Anomphalos is a religious stoneartefact. InAncient Greek, the wordὀμφᾰλός (omphalós) means "navel". Among the Ancient Greeks, it was a widespread belief thatDelphi was the center of the world. According to the myths regarding the founding of theDelphic Oracle,Zeus, in his attempt to locate the center of the Earth, launched two eagles from the two ends of the world, and the eagles, starting simultaneously and flying at equal speed, crossed their paths above the area of Delphi, and so that was the place where Zeus placed the stone.[1] TheLatin term isumbilicus mundi, 'navel of the world'.
Omphalos is also the name of the stone given toCronus.
Most accounts locate the Delphi omphalos in theadyton (sacred part of the temple) near thePythia (oracle). The stone sculpture itself, which may be a copy, has a carving of a knotted net covering its surface and a hollow center, widening towards the base. The omphalos represents the stone whichRhea wrapped in swaddling clothes, pretending it was Zeus, in order to deceiveCronus. (Cronus was the father who swallowed his children so as to prevent them from usurping him as he had deposed his own father,Uranus.)
Omphalos stones were believed to allow direct communication with the gods. Holland (1933) suggested that the stone was hollow to allow intoxicating vapours breathed by the Oracle to channel through it.[2]Erwin Rohde wrote that thePython at Delphi was an earth spirit, who was conquered byApollo and buried under the Omphalos. However, understanding of the use of the omphalos is uncertain due to destruction of the site byTheodosius I andArcadius in the 4th century CE.[3]
Omphalos is a public art sculpture byDimitri Hadzi formerly located inHarvard Square,Cambridge, Massachusetts under theArts on the Line program.[4] The sculpture was removed on 2014, to be relocated toRockport, Massachusetts.[5]
Omfalos is a concrete and rock sculpture by the conceptual artistLars Vilks, previously standing in theKullaberg nature reserve,Skåne County,Sweden.[6] As of 2001, the sculpture belongs to the collections ofModerna Museet inStockholm, Sweden.[7]
In literature, the wordomphalos has held various meanings but usually refers to the stone at Delphi. Authors who have used the term include:Homer,[8][9]Pausanias,D.H. Lawrence,James Joyce,Philip K. Dick,[10]Jacques Derrida,Ted Chiang, Sandy Hingston andSeamus Heaney. For example, Joyce uses the term in the novel,Ulysses:
"Billy Pitt had them built," Buck Mulligan said, "when the French were on the sea but our's is the omphalos." [Chapter 1]
One of her sisterhood lugged me squealing into life. Creation from nothing. What has she in the bag? A misbirth with a trailing navelcord, hushed in ruddy wool. The cords of all link back, strandentwining cable of all flesh. That is why mystic monks. Will you be as gods? Gaze in your omphalos. [Chapter 3]
[...] to set up there a national fertilising farm to be named Omphalos with an obelisk hewn and erected after the fashion of Egypt and to offer his dutifulyeoman services for the fecundation of any female of what grade of life soever who should there direct to him with the desire of fulfilling the functions of her natural. [Chapter 14]
InTed Chiang's short story "Omphalos" (2019), the protagonist is forced to question her belief about where the center of the world is located.
In "The Toome Road", aSeamus Heaney poem from the 1979 anthologyField Work, Heaney writes about an encounter with a convoy of armoured cars in Northern Ireland, "… O charioteers, above your dormant guns, It stands here still, stands vibrant as you pass, The invisible, untoppable omphalos."
Omphalos syndrome refers to the belief that a place of geopolitical power and currency is the most important place in the world.[11][12]
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