Missa cantata (Latin for "sung Mass") is a form ofTridentine Mass defined officially in 1960 as a sung Mass celebrated without sacred ministers, i.e., deacon and subdeacon.[1]
Documents of the Holy See such as theDecree of the Congregation of Sacred Rites of 14 March 1906 spoke ofMissa cantata sine Ministris (Sung/Chanted Mass without the Ministers). The 19th-centuryCeremonial for the Use of the Catholic Churches in the United States of America (commonly called the "Baltimore Ceremonial" because published by request of theThird Plenary Council of Baltimore of 1884) used the name:High Mass without Deacon or Sub-Deacon[2]
TheBaltimore Ceremonial thus classified theMissa cantata as a High Mass. The early 20th-centuryCatholic Encyclopedia said, on the contrary, that aMissa cantata "is really alow Mass, since the essence of high Mass is not the music but the deacon and subdeacon. Only in churches which have no ordained person except one priest, and in which high Mass is thus impossible, is it allowed to celebrate the Mass (on Sundays and feasts) with most of the adornment borrowed from high Mass, with singing and (generally) with incense."[3]
In 1960,Pope John XXIII'sCode of Rubrics distinguished theMissa cantata both from a high Mass and from low Mass. Under the number 271, it defined the forms of Mass as follows:
Masses are of two kinds:sung Masses (in cantu) andlow Masses (Missa lecta).
A Mass is calleda sung Mass, when the celebrant actually sings those parts which the rubrics require to be sung; otherwise it is called alow Mass.
Moreover, asung Mass, when celebrated with the assistance of sacred ministers, is called asolemn or High Mass (Missa solemnis); when celebrated without sacred ministers, it is called aMissa cantata.[4]
TheMissa cantata came into use during the 18th century and was intended for use in non-Catholic countries where the services of adeacon or asubdeacon (or clergy to fill these parts in the ceremony of theMass) were not easily had. It was intended to be used in place ofSolemn Mass on Sundays and major feast days.
The use of incense at aMissa cantata was at first forbidden, but became general: "The Sacred Congregation of Rites has on several occasions (9 June 1884; 7 December 1888) forbidden the use of incense at a Missa Cantata; nevertheless, exceptions have been made for several dioceses, and the custom of using it is now generally tolerated."[3] General permission was finally granted in the 1960 Code of Rubrics, which stated: "The incensations that are obligatory in Solemn Mass are permitted in every Missa Cantata".[5]
The parts sung by the priest are to be sung inGregorian chant. More elaborate musical settings of the choir's parts may also be used.[6]
The rigid distinction between a sung Mass and a low Mass in theRoman Rite was abandoned in the 1969 revision of theRoman Missal. TheGeneral Instruction of the Roman Missal even states: "It is very appropriate that the priest sing those parts of the Eucharistic Prayer for which musical notation is provided."[7] Under the heading "The Importance of Singing", it says: "Great importance should therefore be attached to the use of singing in the celebration of the Mass, with due consideration for the culture of the people and abilities of each liturgical assembly. Although it is not always necessary (e.g., in weekday Masses) to sing all the texts that are of themselves meant to be sung, every care should be taken that singing by the ministers and the people is not absent in celebrations that occur on Sundays and on holy days of obligation."[8]
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