Ono Niha | |
---|---|
![]() A photograph of people from Nias island dancing toMoyo, traditional dance from Nias, 2017 | |
Total population | |
1,041,925 (2010 census)[1] | |
Regions with significant populations | |
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Languages | |
Native Nias Also Indonesian | |
Religion | |
![]() ![]() | |
Related ethnic groups | |
Batak people,Mentawai |
Nias people areAustronesian ethnic group native toNias, an island off the west coast ofNorth Sumatra,Indonesia. In theNias language, the Nias people are known asOno Niha, which means 'descendants of humans'.[2]Nias island is known asTanö Niha, withTanö meaning 'land' in the Nias language.
The Nias people are a community that continues living within the norms and practices of their indigenous culture. The customary law of the Nias people is generally referred to asfondrakö, which regulates all aspects of life from birth to death.[3] Historical evidence of megalithic structures and stone carvings that are found in the interior of the island proved that ancient Nias people practiced megalith culture. Thecaste system is also recognized in Nias society,[4] whereby the highest level out of the 12 levels in the Niascaste system isBalugu.[5] To reach this level ofcaste, one must be able to carry out big festivals by inviting thousands of people and slaughtering thousands of pigs for several days.
According to the people of Nias, one of the mythical origins of the Nias tribe comes from a tree of life calledTora Sigaru'a which is located at a place calledTetehöli Ana'a. According to the myth, it is said that the arrival of the first human onNias island began in the days of King Sirao, whose nine sons had been banished fromTetehöli Ana'a for fighting over the throne. Hence the nine sons of King Sirao were considered as the first people to set foot on the island ofNias.[6]
Archaeological research has been conducted onNias Island since 1999. The observations found that there has been human habitation onNias island since 12,000 years ago through migration fromAsia toNias island during thePaleolithic period. There are indications of migration as far as 30,000 years ago. During that period theHòa Bình,Vietnam civilization was similar to that inNias island. Therefore, it was presumed that the origins of the Nias people came from an area in mainlandAsia that is in modern-dayVietnam.[7]
New genetic research has found that the Nias people ofNorth Sumatra came from theAustronesian peoples. The ancestors of the Nias people are also thought to have come fromTaiwan through thePhilippines 4,000 to 5,000 years ago.[8][9]
Ten years of research involving blood samples of 440 Nias people in 11 villages onNias island showed the Y-chromosome and DNA mitochondria of the Nias people are very similar to theTaiwanese aborigines andFilipino peoples. The observation has also found that the genes in today's Nias people no longer carry any traces of the ancient Nias people, as of those whose remains were found in the Togi Ndrawa cave, CentralNias. Archaeological findings of the stone tools found showed that humans lived in the cave over 12,000 years ago. The genetic diversity of the Nias people is very low compared to other groups of people, especially about the Y chromosome. This indicates that there was once a "bottleneck" population in the history ofNias. Studies have also found that the Nias people do not share any genes with ethnicities living in theAndaman-Nicobar islands in theIndian Ocean, which are geographically considered neighbours. Although it is known that there was a migration of theAustronesian peoples betweenTaiwan and theIndonesian archipelago includingNias, it is still uncertain if the migration started fromTaiwan toNias or vice versa.[10][11]
Nias people practice a clan system that follows the paternal lineage.[12] Clans generally come from the existing village settlements.[13]
The predominant religion is Protestant Christianity. Six out of seven Niasans are Protestant; the remainder are about evenly divided betweenMuslim and Catholic. Whilst the first missionaries visited Nias in 1865, Christianity grew rapidly in the early 1900s when the Dutch established control of the island, however, was adopted and spread by local ministers.[14]
Nias people live in highly organized villages. Nias villages often possess impressive stone monuments and large houses that stand on earthquake-resistant timber pylons. Most of these villages have lost their old houses because of their deterioration and difficulties in maintaining the ancient wooden structures from rot, insects, and wear, and hence replaced by other more generic structures. Another reason why not so many old houses were rebuilt is because of the over-harvesting of the forests.[15]
In the past, Nias villages, especially those of South Nias, were strategically built on top of a ridge or hill and were surrounded by ramparts and security gates. Entry into this village was provided by only two gates via steep staircases. The gates lead to a straight paved avenue that runs through the village center, with a row of traditional houses on the sides of the avenue. Close to the main square of the village was the house of the village founders, theomo sebua. In Nias villages, the space in front of each house was the property of the inhabitants. This "front courtyard" was used for mundane activities e.g. drying harvests before storing them.[15]
Villages in Central Nias were usually smaller than their southern counterpart. The houses are also positioned farther away from the main avenue.[15]
The people of Nias placed great value on wooden figures oradu. The sole purpose of the Nias figures was to fulfill ritual needs, whether it was to ensure wealth or to perform specific beneficial rites. Niassan figures vary in size, from as small as 20 centimetres (7.9 in) in height to more than 2 metres (6.6 ft) tall.[16]
When an elderly person died, the family would make a wooden statue known asadu zatua. The statue was unveiled on the fourth day after the death of the person. The shape of the wooden statue reflects the status of the person who used it: the more powerful the owner, the more impressive the statue will be.[16] Nias people believed that the deceased person's spirits resided in the statue, so all events that occurred in the family were shared with the ancestor statues through prayers. Ancestor figures were believed to ensure fertility for the family, livestock, and agricultural land. Sacrifices were made to the ancestor statues, especially on important events e.g. births, marriages, and deaths. Ancestor statues were placed in the main room of the house, sometimes more than a hundred. Missionary work in 1930 had recorded the removal of 'over 2000 "idols" from the house of a new northern convert.' Some missionaries even recorded houses collapsing under the weight of these ancestor figures.[16] Smalladu zatua were bound together horizontally using rattan and pegs.[17]
In North Nias, a large impressive ancestor figure is known asadu suraha salawa (Nias language for "portraits of honored ancestors"). Theadu suraha salawa represents the first known ancestor of a family, often the founder of the village.[18] Theadu suraha salawa were usually placed on a wall or on an altar (daro-daro).[17] Another large ancestor statues are theadu hörö. Adu hörö ancestor statues are large, elongated, armless, and wear high, forked headdresses. These statues are generally found in Central Nias, and rarely in South Nias.[19]
Other wooden figures do not represent the ancestors. These wooden figures were created to heal specific illnesses, protect villages, or invoke supernatural beings to aid through rituals.[17] These statues were generally crudely made, as opposed to the finely carved ancestor figures.[19]Joachim von Brenner-Felsach classified more than 60 types of non-ancestor wooden figures.[17]
Many ancestor figures were destroyed in 1916 by Christian missionary movements which saw them as an old blasphemous religious symbol. Some were sold to collectors and can be found in museums or private collections around the world.[20]
The Nias produced one of the most impressive megalith cultures in Indonesia, especially the Center and South Nias. Stones were used to construct different objects and structures. Nias village features impressive stoneworks e.g. large staircases and broad paved streets. Ritual objects e.g. thebehu (vertical column), standing columns, jumping stones, obelisks, altars, and sarcophagi are among the many stone objects produced by the Nias people.[21]
Stone monuments were central to the Owasa festival, a kind of feast to raise the rank of a person. Dedicating stone monuments publicly is considered one of the several requirements that must be done by a person to prove that he has fulfilled the right to claim a higher rank and to receive honorary titles.[21]
Thebehu is a type of megalith in the form of a vertical column.Behu was erected in front of the house of the host to commemorate former great celebrations held by the host. The morebehu displayed in front of the host's house, the more powerful his position is in the village. Noblemen displaybehu that is larger and more abundant in numbers than the commoners. Abehu with an anthropomorphic form is known as theosa-osa. Theosa-osa is depicted as wearing traditional Nias attire e.g. thekalabubu necklace and pendant earrings (fondulu orsaro dalinga). Theosa-osa's head is that of the various beasts, usually a lasara (a mythical animal with the body of a deer and a dragon's head), a hornbill, a stag, or a multi-headed mixture of all. Before displaying theosa-osa in front of houses, they were paraded around the village with the host seated, or even standing on top of theosa-osa.[22]
Nias people produce household objects carved with zoomorphic, floral, or geometric motifs. Below is a list of implements and provisions manufactured by the Nias people.
Today the Nias people are almost always presented as a warlike people known for their headhunting tradition and inter-village conflicts in the past, where the manufacture of weapons was highly regarded above agricultural implements.[23] Despite this, none of the war-like activities are carried out by the Nias people as the majority of the Nias people have been converted to Christianity.[24] Nevertheless, the Nias people were still known as a skillful weapon and armor-makers.
The Nias people used a variety of materials for the creation of their weaponry: leather, cord or woven fibres, precious metal, iron, and brass. The Nias used spears, swords and blades as their weapon. The Nias spear (toto'a doho in the south,toho in the north) was mainly used for hunting; the shaft is made of dark hardwood ofnibung palm wrapped with rattan. Another type of spear is theburusa, with a triangle-shaped head.[25] The Nias sword (gari) is a combat weapon; both the sword and its sheath have a simple undecorated form.[26] The most well-known of the Nias weapons is thebalato or tolögu, a steel sword with a protective amulet believed to possess magical power. Thebalato has a hilt made of brass. The sheath of thebalato contains a spherical bundle of rattan (ragö balatu) which performed as a protective amulet. This protective amulet is usually attached to a variety of objects e.g. animal fangs which are formed so that it looks like the jaw of the mythicallasara.[27] Thebalato is only reserved for the highest nobles as a kind of proof of the authority and the social rank of its owner.[26]
Some prominent chiefs covered their armor with sheets of gold. Helmets can be made of iron or tightly woven palm fibers. The oval-shaped shield is known as thebaluse in South Nias, while the North Nias produced a hexagonal-shaped shield known as thedange.[26]
Deterioration in Niassan culture began to occur since the end of the 19th-century. Missionary works had contributed to the decline of original Nias culture.Evangelization in Nias such as those performed by the German ProtestantRhenish Missionary Society had been responsible to the destruction of Niassan wooden statues as well the suppression of the unique culture of Nias society e.g. ancestor worship, magical practices, the Owasa festivals (noblemen rank-elevation festivals) headhunting and slave trading.[15] However since 1955, conservation of the traditional culture of the Ono Niha has improved tremendously by theRoman Catholic Church through cultural integration into liturgy, architecture and art."[28]
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