Paduka (Sanskrit:पादुक,romanized: pāduka) is an ancient form of footwear in India, consisting of a sole with a post and knob which is positioned between the big and second toe.[2] It has been historically worn inSouth Asia andSoutheast Asia.Paduka exist in a variety of forms and materials. They might be made in the shape of actual feet, or of fish, for example, and have been made of wood, ivory and silver. They may be elaborately decorated, such as when used as part of a bride'strousseau, but could also be given as religious offerings or themselves be the object of veneration.[1]
Although simple woodenpadukas could be worn by common people,padukas of fine teak, ebony and sandalwood, inlaid with ivory or wire, were a mark of the wearer's high status.[2] In the modern world,padukas are worn as footwear by mendicants and saints ofHinduism,Buddhism, andJainism. Its significance in Hinduism is linked to the epicRamayana.Paduka can also refer to the footprints of deities and saints that are venerated[3][4][5][6] in symbolic form in houses and purpose-built temples. One such temple is theVishnupad Mandir inGaya, India. Similarly,Buddha footprints are worshipped under theBodhi Tree inBodh Gaya.[6][7]
Paduka are the royal symbol inMalaysia.Seri Paduka denotes "His Majesty", which is a title bestowed as an honour of recognition to dignitaries of the Malaysian court.[8][9]
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TheSanskrit wordpāduka is derivative ofpāda meaning 'foot'. This terminology was coined to define India's ancient archetypal footwear.[1]
The wordpada ('foot') is cited in the ancient Hindu scriptureRigveda as representing the universe, namely thePrithvi (earth),Vayu (air),Akasha (sky), and the element of the realm beyond the sky.[7]
In the Hindu epicRamayana, KingDasharatha sent his sonRama (an incarnation ofVishnu) into exile for 14 years at the behest of his wifeKaikeyi (the stepmother of Rama), who wanted her sonBharata to be crowned in Rama's place. However, Bharata did not wish to rule the kingdom, and visited Rama in exile, beseeching him to return toAyodhya. When Rama replied that he would return only after completing his exile, Bharata requested Rama'spadukas to serve as his proxy, to be crowned and to serve as an object of veneration for Rama's followers. Bharata carried Rama's goldenpadukas with great reverence by placing them on his head as a mark of his obedience to his elder brother. Bharata ruledKosala as Rama's regent in the name of "Rama's padukas".[7][8]
The footwear is basically a sandal, which has generally a wooden sole with a post and a stub to provide grip between the big and second toes. It does not have straps of any kind to adhere the sole to the foot, so the wearer has to actively grip the post between the two toes to keep the sandal in place while walking.[10]
It is also known askhadau,karrow,kharawan andkarom, and used in theIndian subcontinent mostly by mendicants, saints and commoners.[1] Made in the shape of the footprints, with two narrow and curved stilts, the design is specific to ensure that the principle ofnon-violence – practised by the saintly followers of Hindu and Jain religions – is not violated by accidental trampling of insects and vegetation. The Brahmins wearing such apaduka may be heard praying: "Forgive me Mother Earth the sin of injury, the violence I do, by placing my feet upon you this morning."[11]
Padukas made ofivory were in popular use among royalty and saints. Hindu religious ethos requires that the ivory be taken from elephants which died naturally or harvested from domesticated elephants, in a manner which avoids cruelty.[12] People of high societal status wearpadukas made of fineteak,ebony andsandalwood and inlaid with ivory or wire. They are also made in the shape of fish as a symbol of fertility.[13]
Other forms ofpadukas worn on special occasions may be incised with silver or of wood covered with silver plates and sometimes adorned with bells to sound upon walking. Bronze and brasspadukas may be worn for ritual and ceremonial use.[14]
A unique pair of woodenpadukas have their toe knobs inlaid with ivory lotus flowers and are minutely painted. At each step, a trigger mechanism in the sole signals the lotus to open from bud to blossom. They are also made in the shape of anhourglass or with carved toes.[4]
Eighteenth-century footwear used as ritual wear made of "wood with bed of sharp iron spikes" has been found. It is inferred that it was meant to be used to inflict pain to the wearer to demonstrate his conviction in religious forbearance of pain.[4]
Paduka is often gifted as part of a bride's dowry. They are worshipped and given as votive offerings by faithful believers.[11]
In a festival associated with the Hindu godVithoba, pilgrims travel to hisPandharpur temple fromAlandi andDehu towns that are closely associated with poet-saintsDnyaneshwar andTukaram (respectively), carrying thepadukas of the saints in a silverpalkhi (palanquin).
A popular religious belief is of the contact (sparsh) with thesalabhanjika sculptureyakshini's foot. It is said that when the yakshini encircles a dormant tree with her leg around it, it starts to blossom and bear fruit.Shalabhanjika yakshi is also an embellishment in the form of an architectural bracket in many Hindu temples.[7][relevant?]
Another notable feature of veneration is of the goddessLakshmi, the goddess of prosperity. OnDeepavali festival day, Lakshmi is devotionally ushered into the house through symbolic representation with a series of her footprints (paduka) drawn in paint orkolam and lit with oil lamps, from the main door to the private sanctum. This is done with the wish that good fortune shall be bestowed by her upon the householders.[5]
Below theBodhi tree atBodh Gaya where Buddha received enlightenment, there is a vacant throne that is adorned with the foot prints on a foot rest of the Buddha. This place is deeply venerated.[7]
In South Indian Vishnu temples,priests offer thesatari, a gold or silver plated crown that features the feet of Vishnu to bless devotees, who bow low so that it is ritually placed upon their heads.[15]
TheVishnupada Temple is said to enshrine the footprints of Vishnu.[16] This footprint denotes the act of Vishnu subduingGayasura by placing his foot on his chest. Inside the temple, the 40-centimetre-long (16 in) footprint is imprinted in solid rock and surrounded by a silver-plated octagonal enclosure.[17] The temple is 30 metres (98 ft) in height and has 8 rows of elegantly carved pillars that support thepavilion.[18]
ThePaduka Sahasram (lit. '1,000 verses on the footwear' (ofRanganatha)) is a devotional poem extolling the virtues of worshipping thepaduka (feet) of Vishnu, enshrined inSri Ranganathaswamy Temple ofSrirangam,Tamil Nadu. The poem was composed in 1,008 verses in 32 chapters byVedanta Desika, a proponent of theVishishtadvaita philosophy. According toSri Vaishnava tradition, the 1,000 verses of the Paduka Sahasra were composed in a single night by Vedanta Desika as a part of a literary contest. By doing so, the poet defeated Alagiya Manavala Perumal, a theologian of theTenkalai sect, who had only been able to compose 300 verses during the allotted period.[19][20]
Adi Shankara has also written nine devotional verses under the title "Guru Paduka Stotram" as salutations to his guru. An English translation of the first verse is:[21]
Salutations and Salutations to the sandals of my Guru,
Which is a boat, which helps me, cross the endless ocean of life,
Which endows me, with the sense of devotion to my Guru,
And by worship of which, I attain the dominion of renunciation.
Satchidananda Utsav (celebration of truth, consciousness and bliss) is organised by Sadguru Shree Aniruddha Upasana Trust (Mumbai, India) and celebrated every year on the second Saturday of Margashirsha (the ninth month of the Hindu calendar). It is usually performed for two to five consecutive days. The holypadukas worshipped during the celebration are prepared from the paper pulp of Ram Naam books issued byAniruddha's Universal Bank of Ram Naam and written by thousands of devotees across the world.[22][23][24][25]
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