| Nina the Starry Bride | |
Firsttankōbon volume cover | |
| 星降る王国のニナ (Hoshifuru Ōkoku no Nina) | |
|---|---|
| Genre | Historical fantasy[1] |
| Manga | |
| Written by | Rikachi |
| Published by | Kodansha |
| English publisher | |
| Magazine | Be Love |
| Original run | October 1, 2019 – present |
| Volumes | 18 |
| Anime television series | |
| Directed by | Kenichiro Komaya |
| Written by | Yuka Yamada |
| Music by | Natsumi Tabuchi |
| Studio | Signal.MD |
| Licensed by | Crunchyroll |
| Original network | Tokyo MX,BS Asahi |
| Original run | October 10, 2024 – December 26, 2024 |
| Episodes | 12 |
Nina the Starry Bride (Japanese:星降る王国のニナ,Hepburn:Hoshifuru Ōkoku no Nina;lit. "Nina from the Kingdom of Falling Stars") is a Japanesemanga series written and illustrated by Rikachi. The series began serialization inBe Love in October 2019. As of February 2026, the series has been collected into eighteentankōbon volumes. Ananime television series adaptation produced bySignal.MD aired from October to December 2024.
In 2022,Nina the Starry Bride won the 46thKodansha Manga Award in theshōjo category.
Nina is an orphan living in the fantasy land of Fortuna. Discovered by Prince Azure, her unusual blue eyes bears a similarity to the deceased Princess Alisha, who was due to be married off to a powerful neighboring country. Thus, Prince Azure hatches a plot to have Nina take Princess Alisha's place, but the two become drawn to each other.
Written and illustrated by Rikachi, the series began serialization inBe Love on October 1, 2019.[1] As of February 2026, the series' individual chapters have been collected into eighteentankōbon volumes.[9]
In February 2021,Kodansha USA announced that they licensed the series for English publication.[10] During their panel atAnime NYC 2022, Kodansha USA announced a print release for Fall 2023.[11]
| No. | Original release date | Original ISBN | English release date | English ISBN |
|---|---|---|---|---|
| 1 | March 13, 2020[12] | 978-4-06-518717-3 | April 13, 2021 (digital) October 24, 2023 (print)[13] | 978-1-63-699045-3 (digital) 978-1-64-651860-9 (print) |
| 2 | July 13, 2020[14] | 978-4-06-520217-3 | May 11, 2021 (digital) December 26, 2023 (print)[15] | 978-1-63-699097-2 (digital) 978-1-64-651861-6 (print) |
| 3 | October 13, 2020[16] | 978-4-06-520983-7 | June 8, 2021 (digital) March 5, 2024 (print)[17] | 978-1-63-699148-1 (digital) 978-1-64-651862-3 (print) |
| 4 | February 12, 2021[18] | 978-4-06-522365-9 | August 17, 2021 (digital) May 14, 2024 (print)[19] | 978-1-63-699303-4 (digital) 978-1-64-651863-0 (print) |
| 5 | June 11, 2021[20] | 978-4-06-523658-1 | October 19, 2021 (digital) June 25, 2024 (print)[21] | 978-1-63-699420-8 (digital) 978-1-64-651864-7 (print) |
| 6 | October 13, 2021[22] | 978-4-06-525681-7 | February 22, 2022 (digital) September 24, 2024 (print)[23] | 978-1-63-699632-5 (digital) 978-1-64-651865-4 (print) |
| 7 | February 10, 2022[24] | 978-4-06-526769-1 | August 16, 2022 (digital) October 29, 2024 (print)[25] | 978-1-68-491399-2 (digital) 978-1-64-651866-1 (print) |
| 8 | July 13, 2022[26] | 978-4-06-528572-5 | December 20, 2022 (digital) March 11, 2025 (print)[27] | 978-1-68-491600-9 (digital) 978-1-64-651867-8 (print) |
| 9 | November 11, 2022[28] | 978-4-06-529878-7 | May 2, 2023 (digital) April 29, 2025 (print)[29] | 978-1-68-491893-5 (digital) 978-1-64-651990-3 (print) |
| 10 | March 13, 2023[30] | 978-4-06-531144-8 | August 15, 2023 (digital) June 24, 2025 (print)[31] | 979-8-88-933100-1 (digital) 979-8-88-877058-0 (print) |
| 11 | August 10, 2023[32][33] | 978-4-06-532772-2 978-4-06-532789-0 (SE) | January 9, 2024 (digital) August 26, 2025 (print)[34] | 979-8-88-933421-7 (digital) 979-8-88-877204-1 (print) |
| 12 | December 13, 2023[35] | 978-4-06-534052-3 | May 14, 2024 (digital) October 28, 2025 (print)[36] | 979-8-88-933490-3 (digital) 979-8-88-877278-2 (print) |
| 13 | April 12, 2024[37] | 978-4-06-535302-8 | September 10, 2024 (digital) December 30, 2025 (print)[38] | 979-8-89-478011-5 (digital) 979-8-88-877387-1 (print) |
| 14 | September 12, 2024[39] | 978-4-06-536824-4 | February 11, 2025 (digital) February 24, 2026 (print)[40] | 979-8-89-478369-7 (digital) 979-8-88-877534-9 (print) |
| 15 | November 13, 2024[41] | 978-4-06-537571-6 | June 10, 2025 (digital)[42] | 979-8-89-478553-0 |
| 16 | April 11, 2025[43] | 978-4-06-538800-6 | October 7, 2025 (digital)[44] | 979-8-89-478725-1 |
| 17 | September 12, 2025[45] | 978-4-06-540749-3 | February 10, 2026 (digital)[46] | 979-8-89-478890-6 |
| 18 | February 13, 2026[9] | 978-4-06-542673-9 | — | — |
Ananime television series adaptation was announced on November 30, 2023.[2] It is produced bySignal.MD and directed by Kenichiro Komaya, with scripts written by Yuka Yamada, character designed by Kyoko Taketani, and music composed by Natsumi Tabuchi.[47] The series aired from October 10 to December 26, 2024, onTokyo MX andBS Asahi. The opening theme song (from episode 02 onwards) is "Nina" performed byMaaya Sakamoto, while the ending theme song is "Hoshi no Dengon" (Messages From the Stars) performed byNao Tōyama.[5]Crunchyroll is streaming the series three days ahead of its Japanese broadcast.[48][3]
| No. | Title [49][50] | Directed by [49] | Written by [49] | Storyboarded by [49] | Original release date [51] |
|---|---|---|---|---|---|
| 1 | "The Origin of Sin" Transliteration: "Tsumi no Hajimari" (Japanese:罪のはじまり) | Kazuho Kunimoto | Yuka Yamada | Shinji Ushiro | October 10, 2024 (2024-10-10) |
| 2 | "The Lost Name" Transliteration: "Ushinawareta Namae" (Japanese:失われた名前) | Ikuhiro Matsui | Yuka Yamada | Shinji Ushiro | October 17, 2024 (2024-10-17) |
| 3 | "The Night of Dreams" Transliteration: "Yume Saku Yoru" (Japanese:夢咲く夜) | Kazuya Mitsuhashi | Yuka Yamada | Shinji Ushiro | October 24, 2024 (2024-10-24) |
| 4 | "The Day of Departure" Transliteration: "Shuttatsu no Hi" (Japanese:出立の日) | Kumaneko Ankoku | Yuka Yamada | Shinji Ushiro | October 31, 2024 (2024-10-31) |
| 5 | "Crimson Eyes" Transliteration: "Shinku no Hitomi" (Japanese:深紅の瞳) | Kazuya Mitsuhashi | Yuka Yamada | Shinji Ushiro | November 7, 2024 (2024-11-07) |
| 6 | "The First Princess" Transliteration: "Hajimete no Hime" (Japanese:はじめての姫) | Kazuho Kunimoto | Yuka Yamada | Shinji Ushiro | November 14, 2024 (2024-11-14) |
| 7 | "The Great Nation's Dream" Transliteration: "Taikoku no Yume" (Japanese:大国の夢) | Ryū Yajima | Yuka Yamada | Shinji Ushiro | November 21, 2024 (2024-11-21) |
| 8 | "Memories of Blood" Transliteration: "Chi no Kioku" (Japanese:血の記憶) | Ikuhiro Matsui | Yuka Yamada | Shinji Ushiro | November 28, 2024 (2024-11-28) |
| 9 | "The Window of Love" Transliteration: "Kesō no Mado" (Japanese:懸想の窓) | Kaihang Chen | Yuka Yamada | Shinji Ushiro | December 5, 2024 (2024-12-05) |
| 10 | "Mouth of Money, Heart of Gall" Transliteration: "Kōmitsu Fukuken" (Japanese:口蜜腹剣) | Ryū Yajima | Yuka Yamada | Shinji Ushiro | December 12, 2024 (2024-12-12) |
| 11 | "The Love that Cannot Be" Transliteration: "Aite Awazaru Koi" (Japanese:逢ひて逢わざる恋) | Pei Ni Hong | Yuka Yamada | Takashi Tsuge Kazuya Mihashi | December 19, 2024 (2024-12-19) |
| 12 | "The Fate of the Stars" Transliteration: "Hoshi no Yukue" (Japanese:星のゆくえ) | Kazuho Kunimoto | Yuka Yamada | Shinji Ushiro Takashi Tsuge | December 26, 2024 (2024-12-26) |
Nina the Starry Bride won the 46thKodansha Manga Award in theshōjo category in 2022.[52] Yuka Shiraishi fromReal Sound [ja] listed the series as the sixth Best Manga in 2021.[53]
Brianna Fox-Priest fromOtaku USA praised character designs and story, and stated "There are more thrilling romance manga out, but this one has room to grow. Judging by the covers of future installments,Nina The Starry Bride has more story to unfold".[54] As part ofAnime News Network's spring 2021 manga guide, Rebecca Silverman and Lynzee Loveridge reviewed the series for the website. Silverman praised the main protagonist, artwork, story, and stated "It is worth reading. The art is clean and shows some beautiful use of detail especially in the clothes, there is just enough intrigue to keep things moving". Loveridge had similar opinions about the series.[55]