| Pecker | |
|---|---|
 Theatrical release poster | |
| Directed by | John Waters |
| Written by | John Waters |
| Produced by |
|
| Starring | |
| Cinematography | Robert M. Stevens |
| Edited by | Janice Hampton |
| Music by | Stewart Copeland[1] |
Production company | Polar Entertainment |
| Distributed by | Fine Line Features |
Release date |
|
Running time | 86 minutes[2] |
| Country | United States |
| Language | English |
| Budget | $6 million[3] |
| Box office | $2.3 million[4] |
Pecker is a 1998 American film written and directed byJohn Waters. The film examined the rise to fame and potential fortune of a budding photographer played byEdward Furlong. It co-starredChristina Ricci,Lili Taylor,Mary Kay Place,Martha Plimpton,Brendan Sexton III, andBess Armstrong. Like other films by Waters, it was filmed and set inBaltimore.Pecker received mixed reviews from critics, but grossed approximately $2.3 million in the United States and made a profit.
In a Baltimore neighborhood known for having the thickestlocal accent, unassuming 18-year-old Pecker works in a sandwich shop and takes photos of his loving but peculiar family and friends on the side. Pecker, named for his childhood habit of "pecking" at his food, becomes unexpectedly popular when savvy New York art dealer Rorey Wheeler "discovers" his work. Pecker's pictures, taken with a cheapCanon Canonet 28, are grainy, out-of-focus studies of unglamorous subjects, but they strike a chord with New York art collectors.
Unfortunately, Pecker discovers that instant over-exposure has its downsides. Rorey's efforts to turn Pecker into an art sensation threaten to ruin the low-key lifestyle that inspired him. He abandons his trusty oldrangefinder camera for a new, full-featuredNikon N50. Pecker finds that his best friend, Matt, cannotshoplift anymore because Pecker's photographs have increased his visibility. Shelley, Pecker's obsessive girlfriend who runs a laundromat, seems especially distressed when the press dub her a "stain goddess", mistaking her good-natured "pin-up" poses for pornographic come-ons.
When an overzealous critic dubs Pecker's family "culturally challenged", they begin to feel the uncomfortable glare of stardom. His mother Joyce can no longer freely dispense fashion tips to the homeless clientele at her thrift shop; his grandmother, Memama, endures public ridicule when her experience with a talking statue of theVirgin Mary is exposed on the cover of a national art magazine, and his older sister Tina is fired from her jobemceeinggo-go dancing at agay bar because Pecker's edgy photographs chronicle the sex practices of the club's patrons. Even Little Chrissy, his six-year-old sister, feels the pressure of celebrity when her eating disorder is exposed, bringing unwanted attention from nosy child welfare agencies, and she is mistakenly diagnosed withAttention-Deficit Hyperactivity Disorder and prescribedRitalin.
Having seen his new-found fame disrupt the lives of his family and friends, Pecker upsets the art world by refusing to participate in a scheduled show at theWhitney Museum of Art. Instead, he forces New York art collectors to come to Baltimore to see his latest photographs, which insultingly portray the same people who disparaged his family, with one photo showing Lynn Wentworth adjusting her breasts in a mirror.
Asked what he plans to do next, Pecker replies that he would like to direct a film.
Like other films by Waters,Pecker was filmed and set inBaltimore. Specifically, the film was set in theHampden neighborhood.[5]
OnRotten Tomatoes, the film has an approval rating of 52%, based on 46 reviews, with an average rating of 5.9/10.[6] OnMetacritic, it has a score of 66 out of 100, based on 24 reviews, indicating "generally favorable reviews".[7]
Describing it as "John Waters' first stab at making a mainstream movie," Edvins Beitiks' review inThe San Francisco Examiner said it "starts out well and winds up no worse than most of the stuff that comes out of Hollywood".[8] In his review for theChicago Sun-Times,Roger Ebert noted a "tension between the gentler new Waters and his anarchic past. In the scenes in the male strip bar, for example, we keep waiting for Waters to break loose and shock us, and he never does, except with a few awkward language choices. The miraculous statue of Mary could have provided comic possibilities, but doesn't."[9]Peter Stack of theSan Francisco Chronicle wrote thatPecker is "never truly funny, but it's an amusing novelty, gaining strength from smart characterizations and sly cogency about the way people are exploited under the limelight of celebrity."[10]
Pecker grossed approximately $2.3 million in the United States[4] and made a profit.[11]
Thesoundtrack was released on September 29, 1998 byNew Line Records.[12]
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