"Mr. Vain" is a song by German musical groupCulture Beat, released in April 1993 by Dance Pool as thelead single from the group's second studioalbum,Serenity (1993). The song was written by Steven Levis,Nosie Katzmann andJay Supreme, and produced byTorsten Fenslau.Tania Evans is the lead vocalist and Supreme is the rapper. The female part of the lyrics describes thenarcissist title character Mr. Vain, while the rap embodies his selfish desires.[3]
"Mr. Vain" achieved success worldwide, reaching the number-one position in at least 19 countries,[4] including 9, 7 and 6 weeks at number one in Germany, Denmark, and Finland. In the United States, it peaked at number 15 on theCash Box Top 100, number 17 on theBillboard Hot 100 and number two on theBillboardDance Club Play chart. In 1994, the song earned an award at the GermanEcho Award, in the category for "Best International Dance Single"[5] and an award in the category for "Best Hi-NRG 12-inch" at theWMC International Dance Music Awards in the US.[6] Its accompanying music video was directed byMatt Broadley and received heavy airplay on music television channels such asMTV Europe.[7]
German DJ and producerTorsten Fenslau and his friend Jens Zimmerman formed Culture Beat inFrankfurt in 1989.[8] They took the name from the idea of trying to mix high culture and music,[8] and had their first hit same year, entitled "Der Erdbeermund" ("Strawberry Lips"), which meshedhouse sounds with the poetry of 15th century French writerFrançois Villon. With the success of songs like "Rhythm Is a Dancer" by German groupSnap! in 1992, which several critics later would compare "Mr. Vain" to, the formula for what would be known as 90sEurodance was now beginning to establish.[3][2] Fenslau wanted to develop the group further[9] and American rapperJay Supreme and British singerTania Evans were recruited to front a new single and album. Supreme had moved to Germany after being in theUS Army, while Evans had been working as backing singer forNeneh Cherry.[8] The lyrics to "Mr. Vain" were written by German musician and songwriterNosie Katzmann with Supreme and Steven Lewis, and the single was released on April 16, 1993.
AllMusic editor William Cooper called "Mr. Vain" an "engaginghouse tune". He compared it toSnap!'s "Rhythm Is a Dancer" andReal McCoy's "Another Night" with its "instantly memorable keyboard hook".[2]Larry Flick fromBillboard described it as a "chirpyrave/NRG track", stating that "if its European chart success is a fair indicator", then the song "will be all the rage within minutes."[10] Nicole Leedham fromThe Canberra Times notedCulture Beat's "combination of soul, insightful lyrics and dance floor-friendly music".[11] Student newspaperColumbia Daily Spectator stated that "near-indiscernible rapping over a pulsingtechno beat and an unforgettable synth line" make it "the quintessential '90s dance track."[12]
Tom Ewing ofFreaky Trigger wrote that "Mr. Vain" "heads straight for the dark heart of the club, sketching a dancefloor predator who – likeEezer Goode [sic] – is as much metaphor as character. For drugs, lust, loss of control – who knows? The lyrics' almost-there English works to the song's benefit – there's an awkward poetry to "Call him Mr Raider, call him Mr Wrong" – and for once the obligatory rap isn't an embarrassment, withJay Supreme's gloating, bassy flow reminding me of knowingly devilishChicago house classics like "Your Only Friend". "Mr Vain" is the hustling flipside to "All That She Wants", and almost as good a pop record."[13] John Patrick fromLake District News stated, "The beat is a dream to any dance and the words become so familiar, you can sing along with the chorus on cue."[14]
In his weekly UK chart commentary,James Masterton said, "Stand by for the dance hit of the summer." He added that "although in actual fact as one of the best European dance records of the year so far it would probably have been a major hit anyway."[15]Simon Price fromMelody Maker viewed it as an "audacious rewrite" of "Rhythm Is a Dancer", and categorized it as "house music. Not rave, not techno, but good ol' rump-pumping Hi-NRG house." He also remarked, "WhenEvans purrs, "I know what I want, and I want it NOWWW", empires crumble."[16] Diana Valois fromThe Morning Call noted its formula of "staccato beats, deep bass lines, and nervous and tinny keyboard riffs." She added, "Balancing the somber vocals of Jay Supreme is the optimistic soulfulness of a cheery Tania Evans".[17]
Machgiel Bakker fromMusic & Media called "Mr. Vain" a "snappy and poppy dance groove".[18] Alan Jones fromMusic Week declared the song as "maddeningly commercial but lyrically nonsensical",[19] and with "hugely commercial hooks".[20] Jim Farber fromNew York Daily News described it as "propulsive", with "snappy electronic rhythms and trendy rap break". He commented, "Musically, the song strongly recalls Snap!'s smash "Rhythm Is a Dancer", but its clash of two voices offers a fresh twist. One voice (provided byR&B singer Tania Evans) mockingly describes the ace narcissist "Mr. Vain", while a second (from a rapper named Jay Supreme) embodies the title character's selfish desire – it's a winkling comment on self-absorption on a track made for the indulgent world of dance clubs."[3] In a 2014 retrospective review,Pop Rescue praised it as "fantastically catchy".[21]
"Mr. Vain" first experienced success in Germany, topping theGerman Singles Chart for nine consecutive weeks from June to August 1993,[22] before spreading to other European countries. The song spent 33 weeks within the German Top 100. It also topped the charts of Austria (1 week),[23] Belgium (4 weeks),[24] Denmark (7 weeks),[25] Finland (6 weeks),[26] Ireland (5 weeks),[27] Italy (2 weeks),[28] the Netherlands (2 weeks),[29] Norway (2 weeks),[30] Switzerland (4 weeks),[31] and the United Kingdom, as well as on theEurochart Hot 100. In the UK, the song hit the top spot during its fourth week on theUK Singles Chart, on 22 August 1993,[32] after entering the chart at number 24. It was the first single to top the chart that was not released on7-inch vinyl,[33][34] spending four weeks at the top and 15 weeks inside the UK Top 100. It sold more than 442,000 copies in the UK,[35] and also topped theMusic Week Dance Singles chart as well as reaching number five on the UK Airplay chart.[36][37] Additionally, "Mr. Vain" peaked at number two in Sweden for 4 weeks, behindUB40's "(I Can't Help) Falling in Love with You" and4 Non Blondes' "What's Up", and was a top-3 hit in France, Iceland and Spain.[38][39][40] The song debuted on the Eurochart Hot 100 at number 65 on 5 June,[41] after charting in Germany. It peaked at number one thirteen weeks later, on 28 August, and stayed at the top position for six consecutive weeks,[42] beforeHaddaway's "Life" took over the top position at the chart.
The song also earned agold record in Austria (25,000), the Netherlands (50,000), Sweden (25,000), Switzerland (25,000) and the UK (400,000), while it received a silver record in France (125,000). It was also awarded a 3× gold record in Germany, with a sale of 750,000 units, and a platinum record in Australia (70,000) and Norway.
A music video was produced to promote the single, directed by Swedish-based directorMatt Broadley.[49] It featuresEvans andSupreme at abaroque house party populated by a mélange of powdered dandies and silver-vested ravers.[50] The video begins with Supreme in black-and-white, looking at himself in a mirror, putting on a ring. As he looks into the mirror again, he sees the cracks in his face. He then attends the house party. Now in colours, people are dancing at the party and Evans sits in the corner of the room, seeing Supreme peeking by the curtain. He walks towards her and offers her his hand. She leaves, with him following her. Meanwhile, an epic arrangement of fruit is served at the party and it devolves into an hedonistic orgy of juice.[50] As the video ends, after being followed through the hallway and up a dark staircase, Evans finds a hand-mirror lying on a nightstand and puts it up to Supreme's face. In black-and-white, his face becomes cracked and chipped again.[51] The last shot depicts a white rocking horse rocking alone in a room littered with leaves. The video receivedheavy rotation onMTV Europe in July 1993.[7] Broadley would also be directing the videos for Culture Beat's next singles, "Anything" and "World in Your Hands".
In 1994, the GermanEcho Award honored the song with an award in the category for "Best International Dance Single",[5] and it also received an award in the category for "Best Hi-NRG 12-inch" at theWMC International Dance Music Awards in the US.[6] Same year,Peter Paphides andSimon Price ofMelody Maker praised songs such as "Rhythm Is a Dancer", "What Is Love" and "Mr. Vain" as modern classics, "butt-shakingWagneriandisco monsters. Or, as someone else who knew a thing or two put it:Che Guevara andDebussy to a disco beat."[52] In 2005,Freaky Trigger ranked "Mr. Vain" number 78 in their list of "Top 100 Songs of All Time".[53] In 2012,The Guardian featured it in their "Sounds of Germany: A History of German Pop in 10 Songs", writing, "Culture Beat's glorious "Mr Vain", with its rollicking beat, diva vocals and stilted rapping, comes as close as anything to summarising the spirit of the genre."[54] Same year, Australian music channelMax included "Mr. Vain" in their list of "1000 Greatest Songs of All Time".[55] In their "The ABC in Eurodance" in 2016, Finnish broadcasterYle noted, "If someone could look up "The archetypal Eurodance hit song" in an Encyclopedia there would probably be a link to an audio file for "Mr Vain" - a song that more than anyone else came to define the 90's dance music."[56] In 2017,BuzzFeed ranked it number 17 in their "The 101 Greatest Dance Songs of the '90s" list.[57] In 2024,MTV 90s ranked "Mr. Vain" number four in their list of "Top 50 Rhythms of Eurodance".[58][59]
* Sales figures based on certification alone. ^ Shipments figures based on certification alone. ‡ Sales+streaming figures based on certification alone.
^Avoledo, Pam (20 March 2020)."Video Review: Culture Beat "Mr. Vain"".I Want My Pop Culture. Archived from the original on 20 September 2020. Retrieved16 September 2021.
^Pennanen, Timo (2006).Sisältää hitin - levyt ja esittäjät Suomen musiikkilistoilla vuodesta 1972 (in Finnish) (1st ed.). Helsinki: Tammi.ISBN978-9-5112-1053-5.
