| One Assassination Under God – Chapter 1 | ||||
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| Released | November 22, 2024 (2024-11-22) | |||
| Recorded | April 2023 – April 2024 | |||
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| Length | 43:26 | |||
| Label | Nuclear Blast | |||
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| Marilyn Manson chronology | ||||
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| Singles from One Assassination Under God – Chapter 1 | ||||
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One Assassination Under God – Chapter 1 is the twelfth studio album by Americanrock bandMarilyn Manson. The album was produced byMarilyn Manson andTyler Bates, and was released byNuclear Blast on November 22, 2024, the 61st anniversary of theassassination of John F. Kennedy. It is the band's first album sinceWe Are Chaos in 2020. Shortly after the release of that album, the band was dropped by their label, talent agency and manager when several women accused the vocalist of abuse, allegations he has denied. A four-year criminal investigation of the abuse allegations resulted in no charges being filed against Manson.
The record was primarily recorded at Bates's Los Angeles recording studio The Abattoir between April 2023 and April 2024. It features drums performed byGil Sharone, who also contributed to the band's previous albumsThe Pale Emperor andHeaven Upside Down. The album was preceded by the release of three singles: "As Sick as the Secrets Within", "Raise the Red Flag" and "Sacrilegious". Music videos were created for all three singles, as well as the album'stitle track. All four music videos were directed by Bill Yukich. The singles were successful upon release, reaching career-high peaks on severalAmerican andBritish charts.
The album received positive reviews, with publications praising the songwriting, vocals, and production. It was well received by fans, topping numerous year-end fan reader polls. It also performed well commercially, peaking in the top twenty in several major European markets. The live band, consisting of Manson, Bates, Sharone,Piggy D. andReba Meyers,toured extensively in support of the record. In the summer of 2024, they performed a North American co-headlining tour withFive Finger Death Punch, and performed their own headlining tours of Europe and North America throughout 2025.
The band released their eleventh studio album,We Are Chaos, in September 2020.[1] On February 1, 2021, thevocalist wasaccused of abuse by former partnerEvan Rachel Wood,[2] with four other women simultaneously posting allegations onsocial media.[3] The band was immediately dropped by their record label, talent agency, and longtime manager.[4] Manson denied the allegations, and accused Wood of orchestrating a "coordinated attack".[5] Five women filedcivil lawsuits against Manson. Two of these weresettled out of court,[6][7] two are ongoing,[8][9] while another was withdrawn after the accuser said she was "manipulated and pressured" by Wood and her associates to make false accusations.[10]
Manson filed a civil suit against Wood in 2022,[11] but dropped the lawsuit two years later after the judge inpreliminary hearings refused to allow evidence to be presented at the eventual trial, including the refutation of a former accuser.[12] TheLos Angeles County Sheriff's Department and a division of theLos Angeles County District Attorney's office conducted a four-year criminal investigation of the abuse allegations. The investigation resulted in no charges being filed against Manson for domestic violence or sexual assault, with a lack of evidence and thestatute of limitations cited as the reasons.[13]
The album was recorded between April 2023 and April 2024 at producerTyler Bates's Los Angeles recording studio The Abattoir, with additional recording taking place atNRG Studios in North Hollywood on July 1 and 2, 2023, and atEastWest Studios in Hollywood on September 25 and 26, 2023. Manson, Bates, and drummerGil Sharone performed the majority of instrumentation, with Lola Colette and Maxwell Urasky performing piano andprogramming, respectively, on the track "As Sick as the Secrets Within".[14] Bates and Sharone were Manson's primary collaborators on two of the band's previous albums,The Pale Emperor (2015) andHeaven Upside Down (2017).[15][16]
One Assassination Under God – Chapter 1 is the first half of my story. These songs were conjured from purgatory, and are as raw as a row of broken teeth that slightly resemble a smile. My art is what I live for. This album means to me exactly what I choose it to mean. I hope when you listen it is the same for you.
Reviews have ascribed to the album numerous genres, includingindustrial rock,[18]industrial metal,[18]alternative rock,[19]gothic rock[19] androck in general.[18] The record is a direct response to the abuse allegations.Blabbermouth.net said the record contains "overt and covert references to his recent troubles, and the overall impression is of a man enraged by what he sees as destructive lies about his personal life."[20] A staff writer forSputnikmusic compared the album's lyricism to the lyrics on the band's 2000 albumHoly Wood (In the Shadow of the Valley of Death). They said that "controversy and pressure are the fuel that ignite Marilyn Manson into action, and through his trials and tribulations he's able to harness some truly fantastic music". Lyrics on the album deal with themes of betrayal, addiction and healing,[18] as well as power and religion,[21] and mortality and societal decay.[22]
On the lyric of the first track on the album, "One Assassination Under God", Manson discusses themedia's reaction to the abuse allegations.[18][23] The song opens with Manson reciting a poem referencing theassassination of John F. Kennedy.[24] It is agoth metal song that gradually expands to an aggressive outro.[20]Sonic Abuse praised Manson's vocals, describing them as some of the best he ever recorded, and said it was one of the "most affecting" songs the band has recorded.[23] Similarly,New Transcendence praised Manson's vocal for its "raw intensity", which they said was matched by instrumentation that builds to a "cathartic climax". They said the song leaves a "lasting impression."[22]
"No Funeral Without Applause" features guitars inspired bypost-punk, with Blabbermouth saying the song "continues the elegant, restrained heaviness" of the opening track.[20] Sputnikmusic said its instrumentation was comparable to the band's work between 2003'sThe Golden Age of Grotesque and 2015'sThe Pale Emperor,[18] whileSonic Abuse described the song as a "spiritual sequel" to their 1995 cover ofEurythmics's "Sweet Dreams (Are Made of This)".[23] Several other reviews compared the song to the cover of "Sweet Dreams".[22][24][25]Crytpic Rock said the lyric "takes jabs at those who wronged Manson. On the same note, he laments his last true love as it starts almost sweet. He is likePennywise, unassuming... until he opens his mouth. Then, all hell breaks loose as the decibels rise".[21]
"Nod If You Understand" is one of the heaviest songs on the record. with numerous reviews comparing it to the material found on the band's 1996 albumAntichrist Superstar. Sputnikmusic said the track "goes into full-blownAntichrist Superstar mode", and called it a "declaration of war on all his detractors".[18]KNAC said the song contains the "rage and theatricality" ofAntichrist Superstar,[19] whileAllMusic called the song "rabid".[26] Blabbermouth described it as a mixture of industrial andpunk rock withmetalriffs.[20]New Transcendence said the song finds the band returning to their industrial metal roots, and that the song's lyric is "filled with dark imagery and social commentary."[22]Sonic Abuse said the song "impressively recaptures the raw energy of Manson's early work", calling it one of the album's "finest moments".[23]Spotlight Report said the track is "exactly what fans have been waiting and hoping for",[27] whileMetal Planet Music said of the song: "This is it. This is what this album needed to be."[25]
"As Sick as the Secrets Within" is asynthesizer-led goth rock song,[20] with the lyric exploring themes of addiction and self-destruction.[22] Sputnikmusic said the lyric examines a life "wrought in addiction and not worth much of anything." They praised Manson's vocal and Bates's production, noting the song implements styles from several of the band's previous albums. They dubbed it the "best" and "most emotionally charged" track the band had released sinceHoly Wood.[18]Sonic Abuse said the song is an example of where Manson's "more theatrical sensibilities combine with Tyler Bates's strengths as a composer". They said the song "takes the astringent guitars ofThe Pale Emperor as a starting point", but takes "a surprising left step intoMechanical Animals territory via 'Coma White'".[23]Metal Planet Music described it as a "wonderful mix of sharp vocals, loud monstrous guitar, gentle piano and a sturdy smack of percussion".[25]Spotlight Report said the song is "definitely the best Manson has been for quite some time and damn it sounds good."[27]
The lyric of "Sacrilegious" examines a perceived hypocrisy of religion, in which thedeath of a savior is glorified. Manson instead argues: "You should have treated your saviors better."[21] It is one of the more upbeat songs on the record,[18] featuring a driving rhythm and a catchy chorus, and elements of alternative rock and industrial music.[22]AllMusic called it "bouncypop-metal".[26] Numerous reviews compared it to "The Beautiful People",[20][23][24] while KNAC compared it to theAntichrist Superstar song "Mister Superstar".[19]
Sonic Abuse described "Death Is Not a Costume" as a turning point for the album. Their writer said it was darker in tone than the previous tracks, comparing the guitar work on the song toReeves Gabrels's work withThe Cure.[23] The lyric is an imagined conversation between Manson andJesus Christ, where Manson says: "I wish I knew you when you were alive."[24] It explores themes of mortality and thefear of death. The track contains elements ofpost-rock,[18] and gradually increases in intensity.[22]Cryptic Rock noted lyrical similarities to theDavid Bowie song "Lazarus". They said "Lazarus" found Bowie "acknowledging his mortality with having terminal cancer. Manson's track, on the other hand, does not do that, although it talks about death... like someone's dead to him".[21]
Greg Burk ofMetal Jazz said the lyric of "Meet Me in Purgatory" finds Manson asking the listener if they would "stand in the way when they come to murder him. Hubris? Of course. Paranoia? No, look around, it's a fair question. His career was damaged, but he says he's back, and he's right. Strangely, his value has increased. As a target."[24]Sonic Abuse said the song was "less impressive" lyrically when compared to other songs on the album, noting it opts for "repetition over exposition, which is a shame, because the central conceit – that it's far easier to judge over social media than hold up a mirror to your own concerns – is one worth exploring." They described the song musically as a "gritty post-punk inflected piece".[23]Metal Planet Music said the track "isn't complicated, it's just rooted in a darker version of pop".[25]
"Raise the Red Flag" is a heavy metal song,[22] withMetal Planet Music calling it "massive" and a "distorted, bass thumping, great noise of a track!"[25] The title is a pun based on thewhite flag, a symbol of surrender.[21] The chorus consists of the lyric: "It's time to beat up the bullies/And wash the bullseye off my back/Myred flag is your white one soaked in blood."[28]Sonic Abuse compared the lyric to those on the band's 1995 single "Lunchbox", describing it as a "satisfyingly crunchy track" with "stabbing industrial" elements.[23] Sputnikmusic called it a "full-blown rock anthem" that blends the musical styles ofHoly Wood andThe Golden Age of Grotesque.[18]
The final song on the album is "Sacrifice of the Mass". The title is a reference to theEucharist, aChristianrite related to theCrucifixion of Jesus. The song is over six minutes in length.[21] The lyric explore themes of religion and spirituality.[22] It finds Manson imagining his own funeral,[24] and contains references to the deaths of his parents.[29] The song's instrumentation featuresprogressive rock elements,[20] beginning with acoustic guitar and keyboards,[22] and gradually expands throughout its duration.Metal Jazz compared the guitar solo at the end to the work ofProcol Harum guitaristRobin Trower.[24]Sonic Abuse compared the track to "Man That You Fear" and "Day 3". They said that like those two songs, "Sacrifice of the Mass" finds Manson "singing of his death, seemingly reflecting on the forces he unleashed when he first took on the Manson persona."[23] A writer forSpotlight Report described it as a "haunting finale" and "one hell of an atmospheric end to the record. It stuck with me for quite some time after it was done."[27]
The vocalist announced on May 16, 2023, that new music was being recorded, when he uploaded a picture of himself singing on social media with the caption: "I've got something for you to hear."[30] Exactly one year later, the band announced they signed a record deal withNuclear Blast.[31] The same day, both the band and label posted a preview clip of a new music video.[32] The band's first new song in four years, "As Sick as the Secrets Within", was released on August 2, 2024,[33][34] alongside a music video directed by longtime collaborator Bill Yukich.[33] That same day, they began a North American arena tour withFive Finger Death Punch, withSlaughter to Prevail appearing as the opening act.[35] The band's lineup consists of Manson, Bates, Sharone,Piggy D, andReba Meyers.[36] The tour was interspersed with the band's own headline shows.[37]
"As Sick as the Secrets Within" debuted at number one onBillboard'sHard Rock Digital Song Sales, their second number one on the chart.[38] It appeared on several otherBillboard charts,[39] peaking at number six onHot Hard Rock Songs, their third top-ten single there.[40] The song was also successful in the United Kingdom, peaking at a career-high number 42 on theUK Singles Downloads Chart, and at number 39 on theUK Singles Sales Chart, their highest peak on that chart since their cover of "Personal Jesus" in 2004.[41]
A CD single for "Raise the Red Flag", was released on August 16 and was limited to 3,000 copies worldwide. Yukich directed the song's music video.[42] Soon after, Meyers was criticized on social media for joining the band.[43][44] The first female member of the group, she received support from numerous other metal musicians in response.[45] "Raise the Red Flag" peaked at number eight onBillboard's Hot Hard Rock Songs,[40] and at number two on Hard Rock Digital Song Sales, matching the peak of previous singles "Sweet Dreams (Are Made of This)" and "Deep Six".[46] The song was successful in the United Kingdom, peaking at number 35 on the UK Singles Sales Chart, their highest ever peak on that chart, and in the top ten of theUK Physical Singles Chart, their first placement on that chart since their cover of "God's Gonna Cut You Down" in 2020.[41] "Sacrilegious" was issued as a single on September 27.[47] The song's music video was also directed by Yukich.[48]
The album was released on November 22,[49] on the 61st anniversary of the assassination of John F. Kennedy.[24] A music video for the title track was released that same day, which was also directed by Yukich.[50] The album's artwork is a watercolor self-portrait by Manson, incorporating imagery from other sources such asgrey aliens, thecrucifixion of Jesus, and themug shot of Donald Trump.[24] The font used on the cover is identical to the one used onHoly Wood.[29] Manson and the band conducted no interviews in advance of the album's release, and reviewers were not provided access to the album prior to its release date.[20] Instead, the band launched theOne Assassination Under God Tour in support of the record, performing headlining shows in Europe and North America throughout 2025,[51][52][53] as well as a series of festival dates.[54] They released a cover ofPhil Collins's "In the Air Tonight" as a non-album single on April 18, 2025,[55] backed by "As Sick as the Secrets Of (Sleep)".[56] The CD single was limited to 4,000 copies,[57] and sold out within four hours of release.[56]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [26] |
| Blabbermouth.net | 7/10[20] |
| KNAC | 5/5[19] |
| Sputnikmusic | 5/5[18] |
The album received a positive reception from critics and fans, topping year-end reader polls by bothMetal Injection andRevolver.[58][59] The latter praised Manson's "defiant" lyricism and his "newly trained-up and cleaned-up vocals." They also praised the production, saying the album "pivots musically from brooding goth rock to dance-floor-stomping industrialism to glammy grandeur".[59]AllMusic said the record merged the "caustic fury" ofAntichrist Superstar, the "glam sheen" ofMechanical Animals and the "cinematic scope" ofHoly Wood. They compared it toThe Pale Emperor, calling it "another strong late-era set" and "one of the tightest records he's ever crafted". However, they said that following the abuse allegations, they found it "impossible to separate the art from the artist."[26]Blabbermouth.net said the album is a "solid and accomplished record with some great tunes." However, they questioned whether people would engage with it to an extent that could "restore Manson's career to its former heights".[20]
KNAC said the album finds Manson transcending hisshock rock persona to deliver an introspective album, one where he uses his "unique voice to explore something more profound." They explained the album "feels like the culmination of everything he's been grappling with for decades, an album that balances darkness and beauty with a maturity we've only seen glimpses of before." They summarized by saying the album "isn't just a return to form; it's a transformation, a shedding of old skin to reveal something darker, sharper, and, surprisingly, more human."[19] Similarly,Crytpic Rock said shock value was absent from the record, but said Manson uses the record to "call society, specifically those who think they have power, out on their hypocrisy."[21]New Transcendence said that while the album retains the "signature aggression and dark themes" of the band's previous work, it was more introspective and mature, saying it "delves deeper into personal struggles and societal critique." They called the album a "challenging and rewarding listen."[22]Metal Jazz said the record "seethes with recrimination", but that it "often leavens the bile with moments of beauty."[24]Heavy Metal said the album was better than the majority of their recent releases. They also praised the lyricism, saying Manson has "once again proven to be the smartest guy in the room, and has therefore landed on his feet again after some tumultuous years".[29]
Metal Planet Music praised the album's consistency, describing it as "not only some of Marilyn Manson's best work, it's some of the best work anyone has produced in 2024."[25]Sonic Abuse described it as a concise record, praising Manson's vocals and saying he delivers his "most carefully poised performances in years." They rated the album 8 out of 10, and said the album contains "strong melodies, solid production, and a number of memorable moments", and that it "certainly has much to commend it for those willing to give it a chance."[23] Staff writer Simon.K forSputnikmusic called it an "explosive return" and praised the songwriting and production, saying Manson thrives when examining and responding to controversy. They said that recent controversies "forced him to write music with real meaning behind it again", and said the album "feels meticulously constructed; you can tell a lot of thought and effort went into every track here, with the overall vibe of the album irrefutably [influenced by]Holy Wood's oppressive atmosphere to set the tone."[18]Spotlight Report rated the album4+1⁄2 stars out of 5, saying the album is "absolutely what the fans have been waiting for. It's much darker than the previous record, more in line with the sound that originally drew the fans in, and feels both like a trip down memory lane and a fresh chapter in Manson's career." They praised the album's consistency, saying: "Every single track on the record fits beautifully into the chaos that is Manson and his music. It's also appropriate timing given the state of the world at the moment. The album is dark, it's beautiful, it's raw and emotional and I really bloody enjoyed it. Simple as that."[27]
One Assassination Under God – Chapter 1 sold over 20,000 copies in the United States on its first week of release, debuting at number five onBillboard'sTop Album Sales chart, which ranks albums based on traditional album sales.[60] Industry trade publicationHits Daily Double confirmed the album sold 21,121 copies on its first week, with 19,138 in pure album sales and nearly 2,000 additional sales derived fromalbum-equivalent units.[61] It debuted at number 32 on theBillboard 200,[62] at number six onTop Independent Albums,[63] and at number two onTop Hard Rock Albums.[64]
The record debuted at number four in both Germany and Switzerland,[65][66] at number six in Austria,[67] and in the top twenty in Belgium, Italy, and Poland.[68][69][70] It debuted at number 36 on theUK Albums Chart, with sales of 3,577 copies.[71] The album entered half a dozen charts in the United Kingdom, peaking at number two onUK Rock & Metal Albums, where it was kept off the top spot byLinkin Park's comeback albumFrom Zero.[72] The album spent eight weeks on the chart.[73] It also peaked in the top ten of theScottish Albums Chart.[74] Its chart performance in the United Kingdom resulted in the band being eligible for theBrit Award for International Artist. This was criticized by a writer forThe Independent. In response, a spokesperson for theBrit Awards said that although they condemn "any form of sexual violence or harassment, we also believe in the due process of the law. Artists become eligible based on their musical impact in the previous 12 months, as measured by success in theOfficial Charts."[75]
All tracks are written byMarilyn Manson andTyler Bates.
| No. | Title | Length |
|---|---|---|
| 1. | "One Assassination Under God" | 5:28 |
| 2. | "No Funeral Without Applause" | 4:06 |
| 3. | "Nod If You Understand" | 4:05 |
| 4. | "As Sick as the Secrets Within" | 5:35 |
| 5. | "Sacrilegious" | 3:35 |
| 6. | "Death Is Not a Costume" | 4:52 |
| 7. | "Meet Me in Purgatory" | 4:36 |
| 8. | "Raise the Red Flag" | 4:49 |
| 9. | "Sacrifice of the Mass" | 6:15 |
| Total length: | 43:26 | |
Credits adapted from the album's liner notes.[14]
Musicians
Technical personnel
| Chart (2024) | Peak position |
|---|---|
| Australian Albums (ARIA)[76] | 44 |
| Austrian Albums (Ö3 Austria)[67] | 6 |
| Belgian Albums (Ultratop Flanders)[77] | 112 |
| Belgian Albums (Ultratop Wallonia)[68] | 16 |
| Danish Vinyl Albums (Hitlisten)[78] | 8 |
| Dutch Albums (Album Top 100)[79] | 66 |
| Finnish Albums (Suomen virallinen lista)[80] | 23 |
| French Albums (SNEP)[81] | 25 |
| French Rock & Metal Albums (SNEP)[82] | 4 |
| German Albums (Offizielle Top 100)[83] | 4 |
| German Alternative Albums (GfK)[65] | 1 |
| Hungarian Physical Albums (MAHASZ)[84] | 32 |
| Italian Albums (FIMI)[69] | 18 |
| Japanese Digital Albums (Oricon)[85] | 33 |
| Japanese Hot Albums (Billboard Japan)[86] | 39 |
| Japanese Rock Albums (Oricon)[87] | 8 |
| New Zealand Albums (RMNZ)[88] | 35 |
| Polish Albums (ZPAV)[70] | 12 |
| Portuguese Albums (AFP)[89] | 46 |
| Scottish Albums (OCC)[74] | 10 |
| Spanish Albums (PROMUSICAE)[90] | 31 |
| Swedish Physical Albums (Sverigetopplistan)[91] | 6 |
| Swedish Hard Rock Albums (Sverigetopplistan)[92] | 3 |
| Swiss Albums (Schweizer Hitparade)[66] | 4 |
| UK Albums (OCC)[93] | 36 |
| UK Independent Albums (OCC)[94] | 3 |
| UK Rock & Metal Albums (OCC)[95] | 2 |
| USBillboard 200[62] | 32 |
| USTop Hard Rock Albums (Billboard)[64] | 2 |
| USIndependent Albums (Billboard)[63] | 6 |
| USTop Rock & Alternative Albums (Billboard)[96] | 6 |
