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Pancabrahma Upanishad

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Minor Upanishad of Hinduism
Pancabrahma Upanishad
The text glorifies five facedShiva
Devanagariपञ्चब्रह्म
IASTPañca-brahma
Title meansFive Realities
Datebefore ~7th-century CE
TypeShaiva[1]
LinkedVedaKrishna Yajurveda[1]
Chapters1
Verses36[2]
PhilosophyShaivism,Vedanta
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ThePancabrahma Upanishad (Sanskrit:पञ्च ब्रह्म उपनिषत्,IAST: Pañca-brahma Upaniṣad) is amedieval era Sanskrit text and is one of the minorUpanishads ofHinduism. The text is classified as one of 14Shaiva Upanishads, and one of the 32 Upanishads of theKrishna Yajurveda.[3][1]

The Upanishad glorifies Shiva, withVedanta nondualism terminology.[4] The text is notable for its focus onSadashiva, asBrahman, with his five faces corresponding to five Ishwaras,[5] and for its recommendation of meditation on "So'ham" or "I am he, He am I" to achievemoksha, the union with Brahman.[6]

History

[edit]

The date or author ofPancabrahma Upanishad is unknown. Kramrisch states that this is a late text, but possibly one which was composed before theVishnudharmottara Purana.[7] She dates the latter to about 7th-century CE, contemporary withAjanta Caves paintings.[8]

Manuscripts of this text are also found titled asPanchabrahma Upanishad andPancabrahmopanishad.[2][9] In theTelugu languageanthology of 108 Upanishads of theMuktika canon, narrated byRama toHanuman, it is listed at number 93 asPancabrahma Upanishad.[10] This text is not a part of the 17th century compilation of 50 important Hindu Upanishads published byMughal EraDara Shikoh and of the 18th-century anthology of 52 Upanishads published byColebrooke, nor is it found in theBibliotheca Indica anthology by Narayana.[11]

As an Upanishad, it is a part of the corpus ofVedanta literature collection that present the philosophical concepts of Hinduism.[12]

Contents

[edit]

The text opens with sage Paippalāda asking Shiva, "what is that which came to exist first?" Shiva's reply is structured as the verses ofPancabrahma Upanishad.[13][14]

ThePancabrahma Upanishad describesfive forms of reality (Brahman) or Shiva that arose fromhighest realitySadyojata,Aghora,Vamadeva,Tatpurusha andIshana.[15][16] He ispanchatmak, who conceals all five Brahmas, and to realize him ismoksha. The Ishana, asserts the text, is the highest form of Brahman, unmanifested impeller, adorned withOm, and that all five Brahmas resolve into the supremeNirguna (formless) Brahman.[15][17] The supreme shines by its own light, beyond the five Brahmas, states this Pancabrahma text.[15]

Shiva is within all beings

In theBrahmapura (the city of Brahma, the body), wherein is the abode of the form of a white lotus (the heart), known as the Dahara, in the middle of it is the ether known as Daharakasha. That ether is Shiva, the infinite existence, nondual consciousness and unsurpassed bliss...

This Shiva is the witness established in the heart of all beings...

Panchabrahma Upanishad 40–41,[4]

The text asserts that Sadyojata represents earth and is associated withKriya Sakti (power of action). The Aghora represents fire and drives theIccha Sakti (power of will, desire) and Vamadeva represents water and impels theJnana Sakti (power of knowledge).[4][16] Tatpurusha represents air and is the power of life (breath, prana), while Ishana represents ether-space and the transcendental.[5][15]

Teun Goudriaan, a professor in the Department of Oriental Studies and author,[18] states that thePancabrahma Upanishad focuses on these symbolism behind the five faces of Shiva and mystical equations about all except Ishana face.[19] The Ishana face of Shiva is glorified with general epithets such as "superior to the pacified", as "Brahman", as "Supreme", as "lustre behind everything", and as "I myself am that Brahman", thus emphasizing his fundamental position in this text.[19] The verse 23 of the manuscript asserts that one must meditate on Shiva within, with "So'ham" or "I am He, He am I" to achievemoksha, the union with Brahman.[6][19][20] This outlook of this text corresponds toAdvaita Vedanta position ofHindu philosophy, states Goudriaan.[21]

Five-faced Shiva from 10th centuryCambodia. The Ishana face is at the top.

This Upanishad, states Kramrisch, gives precedence to the "power of knowledge", in contrast with some Shaiva text such asVatulasuddh-agama which emphasize "power of will".[7] According to Kramrisch, this may be either doctrinal differences or possible errors in transmission of the manuscripts over the centuries, but the components of Shavismontology are consistent across the texts, since the latter part of the 1st-millennium CE.[7] The text, adds Kramrisch, asserts that "all this phenomenal world is the Parabrahman, Shiva, of the character of the fivefold Brahmans", and that everything in a being's inner and outer senses, that falls within or lies beyond, is Shiva of fivefold Brahman character.[22][23]

The seeker realizes that aspect of five Brahman Shiva, in accord with the strength of his vision, his spiritual development, and it is Shiva who is in the heart of all beings, Shiva isSat-Cit-Ananda, meaning existence, consciousness, and Bliss.[24][25] Shiva is the liberator, asserts the text.[24][26][25]

Reception

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Thepancabrahma concept found in this Upanishad is also found in the ŚaivāAgamas, described in a similar way.[14][27]

See also

[edit]

References

[edit]
  1. ^abcTinoco 1996, p. 87.
  2. ^abHattangadi 2000.
  3. ^Nair 2008, p. 179.
  4. ^abcKramrisch 1981, pp. 187–188.
  5. ^abParmeshwaranand 2004, pp. 196–197.
  6. ^abCarl Olson (1997), The Indian Renouncer andPostmodern Poison: A Cross-cultural Encounter, P Lang,ISBN 978-0820430225, page 139
  7. ^abcKramrisch 1981, p. 187.
  8. ^Stella Kramrisch,The Vishnudharmottara Part III: A Treatise On Indian Painting And Image-Making, 2nd Edition, Calcutta University Press, page 5
  9. ^Vedic Literature, Volume 1,A Descriptive Catalogue of the Sanskrit Manuscripts, p. PA449, atGoogle Books, Government of Tamil Nadu, Madras, India, pages 268, 449–450
  10. ^Deussen 1997, pp. 556–557.
  11. ^Deussen 1997, pp. 558–564.
  12. ^Max Muller,The Upanishads, Part 1, Oxford University Press, page LXXXVI footnote 1,22, verse 13.4
  13. ^Hattangadi 2000, p. verse 1.
  14. ^abAyyangar 1953, pp. 110–114.
  15. ^abcdMahadevan 1975, pp. 229–230.
  16. ^abAyyangar 1953, pp. 110–113.
  17. ^Hattangadi 2000, p. verse 18–19.
  18. ^"Teun Goudriaan | State University of New York Press".sunypress.edu. Retrieved2024-06-20.
  19. ^abcGoudriaan 2008, pp. 160–161.
  20. ^Hattangadi 2000, p. verse २३ (23).
  21. ^Goudriaan 2008, p. 161.
  22. ^Kramrisch 1981, p. 182, 187.
  23. ^Hattangadi 2000, p. verses 25–26.
  24. ^abKramrisch 1981, p. 188.
  25. ^abAyyangar 1953, pp. 113–114.
  26. ^Hattangadi 2000, p. verses 40–41.
  27. ^Mark S. G. Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass,ISBN 978-8120805958, pages 31–32

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