Nancy K. Miller | |
---|---|
Born | (1941-02-21)February 21, 1941 (age 84) |
Academic background | |
Education | B.A.,Barnard College M.A.,Middlebury College PhD.,Columbia University |
Thesis | Gender and genre: an analysis of literary femininity in the eighteenth-century novel (1974) |
Academic work | |
Institutions | CUNY Graduate Center |
Notable students | Michael Rothberg |
Website | nancykmiller |
Nancy K. Miller[1] (born 21 February 1941) is an American literary scholar, feminist theorist andmemoirist. Currently a Distinguished Professor ofEnglish andComparative Literature at theCUNY Graduate Center, Miller is the author of several books onfeminist criticism, women’s writing, and most recently, family memoir,biography, andtrauma.[2]
She received her B.A. from Barnard College (1961), her M.A. fromMiddlebury College, and her Ph.D. in French at Columbia University.[3]
In 1981, Miller became the first full-time tenured member of theWomen’s Studies program atBarnard College and was appointed its director, a post she held until her appointment at CUNY in 1988.[4] Prior to that, she taught in theFrench department atColumbia University.[3]
Miller founded the Gender and Culture Series atColumbia University Press in 1983 along with feminist scholarCarolyn Heilbrun, and continues to co-edit the series.[5] Between 2004 and 2007, she and geographerCindi Katz co-edited the journalWomen’s Studies Quarterly, which received the Phoenix Award for Significant Editorial Achievement from the Council of Editors of Learned Journals under their leadership.[6]
Miller has been a visiting professor atHarvard University,Hebrew University, andTel Aviv University, and aPhi Beta Kappa Visiting Scholar. She is the winner of numerous fellowships and awards, including theRockefeller Foundation Humanities Fellowship, theJohn Simon Guggenheim Memorial Foundation Fellowship, and theNEH Senior Fellowship.[3]
Miller's early contributions to literary theory include that of the “invisible intertext” added by women to a more conventional form of writing, as by blending a quest plot with the romantic plot normatively prescribed to early female authors.[7] She was further notable for her opposition toRoland Barthes's influential theory ofThe Death of the Author, pointing out how this tended to occlude gender subjectivities in a text through emphasising what she called the web, as opposed to the role of the weaver:[8] the theory serving thereby as a postmodern mask forphallocentrism.[9] Her position gave rise to a famous debate within feminism on the issue withPeggy Kamuf.[10]
Miller also played an influential role in pioneering the unification of personal accounts with theoretical explorations inside the same text, thus making concretesecond wave feminism's linking of the personal and public realms.[11]