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Naglfar

From Wikipedia, the free encyclopedia
Boat in Norse mythology
For the Swedish black metal band, seeNaglfar (band).

Naglfar
11th century stone carvings in Sweden, possibly depictingNaglfar duringRagnarök.[1] Top image from theTullstorp Runestone; bottom image from theLedberg stone. Note the unconventional outward going bows.

InNorse mythology,Naglfar orNaglfari (Old Norse "nail farer") is a boat made entirely from the fingernails and toenails of the dead. During the events ofRagnarök,Naglfar is foretold to sail toVígríðr, ferrying hordes of monsters that will do battle with the gods.Naglfar is attested in thePoetic Edda, compiled in the 13th century from earlier traditional sources, and theProse Edda, also composed in the 13th century. The boat itself has been connected by scholars with a larger pattern of ritual hair and nail disposal amongIndo-Europeans, stemming fromProto-Indo-European custom,[2] and it may be depicted on theTullstorp Runestone inScania,Sweden.

Etymology

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Some dispute has waged over theetymology ofNaglfar. In the late 19th century,Adolf Noreen proposed thatnagl- here does not have its usual meaning of "nail", but, instead, is a variant of Old Norsenár (meaning "corpse") and ultimately derives fromProto-Indo-European *nok-w-i. Noreen claimed that the notion ofNaglfar as a 'nail-ship' is due to afolk etymology; that elaboration on thefolk etymology produced the concept of a "nail-ship".[3]

However,Sigmund Feist (1909) rejects the theory on etymological grounds, as doesAlbert Morley Sturtevant (1951) on the grounds of major difficulties, and their points have ledBruce Lincoln (1977) to comment that "there is no reason whatever to contend thatnagl- does not have its usual meaning of 'nail' and thatNaglfar is anything other than the nail-ship, just as Snorri describes it." In addition, Lincoln finds the ship to be a part of a larger pattern of religious disposal and sacrifice of hair and nails among theIndo-Europeans (see below).[3]

Attestations

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Naglfar is attested in both thePoetic Edda and theProse Edda. In thePoetic Edda,Naglfar is solely mentioned in two stanzas found in the poemVöluspá. In the poem, a deceasedvölva foretells that the ship will arrive with rising waters, carryingHrym andLoki and with them a horde of others:

Old Norse:
Hrymr ekr austan, hefisk lind fyrir,
snýsk Jörmungandr í jötunmóði;
ormr knýr unnir, en ari hlakkar,
slítr nái niðfölr, Naglfar losnar.
Kjóll ferr austan, koma munu Múspells
of lög lýðir, en Loki stýrir;
fara fíflmegir með freka allir,
þeim er bróðir Býleists í för.[4]
Benjamin Thorpe translation:
Hrym steers from the east, waters rise,
themundane snake is coiled injötun-rage.
Theworm beats the water, and the eagle screams:
the pale of beak tears carcasses; Naglfar is loosed.
That ship fares from the east:
come willMuspell's people o'er the sea, and Loki steers.
The monster's kin goes all withthe wolf;
with them thebrother ofByleist on their course.[5]
Henry Adams Bellows translation:
From the east comes Hrym with shield held high;
In giant-wrath does the serpent writhe;
O'er the waves he twists, and the tawny eagle
Gnaws corpses screaming; Naglfar is loose.
O'er the sea from the north there sails a ship
With the people ofHel, at the helm stands Loki;
After the wolf do wild men follow,
And with them the brother of Byleist goes.[6]

In theProse Edda,Naglfar is mentioned four times. The ship is first mentioned in chapter 43 ofGylfaginning, where the enthroned figure ofHigh notes that whileSkíðblaðnir is the best ship—constructed with the finest skill—"the biggest ship isNaglfari, it belongs toMuspell".[7]

In chapter 51, High foretells the events of Ragnarök. RegardingNaglfar, High says that after the stars disappear from the sky, the landscape will shake so severely that mountains fall apart, trees uproot, and all binds will snap, causing the wolfFenrir to break free. After, the Midgardr SerpentJörmungandr will fly into a rage and swim to the shore, causing the ocean to swell unto land.Naglfar, too, will be break free from its moorings. High describes the composition ofNaglfar as that of the untrimmed nails of the dead, and warns about burying the dead with untrimmed nails, stating that "the ship is made of dead people's nails, and it is worth taking care lest anyone die with untrimmed nails, since such a person contributes much material to the shipNaglfar which gods and men wish would take a long time to finish".[8] High adds that the ship will be captained by the jötunnHrym, and that Naglfar will be carried along with the surging waters of the flood.[8] Further in chapter 51, High quotes theVöluspá stanzas above that references the ship.[9]

Naglfar receives a final mention in theProse Edda inSkáldskaparmál, where it is included among a list of ships.[10]

Tullstorp Runestone

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If the images on theTullstorp Runestone are correctly identified as being from Ragnarök, thenNaglfar is shown below the monstrous wolfFenrir.[11] It has been pointed out that the ship image hasbeakheads both fore and aft unlike any knownViking ship, and is thus likely to be a symbolic ship.[12]

The inscription mentions the nameUlfr ("wolf"), and the nameKleppir/Glippir. The last name is not fully understood, but may have representedGlæipiʀ which is similar toGleipnir which was the rope with which the Fenrir wolf was bound. The two male names may have inspired the theme depicted on the runestone.[13][14]

Interpretations and theories

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In his study of treatment of hair and nails among the Indo-Europeans, Bruce Lincoln compares Snorri'sProse Edda comments about nail disposal to anAvestan text, whereAhura Mazdā warns thatdaevas andxrafstras will spring from hair and nails that lay without correct burial, noting their conceptual similarities. Lincoln comments that "the specific image of Naglfar, the 'Nail-ship', is undoubtedly specific to the Germanic world, although it does date to an ancient date within that area. But the basic idea on which it is based – that the improper disposal of hair and nails is an act which threatens the well-being of the cosmos – does ascend to the Indo-European period, as can be seen from comparisons [withIranian myth]."[3]

Cultural influence

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The ship appears in the videogameThe Witcher 3: Wild Hunt and in its spin-off gameGwent as the vehicle the evil Wild Hunt uses to travel between worlds.

The ship also appears in the videogameWorld of Warcraft in theLegion expansion. In the dungeon, Maw of Souls, players completed the last half of the 2 part dungeon on the Naglfar. This culminates as you defeat the final boss of the dungeon, Helya.

InEVE Online, the Naglfar is a dreadnought capital ship.

The magic tome of the boss character Lyon inFire Emblem: The Sacred Stones is named Naglfar.

John Myers Myers made Naglfar the name of the ship sunk in the opening paragraphs ofSilverlock, setting his hero loose from the modern world to traipse his adventurous way into realms of myth and legend.

Naglfar is the name of a Swedishblack metal band.

Naglfar is the central focus of the novelThe Ship of the Dead byRick Riordan, where the main characters go on a quest to prevent its launching.

See also

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  • Naglfari, depending on manuscript, a figure with a similar or identical name

Citations

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  1. ^"När Fenrir fick färg".k-blogg.se. Retrieved16 December 2023.
  2. ^Lincoln, Bruce (1977)."Treatment of Hair and Fingernails among the Indo-Europeans".History of Religions.16 (4):351–362.doi:10.1086/462772.ISSN 0018-2710.JSTOR 1062635.S2CID 161384998.
  3. ^abcLincoln (1977:360—361).
  4. ^Völuspá 50–51; text fromhttps://www.voluspa.org/voluspa.htm
  5. ^Thorpe (1906:7).
  6. ^Bellows (1923:21—23).
  7. ^Faulkes (1995:36—37).
  8. ^abFaulkes (1995:53).
  9. ^Faulkes (1995:55).
  10. ^Faulkes (1995:162).
  11. ^Merrony (2004:136); Crumlin-Pedersen & Thye (1995:170).
  12. ^McKinnell (2005:114).
  13. ^När Fenrir fick färg, by Magnus Källström, chief runologist atSwedish National Heritage Board.
  14. ^Analysis supported as convincing in"Bite me" runestones byHenrik Williams, professor of North Germanic languages atUppsala University.

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