| Olangal | |
|---|---|
 Poster | |
| Directed by | Balu Mahendra |
| Screenplay by | Balu Mahendra |
| Produced by | Joseph Abraham |
| Starring | Amol Palekar Poornima Jayaram Ambika Adoor Bhasi Anju |
| Cinematography | Balu Mahendra |
| Edited by | D. Vasu |
| Music by | Ilaiyaraaja |
Release date |
|
| Country | India |
| Language | Malayalam |
Olangal (transl. Waves) is a 1982 IndianMalayalam-language film, directed byBalu Mahendra. The film's plot is inspired by the 1980Erich Segal novelMan, Woman and Child.[2]
Life goes on happily for the couple, Ravi and Radha, who live with their only daughter, until Father John arrives in the city with a young boy Raju, Ravi's son from an affair with Reetha, before his marriage to Radha. Now he has to keep the boy with him for a month before Father John takes the boy abroad.
Ravi introduces the boy to his wife as the son of a dead friend, George, and she happily accepts to keep the boy with them. But the truth emerges when the "dead friend" visits their house. The six-year-long marriage between Ravi and Radha shatters.
All lyrics are written byO. N. V. Kurup; all music is composed byIlaiyaraaja
| No. | Title | Artist(s) | Length |
|---|---|---|---|
| 1. | "Kuliradunnu Maanathu" | K. J. Yesudas,Choir | |
| 2. | "Thumbi Vaa Thumbakudathin" | S. Janaki | |
| 3. | "Vezhaambal Kezhum Venalkkudeeram" | K. J. Yesudas, S. Janaki |
The song "Thumbi Vaa" gained massive popularity on release. Ilaiyaraaja re-used the tune in Telugu, Tamil and Hindi films. The song was re-used in Balu Mahendra's 1986 Telugu filmNireekshana as "Aakasham Eenatido" and twice in Tamil, first in the 1982 filmAuto Raja as "Sangathil Paadatha" and next inKanne Kalaimaane, the dubbed version ofNireekshana, as "Neerveezhchi Thee Muttuthey".[3][4] Balu Mahendra loved the tune so much that he insisted having the tune again in his 1996 Hindi filmAur Ek Prem Kahani in the song "Monday To Uth Kar". It was also used in the 2009Hindi filmPaa as "Gumm Summ Gumm".[5]
Sreedhar Pillai wrote forIndia Today, "As always with Mahendra's films the photography is superb. It captures the lush green of Ooty and the urban landscape of Bangalore with equal ease. Amol Palekar gives a subdued performance."[6]