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Om Namo Narayanaya

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Om Namo Narayanaya written in theDevanagari script.
A Hindu mantra

Om Namo Narayanaya (Sanskrit:ॐ नमो नारायणाय,romanizedOm Namo Nārāyanāya,lit.'I bow to the Ultimate Reality, Narayana'),[1] also referred to as theAshtakshara (eight syllables), and theNarayana Mantra, is among the most popularmantras ofHinduism, and the principal mantra ofVaishnavism.[2] It is an invocation addressed toNarayana, the god of preservation, the form ofVishnu who lays in eternal rest beneath thecosmic waters.[3]

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Vaishnavism
Closeup of Vishnu, seated in the lotus position on a lotus. From depiction of the poet Jayadeva bowing to Vishnu, Gouache on paper Pahari, The very picture of devotion, bare-bodied, head bowed, legs crossed and hands folded, Jayadeva stands at left, with the implements of worship placed before the lotus-seat of Vishnu who sits there, blessing the poet.
Supreme deity

Literature

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A painting of Narayana

Om Namo Narayanaya is mentioned inHindu literature, especially in theUpanishads and thePuranas. The mantra is described in these scriptures as being invoked to attain salvation from the deity and is also given as an instruction to devotees of Narayana in performance of rituals.[4]

Sculpture ofNarayana inMahabalipuram often dated (630–668 AD)[5]

According to theTarasara Upanishad,Om is the divine sacred syllable that represents the nature ofBrahman, the Ultimate Reality that is unchanging and eternal.Namo is translated from Sanskrit as “to bow to” or “to pay homage”.Narayanaya may be translated as "to or of Narayana";Nara refers to “water”, andanaya means “abode” or “shelter.” Narayana is regarded as an epithet of Vishnu, whose celestial realm isVaikuntha, amid the cosmic waters of creation. Hence, it is a mantra that is associated with submission toGod, accepting one's existence in the grand design, as well as seeking the protection of Vishnu.[6]

The sageYajnavalkya provides an explanation of the breakdown of the mantra's components:[7]

SyllableSymbolismInvocation
OmAtmaBrahma
Na/MaPrakrtiVishnu/Rudra
Na/Ra/Ya/Na/YaParabrahmanIshvara/Virata/Purusha/Bhagavan/Paramatma

In theVaishnava Upanishads, theSamashti-Yantra, the words described overAnanta, the seat of Vishnu, bear theashtakshara.[8]

TheNarada Purana furnishes the following details regarding the chanting of this mantra: If a man performs thejapa of chanting the mantra in the banks of the riverGanga, he would achievemoksha.[9]

TheNarayana Upanishad also remarks upon the mantra, stating that one attainsVaikuntha by chanting it.[10]

The mantra is also often associated withPrahlada, adaitya devotee of Narayana, and the son ofHiranyakashipu. Despite repeated instruction by his instructors to chant the invocation, "Hiranyaya namaha" (glory to Hiranya), the devotee sticks to his favoured mantra, "Om Namo Narayanaya Namaha" (glory to Narayana).[11]

Om Namo Narayanaya written in Tamil,Parthasarathy Perumal temple, Chennai

Historical usage

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Periyalvar, anAlvar, a poet-saint of theSri Vaishnava tradition, invoked the mantra to convince thePandya king ofMadurai of the supremacy of Vishnu. He proclaimed that Narayana was the supreme deity, all-merciful and all-bountiful, and that he was the path towards the achievement of bliss.[12]

According to theSri Vaishnava narrative, the theologianRamanuja is regarded to have revealed this secret mantra from the tower of theTirukoshtiyur temple to the crowd gathered outside the shrine.[13]

Significance

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TheUrdhva Pundra, worn by adherents of Narayana. Wall painting inRanganathaswamy Temple, Srirangam.

The mantra is held in supreme regard by theVaishnavas, the adherents of Vishnu who make up the dominant denomination within Hinduism.[14] The religious significance of chanting this incantation is described in theTarasara Upanishad, stating that he who chants the mantra is purified by the deitiesAgni,Vayu,Surya, as well asShiva. The merit attained by chanting it is described to be the equivalent of reciting theItihasas, thePuranas, and all the mantras a hundred thousand times. It is also stated to be the equivalent of reciting theGayatri mantra a hundred thousand times, and the syllable 'Om' ten thousand times. It is stated to be powerful enough to purify ten of one's immediate ancestors, and ten of one's immediate descendants. Finally, it states that the recitation of the mantra allows one to attain the state of union with Narayana.[15]

TheLinga Purana states that chanting the mantra is the means for achieving all objects, and hence must be invoked for every occasion.[16]

InSri Vaishnavism, the chanting of the mantra was part of thepanchasamskaras ofRamanuja, the five sacraments that initiated him into the tradition by his guru, Periyanambi.[17]

According to Vaishnava theology, it is held that whoever studies thisashtakshara of Narayana and recites it constantly attains a full life, supremacy over men, enjoys the pleasures of royalty, and becomes the master of all souls. Whoever chants this mantra is held to attainmoksha, according to the teachings of theSamaveda.[18]

See also

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References

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  1. ^Krishnamurthy, V. (2018-05-16).Thoughts of Spiritual Wisdom.Notion Press. p. 129.ISBN 978-1642499018.
  2. ^Jayaraman, Dr P. (2019).A Brief History of Vaishnava Saint Poets : The Alwars. Vani Prakashan.ISBN 978-93-89012-69-9.
  3. ^Werner, Karel (2013-12-16).Love Divine: Studies in 'Bhakti and Devotional Mysticism. Routledge. p. 135.ISBN 978-1-136-77468-3.
  4. ^Makarand Joshi.Varaha Purana ENG 2 Volumes In 1 File OCR Motilal Banasirdass 1960.
  5. ^"General view of the façade of the Yamapuri or Mahishasuramardhini Cave Temple, Mamallapuram". Online Gallery of British Library. Retrieved23 October 2012.
  6. ^Narayanasvami Aiyar, K. (1914).Thirty minor Upanishads. Robarts - University of Toronto. Madras : Printed by Annie Besant at the Vasanta Press.{{cite book}}: CS1 maint: publisher location (link)
  7. ^Narayanasvami Aiyar, K. (1914).Thirty minor Upanishads. Robarts - University of Toronto. Madras : Printed by Annie Besant at the Vasanta Press. p. 124.{{cite book}}: CS1 maint: publisher location (link)
  8. ^Brahmayogin, Upanishad.108 Upanishads with Sanskrit Commentary of Upanishad Brahma Yogin. Adyar Library.
  9. ^Makarand Joshi.Narada Purana ENG 05 1952 OCR Motilal Banasirdass. p. 1766.
  10. ^108 Upanishad.
  11. ^Muthukumaraswamy, M. D.; Kaushal, Molly (2004).Folklore, Public Sphere, and Civil Society. NFSC www.indianfolklore.org.ISBN 978-81-901481-4-6.
  12. ^Shuddhananda Bharati (1942).Alvar Saints. pp. 13–14.
  13. ^Flood, Gavin (2005-06-10).The Blackwell Companion to Hinduism. John Wiley & Sons. p. 248.ISBN 978-1-4051-3251-0.
  14. ^Johnson, Todd M. (2013).The worlds religions in figures : an introduction to international religious demography. Gina A. Bellofatto. Chichester, West Sussex, UK.ISBN 978-1-118-32303-8.OCLC 826899669.{{cite book}}: CS1 maint: location missing publisher (link)
  15. ^Narayanasvami Aiyar, K. (1914).Thirty minor Upanishads. Robarts - University of Toronto. Madras : Printed by Annie Besant at the Vasanta Press. p. 126.{{cite book}}: CS1 maint: publisher location (link)
  16. ^Studholme, Alexander (2012-02-01).The Origins of Om Manipadme Hum: A Study of the Karandavyuha Sutra. SUNY Press. p. 177.ISBN 978-0-7914-8848-5.
  17. ^Narasimhacharya, Madabhushini (2004).Sri Ramanuja. Sahitya Akademi.ISBN 978-81-260-1833-8.
  18. ^Sixty Upaniṣads of the Veda. Paul Deussen, V. M. Bedekar, Gajanan Balkrishna Palsule (1st ed.). Delhi: Motilal Banarsidass. 1997.ISBN 81-208-0430-9.OCLC 702548741.{{cite book}}: CS1 maint: others (link)
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