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Bagpipes of the Middle East and Persian Gulf

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(Redirected fromNey-anbān)

There are severalbagpipes of the Middle East and Persian Gulf, with local cultural differences. There are severalArabic terms for thebagpipes, including habbān (هبان), jirbah (جربة).[1] It is similar to the (Persian)ney-anbān.

Habbān

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Habban
Habbān (jirbah)
Other namesهبان
Classification
Related instruments

Thehabbān (orhibbān[2]) is a type ofbagpipe used in the coastal regions of thePersian Gulf (especiallyBahrain,Palestine, andKuwait). The term is drawn fromHanbān (هنبان), the Persian word for "bag.".[3] In Gulf states the termhabban refers to the traditional Holi (inhabitants of the eastern coast of the Persian Gulf) bagpipe.[4]

While the term itself is generic, inOman the termhabban is used specifically for a nativized variant of theGreat Highland bagpipe that has been incorporated into local music.[5]

Jirba

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Thejirba (Arabic:قربة (also spelledجربة; also transliterateddzirba,girba) is a traditional folk instrument fromBahrain andKuwait. It is adroneless, double-reeded, single-chantered bagpipe, played particularly by ethnic Iranians, as well as on theKuwaiti island ofFaylaka. The bag is usually made from the skin of a goat, and filled with air via the mouth. The lower part of the bag is attached to a wooden flute like instrument which has either 4 or 6 holes. The two reeds are positioned side by side which produce a harmonious double note.

Ney-anbān

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Ney anban
Other namesنی انبان
Classification
Related instruments
Jirba

Ney-anbān (Persian:نی انبان, numerous Latin spellings), is a type of bagpipe which is popular in southern Iran, especially aroundBushehr. The termney-anban literally means "bag pipe",[6] but more specifically can refer to a type of droneless double-chantered bagpipes played in Southern Iran. In Bushehr, the ney-anban is used to accompanysarva, the singing of free-metre couplets.[7]

Orthography

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Latin spelling of the name of this pipe include:ney-hanbān,ney-anbun,ney ammbooni,nai-ambanahanbun,hanbuneh, nay-anban.[8]

See also

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References

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  1. ^Urkevich, Lisa (2015).Music and traditions of the Arabian Peninsula : Saudi Arabia, Kuwait, Bahrain, and Qatar. New York: Routledge.ISBN 9780415888721.
  2. ^Stanley Sadie.The New Grove dictionary of musical instruments. Macmillan Press, 1984. 0943818052, 9780943818054
  3. ^Hurreiz, Sayed Hamid A.Folklore and folklife in the United Arab Emirates. RoutledgeCurzon 2002.ISBN 978-0-7007-1413-1
  4. ^Dipiazza, Francesca Davis.Kuwait in Pictures. Twenty-First Century Books (CT), 2006.ISBN 978-0-8225-6589-5.
  5. ^"Oman Centre for Traditional Music". Archived fromthe original on 2008-04-19. Retrieved2008-04-18.
  6. ^Edward Balfour (1873).Cyclopædia of India and of eastern and southern Asia, commercial, industrial and scientific: products of the mineral, vegetable and animal kingdoms, useful arts and manufactures. Scottish and Adelphi Presses. pp. 23. Retrieved25 August 2011. -Nai, signifies a reed, pipe, &c, and Anban or Anbanah, a bag made of the skin taken entire otf a sheep. It is a musical instrument not often seen in Persia beyond the Garmsir (or "warm region") about Bushahr
  7. ^Ehsan Yar-Shater (1990).Encyclopaedia iranica. Routledge & Kegan Paul. p. 572.ISBN 978-0-7100-9090-4. Retrieved25 August 2011.
  8. ^Jarahzadeh, Kamyar (8 February 2013)."Music and Race Politics in the Iranian Persian Gulf: Shanbehzadeh and "Bandari"".Ajam Media Collective. Retrieved2016-01-26.

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