Ozomatli is an American rock band, formed in1995 inLos Angeles. They are known both for their vocalactivist viewpoints and incorporating a wide array of musical styles – includingsalsa,jazz,funk,reggae,hip hop, and others.[4] The group formed in 1995 and has since released seven studio albums. Although the band has had many member changes over the years and has sometimes had as many as ten members, the current six members have been in the band since its debut album.
Ozomatli take their name from theNahuatl word from theastrological symbol of themonkey, taken from theAztec calendar. Ozomatli is also agod of dance, fire, the new harvest, and music.[5] In 1995, all the members met while attempting to form a workers union within Los Angeles. Though they were not able to win recognition, they were given an abandoned building for one month. The building turned into a cultural arts center, and within it Ozomatli was born.[6]
In a 2007 NPR interview, band members Jiro Yamaguchi and Ulises Bella describe Ozomatli:
You drive downSunset Boulevard and turn off your stereo and roll down your windows and all the music that comes out of each and every different car, whether it'ssalsa,cumbia,merengue, orHip Hop,funk or whatever, it's that crazy blend that's going on between that cacophony of sound is Ozomatli, y'know?[7]
The band's first album,Ozomatli, was released on June 16, 1998, on Almo Sounds. At the time, in addition to the band's six constant members, namely vocalist/trumpet player Asdru Sierra, vocalist/guitarist Raul Pacheco, sax and clarinet player Ulises Bella, bassist Wil-Dog Abers and percussionists Justin 'El Niño' Porée and Jiro Yamaguchi, Ozomatli also featured MC Chali 2na, turntablist Cut Chemist, drummer William Marrufo, and saxophone player Jose Espinoza. The album featured the band's trademark mix of several types of Latin music: tropical genres like merengue and cumbia, Mexican styles like norteño, along with Jamaican music like ska and reggae, mixed with a heavy dose of American hip-hop and funk, often with a few genres mixed together in the same song. The band sang its socially-conscious (but sometimes humorous) lyrics mostly in Spanish, while Chali 2na's rapped in English.
The album reached mainstream success following an appearance on the late night talk showVibe!. It reached No. 7 on theBillboard Latin Albums chart (71 weeks) and No. 4 on theBillboard Latin Pop Albums chart (50 weeks). Two singles released from the album were "Cut Chemist Suite" and "Super Bowl Sundae".[8] In 1999, Ozomatli joined Mana and Carlos Santana on tour following Santana's release of Supernatural,[9] and in 2002, the band appeared on "One of These Days", the penultimate track on the latter's albumShaman.
Ozomatli's second album,Embrace the Chaos, was released on September 11, 2001, the same day as theSeptember 11 attacks.[10] Although many American bands cancelled their concerts, Ozomatli gained some recognition for continuing to play their concerts,[11] all the while continuing their commitment tosocial justice and progressive politics, in addition to the risinganti-war movement. The album featured a similar mix of Latin and hip-hop music as the debut had, with the lyrics taking an even more political stance. In 2002,Embrace the Chaos won a Grammy for theBest Latin Rock/Alternative Album.
By the album's release, the band had experienced several member changes: drummer William Marrufo had been replaced by Andy Mendoza, and MC Chali 2na, turntablist Cut Chemist, and saxophone player Jose Espinoza had all left. With no official MC for the rap vocals, the band used a variety of guest MCs on the album, including Kanetic Source. Percussionist Justin Porée also did some of the rap vocals for the first time. Rene 'DJ Spinobi' Dominguez also appeared on turntables as a guest. While touring for the album, Kanetic Source and DJ Spinobi both joined the lineup.
In 2003, Ozomatli released a six-song EP through Concord Records, featuring a collaboration with the Kumbia Kings on "Mi Gente".[12] In addition to Kanetic Source and DJ Spinobi, the album also featured new members Sheffer Bruton on trombone and Mario Calire on drums. The EP featured mostly the band's Latin-influenced side, with most lyrics in Spanish, although the song 'Let Me Dream' was the first song sung (as opposed to rapped) entirely in English that would appear on their recorded releases.
Before recording their next album, Kanetic Source was replaced by M.C. Jabu Smith-Freeman. The resulting 10-man lineup: the core of Sierra, Pacheco, Bella, Abers, Porée and Yamaguichi joined by Bruton, Calire, MC Jabu and Dj Spinobi would last for the next few years.
In 2004,Street Signs was released under Concord Records. In 2001, the album won the Grammy for "Best Latin Rock/Alternative Album2005, The album also won the Latin Grammy Award for Best Alternative Music Album in 2005.[13] ".[14] In addition to MC Jabu's rap vocals, Porée played a bigger role than before as second MC, and original MC Chali 2na guested on one song as well. The album expanded the band's sound even farther, with a Middle-Eastern influence featured on some tracks. While it was still predominantly in Spanish, the band was also singing more in English as well.
In 2005, Ozomatli released their live albumLive at the Fillmore, recorded at The Fillmore in San Francisco.
Guitarist Raúl Pacheco on the keynote panel of 2008 Pop Conference
In 2006, Ozomatli were invited by the U.S. State Department to serve as official Cultural Ambassadors on a series of government-sponsored international tours. The band has since traveled to Asia, Africa, South America, the Middle East, Tunisia, India, Jordan, Nepal, Myanmar, Vietnam, Thailand, and China.[15]
In late 2006, shortly before the release ofDon't Mess With the Dragon, DJ Spinobi left the band to pursue personal projects (but stuck around until the album's release, as he appears in the photos and is credited as a member). This was the end of the longest lasting Ozomatli lineup, and the first of many lineup changes that would occur over the next year and a half.
April 3, 2007, saw the release of their fourth studio albumDon't Mess With The Dragon, which was co-produced byK. C. Porter and released on Concord Records. The genre-crossing album was written at a local Los Angeles Latino art gallery, Tropico de Nopal. The album includes songs such as "After Party", which pays homage to old-school Chicano R&B, "When I Close My Eyes", which nods back to Fishbone and Oingo Boingo, "La Segunda Mano", which features the vocals of Quetzal's Martha Gonzales blending son jarocho with hip-hop, "City of Angels", which celebrates the city of Los Angeles, and "Temperatura", which was inspired by the May 2006 pro-immigration marches.[16] The band also experimented with a more accessible Latin-pop sound on songs like "Can't Stop" and "Here We Go", and for the first time featured more English lyrics than Spanish lyrics.
On September 20, 2007, Ozomatli announced that MC Jabu was leaving the group on amicable terms.[17] He would not be officially replaced, although Tre Hardson would take his place on tour in 2007 and 2008.
In early 2008, the group did a song for theLos Angeles Dodgers called "Can't Stop the Blue", their first recording with Tre Hardson. In the video, LA drummer Chris Cano is seen in place of Calire. Shortly thereafter, Sheffer Bruton and Tre Hardson were no longer seen playing with the group, and Mario Calire appeared back on the drumseat. In the summer of 2008, Ozomatli announced Chali 2na would be joining them for their Fall 2008 tour, although he did not permanently rejoin the band.[18] Later that year, group members Wil-dog and Justin contributed their voices to theKonami music gameDance Dance Revolution X as in-game announcers.
In 2010, Ozomatli released their fifth full-length album, "Fire Away", which was recorded by a stripped-down lineup, featuring the six constant members plus Carire on drums. Justin Porée, in addition to his percussion duties, also became the band's only MC on the album and also sang some lead vocals as well. Bassist Abers also got his first lead vocal spot on the song 'Caballito.' While the band's sound remained an eclectic mix, there was a noticeable drop in the influence of Latin musics, and not many lyrics in Spanish. Several of the songs featured a more accessible, R&B-based sound. The album also had fewer overtly political songs, although the track 'Gay Vatos in Love' made a clear statement of support for LGBT rights.
In 2010, Ozomatli helped celebrate the Boston Pops 125th Anniversary, accompanied by the Boston Symphony Orchestra.[19] Since that first orchestral collaboration, they have gone on to perform with the National Symphony Orchestra at the Kennedy Center, the Colorado Symphony, the San Diego Symphony, and the New York Pops.[15]
Ozomatli made an appearance at TEDxSF – the first musical talk ever given at any TED conference – mixing discussion and sound to explore the challenges and promises of musical identities in a global age.[15]
Ozomatli has also been involved in composing and scoring and contributing music toHappy Feet 2[20] and Elmo's Musical Monsterpiece[21] for Warner Brothers Interactive, SIMS for EA Games,[22] music for PBS Kids,[23] the filmsA Better Life[24] andHarlistas,[25] and for the TV ShowStandup Revolution on Comedy Central.[26]
In this period of time, the band focused onOzomatli Presents Ozokidz, a special family-friendly set geared towards performing for children and adults alike. The album was released on Hornblow Recordings in September 2012.[27]
The next record wasPlace in the Sun released in 2014, and featuring Dave Stewart's production and co-writing, released on Vanguard. The album featured somewhat of a return to the Latin-flavored sounds of the band's earlier work, with more lyrics in Spanish than the previous two albums, although English remained the primary language. It was recorded by the same lineup as the previous album, with Carire on drums. Calire subsequently left the band, and percussionist Jiro Yamaguchi took over the drum seat, leaving the band with six members.
Ozomatli celebrated their 20th anniversary as a performing band in 2015, with all remaining members having been in the band since its debut album,
The band's next project, released in May 2017, wasNonstop Mexico to Jamaica, an album of songs that have been a big part of the Mexican and Mexican-American community's heritage, culling from Selena, Cafe Tacuba, Mana, and many others. As reflected in the title, the songs are approached reggae style and the project was being produced by Jamaican reggae legends, Sly and Robbie. Although the album contains be some English-language lyrics, the album was the band's first Spanish-dominated release sinceStreet Signs.
In 2021, Ozomatli released a cover of Ramon Ayala's "La Rama Del Mezquite", featuring Cherine Anderson.[28] As part of their 25th anniversary, the band also announced a new album in development, to be released viaBlue Élan Records.[citation needed]
Ozomatli create music to: give voice to and reveal the culture and lives of Latinos;[29] fight for workers' rights;[30] and promote a global unity within both the city and the world. They promote this through their music, during their TEDxSF talk, and as Cultural Ambassadors of the US.
From May 21 to June 4, 2010, Ozomatli performed in Mongolia and China as part of their Cultural Ambassadors program.[35]
In September 2010, Ozomatli partnered with NCLR (National Council of La Raza) to release "Respeto", a widget download campaign, to encourage voter participation.[36]
In September 2010, Ozomatli headlined the Hollywood Bowl for KCRW's World Music Festival 2010 featuring performances from Calexico, Mexican Institute Of Sound, Mariachi Reyna de Los Angeles and dance performances by Grandeza Mexicana.[37]
In September 2010, Ozomatli's video to "All Around The World" was released.
On September 15, 2010, Ozomatli performed a free show at the Kennedy Center in celebration of Mexico's Bicentennial Independence.[38]
In September 2010, Apple uses Ozomatli'sFire Away album cover as their campaign image.[39]
In October 2010, Ozomatli performed at the USC Presidential Rally with Barack Obama.[40]
In October 2010, Ozomatli was part of the Red Bull Soundclash withTalib Kweli.[41]
In October 2010, Ozomatli released a cover of Caifanes’ "Nubes"[42]
In October 2010, Ozomatli was awarded the KCET Local Heroes Award for their humanitarian contributions in Los Angeles.[43]
On November 2, 2010, Ozomatli releasediTunes Sessions, rethinking and reimagining classic songs.[44]
In November 2010, Ozomatli participated inTed Talk in San Francisco.[45]
In November 2010, Ozomatli collaborated with theTrojan Marching Band at the USC/Notre Dame half-time show.[46]
In March 2011, Ozomatli was awarded the NCLR (National Council of La Raza) Capital Awards.[47]
On May 6, 2011, Ozomatli performed at the seventh annual MusiCares® MAP Fund® benefit concert which honored Depeche Mode lead singer Dave Gahan and Vans Warped Tour founder Kevin Lyman.[49]
In the summer of 2011, theHappy Feet Two Videogame soundtrack was released, which featured music written and composed by Ozomatli.[20]
In June 2011, the original track "Jardinero" by Ozomatli, composed for the filmA Better Life, was digitally released by Nacional Records.[50]
Continuing their role as Cultural Ambassadors of the U.S. State Department, from July 4–11, Ozomatli did performed a number of shows in Poland.[51]
In January 2012, Ozomatli performed at the Time Warner Center in New York for the American Songbook Series.[53]
The Voto Latino iTunes Compilation from March 2012 featured an Ozomatli song in the free 35-track download, which also included music fromPitbull,Ceci Bastida,Rodrigo y Gabriela,Diego Garcia and more, aimed to encourage voter awareness.[54]
In March 2012, Ozomatli teamed up with composer, conductor, and performerAnthony Marinelli for a performance at NASA Ames in Mountain View for the Conrad Foundation Spirit of Innovation Summit.[56]
Ozomatli appeared in the anniversary edition ofWhich Way, LA? in the "Cultural Touchstones of the LA Riots" segment with host Warren Olney on KCRW.[58]
On April 29, 2012, Ozomatli was honored at the 5th Annual California Lawyers for the Arts' Artistic License Awards in Santa Monica to recognize the band's artistic work in the communities it serves.[59]
In May 2012, Ozomatli kicked off the opening celebration with a performance at NAFSA's 2012 Annual Conference & Expo. in downtown Houston.[60]
In June 2012, Ozomatli headlined the 34th Annual Playboy Jazz Festival at the Hollywood Bowl.[61]
Sesame Street: Elmo's Musical Monsterpiece video game by Warner Bros. was released in June 2012, which included a musical score performed by Ozomatli.[21]
Ozomatli performed with The New York Pops led by Music Director Steven Reineke at SummerStage NYC 2012.[62]
In July 2012, Ozomatli recorded an episode for the Choo Choo Bob show in Minneapolis.[63]
Throughout the summer and fall of 2012, Ozomatli teamed up with HeadCount to provide voting registration at Ozomatli shows.[64]
In July 2012,PBS KIDS ROCKS! album was released. It includes tracks by Ozomatli, The Weepies and They Might Be Giants.[23]
In September 2012, Ozomatli released their albumOzomatli Presents Ozokidz.[27]
October 2012 marked the premiere of Gabriel Iglesias'Stand-Up Revolution Season 2 on Comedy Central with Ozomatli as the house band.[65] The show also premiered the music videoStand-Up Revolution with Gabriel Iglesias.
In November, Ozomatli performed at the 2012 Voices for Justice Dinner in L.A. to celebrate the work of Congolese activist Abbé Benoît Kinalegu withBen Affleck, the founder of the Eastern Congo Initiative, as a special guest.[66]
In the November 16, 2012, episode of theRachel Maddow Show, Ozomatli received a special mention for being the first band to visit Burma (now Myanmar) in 2009.[67]
In November 2012, Ozomatli performed at The 5th Annual Holiday Tree Lighting at L.A. LIVE celebration along with Barry Manilow, Cody Simpson, Sarah Brightman, and Eric Benet.[68]
The debut of the "Hey, it's Fluffy" cartoons with the music of Ozomatli premiered in November 2012.[69]
In December 2012, the first Ozokidz video "Balloon Fest" premiered.
Ozomatli was interviewed on January 2, 2013, music segment of NPR.[70]
In February 2013, Ozomatli reimagined the ESPN NBA theme song where fans were asked to vote for their favorite version from different artists.[71]
"Let The Horn Blow", "Plato", and "En Este Varrio" withDelinquent Habits on theirNew and Improved album
"Nubes" aCaifanes cover fromNos Vamos Juntos, a tribute to Jaguares and Caifanes.
"La Luz del Ritmo", aLos Fabulosos Cadillacs cover fromCarnaval Toda la Vida, a tribute album.
They performed a version of the theme song toWeeds, "Little Boxes"
Some of the members of Ozomatli including Wil-Dog Abers, Justin Poree, Ulises Bella, Raul Pacheco performed on the song "Morena" byDavid Rolas. This song was also produced by Wil-Dog Abers and also featuresTaboo of theBlack Eyed Peas.
Ozo currently serves as the house band toGabriel Iglesias Presents Stand Up Revolution, where they wrote and premiered the music video for the song "Hey! It's Fluffy!" featuring Iglesias.
"La Rama Del Mezquite," featuring Cherine Anderson.[28]
^Viesca, Victor Hugo (October 4, 2000). "Straight Out of the Barrio: Ozomatli and the Importance of Place in the Formation of Chicano/a Popular Culture in Los Angeles".Cultural Values.4 (4): 446.doi:10.1080/14797580009367211.S2CID145595414.
^Laura Emerick. "5 questions with — Ozomatli",Chicago Sun-Times, May 6, 2004, section 2, p. 52:"Q. Speaking of the band's last full-length record — "Embrace the Chaos" came out on the worst of all possible days: Sept. 11, 2001...."
^(No author.) "Ozomatli: The party politicians",Times-Standard (Eureka, CA), December 1, 2005:"Ozomatli released its previous full-length album on September 11, 2001. While most bands in the country responded to the attacks on the World Trade Center by canceling their concerts, Ozomatli — a multi-racial crew that has never been shy about their commitment to social justice, progressive politics and anti-war convictions — decided to keep its dates and keep playing."
^Viesca, Victor Hugo (2004). "The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside".American Quarterly.56 (3): 725.doi:10.1353/aq.2004.0045.S2CID143471138.
^Viesca, Victor Hugo (October 4, 2000). "Straight Out of the Barrio: Ozomatli and the Importance of Place in the Formation of Chicano/a Popular Culture in Los Angeles".Cultural Values.4 (4): 455.doi:10.1080/14797580009367211.S2CID145595414.
