Amusic genre is a conventional category that identifies some pieces ofmusic as belonging to a shared tradition or set of conventions.[1] Genre is to be distinguished frommusical form andmusical style, although in practice these terms are sometimes used interchangeably.[2]
Music can be divided into genres in numerous ways, sometimes broadly and with polarity, such as forpopular music, as opposed toart music orfolk music; or, as another example,religious music and secular music. The artistic nature of music means that these classifications are often subjective and controversial, and some genres may overlap. As genres evolve, sometimes new music is lumped into existing categories or else a proliferation of derivativesubgenres, fusion genres and "micro genres" starts to accrue.
Douglass M. Green distinguishes between genre andform in his bookForm in Tonal Music. He listsmadrigal,motet,canzona,ricercar, and dance as examples of genres from theRenaissance period. To further clarify the meaning ofgenre, Green writes about "Beethoven's Op. 61" and "Mendelssohn's Op. 64 ". He explains that both are identical in genre and areviolin concertos that have different forms. However, Mozart's Rondo for Piano, K. 511, and theAgnus Dei from his Mass, K. 317, are quite different in genre but happen to be similar in form."[3]
In 1982,Franco Fabbri proposed a definition of the musical genre that is now considered to be normative:[4] "musical genre is a set of musical events (real or possible) whose course is governed by a definite set of socially accepted rules", where a musical event can be defined as "any type of activity performed around any type of event involving sound".[5]
A music genre or subgenre may be defined by themusical techniques, the cultural context, and the content and spirit of the themes. Geographical origin is sometimes used to identify a music genre, though a single geographical category will often include a wide variety of subgenres. Timothy Laurie argues that, since the early 1980s, "genre has graduated from being a subset of popular music studies to being an almost ubiquitous framework for constituting and evaluating musical research objects".[6]
The termgenre is generally defined similarly by many authors and musicologists, while the related termstyle has different interpretations and definitions. Some, likePeter van der Merwe, treat the termsgenre andstyle as the same, saying thatgenre should be defined as pieces of music that share a certain style or "basic musical language".[7] Others, such as Allan F. Moore, state thatgenre andstyle are two separate terms, and that secondary characteristics such as subject matter can also differentiate between genres.[4]
Asubgenre is asubordinate within a genre.[8][9] In music terms, it is a subcategory of a musical genre that adopts its basic characteristics, but also has its own set of characteristics that clearly distinguish and set it apart within the genre. A subgenre is also often being referred to as a style of the genre.[10][11][12] The proliferation of popular music in the 20th century has led to over 1,200 definable subgenres of music.
A musical composition may be situated in the intersection of two or more genres, sharing characteristics of eachparent genre, and therefore belong to each of them at the same time.[5] Such subgenres are known asfusion genres. Examples of fusion genres includejazz fusion, which is a fusion ofjazz and rock music, andcountry rock which is a fusion ofcountry music and rock music.
Amicrogenre is a niche genre,[13] as well as a subcategory within major genres or their subgenres.
Thegenealogy of musical genres expresses, often in the form of a written chart. New genres of music can arise through the development of new styles of music; in addition to simply creating a new categorization. Although it is conceivable to create a musical style with no relation to existing genres, new styles usually appear under the influence of pre-existing genres.
Musicologists have sometimes classified music according to a trichotomous distinction such as Philip Tagg's "axiomatic triangle consisting of 'folk', 'art' and 'popular' musics".[14] He explains that each of these three is distinguishable from the others according to certain criteria.[14] Tagg maintains that popular music differs from art music through its mass distribution strategy as well as its non-written distribution modes which produces distinct production and consumption patterns between these musical categories.[15]
Glenn McDonald, the employee ofThe Echo Nest, music intelligence and data platform, owned bySpotify, has created a categorical perception spectrum of genres and subgenres based on "an algorithmically generated, readability-adjusted scatter-plot of the musical genre-space, based on data tracked and analyzed for 5,315 genre-shaped distinctions by Spotify" calledEvery Noise at Once.[18][19]
Alternatively, music can be assessed on the three dimensions of "arousal", "valence", and "depth".[20] Arousal reflects physiological processes such as stimulation and relaxation (intense, forceful, abrasive, thrilling vs. gentle, calming, mellow), valence reflects emotion and mood processes (fun, happy, lively, enthusiastic, joyful vs. depressing, sad), and depth reflects cognitive processes (intelligent, sophisticated, inspiring, complex, poetic, deep, emotional, thoughtful vs. party music, danceable).[20] These help explain why many people like similar songs from different traditionally segregated genres.[20]
Starting from the end of 1900s,Vincenzo Caporaletti has proposed a more comprehensive distinction of music genres based on the "formative medium" with which a music is created, that is the creative interface (cognitive milieu) employed by the artist. Following this framework, formative media may belong to two different matrixes: visual or audiotactile with regards to the role played in the creative process by the visual rationality or the bodily sensitivity and embodied cognition. The theory developed by Caporaletti, named Audiotactile Music Theory, categorises music in three different branches: 1) written music, like the so-called classical music, that is created using the visual matrix; 2) oral music (likefolk music or ethnic music before the advent of sound recording technologies); 3) Audiotactile music, which are process of production and transmission is pivoted around sound recording technologies (for examplejazz, pop, rock,rap and so on). These last two branches are created by means of the above-mentioned audiotactile matrix in which the formative medium is the Audiotactile Principle.[21][22]
Art music primarily includes classical traditions, including bothcontemporary and historical classical music forms. Art music exists in many parts of the world. It emphasizes formal styles that invite technical and detailed deconstruction[23] and criticism, and demand focused attention from the listener. In Western practice, art music is considered primarily a written musical tradition,[24] preserved in some form ofmusic notation rather than being transmitted orally, by rote, or in recordings, aspopular andtraditional music usually are.[24][25] Historically, most western art music has been written down using the standard forms of music notation that evolved in Europe, beginning well before the Renaissance and reaching its maturity in the Romantic period.
The identity of a "work" or "piece" of art music is usually defined by the notated version rather than by a particular performance and is primarily associated with the composer rather than the performer (though composers may leave performers with some opportunity for interpretation or improvisation). This is so particularly in the case of western classical music. Art music may include certain forms ofjazz, though some feel that jazz is primarily a form of popular music. The 1960s saw a wave of avant-garde experimentation in free jazz, represented by artists such asOrnette Coleman,Sun Ra,Albert Ayler,Archie Shepp andDon Cherry.[26] Additionally, avant-garde rock artists such asFrank Zappa,Captain Beefheart, andthe Residents released art music albums.
Popular music is any musical style accessible to the general public and disseminated by the mass media. Musicologist and popular music specialist Philip Tagg defined the notion in the light of sociocultural and economical aspects:
Popular music, unlike art music, is (1) conceived for mass distribution to large and often socioculturally heterogeneous groups of listeners, (2) stored and distributed in non-written form, (3) only possible in an industrial monetary economy where it becomes a commodity and (4) in capitalist societies, subject to the laws of 'free' enterprise_ it should ideally sell as much as possible.[14]
The distinction between classical and popular music has sometimes been blurred in marginal areas[27] such asminimalist music and light classics. Background music for films/movies often draws on both traditions. In this respect, music is like fiction, which likewise draws a distinction betweenliterary fiction andpopular fiction that is not always precise.
Country music, also known as country and western (or simply country) and hillbilly music, is a genre of popular music that originated in the southern United States in the early 1920s. The origin of country music stems from Europeanfolk music as well as ballads and dance tunes brought by British immigrants who combined these elements withblues andspirituals ofAfrican Americans to create a separate musical form.[28]
Electronic music is music that employselectronic musical instruments, digital instruments, orcircuitry-basedmusic technology in its creation. Contemporary electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music (EDM).
Funk is a music genre that originated inAfrican American communities in the mid-1960s when musicians created arhythmic, danceable new form of music through a mixture of soul, jazz, and rhythm and blues (R&B).
Hip Hop music, also referred to aship-hop orrap music, is a genre of music that was started in the United States, specifically the South Bronx in the New York City by African-American youth from the inner cities during the 1970s. It can be broadly defined as a stylized rhythmic music that commonly accompaniesrapping,[29] a rhythmic and rhyming speech that is chanted.[30] Hip hop music derives from the hip hop culture itself, including four key elements: emceeing (MCing)/rapping, Disc jockeying (DJing) withturntablism,breakdancing andgraffiti art.
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, United States, in the late 19th and early 20th centuries, with its roots in blues and ragtime.
Latin music is a genre of music that originated in the United States due to the growing influence of Latino Americans in the music industry. It is a term used by the music industry to describe music in a catch-all category for various music styles fromIbero-America.
Pop is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms popular music and pop music are often used interchangeably, although the former describes all music that is popular and includes many disparate styles.
The aggressiveness of the musical and performative style, based on structural simplicity and the vigorous rhythms of rock'n'roll style, reinforced the challenging and provocative character, within the universe of modern music.
Reggae music, originating from the late 1960sJamaica, is a genre of music that was originally used by Jamaicans to define themselves with their lifestyle and social aspects.[31] The meaning behind reggae songs tend to be about love, faith or a higher power, and freedom.[32] Reggae music is important toJamaican culture as it has been used as inspiration for many third world liberation movements.Bob Marley, an artist primarily known for reggae music, was honored by Zimbabwe's 1980 Independence celebration due to his music giving inspirations to freedom fighters. The music genre of reggae is known to incorporate stylistic techniques fromrhythm and blues,jazz, African, Caribbean, and other genres as well but what makes reggae unique are the vocals and lyrics.[citation needed] The vocals tend to be sung inJamaican Patois,Jamaican English, andIyaric dialects. The lyrics of reggae music usually tend to raise political awareness and on cultural perspectives.[33]
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and the United Kingdom.
Religious music (also referred as sacred music) is music performed or composed for religious use or through religious influence.Gospel, spiritual, andChristian music are examples of religious music.
Piano accordion: Italian instrument used in several cultures
Traditional and folk music are very similar categories. Although the traditional music is a very broad category and can include several genres, it is widely accepted that traditional music encompasses folk music.[36] According to theICTM (International Council for Traditional Music), traditional music are songs and tunes that have been performed over a long period of time (usually several generations).[37]
Thefolk music genre is classified as the music that is orally passed from one generation to another. Usually, the artist is unknown, and there are several versions of the same song.[38] The genre is transmitted by singing, listening and dancing to popular songs. This type of communication allows culture to transmit the styles (pitches and cadences) as well as the context it was developed.[39]
Culturally transmitting folk songs maintain rich evidence about the period of history when they were created and the social class in which they developed.[40] Some examples of the Folk Genre can be seen in thefolk music of England andTurkish folk music. English folk music has developed since themedieval period and has been transmitted from that time until today. Similarly, Turkish folk music relates to all the civilizations that once passed thorough Turkey, thereby being a world reference since the east–west tensions during theEarly Modern Period.
Traditional folk music usually refers to songs composed in the twentieth century, which tend to be written as universal truths and big issues of the time they were composed.[41] Artists includingBob Dylan;Peter, Paul and Mary;James Taylor; andLeonard Cohen, transformed folk music to what it is known today.[42] Newer composers such asEd Sheeran (pop folk) andthe Lumineers (American folk) are examples of contemporary folk music, which has been recorded and adapted to the new way of listening to music (online)—unlike the traditional way of orally transmitting music.[43]
Each country in the world, in some cases each region, district and community, has its own folk music style. The sub-divisions of folk genre are developed by each place, cultural identity and history.[44] Because the music is developed in different places, many of the instruments are characteristic to location and population—but some are used everywhere:button orpiano accordion, different types of flutes or trumpets,banjo, andukulele. Both French and Scottish folk music use related instruments such as thefiddle, the harp and variations ofbagpipes.[45]
Metallica performing at the O2 Arena, March 28, 2009John Scofield at the stage of Energimølla. The concert was part ofKongsberg Jazzfestival and took place on July 6, 2017
Since music has become more easily accessible (Spotify,iTunes, YouTube, etc.), more people have begun listening to a broader and wider range of music styles.[46] In addition, social identity also plays a large role in music preference. Personality is a key contributor for music selection. Those who consider themselves to be "rebels" will tend to choose heavier music styles likeheavy metal orhard rock, while those who consider themselves to be more "relaxed" or "laid back" will tend to choose lighter music styles likejazz or classical music.[46] According to one model, there are five main factors that exist that underlie music preferences that are genre-free,[contradictory] and reflect emotional/affective responses.[47] These five factors are:
A Mellow factor consisting of smooth and relaxing styles (jazz, classical, etc.).
An Urban factor defined largely by rhythmic and percussive music (rap,hip-hop,funk, etc.).
Studies have shown that while women prefer more treble oriented music, men prefer to listen to bass-heavy music. A preference for bass-heavy music is sometimes paired withborderline andantisocial personalities.[48]
Age is another strong factor that contributes to musical preference. Evidence is available that shows that music preference can change as one gets older.[49] A Canadian study showed that adolescents show greater interest in pop music artists while adults and the elderly population prefer classic genres such as rock, opera, andjazz.[50]
^Philip Tagg, 'Towards a Sign Typology of Music', in Secondo convegno europeo di analisi musicale, ed. Rosanna Dalmonte & Mario Baroni, Trent, 1992, pp. 369–78, at p. 376.
^Gracian Černušák, revised by Andrew Lamb andJohn Tyrrell, "Polka (from Cz., pl. polky )",The New Grove Dictionary of Music and Musicians, second edition, edited byStanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
^McCown, William; Keiser, Ross; Mulhearn, Shea; Williamson, David (October 1997). "The role of personality and gender in preference for exaggerated bass in music".Personality and Individual Differences.23 (4):543–547.doi:10.1016/s0191-8869(97)00085-8.
^Bonneville-Roussy, Arielle; Rentfrow, Peter J.; Xu, Man K.; Potter, Jeff (2013). "Music through the ages: Trends in musical engagement and preferences from adolescence through middle adulthood".Journal of Personality and Social Psychology.105 (4):703–717.doi:10.1037/a0033770.PMID23895269.
^Schwartz, Kelly; Fouts; Gregory (2003). "Music preferences, personality style, and developmental issues of adolescents".Journal of Youth and Adolescence.32 (3):205–213.doi:10.1023/a:1022547520656.S2CID41849910.
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