Paul Karl Wilhelm Scheerbart (8 January 1863,Danzig – 15 October 1915, Berlin) was a German author ofspeculative fictionliterature anddrawings. He was also published under thepseudonymKuno Küfer and is best known for the bookGlasarchitektur (1914).
Paul Scheerbart began studies ofphilosophy andhistory of art in 1885. In 1887 he worked as a poet in Berlin and tried to inventperpetual motion machines. In 1892 he was one of the joint founders of theVerlag deutscher Phantasten (Publishers of German Fantasists).
At this time he was in financial difficulties. After writing in different publications he produced his firstnovelDie große Revolution (The Great Revolution), which was published by theInsel-Verlag. The youngErnst Rowohlt published Scheerbart's bizarre poem collectionKaterpoesie and became his friend.
Scheerbart's fantasy essays about glass architecture influenced architects at that time, including the youngBruno Taut. Among his Berlin friends and drinking circle wasErich Mühsam, who dedicated a chapter to Scheerbart in his 'Unpolitical Memories' andRichard Dehmel. Scheerbart was also an important influence onWalter Benjamin who quoted his ideas on glass in hisArcades Project.
"Scheerbart published a long succession of fantasy novels, articles, and poems between 1889 and his death in 1915, in which he insisted that the universe is far too rich and complex to be comprehended by reason alone. Only naive wonder — the basis of the sublime — could promote the development of higher forms of understanding."[1]
Very few of Scheerbart's works have been translated into English. Though the following list also gives English translations of the titles, there is usually no English-language edition of the work available.
1889Das Paradies. Die Heimat der Kunst (Paradise. Home of the Arts)
1893Ja... was... möchten wir nicht Alles!, (Yes.....What......We wouldn't all like to have!), A Fable
1897Ich liebe Dich!, (I love you!), A Novel with 66Intermezzos
1897Tarub, Bagdads berühmte Köchin, (Tarub, Baghdad's famous female cook), Arab culture novel
1897Der Tod der Barmekiden, (The death of the Barmakids), Arab Harem novel
1898Na prost!, (Well, Cheers!), Fantasy King novel
1900Die wilde Jagd, (The wild hunt), A development novel in eight stories
1901Rakkóx der Billionär, (Rakkóx the trillionaire), An ostentatious novel
1902Die große Revolution, (The Great Revolution), A moon novel
1902Immer mutig!, (Always courageously!), A Fantasy novel
1902Liwûna und Kaidôh, A Soul novel
1902Weltglanz, (World Shine), a sun fairy tale
1903Kometentanz, (Comet dance), Astral Pantomime in two acts
1903Der Aufgang zur Sonne, (The stairway to the sun), house fairy tales
1904Der Kaiser von Utopia, (The emperor of Utopia), a folktale
1904Machtspäße, (Jests about power), Arab novellas
1904Revolutionäre Theater-Bibliothek, (Revolutionary theatre library), collection of plays
1906Münchhausen und Clarissa, Berlin novel
1907Jenseits-Galeri
1909Die Entwicklung des Luftmilitarismus und die Auflösung der europäischen Land-Heere, Festungen und Seeflotten, (translated into English asThe Development of Aerial Militarism and the Demobilization of European Ground Forces, Fortresses, and Naval Fleets, Brooklyn, New York:Ugly Duckling Presse, 2007, Series: Lost Literature #4, translated by M. Kasper)
1909Kater-Poesie, (translatable as Tomcat poetryor Hangover poetry), poems
Alvizu, Josh. “Utopie der grünen Sonne: Zu Benjamin, Scheerbart und Glasarchitektur.” Translated by Roland Koch and Frank Degler.Bloch-Almanach 33 (2015): 201–18.
Anger, Jenny.Four Metaphors of Modernism: From Der Sturm to the Société Anonyme. Minneapolis, MN: University of Minnesota Press, 2018.
Armond, Kate. “Cosmic Men: Wyndham Lewis, Ernst Haeckel, and Paul Scheerbart.”Journal of Wyndham Lewis Studies 4 (2013): 41–62.
Arnold-de Simine, Silke. “Remembering the Future: Utopian and Dystopian Aspects of Glass and Iron Architecture in Walter Benjamin, Paul Scheerbarth, and W. G. Sebald.” InImagining the City, Volume 1: The Art of Urban Living, edited by Christian (ed. and introd.) Emden, Catherine (ed. and introd.) Keen, and David (ed. and introd.) Midgley, 149–69.Cultural History and Literary Imagination (CuHLI): 7. Oxford, England: Peter Lang, 2006.
Timothy Benson et al.:Expressionist Utopias. Berkeley, University of California Press, 2001.ISBN0-520-23003-5
(in German) Mechthild Rausch:Von Danzig ins Weltall. Paul Scheerbarts Anfangsjahre (1863–1895). München: Ed. Text und Kritik 1997.ISBN3-88377-549-5
Gelderloos, Carl. “‘Nowhere an Obstacle’: Transparency, Embodied Perception, and Becoming in Paul Scheerbart’sLesabéndio.”Modernism/Modernity Print Plus, May 2, 2023.https://doi.org/10.26597/mod.0256.
(in German) Paul Kaltefleiter, Berni Lörwald und Michael M. Schardt (Hrsg.):Über Paul Scheerbart. 100 Jahre Scheerbart-Rezeption. 3 Bände. Paderborn: Igel-Verlag 1998.ISBN3-927104-23-X (Band 1);ISBN3-927104-88-4 (Band 2);ISBN3-89621-055-6 (Band 3).
(in German) Uli Kohnle:Paul Scheerbart. Eine Bibliographie. Bellheim: Edition Phantasia 1994.ISBN3-924959-92-7
Knoop, Christine Angela. “Architecture and Utopia in Scheerbart’s Rakkóx Der Billionär.” InText and Image in Modern European Culture, edited by Natasha (ed.) Grigorian, Thomas (ed.) Baldwin, Margaret (ed.) Rigaud-Drayton, and Robert (introd.) Lethbridge, 115–29. Comparative Cultural Studies (Comparative Cultural Studies). West Lafayette, IN: Purdue UP, 2012.
Josiah McElheny and Christine Burgin eds.:Glass! Love!! Perpetual Motion!!!: A Paul Scheerbart Reader. Chicago, University of Chicago Press, 2014.ISBN978-0-226-20300-3
Josiah McElheny:The Light Club: On Paul Scheerbart'sThe Light Club of Batavia. Chicago, University of Chicago Press, 2010.ISBN978-0-226-38941-7
Partsch, Cornelius. “Paul Scheerbart and the Art of Science Fiction.”Science Fiction Studies 29, no. 2 (2002): 202–20.
Scheerbart, Paul.Lesabéndio. An Asteroid Novel, trans. Christina Svendsen (Cambridge, MA: Wakefield Press, 2012)
(in German)Paul Scheerbart Ingo Kühl Glasarchitektur, Texts Paul Scheerbart (1914) and Curt Grützmacher (editor), with 48 Silkscreen prints byIngo Kühl, 1988.ISBN978-3-924993-52-8[1]
Sharp, Dennis, ed.Glass Architecture by Paul Scheerbart and Alpine Architecture by Bruno Taut. Translated by James Palmes and Shirley Palmer. New York: Praeger, 1972.
Stuart, John A. “Unweaving Narrative Fabric: Bruno Taut, Walter Benjamin, and Paul Scheerbart’s ‘The Gray Cloth.’”Journal of Architectural Education (1984-) 53, no. 2 (1999): 61–73.
