| Ocean's 11 | |
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.jpeg) Theatrical release poster | |
| Directed by | Lewis Milestone |
| Screenplay by | |
| Story by |
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| Produced by | Lewis Milestone |
| Starring | |
| Cinematography | William H. Daniels |
| Edited by | Philip W. Anderson |
| Music by | Nelson Riddle |
Production company | Dorchester Productions |
| Distributed by | Warner Bros. Pictures |
Release dates |
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Running time | 127 minutes |
| Country | United States |
| Language | English |
| Box office | $5.5 million[2] |
Ocean's 11 is a 1960 Americanheist film directed and produced byLewis Milestone from a screenplay byHarry Brown andCharles Lederer, based on a story byGeorge Clayton Johnson and Jack Golden Russell. The film stars anensemble cast and five members of theRat Pack:Frank Sinatra,Dean Martin,Sammy Davis Jr.,Peter Lawford, andJoey Bishop.[3] Centered on a series ofLas Vegascasino robberies, the film also starsAngie Dickinson,Richard Conte,Cesar Romero,Patrice Wymore,Akim Tamiroff, andHenry Silva. It includes cameo appearances byShirley MacLaine,Red Skelton, andGeorge Raft.
Ocean's 11 premiered in Las Vegas on August 3, 1960, and was theatrically released in the United States on August 10 byWarner Bros. Pictures. The film received mixed reviews from critics. It originated theOcean's film series.
World War II veterans Danny Ocean and Jimmy Foster recruit nine comrades from their unit in the82nd Airborne Division to simultaneously rob fiveLas Vegascasinos: theSahara, theRiviera, theDesert Inn, theSands, and theFlamingo.
The gang plans the elaborate New Year's Eve heist with the precision of a military operation. Josh Howard takes a job as a sanitation worker driving a garbage truck while others get jobs at the various casinos. Sam Harmon entertains in one of the hotel's lounges. Demolition charges are planted on a localelectric power transmission tower and the backup electrical systems are covertly rewired in each casino to open the cashier cages when the automatic generator kicks in. At midnight on New Year's Eve, the tower is blown up and theLas Vegas Strip goes dark, as the men sneak into the money cages, hold up the cashiers, and dump their collection bags into the hotels' garbage bins. A garbage truck driven by Josh picks up the bags and passes through the police blockade. Everything appears to have gone off without a hitch.
The gang's electrician, Tony Bergdorf, drops dead of a heart attack in the middle of the Strip. This raises police suspicions, who wonder if there is any connection to the thefts. Reformed mobster Duke Santos offers to recover the casino bosses' money for a percentage. As the robbery was well organized, he assumes that it was aMafia operation until his underworld connections deny any involvement. Duke is engaged to Foster's mother, who casually mentions that Foster and Ocean, having fought together in the army, are both unexpectedly in Las Vegas. Duke also learns about Bergdorf's military record from the police. By the time that Bergdorf's body arrives at the mortuary, Duke has pieced it all together.
Duke confronts the thieves, demanding half of their take. In desperation, they hide the money in Bergdorf's coffin, setting aside $10,000 for his widow. The group plans to take back the rest, making no payoff to Duke, after the coffin is shipped to San Francisco. Their plan backfires when the funeral director talks Bergdorf's widow into having the funeral in Las Vegas. She has the body and coffincremated along with all of the hidden cash.
Danny Ocean, the titular character, collects a heist crew, consisting of these eleven members:
Peter Lawford was first told of the film's basic premise by director Gilbert Kay, who had heard the idea from afilling station attendant. Lawford bought the rights in 1958, envisioningWilliam Holden in the lead.[6] Frank Sinatra became interested in the idea, and a variety of writers worked on the project. When Lawford first told Sinatra of the story, Sinatra joked, "Forget the movie, let's pull the job!"[6]
The animated title sequence was designed bySaul Bass.[7] The film's closing shot shows the main cast walking away from the funeral home, with the Sands Hotel marquee behind them, listing their names as headliners.
The Las Vegas portion of the film was shot on location at theFlamingo,Sands,Desert Inn,Riviera, andSahara hotels. One segment was also filmed at the formerLas Vegas Union Pacific station. According to Frank Sinatra Jr., the Rat Pack members were performing shows at 8pm and midnight during the production, so by the time the cast and crew were ready after the shows, much of the footage on location was shot between 3am and dawn.[8]
TwoBeverly Hills locations were used: the opening barber shop scene was filmed at 9740Wilshire Boulevard and the scenes at Spyros Acebos's house were filmed at 230 Ladera Drive, which belonged to Hollywood agent Kurt Frings.[citation needed]
The film received mixed reviews from critics.Bosley Crowther ofThe New York Times disliked the film because "there is no built-in implication that the boys have done something wrong. There is just an ironic, unexpected and decidedly ghoulish twist whereby they are deprived of their pickings and what seems their just deserts. This is the flaw in the picture — this and the incidental fact that a wholesale holdup of Las Vegas would not be so easy as it is made to look".[9]
Variety wrote that the film was "frequently one resonant wisecrack away from turning into a musical comedy. Laboring under the handicaps of a contrived script, an uncertain approach and personalities in essence playing themselves, the Lewis Milestone production never quite makes its point, but romps along merrily unconcerned that it doesn't".[10] Leo Sullivan ofThe Washington Post called the film "nothing more than a whopping sick joke in Technicolor ... It's a completely amoral tale, told for laughs".[11]
Philip K. Scheuer of theLos Angeles Times wrote that the film "has a pretty good surprise twist at the finish and is, of its type, a pretty good comedy-melodrama".[12] A mixed review inThe Monthly Film Bulletin called it "an overlong, intermittently amusing picture full of surface effects and private jokes ... Despite Milestone's efforts, the first third tends to drag, due mainly to desultory characterisation, but when the raid begins both situations and dialogue improve considerably".[13]
OnRotten Tomatoes,Ocean's 11 holds a "rotten" rating of 47%, based on 34 reviews, with an average rating of 5.4/10. The critical consensus reads: "Easygoing but lazy,Ocean's Eleven blithely coasts on the well-established rapport of the Rat Pack royalty".[14] OnMetacritic, it has a score of 57 out of 100 based on 6 critics reviews, indicating "Mixed or average reviews."[15]
Ocean's 11 is not a musical, but still has a few songs in it. "EEE-O-11" is the centerpoint song of the movie, being sung bySammy Davis Jr. midway through and again at the end, as the end credits play. All songs were written bySammy Cahn andJimmy Van Heusen.
Ocean's 11 was released on videocassette byWarner Home Video on February 9, 1983, as part of its "A Night At the Movies" series, featuring aHearst Metrotone Newsreel, a Warner Bros. animated short, and a coming-attractions trailer forfilms of 1960.[16] The film was released as a 50th-anniversaryBlu-ray disc on November 9, 2010. The disc's bonus features include:[17]
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