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Pedro Ipuche Riva

From Wikipedia, the free encyclopedia
Uruguayan composer
fotografía de Pedro Ipuche Riva

Pedro Ipuche Riva (26 October 1924 – 25 December 1996) was anUruguayan composer of classical music. According to the catalogue by the Uruguayan musicologist Elsa Sabatés inMúsicos de aquí, Vol 4 (published by C.E.M.A.U. in 1997) he wrote 150 compositions, including 6 symphonies and 2 operas.

Life and career

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Ipuche Riva was born inMontevideo, the son of Uruguayan poet Pedro Leandro Ipuche. His sister, Rolina Ipuche, was a writer.[1] He began his musical studies with the composers Carlos Giucci and Vicente Ascone, but dissatisfied with his first compositions, he destroyed them all and became a lawyer.

When Carlos Estrada created the Conservatorio Nacional de Música (National Conservatory of Music), Ipuche Riva completed the course in composition. Some of his fellow students were the future conductorsJosé Serebrier andBeatriz Lockhart. After receiving his diploma he went to Paris to study withJean Rivier andNoël Gallon at theConservatoire National Supérieur de Musique.[2]

On his return to Uruguay, he tried to be more experimental while working independently from theavant-garde mainstream of his time. He called this his "obscure period".

He was appointed to several official posts including Artistic Director of the Uruguayan national broadcasting serviceSODRE, and director of the Conservatory, which he re-founded as "Conservatorio Universitario de Música".[3] He held those positions for many years. After attending a congress in Jamaica about the relationship between classical and popular music he started his "Classic pop period".

After retiring from his official posts, he began an "introspective period" and devoted himself mainly to composing two operas.

Personal life

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Ipuche Riva was married to thesoprano Natalia Zimarioff.[1] His son Gabriel Ipuche is a composer and pianist.

Main works

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  • Sarabanda, Recitativo y Allegro for oboe and piano
  • Aire de octubre for soprano and piano
  • Concerto Grosso for strings orchestra
  • First Simfonietta
  • Sonata en re for viola and piano (1959–1961)
  • Suite Barroca for piano (includingSiciliana)[4]
  • Cantata a Artigas for baritone, chorus and orchestra
  • Chemical products
  • Kleine Suite for guitar published by TONOS, Darmstadt
  • Pedro de Urdemalas, music for the last work staged byMargarita Xirgu
  • Animales ilustres for wind quintet
  • The artist and his world, 3rd Symphony
  • Classic pop 2 for orchestra
  • Pop Symphony, 4th Symphony
  • Jazz Funeral, 5th Symphony
  • Mateando for guitar, published by TONOS, Darmstadt
  • Concerto for piano and orchestra
  • Concerto for timpani and orchestra[5]
  • Maja (opera based onLa maja desnuda by Ruben Loza Aguerrebere)
  • Opera Opus Operatorum (opera for puppets conceived by Roberto Rius)
  • Padrenuestro rioplatense año 2000 (his last composition for voice and piano)

Performers of Ipuche Riva's music

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References

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  1. ^abIpuche Riva, Rolina (1980).Memorias para un retrato, p. 258. Paréntesis(in Spanish)
  2. ^Thérèse BrenetIntroductionArchived 2014-10-10 at theWayback Machine (official website). Retrieved 25 January 2013(in French).
  3. ^Pérez Gutiérrez, Mariano (1985)."Ipuche Riva, Pedro",Diccionario de la Música y Los Músicos, Volume 2, p. 188.Ediciones Akal(in Spanish)
  4. ^abCordero, Roque (1982)."Record Reviews",Latin American Music Review / Revista de Música Latinoamericana, Vol. 3, No. 2 (Autumn - Winter, 1982), pp. 244-246. Retrieved 25 January 2013(subscription required).
  5. ^Miami Herald (26 October 1984)."First-Time Performances Thrill Chamber's Audience". Retrieved 25 January 2013(subscription required).
  6. ^María Teresa Chenlo.Premieres (official website). Retrieved 25 January 2013.

External links

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