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Nikolaus Simrock

From Wikipedia, the free encyclopedia
German horn player and music publisher

Nikolaus Simrock, painted byJoseph Karl Stieler,c. 1820

Nikolaus Simrock (23 August 1751 inMainz – 12 June 1832 inBonn) was a German horn player at the court of theElector of Cologne in Bonn and a music publisher. He was a friend ofLudwig van Beethoven and founder of theN. Simrock music publishing house.[1] "Highly esteemed as a man and a musician", he remained in contact with Beethoven throughout the 1790s and is regarded as a "reliable witness" to Beethoven's years in Bonn.[2][3]

Biography

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Simrock was born in Mainz, the son of a corporal, and was a horn player in a French military chapel before age 16. He applied at the Cologne ElectorMaximilian Frederick for a job in the Bonn court orchestra. He began working there in April 1775 as "bugler" with an annual salary of 300 florins. The young Beethoven later played in the same orchestra.[4]

Simrock was one of the most famous philosophers of theEnlightenment in the elector's residence. Like his colleaguesFranz Anton Ries andChristian Gottlob Neefe, he belonged to the Minervalkirche Stagira, an association of theOrder of Illuminati. After its demise he was a founding member of the "Lesegesellschaft" (Reading Society) in Bonn. He was a member of theMasonic Lodge "Les Frères courageux", founded in Bonn in 1805.[5][6]

In 1793, Nikolaus Simrock founded the music publishing houseN. Simrock in Bonn. Two of his early publications were Beethoven's variations "Das rote Käppchen" (WoO 66) in 1793 and variations on a theme by Waldstein (WoO 67) in 1794.[2] One reason for the success of this company – in addition to Simrock's business acumen – was his pro-French attitude that paid off after the electoral period in 1794 during the early occupation of Bonn and theRhineland by French revolutionary troops.

Simrock had become one of the most important European music publishers by the beginning of the 19th century. Under his leadership, N. Simrock published first editions of music byJoseph Haydn,[7] whom he met in person,[4] andLudwig van Beethoven (13 first editions).[1][4]

Among the notable composers published after Simrock's death wereRobert Schumann, including hisThird Symphony[4] andFelix Mendelssohn, including his oratoriosElias andPaulus.[4][8]Fritz Simrock, his grandson, moved the headquarters of the publishing house from Bonn to Berlin in 1870. He is especially known for publishing works ofJohannes Brahms andAntonín Dvořák.[9]

Personal life

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Simrock was married to Franziska Ottilie Blaschek from Mainz and they had 13 children together.[10] The family members influenced nearly 200 years of cultural history of the Rhineland. One of his sons,Peter Joseph Simrock, ran the publishing business, another son was for many years the manager of the Hotel "Trierer Hof" in the market square, whereAlexandre Dumas was a guest.[11] The youngest son,Karl, was an editor of old and middle German literature and German literature of the 19th century.[11]

References

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  1. ^abCooper, Barry (2008).Beethoven. Oxford University Press. p. 3.ISBN 978-0-19-531331-4 – via books.google.com.
  2. ^abThayer, Alexander Wheelock; Forbes, Elliot; Krehbiel, Henry Edward (1992).Thayer's Life of Beethoven. Princeton University Press. p. 169.ISBN 978-0-691-02717-3 – via books.google.com.
  3. ^Senner, Wayne M. (1999).The Critical Reception of Beethoven's Compositions by His German Contemporaries. U of Nebraska Press. p. 108.ISBN 978-0-8032-1250-3 – via books.google.com.
  4. ^abcde"Nikolaus Simrock" (in German). Stadtmuseum Bonn. 2012. Archived fromthe original on 27 April 2012.
  5. ^Deutsches Historisches Institut (Paris, France) (1992).Francia: Revolution, empire, 1500–1815 : Forschungen zur westeuropäischen Geschichte. Frühe Neuzeit [France: Revolution, empire, 1500–1815 : Research on Western European history. Early modern period]. Thorbecke. p. 140.ISBN 9783799572255 – via books.google.com.
  6. ^Alain Maureau; Germaine Peyron-Montagnon; André Palluel-Guillard (1978).Grands notables du Premier Empire: notices de biographie sociale [Leading figures of the First French Empire: biographical and social profiles]. Centre national de la recherche scientifique. p. 107.ISBN 978-2-222-02280-0 – via books.google.com.
  7. ^Stevenson, Robert Murrell (1981).Inter-American music review. R. Stevenson. p. 19 – via books.google.com.
  8. ^Mercer-Taylor, Peter Jameson (21 October 2004).The Cambridge Companion to Mendelssohn.Cambridge Companions to Music. Cambridge University Press. p. 289.ISBN 978-0-521-53342-3.
  9. ^American Brahms Society (1998).Brahms Studies. U of Nebraska Press. p. 5.ISBN 978-0-8032-1287-9 – via books.google.com.
  10. ^Wenig, Otto (1968).Buchdruck und Buchhandel in Bonn [Book printing and book trade in Bonn]. Röhrscheid. p. 121 – via books.google.com.
  11. ^abSimrock, Karl Joseph; Pinkwart, Doris (1979).Karl Simrock. Universitätsbibliothek Bonn, Röhrscheid. pp. 37–41.ISBN 978-3-7928-0416-2 – via books.google.com.
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