Goranchacha, one of the mythical creatures in the mythology of the MuiscaTheMuisca raft, discovered in 1969 and associated with an offering byPasca chiefs
The times before theSpanish conquest of theMuisca Confederation are filled with mythology. The first confirmed humanrulers of the two capitalsHunza andBacatá are said to have descended from mythical creatures. Apart from that, other Muisca myths exist, such as the legendaryEl Dorado and theMonster of Lake Tota. The tradition includes a selection of received myths concerning the origin and organisation of theuniverse.Their belief system may be described as apolytheistic religion containing a very strong element of spirituality based on anepistemology ofmysticism.
Bachué ("the Grandmother") is a non-material principle of creation, the will, the thought and the imagination of all the things to come. She is a similar concept to the principle oftao in theChinese mythology.
The time ofunquyquie nxie ("the first thought") is the time of the cosmic origin, when the thoughts of Bague became actions. This is the time when Bague created the builders of the universe and ordered them to create.
According to Muisca legends, mankind originated inLake Iguaque, when grandmother goddess Bachué came out, against the divine laws,Chibchacum brought forth aflood that covered the world and nearly destroyed the human race. Then, the protective godBochica drove away the waters through theTequendama Falls, and taught humans the basis of civilisation,agriculture, religion, the arts, and crafts. When he was about to leave for his heavenly kingdom,Cuchavira (therainbow) appeared andBochica announced his second coming, far away in the future, in an event marked by death and disease. These events are similar to the biblical histories ofGenesis andApocalypse.
Nencatacoa ("The protector of festivities, fapqwa, and the arts") God of fapqwa (Muisca beverage), celebrations and artistic expression. Necantacoa had the shape of a bear-fox.
Suetyba: A Deity that the Spanish inquisitors associated with the devil, probably a deity related to magic and the night.
The gods danced a very long dance (sas quyhynuca), with the music of thefo drum, in the first ceremony. This ceremony gave origin tospace andtime.
Then, the gods created the first materials of the universe:fiva (the air),faova (the cosmic cloud) andie (the smoke). Then, they created the six directions of the materialdimension, and in the middle ofitugue, the emptiness, they created the centre of powertomsa (bellybutton of the universe). But, still the universe had no consistency, and they waited manybxogonoasaeons until thesas bequia, the beginning of the world.
Several mythological creatures have been described by thechroniclers:
Thomagata, said to have been one of the most religious of thezaques, after Idacansás[1]
Idacansás, allegedly a mythical priest fromSugamuxi who was able to change the order of things[2]
Goranchacha, a mythicalcacique who moved the capital of the northern Muisca fromRamiriquí to the later capital Hunza[3]
Pacanchique, according to Muisca myths recovered his fiancé Azay from rulerQuemuenchatocha by first turning her into a dead person and then bringing her back to life using different plants. He also showed theSpanish conquistadores the way to Nemequene's palace[4] Other Muisca people where human and mythological character converge are:
Hunzahúa, firstzaque of Hunza, allegedly committingincest with his sister and said to have fled[5]
Meicuchuca, firstzipa of Bacatá, one of his wives mythologically turned into a snake[6]
El Dorado, the man or city made of gold, that was not so mythical but a main motive for the Spanish to conquer Colombia. The ritual is represented in theMuisca raft, a piece of gold working found inPasca almost 400 years after the arrival of the Spanish
Hunzahúa Well, a well that according to the mythology of the Muisca originated from spilledchicha when the mother ofHunzahúa caught him and his older sister, Noncetá, while they were copulating.[8]
Fura and Tena, the first woman and man created by the god Are to populate the earth. Because Fura was not faithful, they lost their immortality, so they aged and died. Are took pity on them and turned them into rocky crags protected from storms, and Fura's tears became into emeralds.
Ocampo López, Javier (2013),Mitos y leyendas indígenas de Colombia - Indigenous myths and legends of Colombia (in Spanish), Bogotá, Colombia: Plaza & Janes Editores Colombia S.A., pp. 1–219,ISBN978-958-14-1416-1