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Music in professional wrestling serves a variety of purposes. The most common uses ofmusic inprofessional wrestling is that of the entrance theme, a song or piece of instrumental music which plays as a performer approaches the ring. After a match, the entrance theme of the victor will normally be played as they exit the ring. Entrance themes are used to alert the audience to the immediate arrival of a wrestler, and to increase anticipation.
Entrance themes are often tailored to thegimmick of the wrestler they are written or selected for. For example,Hulk Hogan's most famous entrance theme in theWWE isRick Derringer's "Real American", containing lyrics pertaining to Hogan's patriotism ("I am a real American; fight for the rights of every man..."), whileThe Undertaker has often used entrance themes which resemble afuneral march, including the ringing of an eeriefuneral toll and a quote ofPiano Sonata No. 2 (Chopin). In practice, modern day entrance themes are normallyheavy metal,rock,rap, orcontemporary R&B, as these genres of music are popular with the professional wrestling key demographics.
Some entrance themes are accompanied by the wrestler's recorded voice saying their signature phrase. Examples of this includeDwyane Johnson's recorded voice saying variations of his famous catchphrase, "If you smell what The Rock is cookin'!" and originally "Do you smell what The Rock is cookin'?" before his music starts,Booker T saying "Don't hate the player, hate the game" (WCW) and "Can you dig it, sucka?!?" (WWE) followed by his entrance theme,Zack Ryder’s recorded voice saying “Woo, woo, woo! You know it!" before his music starts, andRic Flair's signature exclamation of "Wooooooo!" prior to his entrance theme. Occasionally, companies will pay to have popular licensed songs be used as themes for their more well-known performers. Examples of this includeCM Punk having used "Cult of Personality" byLiving Colour, or the LuchadorLa Parka performing a dancing entrance in a skeleton suit toMichael Jackson's "Thriller."
Due to licensing costs, entrance themes are often composed by theprofessional wrestling promotion for which the wrestlers perform in order to avoid having to pay royalties. A promotion might also purchase music fromproduction libraries, which is considered to be cheaper than the royalties of commercial music, or usepublic domain music, which is available for no fee. Due to less restrictive copyright laws inMexico,lucha libre promotions use mostly popular songs. In addition,Extreme Championship Wrestling used popular commercial music (albeit without paying the proper royalties) for their various wrestlers in order to promote a hip, edgy, counter-culture image.
In the early 1950s, female championMildred Burke often entered to theme music, whileGorgeous George was associated with "Pomp and Circumstance Marches", a song which was later used regularly byRandy Savage.[1] Around 1976,Chris Colt started using "Welcome To My Nightmare" as his entrance theme and "No More Mr. Nice Guy" as his exit theme, both songs made byAlice Cooper.Sgt. Slaughter, who has sometimes claimed to have introduced the idea toVincent J. McMahon, entered to the "Marines' Hymn" at aMadison Square Garden show in the 1970s.[2] Though British wrestlerShirley Crabtree had been using "I Shall Not Be Moved" as his entrance music in the 1970s in the United Kingdom.[3] However, the practice did not become widespread until the 1980s, when theFabulous Freebirds,Hulk Hogan, theJunkyard Dog, and variousWorld Class Championship Wrestling performers began using rock music for entrance themes.
Music is also used as a promotional tool during advertisements, video packages, and as the theme of television programs.
The following are composers known for composing numerous in-house theme songs for particular wrestling promotions:
