In 2007, Greengrass co-foundedDirectors UK, a professional organisation of British filmmakers, and was its first president until 2014. He ranked 28 onEW's The 50 Smartest People in Hollywood in 2007.[3] In 2008,The Telegraph named him among the most influential people inBritish culture.[4] In 2017, Greengrass was honoured with aBritish Film Institute Fellowship.[5][6]
Greengrass was born 13 August 1955 inCheam,Surrey, England.[1] His mother Joyce Greengrass was a teacher and his father Phillip Greengrass ariver pilot and merchant seaman.[7][8] His brother Mark Greengrass is an English historian.[citation needed]
Greengrass first worked as a director in the 1980s, for theITVcurrent affairs programmeWorld in Action. At the same time, he co-authored the infamous bookSpycatcher (1987) withPeter Wright, a former assistant director ofMI5. It contained enough sensitive information that theBritish government made an unsuccessful attempt to ban it.[7] In the mid 80s, the book was banned due to revealing insights into how MI5 operated.[citation needed]
Greengrass directedThe Murder of Stephen Lawrence (1999), an account ofStephen Lawrence, a Black British youth whose murder was not properly investigated by theMetropolitan Police. His mother's investigations resulted in accusations aboutinstitutional racism in the police. His next film,Bloody Sunday (2002), depicted the 1972Bloody Sunday massacre duringthe Troubles in an almost documentary style; it shared First Prize at the 2002Berlin Film Festival withHayao Miyazaki'sSpirited Away.Bloody Sunday was inspired by Don Mullan's politically influential bookEyewitness Bloody Sunday (Wolfhound Press, 1997). A schoolboy witness of the events of Bloody Sunday, Mullan was co-producer and appeared as a figure inBloody Sunday.
In 2004, Greengrass co-wrote the television filmOmagh with Guy Hibbert. Based on theOmagh bombing of 1998, the film was a critical success, winningBritish Academy Television Award for Best Single Drama. This was the first professional film that Greengrass had not directed; he was credited as a writer and producer. He had been working onThe Bourne Supremacy. The film was directed byPete Travis. It was the second film Greengrass had written about terrorism and mass killing in Ireland afterBloody Sunday.
Based on that film, Greengrass was hired to direct 2004'sThe Bourne Supremacy, a sequel to the 2002 filmThe Bourne Identity. The first film's director,Doug Liman, had left the project. The film starredMatt Damon asJason Bourne, an amnesiac who realises he was once a topCIA assassin and is being pursued by his former employers. An unexpectedly major financial and critical success, it secured Greengrass's reputation and ability to get his smaller, more personal films made.
In September 2014, it was announced Greengrass would return to direct the fifth Jason Bourne film,Jason Bourne, with Damon starring again.[13] The film was released on 29 July 2016.[14]
A number of Greengrass films have faced criticism for the overuse of theshaky camera technique.The Bourne Supremacy andThe Bourne Ultimatum were described by film criticRoger Ebert as using both shaky cam andfast editing techniques.[24] Ebert was not bothered by it yet many of his readers complained, with one calling it "Queasicam."[24]
Film professorsKristin Thompson andDavid Bordwell described the technique's development over 80 years of cinema and noted that Greengrass used more than the usual shaky camera motion to make it intentionally jerky and bouncy, coupled with a very shortaverage shot length and a decision to incompletelyframe the action.[25]
Vox wrote, "On first encounter, it looks and feels chaotic, haphazard, random. The secret — and the reason it succeeds — is that it’s not random in the slightest."[26]
Screen Rant was more critical of the style, saying, "The prevalence of the shaky cam style in Hollywood after the Jason Bourne movies has diminished its impact, making it quite tiresome and redundant.[27]
Greengrass has said that he does not believe in God but has "great respect for the spiritual way".[28] Greengrass is married to talent agent Joanna Kaye, with whom he has three children, and is the father of two more children from an earlier marriage.[29]