglyphs, which led them to a full decipherment claim.[7] The third revised and extended edition of the authors' monograph on the subject was published in 2021.[43]
The following table summarizes the proposed identifications of Phaistos signs with Linear A/B,[citation needed] the Arkalochori Axe glyphs,[citation needed] and Luwian hieroglyphs:
| No. | Sign | Linear A | Arkalochori Axe | Luwian hieroglyphs[7] |
|---|---|---|---|---|
| 01 | | 'SARU' | ||
| 02 | | 04,07,10 | 'A2' | |
| 10 | | AB79 'ZU' | ||
| 11 | | 'SOL SUUS' | ||
| 12 | | AB78 'QE' | 'TURPI' | |
| 15 | | A364 B232 | ||
| 16 | | AB74 'ZE' ? | ||
| 17 | | A322 | ||
| 18 | | AB37 'TI' | ||
| 19 | | AB31 'SA' | 11 | |
| 22 | | A318 | ||
| 23 | | AB05 'TO' or AB06 'NA' | 13 | |
| 24 | | AB54 'WA' | ||
| 25 | | AB86 [44] | ||
| 29 | | AB80 'MA' | 08 | |
| 30 | | AB13 'ME', AB85? | ||
| 31 | | AB81 'KU' | ||
| 34 | | AB39 'PI' | ||
| 35 | | AB04 'TE' | 09 | |
| 36 | | AB30 'NI' | ||
| 39 | | AB28 'I' | 02 | 'TARHUNT' |
| 40 | | AB26 'RU' or AB27 'RE' | ||
| 43 | | AB66 'TA2' | ||
| 45 | | AB76 'RA2' |
Decipherment claims can be categorized into linguistic decipherments, identifying the language of the inscription, and non-linguistic decipherments. A purelylogographical reading is not linguistic in the strict sense: while it may reveal the meaning of the inscription, it will not allow for the identification of the underlying language.
Unless said otherwise, the attempts below assumed the right-to-left (clockwise, edge-to-center) reading direction, starting with side A.
A set of 46 symbols from the Phaistos Disc, comprising Evans's 45 signs and one combining oblique stroke, have been encoded inUnicode since April 2008 (Unicode version 5.1). They are assigned to the range 101D0–101FF in Plane 1 (theSupplementary Multilingual Plane). These characters were encoded with strong left-to-rightdirectionality, and so in code charts and text (such as elsewhere on this page) the glyphs are mirrored from the way they appear on the disc itself.
| Phaistos Disc[1][2] Official Unicode Consortium code chart (PDF) | ||||||||||||||||
| 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F | |
| U+101Dx | 𐇐 | 𐇑 | 𐇒 | 𐇓 | 𐇔 | 𐇕 | 𐇖 | 𐇗 | 𐇘 | 𐇙 | 𐇚 | 𐇛 | 𐇜 | 𐇝 | 𐇞 | 𐇟 |
| U+101Ex | 𐇠 | 𐇡 | 𐇢 | 𐇣 | 𐇤 | 𐇥 | 𐇦 | 𐇧 | 𐇨 | 𐇩 | 𐇪 | 𐇫 | 𐇬 | 𐇭 | 𐇮 | 𐇯 |
| U+101Fx | 𐇰 | 𐇱 | 𐇲 | 𐇳 | 𐇴 | 𐇵 | 𐇶 | 𐇷 | 𐇸 | 𐇹 | 𐇺 | 𐇻 | 𐇼 | 𐇽 | ||
| Notes | ||||||||||||||||
Side A of the Phaistos Disc is used as the logo ofFORTH, one of the largest research centers in Greece.
It might,a priori, have been supposed that the signs of the inscriptions had run outwards[...].
{{cite journal}}:Cite journal requires|journal= (help)
| |||||||||||||||||||||||||
| |||||||||||||||||||||||||
| |||||||||||||||||||||||||
| |||||||||||||||||||||||||
| |||||||||||||||||||||||||
| |||||||||||||||||||||||||
| International | |
|---|---|
| National | |
