| Night Tide | |
|---|---|
 Theatrical poster | |
| Directed by | Curtis Harrington |
| Written by | Curtis Harrington |
| Produced by | Aram Katarian |
| Starring | |
| Cinematography | Vilis Lapenieks |
| Edited by | Jodie Copelan |
| Music by | David Raksin |
Production companies | Phoenix Films Virgo Productions |
| Distributed by | The Filmgroup American International Pictures |
Release date |
|
Running time | 84 minutes |
| Country | United States |
| Language | English |
| Budget | $75,000[1][2] |
Night Tide is a 1961 Americanindependent[3][4]fantasy film sometimes considered to be ahorror film,[5][6] written and directed byCurtis Harrington and featuringDennis Hopper in his first starring role.[7] It was filmed in 1960, premiered in 1961, but was held up from general release until 1963. The film's title was inspired by some lines fromEdgar Allan Poe's poem "Annabel Lee".[8]
The film was released byAmerican International Pictures as adouble feature withBattle Beyond the Sun.[9]
Johnny Drake, a sailor on shore leave inSanta Monica, meets a young woman named Mora in a local jazz club. Mora tells him that she makes her living on the pier appearing as amermaid in asideshow attraction under the name 'Mora the Mermaid', a 'half-woman, half-fish', on the boardwalk, operated by Captain Murdock. She lives in an apartment above the amusement park that houses themerry-go-round. He goes to see her in her mermaid costume at the pier. Mora tells Johnny that Captain Murdock is her godfather and he found her as an orphan living on the Greek island ofMykonos. Captain Murdock refers to her as his 'ward'. Johnny becomes acquainted with the merry-go-round operator and his daughter Ellen, who warns Johnny that Mora may be dangerous, as her two previous boyfriends both drowned under mysterious circumstances.
As Mora and Johnny become closer, Mora tells him that she believes she is asiren, one of the legendary creatures who lure sailors to their deaths under the influence of the moon. Johnny witnesses Mora being followed by a mysterious black-clad woman, the 'Sea Witch' whom she believes is one of the sirens, calling her to return to the sea to fulfill her destiny. However, Johnny does not believe that Mora is capable of killing anyone, and thinks she must be suffering from a delusion. During ascuba dive on the day of the full moon, Mora cuts Johnny's air hose, apparently attempting to drown him. He is forced to the surface. She swims out to sea and disappears.
Johnny is devastated, but returns to the boardwalk the following evening and goes to the sideshow, where he finds Captain Murdock at the entrance as usual. Peering into the mermaid tank, he sees Mora's corpse on display. Captain Murdock appears brandishing a gun, admitting to Johnny that he killed Mora's boyfriends because he could not bear the thought of her leaving him. Murdock fires at Johnny, but misses. The gunshots attract the attention of two policemen on the boardwalk, and Murdock and Johnny are taken into custody.
At the police station, Murdock confesses, saying he found and adopted Mora when she was a young orphan. He planted the idea that she was a mermaid, incapable of living the life of a normal woman, in her head as a way of binding her to him forever. When she matured and began to attract male attention, Murdock murdered the men she grew close to and let Mora think that she had caused their deaths. However, Murdock denies any knowledge of the strange figure Mora believed to be a siren.
As Johnny's shore leave ends, Ellen, who has taken an interest in him, visits the police station to bid him goodbye. He tells her that he will try to return in the future.
The movie was based on an original script by Curtis Harrington, originally calledThe Girl from Beneath the Sea. According to Spencer Kansa, Harrington based his script on a self-penned story titled "The Secrets of the Sea."[10] Harrington admits the film was heavily introduced byCat People and also the works ofWilliam Hope Hodgson whose fiction often involved the sea, notablyThe House on the Borderland.[11] The title "Night Tide" came from the Edgar Allan Poe poem "Annabel Lee".[12]
Kansa states that prior to filming the director had turned down an offer from theMickey Cohen gang to finance the picture. "They were very charming men but I had visions that if the film didn't do well I'd end up at the bottom of the LA river in a block of cement!"[10][13]
Harrington estimated the final budget as between $75,000 and $80,000 although he says the cash outlay was $50,000. Harrington raised this in part from Pathe Laboratories, using a distribution guarantee from Roger Corman's Filmgroup. Corman also introduced Harrington to Aram Kantarin, who worked at MCA and wanted to move into producing; Kantarian invested $10,000 with the rest of the money coming from other investoris including an entrepreneur in the construction business. Roger Corman did not invest directly in the film, however.[14][15]
Harrington said Hopper's casting came about when the met the actor socially and the director expressed admiration for Harrington's short films. Harrington gave Hopper a script and the actor agreed to make it.[16]
The role of Mora the Mermaid (played by Lawson) was originally to be played bySusan Harrison, who had been the lead inSweet Smell of Success (1957). Harrison, at the time a friend of director Harrington, initially agreed to take the role, but then reneged when the person she was seeing in a relationship at the time pushed her out of doing the film.[17]
Harrington offered the role of the Captain toPeter Lorre andMarcel Dalio but both turned it down due to the low salary before casting Gavin Muir.[18]
Harrington had previously worked with actressCameron; his 1956 short (10-minute) documentaryThe Wormwood Star is about Cameron and her artwork.[19]
In order to film some of the underwater sequences inNight Tide, directorCurtis Harrington gave detailed instructions to a cameraman who then shot the scenes underwater at the director's request.[17]
Filming took place on location at Santa Monica Beach. Harrington says it was mostly shot using a non-union crew but if shot one week with a union crew so that the movie could be screened in theatres by projectionists (otherwise they would refuse as a non-union movie). These scenes were all the studio built interiors such as Mora's apartment, the police station and the hotel room.[20]
The mermaid mural for the sideshow attraction in which Mora stars was painted for the film by Paul Mathison. Mathison was an associate of Cameron's, who had been part of her magical circle withJack Parsons, starred as Pan inKenneth Anger's filmInauguration of the Pleasure Dome and also costumed Cameron and dressed the set for Harrington's 1956 short documentary on Cameron,The Wormwood Star. According to Spencer Kansa, the mural "if you look closely hides a clue to the finale of the picture."[21] Mathison can be seen in the opening Jazz club scene, sporting a blonde buzz cut.
Another patron of the Jazz club where jazz flautist Paul Horn and his band play isBarbette, the famous trapeze artist and star ofJean Cocteau's seminal surrealist short filmBlood of a Poet.
Harrington wrote the filming in general went smoothly apart from the last day. Dennis Hopper got too drunk at lunchtime to finish afternoon filming and was involved in an accident; the rest of the scene had to be shot several weeks later.[22]
Night Tide premiered at the Spoleto Film Festival inSpoleto, Italy in July 1961, where it was named the top American film that year.[23]
The film also screened at the Venice Film Festival in August 1961. Reviewing the movie,Variety wrote "if Harrington displays a good flair for narration and mounting, his feel for mood, suspense and atmospherics is not too highly developed as yet."[24]
The film's production company, Virgo, defaulted on their Pathé Lab loan of $33,793 and Pathé was preparing to foreclose on the picture. Roger Corman asked the lab to hold off on their legal actions to allow Filmgroup to distribute the film, guaranteeing Pathé $15,000 within 12 months of the film's release. Pathé agreed, and Filmgroup released it throughAmerican International Pictures.[25] It was given a general theatrical release in the United States two years after its initial premiere, opening inDetroit on February 13, 1963.[1] It later screened in New York City on May 25, 1964.[1]
Harrington admits the film did "Very poorly. In its defense, I will say that it was given a particularly unfortunate release pattern, because Roger double-billed it with a very poor Soviet science fiction film calledBattle Beyond the Sun. It was terrible, badly dubbed, but it was in color, and it had a few special effects in it. In terms of the distribution pattern at that time, allNight Tide needed was to go out on a double-bill with, say,The Raven (1963)."[26]
Dennis Hopper stated in an interview that the film was made for $28,000 and...
It was onTime Magazine’s Ten Best Films to see the year it was distributed — or more accurately, the year it wasn’t distributed. We couldn’t get anyone to show the film, because we didn’t have the union logo on our film, which meant we didn’t have approval. We couldn’t get a theater. So that was the beginning of the independent cinema movement in this country.[27]
The entry for the film inHorror: The Aurum Film Encyclopedia states "Clearly inspired byCat People (1942), followingVal Lewton's principles by having a vividly realistic setting (the tawdry pier and funfairs) and providing a rational explanation for most of the mystery (the girl's adoptive father planted the siren story in her mind), it is both clumsy and tentative and strikingly atmospheric. More of a fantasy than a horror movie perhaps, the film does make darkly minatory use of its dream sequences (the mermaid nightmarishly metamorphosing into an octopus) and the recurrent motif of the mysterious woman in black whose appearances frighten the girl."[28]
The film was restored from the original negative by theAcademy Film Archive in 2007.[29]A fan of the film,Nicolas Winding Refn purchased the negative from the director's estate and then produced a new 4K digital restoration that was released in 2020.[30][31]
A musical theater adaptation with music by Nathania Wibowo and book and lyrics by Taylor Tash was featured in the 2017New York Musical Theatre Festival and premiered at the Towle Theater inHammond, Indiana during its 2021 season.[32]
The film is in the public domain, as the copyright wasn't renewed.
