Per Hasselberg (1 January 1850 – 25 July 1894), until 1870Karl Petter Åkesson, was aSwedishsculptor. He has received critical acclaim mainly for his delicate andallegoricalnudes, copies of which are widely distributed in public places and private homes in Sweden.
Hasselberg was born 1 January 1850 in the small village Hasselstad nearRonneby in the province ofBlekinge in the south of Sweden.
He grew up as the sixth child in a poor family. His very religious father, Åke Andersson, was a small farmer, a construction worker for bridges, and a cabinet-maker.
Hasselberg finished school at the age of twelve and became a carpenter apprentice inKarlshamn, where he even got a training as ornamental sculptor. After this, he moved to Stockholm in 1869, where he took several jobs as ornamental sculptor and visited evening and weekend courses at craft school.
In 1876, he got a scholarship from the SwedishNational Board of Trade to travel to Paris, where he was accepted at theÉcole nationale supérieure des Beaux-Arts the following year. There, he studied for three years under the sculptor and academy professorFrançois Jouffroy. He then worked as sculptor in Paris until 1890, when he returned to Stockholm to open a studio inÖstermalm.
In 1885, he was taken in at theSahlgrenska University Hospital inGothenburg because ofaortic dissection. He recovered, but doctors told him he had only a few years to live.[1]
In 1894, his condition became serious again and he died 25 July in Stockholm at the hospitalSophiahemmet.[2]
At the time of his death, he had no debts and a book of orders of a total sum of about 30.000 Swedish Crowns,[3] which is equivalent to about 250.000US-Dollar in 2015.[4] His will was that the large marble blocks, which were being shipped from Italy and which were destined for large copies ofFarfadern andNäckrosen, should be handed over to his sculptor colleagueChristian Eriksson to do the assignment, which he also did.[5]
The original French name wasLa Perce-Neige (snow breaker) and it was first made in plaster cast for the 1881Salon in Paris. Hasselberg's model was a 16-year-old Italian. At her feet shows a small snowdrop, and the statue was understood as a symbol of new life breaking through the snow in springtime.
Snöklocka actually is not the ordinary Swedish name for the flower, which issnödroppe. It is a rare poetic name that historically was derived from a literal translation of the ordinary German nameSchneeglöckchen (little snowbell).[6] Thus a musical connotation was added by using it for the statue, and her right hand is close to her right ear.
The Snowdrop was not only accepted at the 1881 Salon, but even received an honorable mention, which no other Swedish work achieved that year. This success meant that Hasselberg suddenly was a famous artist in Sweden, where theNationalmuseum in Stockholm soon ordered a copy in marble. It was finished in 1883 and received a gold medal at the Salon in Paris the same year. In 1885, also theGothenburg Museum of Art had its marble copy. TheNy Carlsberg Glyptotek inCopenhagen/Denmark has one since 1889. Copies in bronze at public places are on Maria Square (Mariatorget)/Stockholm, inFalun,Ronneby, and nearSunne (Rottneros park).
1,700 pieces inparian ware (marble imitation) with a height of 50 cm and 625 pieces in 60 cm were produced in 1887-1926 byGustavsberg porcelain.
The more recent reception of the Snowdrop in Sweden in the 21st century presented a new additive in the form of certainfeminist views. One author of the catalogue of the large Hasselbergretrospective in Stockholm 2010 claimed that the closed eyes of the statue were not a sign of just waking up but rather showed that Hasselberg had“forced” the“body of the young woman” into a“state of unconsciousness”.[7]
The original French name wasL'Aiëul (The Grandfather) and it was first made in plaster cast 1886 in Paris and exhibited at thePalais de l'Industrie that year. The basic idea was to show nature's cycle containing the poles of young and old. It had its origin during Hasselberg's long treatment at university hospital inGothenburg in 1885, after which he learned that he had only a few more years to live. He knew, therefore, that the planned work might be his last one and thus his artistic testament.
The idea became more definitive after he had seen an old man sitting with a naked sleeping boy on his knees on a boulevard in Paris. When it was finished, his artist friends were enthusiastic about it, but the exhibition in Paris was no success.[8]
The original copies in plaster cast by Hasselberg are lost, but a copy in bronze was placed near theNational Library of Sweden in Stockholm 1896, and a copy in marble also from 1896 is today in theGothenburg Museum of Art.[9]
Grodan (FrenchLa Grenouille, EnglishThe Frog) was made in plaster cast for theExposition Universelle (1889) in Paris and exhibited there. There is a frog between the knees of a girl. Hasselberg reported that the concept of this piece had spontaneously come up when a model in his studio during a break sat on the floor in this position to rest.[10]
The French wordgrenouille does not only meanfrog but in slang also forstreet girl. It is unknown if Hasselberg was aware of this second meaning, but it was commented that by this statue, he possibly wanted to express his time's view of a tension between the noble and the less noble sides of youth.[11]
Several copies in bronze are in public parks in Sweden and marble copies in museums. The most recent bronze copy from 2009 inUlricehamn replaced a stolen copy from the 1940s.[12] 230 pieces inparian ware (marble imitation) with a height of 38 cm and 241 pieces in 26 cm were produced in 1906-1926 byGustavsberg porcelain.
Näckrosen was first exhibited in plaster cast at the Danish art societyKunstforeningen inCopenhagen 1892 and later that year in Gothenburg/Sweden.[13] In 1893, it was exhibited at theWorld's Columbian Exposition inChicago.
The statue shows a young woman lying on her back, floating on a large water lily leaf, surrounded by water lilies, and heads of old men symbolizingmermen. The first part of the flower's namenäck in Scandinavia meanswater spirit. So a literal translation ofNäckrosen would beWater Spirit Rose. While this association is usually not present when talking about the flower, Hasselberg here made it unavoidable by the heads of old men in the water. On the backside of the statue, there is a tree stump that holds a chain with a large padlock, apparently indicating that the large water lily leaf was put on chain.
![Snöklockan in the park Kronbergs Minne since 1910, Falun.[14]](/mt/?noimg=&dark=on&url=http%3a%2f%2fen.wikipedia.org%2fwiki%2fFile%3aSn%25C3%25B6klockan%2c_Falun.JPG)
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