Neu! | |
|---|---|
 Neu! in 2000. From left to right:Klaus Dinger,Michael Rother. | |
| Background information | |
| Origin | Düsseldorf, Germany |
| Genres | |
| Years active | 1971–1975, 1985–1986 |
| Labels | |
| Spinoff of | Kraftwerk |
| Past members |
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| Website | neu2010 |
Neu! (pronounced[nɔʏ]; German for "New!"; styled in block capitals) were a West Germankrautrock band formed in Düsseldorf in 1971 byKlaus Dinger andMichael Rother following their departure fromKraftwerk.[4] The group's albums were produced byConny Plank, who has been regarded as the group's "hidden member".[5] They released three albums in their initial incarnation—Neu! (1972),Neu! 2 (1973), andNeu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.[6]
Although Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement.[7] They are known for pioneering the "motorik" beat, a minimalist4
4 rhythm associated with krautrock artists.[7] Their work has exerted a widespread influence on genres such aselectronica andpunk.[8]
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Neu! was formed in 1971 inDüsseldorf as an offshoot from an early line-up of another seminal krautrock band,Kraftwerk, whose early works were also produced byConny Plank.[9] DrummerKlaus Dinger had joined Kraftwerk midway through sessions for theireponymous debut album. GuitaristMichael Rother was then recruited to the Kraftwerk line-up on completion of the album.[9] (Rother had been playing in a local band called The Spirits of Sound, the line-up of which also included drummerWolfgang Flür, who would himself go on to join Kraftwerk two years later.)
Kraftwerk co-founderRalf Hütter left the band at this point to complete his studies; for six months, Kraftwerk consisted of a trio of Rother, Dinger andFlorian Schneider. This line-up played sporadic gigs and made a live appearance on German television programmeBeat Club. Recording sessions atConny Plank's Windrose studio were unsuccessful (Rother later attributed the failure to "a difference of temperament").[citation needed] Dinger and Rother parted company from Schneider and began Neu! with Plank. Hütter rejoined Schneider and the pair continued recordingthe second Kraftwerk album with Plank.
The band name NEU! ("new!") was inspired by the prevalence of the advertising business in Düsseldorf at the time, according to Dinger, who described it as "the strongest word in advertising" and even owned a pro forma advertising agency himself for the purpose of booking studios.[10] The band'seponymous first album sold just 30,000 records. However, today, it is considered a masterpiece by many, including influential artists such asDavid Bowie,Brian Eno,Iggy Pop andThom Yorke ofRadiohead. It included theMotorik benchmark tracks "Hallogallo" and "Negativland" (the bandNegativland took their name from this track), and bizarre "songs" like "Sonderangebot".
Their second album,Neu! 2, features some of the earliest examples of musicalremixes. The duo, excited about recording another album, decided to expand their horizons by purchasing several new instruments. With the money they had left as an advance from the record company, they could record only half an album's worth of material. The company would not increase their advance because the first album did not sell well enough and the label did not see a reason to further finance what was most likely to become a flop. To rectify the lack of material, the band filled the second side with manipulated versions of their already-released single "Neuschnee"/"Super", playing back each song at different speeds and sometimes warbling the music by messing with the tape machine or placing the record off center on the turntable. The songs "Super 16" and "Super 78" (slowed down and sped up versions of theproto-punk song "Super," respectively) unwittingly became the theme songs to the 1976 martial arts cult classicMaster of the Flying Guillotine byJimmy Wang Yu. This film was later referenced byQuentin Tarantino inKill Bill Volume 1 by also featuring the track "Super 16".
Dinger and Rother were both very different when left to their own devices, and this led to their final album of the 1970s,Neu! '75 being two solo half-albums. Side One was Rother's more ambient productions which were similar to the first album, albeit more keyboard-driven. Side Two (particularly the song "Hero") was acknowledged as important influence by many later involved in the United Kingdom'spunk rock scene, with Dinger's sneering, barely intelligible vocals searing across a distortedMotorik beat with aggressive single chord guitar pounding.
To aid with performing on the album (and more importantly, live), Hans Lampe and brother Thomas Dinger were enlisted to help execute more music than was possible by two men. Upon its release, and arguably to this day,Neu! '75 is the most diverse record available from the krautrock scene. While this can be seen as a positive point, the differences in musical direction (as well as personal issues) not only isolated the Dinger/Rother duo, it isolated their already small fan base. Neu! broke up after the release ofNeu! '75.
Neu! are highly praised inJulian Cope'sKrautrocksampler, along with other krautrock artists such as Kraftwerk andCan, and Cope has also written a song called "Michael Rother" which appears on CD2 of the Deluxe edition of the albumJehovahkill.
In 1974, Rother had already collaborated with German electronic duoCluster, recording asHarmonia an album titledMusik Von Harmonia. In 1975, he recorded a second Harmonia album,Deluxe, and further sessions followed with Brian Eno, which were not released until 1997 asTracks and Traces. In 1977, Rother started recording as a solo artist. His first three albums;Flammende Herzen (1977),Sterntaler (1978), andKatzenmusik (1979) were recorded with Neu! producer Conny Plank.
Klaus Dinger, his brother Thomas and Hans Lampe formedLa Düsseldorf, cited by David Bowie as "the soundtrack of the eighties".[11] The band released three successful albums;La Düsseldorf (1976),Viva (1978) andIndividuellos (1981).
Between October 1985 and April 1986, Dinger and Rother tried to rekindle the flame that was Neu! by adding more synthesizers and a slightly more commercial aspect to some compositions, the band sounded like a cross between their old selves and the recent new wave groups. However, they were torn apart again by personal and musical issues.
An example of the sharp contrast between Dinger and Rother was evidenced by such tracks as "Crazy", Rother's attempt at pop, and "'86 Commercial Trash", a Dingerian collage of dialogue and sound effects from Germany's television commercials of that year. The work that took place in these sessions would later resurface asNeu! 4 in late 1995.
Dinger and Rother did not work together during the 1990s. Indeed, there was some degree of bitterness existed between them, not least because Dinger had released a couple of old substandard Neu! recordings on the JapaneseCaptain Trip label without Rother's knowledge or consent. In late 1995, this label released the previously mentionedNeu! 4 recordings from the 1985–1986 sessions. It also releasedNeu! '72 Live in Düsseldorf (recorded on 6 May 1972), which comprised poorly recorded rehearsals for some abortive live shows, but notable for the inclusion of Eberhard Kranemann, who had briefly been in Kraftwerk with Dinger.
A 1999 tribute album, entitledA Homage to Neu! (Cleopatra Records), features covers from artists including theLegendary Pink Dots,Download,Autechre,Dead Voices on Air,Khan,System 7, andJames Plotkin, as well as an original track from Rother entitled "Neutronics 98 (A Tribute to Conny Plank)". Plank had died in 1987.
For many years the acrimony and legal wrangling between Rother and Dinger prevented their reaching agreement over licensing arrangements to make Neu!'s music available on CD. In the ensuing vacuum, illegal and inferior-quality bootleg CDs (mastered from old vinyl records) were distributed by an outfit called Germanofon.
This situation was finally resolved in 2001, when Rother and Dinger put aside their differences and entered a studio to transfer the three Neu! albums to CD, from the original master tapes (reportedly mastering each album three times). These were produced and released byGrönland Records (licensed to theAstralwerks label in the United States), packaged with stickers featuring rave reviews by notable artists, including Thom Yorke. Following the release of the first three albums, Dinger and Rother tried but failed to agree on a legal release ofNeu! 4. Rother called the failure of those negotiations "unfortunate".
Rother has said that he and Dinger had been considering recording a fifth Neu! album, but the idea was aborted after personal disagreements resurfaced between them. Dinger died of heart failure on 21 March 2008. Rother said that he was unaware of Dinger's illness until just before he died.[12]
Rother writes and produces solo albums. Before his death, Dinger was a member of the bandLa! Neu? (whose name also irritated Rother), as well as collaborating with Miki Yui and band sub-tle. in a project that is unreleased to this date.[13]
On 25 May 2009, the new record label Feraltone released a compilation CD calledBrand Neu! containing tracks by many modern artists who credit Neu! as an influence. Most notably, it featured a track from Michael Rother from the previous Neu! homage album (A Homage to Neu!) and a new track by La Duesseldorf.de, one of Klaus Dinger's final recordings before he died. The compilation features both new and established artists from all around the world includingOasis,Primal Scream,Kasabian,School of Seven Bells,Ciccone Youth (Sonic Youth),Holy Fuck and the young band Pets With Pets from Australia. This was to outline the enormous influence of Neu! which spans multiple decades and countries.[14][15][16]
The rights to the Neu! back catalogue are jointly owned by Rother, Dinger's estate and Plank's widow, Christa Fast. Rother worked with them to produce a box set that included all of Neu!'s recordings including material that appeared on theNeu! 4 album (now officially released asNeu! '86).Neu! Vinyl Box was released in May 2010 andNeu! '86 followed as a standalone release later that year. The box set included some of the 'live' recordings from 1972 on a maxi single.
In 2010 Rother teamed up with Steve Shelley (ofSonic Youth) and Aaron Mullan (ofTall Firs) for Hallogallo 2010, a live project to present Neu! music and some new pieces. He has since toured sporadically with the German trio Camera, performing the work of Neu!, Harmonia and his own solo music, occasionally withDieter Möbius of Cluster. Since 2014 he has toured with Hans Lampe and former Camera guitarist Franz Bargmann.
To celebrate the 50th anniversary of the Neu! debut album, Rother played two concerts, Michael Rother & Friends: Celebrate 50 years NEU!. The first in Berlin, on 26 October 2022, and a second concert in London on 3 November 2022.[17][18]
Neu!'s rhythms and sparse atmospherics have been widely influential on genres such aselectronica andpunk.[8] Their sound was described as "a droning, hypnotic style made up of Mr. Dinger’s simple, perpetual-motion rhythms and Mr. Rother’s fluid guitar effects" byThe New York Times critic Ben Sisario.[2] Sisario called their first three albums "landmarks of Germanexperimental rock, a genre that was quickly labeled Krautrock by journalists and fans."[2]AllMusic noted their penchant for "minimalist melodies and lock-groove rhythms."[8]
The band pioneered the "motorik" beat, a minimalist 4/4 beat often used by drummers associated with krautrock.[7] It is characterised by akick drum-heavy, pulsating groove, that created a forward-flowing feel.[7] It was probably first used by the group on their debut album and was later adopted by other krautrock bands.[19] Dinger himself later referred to it as the "Apache beat".[10]
Artists such as David Bowie, the Sex Pistols, Sonic Youth,Stereolab, andTortoise have drawn on the work of Neu! in their music.[8]Simple Minds took influence from Neu!'s motorik, repetitive grooves on albums such asReal to Real Cacophony (1979) andEmpires and Dance (1980).[20]Siouxsie and the Banshees cited the band in their influences.[21]Joy Division andNew Order drummerStephen Morris has cited Klaus Dinger's drumming as an important influence on him.[22] Japanese experimental groupBoredoms cite Neu! as a prominent influence on their later sound, evident in their unique application of tape manipulation remix techniques and driving 4/4 rhythms pioneered by Rother and Dinger.[23]
All Neu! albums onBrain Records were reissued in 2001 byAstralwerks andGrönland Records. All Neu! albums onCaptain Trip Records have at least in part been re-released as part of the 2010 Grönland RecordsVinyl Box.
| Year | Title | Notes |
|---|---|---|
| 1972 | Neu!
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| 1973 | Neu! 2
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| 1975 | Neu! '75
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| 1995 | Neu! 4
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| 2010 | Neu! '86
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| Year | Title | Notes |
|---|---|---|
| 1982 | Black Forest Gateau
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| In 1984 Brain Records released a double album putting togetherNeu! andNeu 2 reissued as a double album. Limited edition on see-through vinyl, also available on marbled multi-coloured vinyl. | ||
| 1996 | Neu! '72 Live in Dusseldorf
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| 2009 | Avantgarde History
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| 2010 | Vinyl Box
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| 2022 | 50!
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