| Phaethon | |
|---|---|
 Phaethon falls from the chariot, byHendrick Goltzius, made in 1588 | |
| Written by | Euripides |
| Chorus | Parthenoi, virgin women |
| Characters | Phaethon Clymene Merops Helios ? Messenger |
| Date premiered | c. 420 BC |
| Place premiered | Athens |
| Original language | Ancient Greek |
| Genre | Tragedy |
| Setting | Aethiopia |
Phaethon (Ancient Greek:Φαέθων,romanized: Phaéthōn) is the title of a lost tragedy written byAthenian playwrightEuripides, first produced circa420 BC, and covered the myth ofPhaethon, the young mortal boy who asked his father the sun-godHelios to allow him to drive his solar chariot for a single day. The play has been lost, though several fragments of it survive.
Another treatment of the myth had been delivered earlier byAeschylus in his lost playHeliades ("daughters of the Sun"), whose content and plot are even more fragmentary and obscure. The influence of Euripides' play onOvid'sversion of the myth can be easily recognized.[1] From this now lost play only twelve fragments remain, covering around 400 lines or so.
Euripides' version of the myth was set in a mortal landscape, with Phaethon nominally the son of theOceanidnymphClymene by her lawful husband and putative father of her childrenMerops, king of the far-eastern land ofAethiopia, but in truth her product of an illicit affair with Helios.[2][1] The play opens with Clymene describing the sunlit country, her marriage to Merops, and her liaison with Helios that produced Phaethon.[3][4]
The conflict presented in the play is the marriage of Phaethon and the boy's reluctance; the bride's identity is one of the most difficult problems of this plot; suggestions include one of theHeliades, his sisters (a suggestion supported byHenri Weil and one thatJames Diggle deemed unprovable, though convinced of that being the case[5]), or evenAphrodite. Explaining on how Aphrodite could be considered Phaethon's bride,Wilamowitz suggested that Euripides combined the stories of two Phaethons, that of the son of Helios who drove his father's car and died, and that ofPhaethon the son of Helios' sisterEos whom Aphrodite abducted to be a watchman of her shrines, and whom late-antique writers described as a lover of the goddess.[6] Another explanation is that Aphrodite had planned Phaethon's death from the beginning, as a revenge against his father who revealed her extramarital affair withAres to her husbandHephaestus.[7]
Perhaps to get her son overcome his reluctance, Clymene revealed to Phaethon his true, divine parentage, and urged him to go travel and find his father to confirm so himself, mentioning that the god had promised to grant one favour back when he slept with her; convinced of the truth of his mother's words, Phaethon agrees to travel and find his biological father.[8][2] What follows is theparodos, where thechorus, made up of the palace's slave girls, describe the dawn and express their enthusiasm over Phaethon's upcoming marriage. Then, in the firstepisode, few lines survive of an argument between Merops and Phaethon.
Nothing survives from the firststasimon. Next someone, perhaps apaedagogus bringing a message to Clymene, arrived on scene and explained how Phaethon drove his father's chariot while said father rode on a horse namedSirius next to him, trying to guide his son and shouting advice and instructions on how to drive the car at him; due to the play's fragmentary nature, it is not clear whetherZeus had a role in Phaethon's demise.[9][2] If the messenger did witness the flight himself, it is possible there was also a passage where he described Helios taking control over the bolting horses in the same manner asLucretius described.[10]
Subsequently, the still smoking body of Phaethon is brought on scene, which points to Zeus having indeed struck him with a thunderbolt. Clymene orders the slave girls to hide the body from Merops and laments Helios' role in his demise, noting that he is rightfully called "Apollo" (here understood to mean "destroyer") by the mortals who know the gods' true names.[11][10][a] The remainder of the plot seems to have revolved around Merops finding the charred corpse and the real parentage of Phaethon.[2] Near the end, Merops, who has now discovered the truth about Phaethon's fatherhood, seems to try to retaliate against Clymene by killing her[12] as the chorus advises Clymene to plead with her father, the river godOceanus to save her from perishing;[13] it is unclear whether Clymene survives thanks to anex machina intervention by a god, as well as that god's exact identity, whether it is Oceanus indeed trying to save his daughter, Helios or evenAthena.[12] Diggle suggests that Clymene and Merops were reconciled in the end.[13]
Of unknown position in the play is a fragment in which Clymene expresses hatred over the handy horned bow, and youths' pastime exercises, as they remind her of her slain son.[14] At another points she cries that her "best beloved, but now he lies [a]nd putrefies in some dark vale".[15]
In one of the earliest surviving artistic attestations of the myth, a cast taken from an Arretine mould now housed in theMuseum of Fine Arts, Boston,[16] Phaethon is shown falling from the car, while Helios with a spare horse (as Euripides alone described) by his side has caught two horses and is preparing to catch the other two. Several other figures appear, likeZeus holding his thunderbolt,Tethys,Artemis,Iris and maybeIsis.[17][18]
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