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Pendekar

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PendekarPaul De Thouars[1]

Pendekar (hero; master ofswordsmanship ormartial arts[2]),Pandikar orPandeka is aMalay word to reference or address awarrior who masteredmartial arts, particularlysilat. Not all masters carry the title; it must be either officially bestowed by royalty (similar to a knighthood) or unofficially by commonfolk.[3] The latter is more common today, especially outsideSoutheast Asia. Today, the title is often adopted by the founder of a new style. Parallels can be drawn to the chess termgrandmaster since the title of Pandeka is the highest possible rank of a practitioner of the Malaysian martial art silat.

Etymology

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Some theorize that it is a compound of theMalay wordspandai, meaning clever or skilled, andakar meaning root. It may be related to theKawi termsupakara which means teacher, andkekarepan which means ethos or ambition. A variant of pendekar is the wordpakar which can mean any kind of expert.

Attributes of a pendekar

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A pendekar must master every aspect of silat. These include the forms and techniques, their combat application, internal methods andtraditional medicine. A pendekar must be more than an instructor or expert, they must be a fighter, a traditional doctor, and a participant in the culture and wisdom of silat. The emphasis given to each of these varies from one style to another. Some systems are more sport-oriented while others focus on spiritual development. Traditional masters only consider a style to be "true silat" if it can be used in battle.

Meditation and internal training serves as a counterbalance for a warrior's martial skills. In northernMalaysia and southernThailand, this balance is symbolised by the concept ofjantan betina (male-female), equivalent to the Chineseyin and yang.[3] In Indo-Malayfolklore, esoteric knowledge is only gained by fasting and then meditating under a tree. Silat practitioners of the past would meditate and fast at length, often in caves,jungles and even graveyards so they would not fear death. With this mentality, a pendekar is always prepared for combat, whether they are unarmed or outnumbered. This is encapsulated in the Malay saying "From the tips of the hair to the tips of the toes" (Dari hujung rambut ke hujung kaki) meaning that all are potential weapons to be used at the right moment.

Purportedly, a pendekar of the highest skill needs no weapon aside from their mind to subdue the opponent. By focusing their energy, masters were said to be able to attack an opponent without physically touching them, strike a vital point from afar, or stop someone's heart without them noticing they've been hurt. Silat folklore is replete with tales of fighters possessing such skills as the ability to run very rapidly, vanish in a puff of smoke and reappear, change form, dash across the surface of water, turn invisible, or leap to the roof of a house.

Finally, a pendekar must be familiar with traditional healing methods.Massage is commonly taught alongsidesilat because of its relation tosentuhan or the art of strikingpressure points. Sentuhan could also be applied to other aspects of healing such as stopping a wound from bleeding or stimulating energy flow. Some masters may have knowledge of herbalism or bone-setting. It was once considered necessary for anyone teaching silat to be able to nurse injured students back to health.

See also

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Footnotes

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  1. ^PENDEKAR VICTOR DE THOUARS
  2. ^"Malaysia to English: pendekar".OxfordDictionaries.com. Archived fromthe original on August 28, 2018. Retrieved27 August 2018.
  3. ^abZainal Abidin Shaikh Awab and Nigel Sutton (2006).Silat Tua: The Malay Dance Of Life. Kuala Lumpur: Azlan Ghanie Sdn Bhd.ISBN 978-983-42328-0-1.

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